WARNING: There is virtually nothing new in this issue that has not been previously published on our web blog. There is no cover price and money being charged here is to nominally cover printing, shipping and bank fees. You may be able to get a copy for free or small donation from touring bands or at Extreme Noise Records, Long Haul Info Shop and other cool DIY places
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ‘em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
WARTORN are a whirlwind of thrash punk goodness hailing from Wisconsin. Since 2004, they’ve been hitting the touring and record release circuit with no looking back. Here’s a quick interview I did to let people know about their two latest releases, Domestic Terrorist 7″ (Profane Existence) & Iconic Nightmare 12″ (Southern Lord). – Andy Leffer
(This interview also appears in CVLT NATION)
PE: You know the drill, just give us the basics on who’s who and what’s changed in the past, in regards to any line up changes, etc. Also, give us some insight on where WARTORN is going. We want to know tours, records, riots, protests, arrests….the whole back story on WARTORN’s origins.
Bitty: (Vocals) The band started in 2004, with Ryan, Hart (on drums) and myself as a three-piece. Within half a year I got a call with an offer for our first tour, which was with Municipal Waste. We did a mini tour with them and ever since then we have been able to go on tours with amazing bands each year such as Los Dolares, ATU, CYP, Krang, In Defence, Pyroklast, Hellshock, and up next Raw Power . We have been to 13 countries and have done lots of releases on many different labels.
Ryan: guitar / low vocals / whiskey enthusiast. Well we started as a 3-piece and over a span of over 8 years, have ended up with 6 members. With 3 of us being guitar players we are able to diversify our songs in ways that we could only do in a studio setting. This obviously makes a difference live as well.
Ela: I’ve been the bass player for over the last 6 years. Recently, we came out with an LP/CD on Southern Lord Records called “Iconic Nightmare” and a 7-inch, “Domestic Terrorist”, released on Profane Existence (which is part of their limited edition singles series).
Toban: (Guitar) I think I might have the most arrests out of anyone in the band. Not like its anything to brag about. I did narrowly avoid another arrest a few weeks ago.
Derek: Guitar as well. I’ve been in the band for a few months and have been on two tours so far.
PE: The music is dynamic, to say the least. You’re not getting any half-assed riffs or mindlessly thrown together lyrics or production with your music. Elaborate on the process and what is the driving force for doing such a band. Punk is a political movement, it’s always been a political movement. Are you a part of this fray as a whole, or is this more of a personal, therapeutic outlet?
Ryan: I definitely believe in the power of the riff. Heavy and raging. Punk is a political movement, but I also see it as a community (full of musicians, artists, writers, photographers, open thinkers etc). A lot of us live/ have lived in punk houses and have been booking DIY shows for years. It’s something we do to contribute to it as a whole.
Toban: Ryan is the riff-master general of the band. He does a great job of coming up with some of the most incredible riffs of anyone I’ve been in a band with. Adding Bitty’s smartly composed lyrics and Hart’s hard hitting/tight drum style makes a great concoction.
Bitty: As far as what I write lyrically, I mainly write about personal experiences or historical events. I don’t tell people what they need to think, that is for them to figure out on their own. Also, I could not label myself as more than a realist and a situationalist.
Ela: Well in my opinion, I would say that we are a part of this as a whole, but it also is a personal outlet for me. We have all contributed to the movement in one way or another, but I think of punk as more than just a political movement. For me it is also about a unified community… where people come together, whether it is for political reasons, to share a passion for music, a hobby, art, etc. … and we definitely have that in Appleton, which is awesome.
Hart: I honestly wouldn’t say punk’s always been a political movement at all. The fact that DK, Meatmen, and the Germs, for example, all existed during one heyday suggests more of a harsh musical and broad social changeover than anything to me. For me personally, punk rock, metal and hardcore have always been a therapeutic and vindicating way of life that has consistently solved a lot of my life’s most harrowing, fucked-up times. It had a total bottleneck effect on how I raised myself mentally and emotionally. It was a really great thing to find out about when I was trying to figure out how to express myself when everything just infuriated or bored the shit out of me. Later, after I was free as an adult, I quickly found out it came replete with its own sense of community, and a totally viscous following I was never aware existed at all. This band is fucking great, cause we never throw a blind rhetorical blanket over our lyrical ideals, or even necessarily our instrumentation for that matter. We have a rough format that we’ve stuck to, but we all come from slightly different scenes and upbringings, and I’ve always thought it showed at least a little in our styles. I honestly don’t think the excitement of being in this band has worn off for any of us. Sure, growing pains have slowed our progress a couple of times, but whenever the next lightbulb goes on over our heads, it’s all go no slow!
Derek: For me, this is definitely a personal outlet. That’s what music has always been for me. Being the young’n metalhead in the group, I’ve kind of just been exposed to the world of punk houses and DIY shows recently. From what I’ve gathered so far I can at least say that the sense of community is beautiful.
PE: Your latest singles release on Profane Existence “Domestic Terrorist”. There’s no beating around the bush on this subject matter. Once again, can you elaborate on this specific release and the intention behind the subject?
Bitty: There have been a few times where I had local law enforcement “protect and serve” the shit out of me. As a kid in the 80’s from a small hometown, I’ve had guns in my face from the cops, hammers pulled back and screaming in my face. I have also had an off-duty cop put a gun in my face and ask me if I thought it was funny while he was wasted. You know of all the times I was ever robbed or assaulted, at least I knew if I fought back I stood a chance; I even survived an attempted homicide! But, it’s not so easy when you have to fight back against law enforcement. They just beat your ass and lock you up, even if they are totally in the wrong. I’ve witnessed so much personal corruption; to me it seems to be an extension of an abuse of absolute power. Now that, to me, strikes terror in any citizen.
PE: Bitty, you’re straight edge…maybe not self-proclaimed, but you don’t consume drugs or alcohol. Considering the genre of punk and it’s history of abuse with these elements, has this hindered your views on the movement?
Hart: Total interjection here! Dude, Bitty’s optimism actually astounds me. He’s seen more friends either die or completely lose their vitality as humans due to drug and alcohol use than I’d like to ponder. He’s remained pretty fucking pragmatic in his attitude toward his friends’ choices in that sense. I myself get pretty fed-up at times about my own friend’s use of drugs, especially certain ones. I’ve had plenty problems controlling my drinking in the past. I do believe I have a fairly good idea these days of when to dry out, but it can pull me into a real bad place. I start questioning what even matters anymore, and I start fighting everything that means the most to me. However, that’s where that community comes in again! I’m learning to seek out the right punks or no one at all when the time feels right, and I’ve been keeping up on it for a while now.
Bitty: Not at all. You don’t need to be like me in order for me to like you. The real moment that reinforced my decision was when I came home to a friend that lived with me and I found him in a pool of his own blood. He had tried to cut his hand off with a butcher knife while he was completely wasted and ended up with more stiches then an average shark attack. It really put a bad taste in my mouth about how substances can amplify bad decision-making skills. Although I am aware that most just use it to have a good time, truth be told, I just didn’t like it. It wasn’t my thing. But as long as you’re not hurting me or others in any way shape or form it’s your deal not mine. This is just a suggestion, have fun and do what you need to do to deal with things or get by, but try not to destroy yourself in the process. You might end up missing out on some good things in life.
PE: WARTORN is a great band, so with that….does WARTORN have anything they’d like to say to the world, it’s listeners or the masses in general?
Toban: In the words of country music legend Kris Kristofferson “Don’t let the bastards get you down”. Ryan: Thanks for the interview.
Ela: Thanks for all the support. We can’t wait to hit the road and tear it up again in a couple months!
Derek: May the force be with you. But seriously, I can’t wait to hit the road and I hope to see everyone reading this there.
Hart: As always, start 4 bands tomorrow and eat your fiber!
Bitty: Thanks for the interview Andy and everyone that helped us out and we’ll see you on the road. If you’d like to help us out with booking or have any questions, feel free to write us at email@example.com.
DESPISE are a four piece punk/crust/metal unit from the depths of the Minneapolis underground. Their 7″ release is a line of single’s being released by Profane Existence this year.
Interview by Andy (Leffer) of War//Plague
Let’s get this party started. First off…like most all interviews let’s start with who you are, what you do and what DESPISE is up to? What does the future hold after this PE single release? Also, expand on some each of your backgrounds, and what you were involved with prior to the band.
I’m Hannah, I do vocals and write the lyrics. I moved to Minneapolis from Chicago in 2010. I played bass and did vocals in Securicor from Chicago, and also vocals in Krang.
Zach: Hopefully we can put out some full length records seeing as we have a lot of material. As for before despise. I started going to shows at age 13 or 14. Played in a band called EZ Bleeders. We were rock/metal/funk/punk so everyone hated us but we just wanted to play. Grew up in uptown Mpls around a lot of older punks.
Hi. my name is Mike. I play bass real loud. moved to Minneapolis in 2009. its rad here.
What’s your thoughts on the Minneapolis punk community and how DESPISE falls into the DIY mix. There seems to be quite a good mix of punk and crust rising from the ashes of other previous projects within the Minneapolis scene. We had the 90’s and early 00’s that brought us DESTROY, STATE OF FEAR, ASSRASH, PROVOKED, PONTIUSPILATE, and needless to say MISERY, which is still going strong. Do you feel DESPISE is a part of this element of resurgence and is there still that dedicated @narcho thought process within the band?
Hannah: Definatly. Minneapolis has such a awesome punk scene/ community. So many rad bands that I have grown up listening to and have influenced me are from here.
Mike: well, if you want my grossly unimportant opinion, the scene and the music within it are two separate entities. the music is fucking fantastic. and only getting better.so many new bands and new faces. as far as where Despise fits into everything, i think we fit right in. if ive learned anything about minneapolis since ive lived here, its that its a weird fucking place filled with weird fucking people who like weeeeeeeeeeeiiiirrd fucking music. and if you havent met us, were a bunch of weird motherfuckers too. i fucking love it here.
Mitch: The scene has really picked up , it’s awesome to see so much activity now, it reminds me of how much was going on in the 90’s, so many awesome bands going on these days that local shows are always “stacked”, can’t even go grocery shopping without seeing people from bands or shows. It reminds me to be grateful , a lot of towns don’t have that. I definitely feel that Despise fits right in with what’s been going on.
Zach: I think despise takes a whole different approach to the punk scene. I don’t think of our music as being punk or even being really a part of this “scene”. I don’t make music for other people. I do it because its what I want to do
I know you folks had a bit simpler sound when you began. Straight up D-beat hardcore punk, but now it seems you’ve melded into a more crust, metallic sound. Was this an evolution of the band you knew would take shape, or was it more “fly by the seat” type thing?
Hannah: I think its the result of a combination of all of us taking influence from different sub genres of punk…grind, crust, black metal, d-beat, hardcore, etc…throw it all in a mix and you get Despise.
Mitch: It’s been a pretty natural thing as far as songwriting, the musicianship has lent itself to more technical stuff without losing our roots, really had no idea it would progress that way. Stay tuned for some good old fashioned though.
Mike: We always kinda had a general idea of what we wanted the band to sound like. the first batch of songs we wrote were very black and white, crust or metal. after that, everything just kind of naturally progressed into whateverthefuck it is today. zach is so talented when it comes to songwriting. he’s responsible for the metal parts. i just try to keep up and take care of the wicked awesome bass solos. we’ve become who we are together because thats all we can be. ourselves. when people ask what genre of music we play, i usually just say “loud as fuck” because i honestly have no fucking clue haha.
Zach: Crust is fun to play but as far as what I enjoy playing I usually drift more towards metal. Black metal at that. Probably we’re a lot of the metallic elements of our music comes out. Definitely don’t want to take all the credit for that because everybody helps meld the song.
What’s the ideology behind the lyrics and how the music is written?
Mitch: As far as the music goes it’s really just as simple as playing solid riffs and piecing the songs together as it sounds good, we’ll always come to a consensus before a song is finished, that way we all like the finished product. We try keeping things heavy and not being afraid to test the waters. Hannah will have to field the lyrics side.
Hannah: I write most of the lyrics…Most of which pertain to animal rights, vivisection, mental disorders, depression, drug addictions, negative effects humans have on the planet and our ecosystem, and of course cute bunnies taking over and killing humans.
Mike:Hannah has the voice of 10,000 angels. …burning alive in the fires of hell hahahaha. her voice is as much a part of our sound as our guitar and bass tones. but yea she takes care of the lyrics. all of our songs are about things that truly matter to us and to her. you can really hear that she means what she’s saying. we have some political stuff, animal rights, war is bad, so is jesus, blahblahblah. but the ones that stand out to me, the ones that make my cry a little every time we play them, are about real fucking shit. like how drug addiction is killing the scene from the inside out, watching all of our friends (and ourselves) die and lose their minds right in front of us and not being able to do anything about it, that feeling of hopelessness and desperation and shame you get every morning when you wake up and realize the world is still shit. im really grateful that i get to make music with three no shit honestly good hearted human beings.
Zach: Lyrics? We have lyrics?
Are you guys gonna tour and what about local gigs…big plans?
Mitch: Would be nice to do at least a little touring either east or west some time this year, locally, we definitely play our share. lol. Really want to get the rest of our recording released and get back in the studio, lots of newer songs. Hoping for all that this year.
Mike: I think so. i hope so. i let them do the planning for the most part. im down to party whenever wherever and however long they tell me to. but yea. another 7″ comin out soon, followed by what is bound to be the most epic full length record you’ll be listening to while you listen to it as long as you’re not playing a more epic record at the same time.
Hannah: We are planning on touring the east coast this summer. Hopefully the south and west coast after that. We’ve been playing a lot of local shows lately, especially with the release of the 7″. Hoping to record again soon!
Let’s end this interview the normal way. Last words or comments for the world?
Hannah:Up the punks! Ha.
Mitch: Thanks to Profane Existence for releasing the e.p. We can be contacted via Facebook or despisecrust@gmail we’ll have some merch available online soon.
Mike: Be yourself. fuck anyone who tells you you’re not cool or not good enough. this shit belongs to all of us. and if we want it to live forever, we need every single one of you. oh yea. and dont be a dick. seriously. why the fuck cant we all just get along? yea. sorry. fuck everything. upthapuuunnnxxxxx.
In this latest of the posts spotlighting those in our community who are into actively pursuing healthy lifestyles I am happy to bring you a conversation with Comrade Black. Many know that Black is a prolific poster on PE, is actively devoted to animal rights and politically aware. I am happy to bring you Black’s story about fitness and health.
I’ve read that you were into martial arts as a young person, has fitness always been important to you? Or has dedication to physical activity been a more recent occurrence?
Physical fitness has been a big part of my life at some points and not at others. Kinda had an on again off again relationship with fitness for many years to be honest.
I started Judo at 11, in large because I was picked on growing up because I was so small in a town known for sports and jocks (the sign on the way into town actually reads “Western Canada’s Biggest Little Sports Center”). I wanted to be able to defend myself. Turned out Judo wasn’t that useful for that, but once I started I loved it. I competed in tournaments across Saskatewan, and won a few silver and bronze metals. I even went to Judo camp at 15 yrs old where I was lucky enough to train with people like Sensie Hiroshi Nakamura and Ralf Ibanez.
Also when I was really young I was a geeky kid and was super into professional wrestling, and super hero comic books; so I always wanted to be huge and built and strong. I convinced my mom to buy me weights from an auction sale when I was around 11 years old and for a few years I lifted as much as I could. I didn’t really know what I was doing as I had no training but I would read bodybuilding magazines and try to make sense of it. I did get pretty strong, I could almost do an iron cross on the rings when I was in gymnastics in about grade 8, and for a lot of years the only reason I passed gym class each year was gymnastics, weightlifting, and the ne or 2 years we did Olympic style wrestling. Years of Judo helped me with all of those.
I did judo and weight lifting until I was about 16 and started getting to much into traveling and drinking, and left town to live on the streets. When I was around 20 II spent about two taking Muay Thai kickboxing, and submission grappling and later took Jujitsu. After that I ended up back on the streets again. I have also taken a small amount of Ninjitsu here and there.
It has been an on again off again thing throughout those years; but what’s different now is that I really fucked my body up from all of it, so now paying attention to health isn’t an option – it’s fucking necessary just for me to be able to function day to day. If I don’t eat well, sleep well, and keep fit I deal with more pain.
There is a story we never hear. It is the story of the wealthy developer who procures a piece of land to build on, and then upon finding out the land is sacred to local Indigenous people and has heritage sites on it, chooses to not build go ahead with construction. Instead the developer chooses one of many other paths open to them, they try to find other ways to get money back out of their investment or perhaps they go after the previous land owner for not disclosing this information previous to sale. Or maybe they even try to find ways to return at least a portion of that land to the Indigenous.
Yesterday I sat in on the Grace Islet injunction hearing; where an injunction was being sought by a wealthy land owner named Barry Slawsky against protesters – specifically Indigenous people – from being allowed near the site where he is constructing his dream home on top of a native burial ground.
I find that nearly every time discussion comes up about this conflict; someone (generally a white person) will inevitably make a joke that the developer clearly has never read a Steven King novel or watched a horror movie. For the most part I find the joke seems rather tasteless and insulting given that it is easy to joke about for people with nothing at stake, but if it was their own families graves they wouldn’t likely be making bad jokes about it. Yet there is a reason why these classic stories have become such a genre cliché; and the reason is simply because there is such a long history of rich people metaphorically shitting on the sacred sites of Indigenous people. If developers didn’t so routinely say “fuck the Indians,” King and others wouldn’t have made a career out of stories involving people getting terrorized by ghosts for doing precisely that. Perhaps those books should be through of more as wishful thinking…? Or perhaps it’s time to write a new story?
Yet todays court proceedings had more parallels to fiction and TV dramas. The lawyer for Barry Slawsky lived up to every negative stereotype of a lawyer in court today. He came off as utterly despicable, slimy, and dishonest. He was such a caricature he seemed almost like a real life version of the blue haired lawyer often seen representing Mr Burns on The Simpson’s.
His tone was repeatedly condescending, his arguments were colonial and racist, and on a number of occasions he was accused of presenting his speculations as accepted facts. He began by trying to undermine any claims to Aboriginal Title or Treaty Rights and asserting it was simply a case of private property rights and trespass. He was also caught for misrepresenting his own evidence at least once, and on another occasion for trying to cite as evidence a media article quoting unnamed people who were claiming the Cheif’s said something, as proof. In the end he even tried to accuse the judge of bias because the judge lives on Salt Spring Island, where the protests have been taking place. At another point, he claimed that the entire defense was a red herring because if they were trying to stop damage to the burial site – and damage meant work being done – it was a mute point cause the work had already been started. but the one that really got me was when he tried to claim the injunction was necessary for the protection and safety of the protesters who might get hurt…. Yet he was also exceptionally dull to listen to, to the point that I saw two people sitting near me fall asleep. The defense council were far better orators and had a strong case that more time was needed as they presented numerous thick affidavits that had just been filed or were still coming in.
In the end, the judge ruled in favor of adjournment; that the defendants (which included 2 First Nation Cheif’s amongst others) would have 4 weeks to prepare arguments before the injunction hearing moves forward. Many people including myself will be watching to see what comes of this. I am by no means an expert of any sort in the matters of law, nor in the traditions and practices of any of the local indigenous peoples, I presume from my limited knowledge of other supreme court cases that this will be a long and drawn out process, and todays court hearing will be one of many. I also would presume this won’t be the last of the protests, which I hope will continue until work is permanently stopped. It is an interesting time though, with recent court rulings that acknowledge the land as being stolen and sovereignty never having been extinguished which may influence the outcome of this case. While I remain cynical that a court system of a state built on stolen native lands and a history of genocide and ongoing colonization will suddenly rule in favor of Indigenous lands rather than capitalist development; It is only my hope that we as a society can choose to write a different story than the cliché ones we have been enacting for so long.
These are just my observations as an interested and concerned outsider. If you want to learn more about this conflict, the court case, the lands it is taking place on or the history, I highly suggest checking out the Grace Islet facebook page where the people organizing to stop this shit have been posting updates. I am sure that they will be needing support, which can come in many ways
An in depth look at the events that unfolded in Ferguson, Missouri following the police murder of Michael Brown, a black teenager. Also features an exclusive interview with former Black Panther, Ashanti Alston, about the state of black “America”, abolishing penile power and taking care of your peeps in the muthafuckin resistance.
I could write a brilliant (or lame) essay on following your dreams and passions and all that shit but I am going to cut to the chase. We opened a fucking record store!!! Or as Toxic Bill put it “you’re the only one opening a record store in 2014”.
This has been in the works most of my adult life you could say. I have stock piled records and collectibles forever. I’ve done different distros, organized record swaps and run online stores. I even worked in a record store for a brief spell in the early 90’s. None of that compares to how cool a real brick and mortar store front is.
The earliest emails I had related to opening a store dated back to 2007. I started gathering info and getting somewhat serious way back then. But it was really after our trip to play at OC Cruststock this spring that the whole plan solidified and things took off. The timing was right.
We hit a few notable record stores on our trip including Radiation Records and TKO as well as others and that seems to be what really sparked the idea in my partner Val’s head. As soon as we got back he said we needed to open a record store I said okay for the hell-of-it and before I knew it he was sending me links to real estate sites to look at locations.
Denver is taking off due to legal marijuana and that has a positive impact on almost all businesses. People are moving here in droves and looking for new business ventures. That sucks though if you are trying to rent a spot and have a disdain for “hipsters”.
By total luck I found a spot closer to the end of town we both live on and far away from the hipster hangouts of South Broadway. Nestled in one of the oldest retail buildings in Lakewood Colorado was a little tiny hole in the wall spot. It neighbored a tattoo shop, a rehearsal studio for bands and an electronic cigarette store. It was perfect! Val reached out to the landlord and the next thing I knew I was standing in the storefront spinning a business plan off the top of my head to convince the landlord we knew what we were doing.
Shit! We had a storefront and no business plan or model. I got busy in excel and drafted up some quick models that almost brought a tear to my eye. The rent was so low at this location that the numbers just fell right into place! I couldn’t believe it! Two weeks later we were open.
This is for the punx by the punx. We kept our other jobs, the store doesn’t have to support us. With that we are able to keep our margins tight to deliver the best possible prices while being able to pay our bills and reinvest in the store. We try to skip distributors and go right to the labels and bands wherever possible. Why buy it from Relapse if I can get it right from the guy running the label? Everyone tells us our prices are incredible and seem genuinely happy with what we have created and offered to the scene. My brother Justin stepped in to give a few days of his week and with him, Val and me we cover most of the hours. When we need a break our good friend Wiley has stepped in to help us out too.
We have a huge selection of punk and metal everything. CDs, LPs, 7”s, cassettes, necklaces, pins, patches, shirts, hats, books, whatever. We have candles, incense, ash catchers, boxes, grinders, all kinds of shit! …We want the place to be a hang out and create some sense of community so we put in a sofa, a checkers/chess table and a pinball machine. Its themed after the Chicago fire and is a blast to play, its from 1987. It gets a lot of use but think most of the quarters in there are from my son which means they are from my wallet.
So far Sundays seem like they are the hangout day, maybe because it’s also the big hangover day. Its great to see groups of friends run into each other and spend some time swapping stories of bands, records and shows.
That’s about it. If you find yourself in the Denver area stop in and say “hi”. Again the selection is vast covering all spectrums of the metal and punk worlds; there is something for just about everyone. One dude came and said his son was into zombies and even more into military equipment and killing zombies. We just happened to have some zombie hunter stickers and some tactical pocket knives on hand. Bam! Problem solved! Zombies dead!
Days before the band left for London, while still in Louisville, I sent Nico a note regarding how much I appreciated the spreadsheets he made for the upcoming Reagan Youth European Tour. He told me he was going to file that under “things he never thought a singer would say”. I then told him I was to be on bail while playing the next nine overseas shows. So much for breaking the mold.
Late July was a disaster. I had ten grand and two felonies hanging over my head. So I did what any reasonable person would have done. I caught a flight to Heathrow Airport in London on August 5th, 2014 to spread Dave’s gospel and better understand our world the best I could.
All the love in the world to my folks and brother who helped me all the way to the airport as opposed to awaiting jail sandwiches and juice boxes. I love you three goofballs. I really do.
The Flights and London, England
After tying up loose ends before leaving the country for fifteen daze, goodbyes and all, I was flown to O’Hare Airport in Chiraq. En route to London I noticed I was surrounded by young missionaries from the Church of Latter Day Saints (read Mormons). We chatted regarding beliefs, both mine and theirs. It was agreed the words of any good book makes sense and I was proud of them for taking on a two year mission across the Atlantic. They got Rome as their station, which should be interesting with the Vatican and all. I remember it was said “it is interesting at what lengths people will go for what they believe”. So true I thought as I tied up my turban and fell asleep.
The waiting room at Heathrow airport at 8am was not enticing. The bus to downtown London, however, was screaming my name. I was the first to land that morning, so I decided to see some sights. I had to visit Buckingham Palace and see those guards with those insane hats while keeping the notion of monarchy alive. I made friends on the coach and we went to watch people from all over the world as they gazed upon the palace. As I finished a cigarette under Queen Victoria Statue, I flicked the butt up over the steps and onto the sidewalk. All the faces from all over the world were now gazing at me. It was here I learned how Europe frowns upon littering and my first lesson on why the world finds America obnoxious. Turns out they kinda hit that one right on the head.
I mixed up everything and thought the first show was the following day. Turns out it was in a few hours. Meanwhile I got deeper into London than planned and fell out on a park bench. Everyone was meeting at Nico’s Dad’s flat and enough time had passed where I should have been in touch with the band. Without a phone, I caught a bus back to Buckingham in hope of finding a free computer in a cafe or something. While making a bus transfer, I noticed a brand new iPhone on the sidewalk right where the bus let off. Fukkin’ brilliant! I mention this only because THAT BECAME MY LIFELINE FOR THE ENTIRE TOUR. Paul has said more than once that God must be a Reagan Youth fan because things like this happen all the time on tour. My inbox was full of emails telling me “I hope you landed ‘cuz the show is today!” and “where the fukk are you?” etc…. Well, let’s rush along to Camden and start this crazy thing.
I arrived early at The Underworld and led backstage to properly crash out. Next thing I heard New York accents asking “is that Trey??” My sore eyes were glad to have seen Tibbie-X, Staten Island Greg, and Paul Cripple. We quickly caught up then went for a stroll along the streets to visit the shops before sound check. Well, we plug up and play, but the clubs still call it sound check. I was pleased to be around more or my own kind as Paul got into a dispute with a French shop owner after knocking over a display in search of a price tag. On the sidewalk he began to scream “nobody shop here!” oh so loud over and over again. Christ RY has landed in England. I met Tom, Nico’s father, and understood where my man Nico was coming from a tad bit more than before. Dr. Tom wrote very detailed volumes of Turkish history. Paul and Tom chatted so much pre-World War I Europe all I could do was listen in awe.
This gig was the first time we had all played since June with the Dead Kennedys. Plus we were sharing the stage with some old acquaintances, the Street Dogs. We caught up and laughed a bit. Tibbie began talking about prescription pills as I brewed this Somalian bodega tea in a coffee maker, which was acquired earlier that day. It caused me to pack and unpack my bag relentlessly for no good reason. We noticed that the bands were watching us in a quiet backstage area. Two new members replacing deceased originals while having meltdowns on substances must be difficult to ignore. Tib’z and I noticed this along the way in England, but when you are in a punk band from another land, what did we expect??
The show was amazing with a huge Wednesday night crowd, lots of love, and best of all, we played very well. Thank God we played the songs correctly, but then again I or the band won’t let the music or Dave’s message down; we respect it far too much. Afterwards Mike from Prague offered me a beer outside the venue. I had to say yes as he was the first European to openup about life in this new continent, its customs, and ways of the land. After the gig we caught the train and a cab to Dr. Tom’s, where we fell asleep in preparation for Blackpool and RebellionFest.
Northbound Transit & Blackpool, England
I awoke on the floor, sat up to overlook the front window, and was told the black van outside was here for the band. Tom Saunders, our driver and colleague, was here to take us within a hundred miles of the Scottish border, to a city near Manchester. Blackpool was its name and where RebellionFest was held. We said our goodbyes while boarding and… lights out. We got caught in traffic sometime later right as we hit Birmingham, the home of BLACK SABBATH!!! Hours later the sight and smells of the ocean were in the air when we entered, as Tom said, the Las Vegas of England.
We knocked on the door of our new lodgings to be greeted by Jerry, very jolly and had one tooth in his head. He ran the Del Rosa Inn, which was one of many to host the Punx in town for the Festival. As dusk hit the English beach community, we went to the Winter Gardens to mingle and catch The Dickies play. But first we settled into a single room with five beds and a sink, with the WC down the hall. It was all so Eurotrip I wanted to squeal! We followed the fish & chip stands that littered the boardwalk towards the sounds of drums.
Interesting side note, if you are ever in Great Britain – THE CARS COME FROM THE LEFT AND NOT THE RIGHT. Also, as the cars sped towards me while crossing an intersection – THERE ARE NO PEDESTRIAN RIGHT OF WAY LAWS. This makes more sense in practice. I was rolling my own cigarettes at this point since tobacco was so expensive. I vaguely understood why an influx of migrants fled to the new world to grow their own. ‘Cuz they be taxin’!
We mingled on the sidewalk as we learned the box office was closed. This meant it was too late to distribute wristbands. Yea, like this had stopped us before. Tibbie and I went out back where we ran into the Street Dogs. They slid their wristbands onto our forearms. Once more we felt like everything we said was anything but ordinary as they once again gave those baffled looks while we rambled on and on. We went inside and caught The Dickies set. Upon seeing the size of the arena (while getting lost over and over), we knew we had to up our game. When watching the band I heard a voice ask “Trey Oswald??”… Now who knows me in Blackpool? My man Mo from St Louis and Scene of Irony all the way from Missouri, that’s who! We all caught up and laughed before retiring to the Inn.
Reagan Youth was the second headliner on the second main stage. We went on before Stiff Little Fingers, who headlined the main stage. I read this on the program understanding we had a few moments to breakdown after our set before they played. Wait… one moment… we are getting ahead of ourselves. Let’s go back to the morning on the Friday of Rebellion…
We split up as we walked along the sunny boardwalk, where Tom and I ended up spending an afternoon together after breakfast. Tom explained some of the English’s views on the United States. It was similar in many respects, for each side saw the other as, how did we put it… hipper than the other. You know how in the States it is considered by many to be exotic to be British? Yea, same with American culture in England. We all want what we can’t have. Shame so many of our own people are so naive about a country who has such an amazing record as the British. Think about it! The sun still never sets on the English speaking empire. The country may have fared the sea more than land when you consider this. Also much respect to the country that brought us The Rolling Stones, The Who, Emerson Lake & Palmer, Sex Pistols, X, Damned, PIL, etc… point taken?? My company, the Guinness, and the Atlantic could have kept me all day but the fest awaits!!
I entered wearing my turban, denim, bandannas, while wrapped in the religious tapestry featuring the Virgin Mary as Lady de Guadalupe. We were taken all over the Winter Gardens and thru crowds of punx in search of the onsite radio station ran by Del. He sang in Peter and the Test Tube Babies. In typical RY fashion, we were also a day late for the interview. Del was cool enough to laugh it off. It’s also only punk rock, right?? Paul and I ate food in the backstage area and afterwards got lost every time we turned down a corridor.The size of this venue cannot be emphasized enough. The punx I gave all the wristbands to from the night before met up front by the stage. OK nerves and all go out the fukkin ‘window. We plugged in before the massive auditorium, packed to the brim, guardrail and monitors and giant spotlights and all.
The punx I met out on the sidewalk the prior evening when told by the bouncers we couldn’t enter the fest due to lack of wristbands were up front cheering us on as we opened with Degenerated. We have been sporadically playing bigger rooms as the band’s stability (consisting of STI Greg, bass mater general Tibbie-X, Keith Richard’s ghost Paul) and reception has increased. Not to mention people love these songs! I had learned to jump over the camera pit and guard rail and into the crowd without landing on the railing. However the lights are still too much, and wearing a turban while wrapped in a the Lady de Guadalupe tapestry did not help. It did look good in pictures and better looks on the faces and blogs reviewing the show wondering what this was all about. God is a Reagan Youth fan, we keep telling you!
More people I met along the weekend were coming to the front to show support. The friendly faces made the show easy as 1-2-3 aka A-B-C. The looks on the faces when I came hurling at them was even better. The band played quite well. This was our second time together since the DK tour in June. Being on stage at a festival made it all the more exciting. I tried my best and when I lost part of a tooth while on the floor I knew I was doing something right. Since guardrails keep singers onstage at these shows, it is always well received when I go to the floor. Those bouncers did an wonderful job keeping me plugged in, and trust me, I kept them busy. Cheerio mates! Another thing about going onto the floor, it meant people danced and they usually do not at festivals. The separation between band and crowd is a real thing that can hurt a show when punx are involved. Breaking barriers worldwide and do not do it alone.
Afterwards I hopped over the guardrail to walk through the ballroom in search of the main room to catch SLF. In an attempt to save time I tied my denim jacket, the religious tapestry and the turban somewhere on my body plus wore the bandannas and shirts the best I could. In what I thought was a quasi-messianic muscle car rock appeal ended up, after our set, to resemble more of a walking bodega. Loosies and all! Fukk it, I stuck out before so why not now?
Times like this I forget that I have walked into (as some have said) iconic punk status overnight (the lot of others have had less to say but only on message boards) and am not only a fan anymore. Before I could make it over the railing I was met by fans telling me this was the best set of the fest and the only one anyone danced along with. I took more pictures at my most unflattering – after the performance – where my hair is a trainwreck, my face is red, and one eye is open while the other is closed, and so on. These picture sets can now be found all over the world, I can safely say. After giving all the thanx inside me, I accompanied Conor and Nicola, who traveled from Ireland to be with us, only to see an Irish (Belfast counts right?) band play songs about inflammable material, with me. I was honored.
As the set went on and Conor’s generosity on the ciders did not subside, the band played song after song. This was cool, trust me, but the walking yard sale I had all over my body plus the daze thus far had been tiresome. So as Stiff Little Fingers played Barbed Wire Love I hit the eject button. With the help of the nearest punk, I was lifted to surf another audience only to go over the railing. I was led backstage and outside, met some Americans, some Russians, some everywhere you name its, and eventually bak with my band. With them were my new soon to be friends Ali and Colin. The couple are back and forth between the UK and Ireland. They were too impressed that some big band singer was talking with them. Please, I was honored they wanted to talk.
We retired to grab some more fish & chips and met more punx along the way who stopped us like we were the Rolling Stones or something. I gladly introduced myself and shared what sauces for chips I had, only to end up at the only all hours bar. I met back up with Colin and drank with the Rebellion Punx as the band caught a few hours sleep before our next flight. In company was Dickie Hammond (Leatherface & Angelic Upstarts!). OK so now I was giving the fanboy treatment and he gave me the casual, friendly approach. Touche! As the sun was rising it was time to find my bandmates, say my goodbyes, and catch a ride with Tom to the airport where we flew into Hanover, Germany, beginning the second and more grueling half of the European Tour… to be continued. What a gyp I know!!!
I mean it took four daze to get thus far. We had to split to story in two volumes.
-Tr’z Oswald (loudmouth, fan, sometimes a writer, lover & hater, human being, friend, brother, son, and one to never forget how lucky some can be and always one to remember how choices can get you to the top or in the gutter aka yin and yang) bids you tatty-bye.
Be on the lookout for “Profane Euro Punx Vol.2 European Redemption” coming sooner than later. Same profane time! Same profane channel!
Next time we meet we will…
*Learn why smoking onstage is more frowned upon than sieg heiling during our theme song!!
*Understand why Americans not only speak way too quick, but are hated by most of the free world due to the decisions of their leaders!!
*Meet a skunk named Mo whom we met in Germany while being walked on a leash!!
*Discuss how the East Berlin Airport will be something I will always remember!!
*Tell tales from the Autobahn and journeys with Giovanni de Italia (love you friend I do)!!
*…and more about spreading the peace punk gospel with Dave’s right hand man and the three he has chosen to help in continuing the ministry!!
Peace, love, unity & anarchy to the following…
Reagan Youth (Dave Insurgent, Paul Cripple, Tibbie-X, Staten Island Greg, and the others before me you are never forgotten), Ben Crew for trusting my judgement and words with the Profane site (you keep me writing despite my mounting personal turmoil), Tom Saunders for being a friend first and foremost, road dog, guide, etc, Nico and the British Westerdale family, you make it happen every time friend and we never forget it, the punx we met on the British Isle (names go on and on and we try to remember if not the name but the smiling faces), Landon and the gang at Covert Booking, the struggling masses, you, me, them, us, our dog Spot, and last if only to emphasize the point… my family aka Mom, Dad, and Zac – I’d be who knows where right now without you.
Any questions, concerns, fact checks, misquotes, message boards still too impersonal, or want to simply say hello? I’m still down with the drones at Google.
Every release Greece’s Hellstorm have done are complete blinders. I play their split with Last Legion Alive on a regular basis. This their forth release is equally as good. Greece certainly has produced spectacular dark hardcore/crust bands throughout the years, most namely Hibernation, Negative Stance, Forgotten Prophecy, Chaotic End, Ρήγμα and now more recent bands like Conspiracy Of Denial, Sarabante and Hellstorm.
This 7″ released by 7inch Distro in Greece consists of two tracks. The first track ‘Encaged in Darkness’ has that gravel growl, roaring over downtuned d-beat riffs and is just seething with hatred. The second track ‘Future Ruins’ after about a minute into it has a fantastic crusty type palm muting rhythm which bands like Hellshock do so well, all accompanied by death metal style pickings. If you have a love of dark apocalyptic crusty musick with death metal aesthetics this is a pure anthem.
Now this is a really decent split tape release by two South American bands, Ruinas from Buenos Aires and Avitacion 101 from Uruguay. First off Ruinas have come on in leaps and bounds since their five song demo in 2013. They have a new singer Rocio and now also have a much bigger but more refined sound. There is a big influence in their sound from bands such as Agrimonia, Morne, Stormcrow etc. They plod along at a nice bass heavy pace that keeps the tension raised. The guitarist Seba was good enough to translate the lyrics for me which I think are very clever and express the bleak advances of industrial society, but still remain very imaginative and poetic. Definitely a band to check out.
Avitacion 101 from Uruguay started in 2010. And in the same year released an eight song demo tape, helped by some labels from South America. Since then they have released a split tape with Wild Dogs from Spain, another split with Zat from Argentina, some songs for a prisoners benefit compilation. And in 2013, a split with Beatriz Carnicero from Uruguay. Avitacion 101 play stop start jolty type of riffs reminiscent to me of bands like Spitboy or maybe Fugazi. Not that the band sound like either of those bands really but apply those more adventurous song structures, along with that combination of passionate catchy melodies with angry guitar-led hardcore, very intense.
Dominican Republic own/Chicago adopted “La Armada” have pieced together a video for the track “Human Filth” off of this years “Crisis” EP available on the web-store. Check out the video and get the EP if you haven’t already. Then, make sure and head to the National Anti-Fascist show on sept 13th in Chicago at Chitown Futbol, where they’ll be playing with fellow profane bands Krang, Appallachian Terror Unit and also Wrathcobra and Arid.