This CD is a compilation of everything YATTAI have released from birth all the way up to but not including Fast Music Means Love. That’s everything from the 2005 demo CD-R to 2010’s split with TREPAN DEAD. This discography disc was due out Spring 2013 along with their latest effort afore-mentioned Fast Music…
The Discography moves backward in time, from most recent to earliest material, and all of the songs are fast, brutal, and employ liberal usage of the blast beat syndrome. Although all the songs are decent within the grindcore genre, and most have a recognizable groove, I prefer the earliest recordings. The early songs aren’t necessarily longer than the majority of the recent ones, but provide a looser more thrashy death metal style, as opposed to just playing as fast as they can and trying to rip the listeners face off with their grind.
YATTAI are very good at what they do, and any grind head will love their more than competent style.
Yattai bandcamp / facebook: http://www.yattai.bandcamp.com
Inhuman Homicide Records: http://inhumanhomicide.free.fr
Teriak Records: http://www.teriakrecords.com
YATTAI are from Angouleme France and are veterans of their underground scene, having played more than 100 shows since the inception of their “uncompromised grindcore” monster. While playing wickedly brutal anti-melodies, YATTAI claim to be spreading positive energy and attempt to remind people that there’s more to life than just drinking and music.
stream of consciousness response: excellent production, I can hear everything, evn during the moments of hyper fast chaos. Blast beats abound in every one of the abominations called songs. Prevalent dual vocals in traditional grind style: cookie monster meets a chicken being raped.
This CD is 16 songs within about as many minutes, and is officially released as a one sided LP. This music is absolutely punishing to the ears, and while its done very well, to be honest I’m glad it isn’t much longer. The technical prowess on this is amazing, the music doesn’t sound rushed, but rather likes it’s a 33rpm record being played at 45rpm. This is grindcore true to form, and stands above others within the genre.
Junky Monkey Records: http://junkymonkeydiy.blogspot.fr
Underground Pollution Records: http://undergroundpollution.e-monsite.com
Honed Terror Incarnated Productions: www.church-ov-ze-dead.com
Nuclear Alcoholocaust: http://nuclearalcoholocaustrec.webs.com
Northwest Indiana band DOGMA is total straight up meat n potatoes Midwest hardcore, and this demo CD-R is proof of that fact. Five shredding songs in just as many minutes, this hardcore is a full on assault of the senses. No fluff and no filler, DOGMA is pure heavy hardcore. No little kids singing in their mom’s garage, this guy sounds like he weighs 300 lbs and is 6’6” tall! The intro is chaotic in an impressive way, and after about 40 secs, drops into the pummeling hardcore that this band provides., and never lets up again until the beast is dead. At times I hear AGNOSTIC FRONT but with a heavier sound and production, courtesy of Eddie Cantu from Joliet Illinois. DOGMA started in 2012 with 3 guys who had been playing in other bands together for a while. Good lyrics, included in fold – out poster sheet. Artwork done by the band’s drummer. This CD is highly recommended, but put the disc on repeat so you don’t miss any of the details in the short 5.5 minutes that this monster plays. Looking forward to a full length, or perhaps a vinyl 7”!
Dogma Bandcamp: http://dogmanwi.bandcamp.com
Featuring members of INEPSY and TRUNCHEONS, PROXY is a group of musicians from Montreal Canada who work hard to produce what they do. More in the vein of INEPSY, the songs are catchy and decent if you want something upbeat. This is street punk influenced rock n roll, akin to late UK SUBS. This is recommended for those who like whisky drenched working class oi style rock n roll. Dual guitars both cleanly heard, the production is crisp, nothing muddy at all. Lyrics talk about being in the drunk tank downtown, getting beat up by cops, and general rowdy mischief. Nine songs in about a half hour.
find more info here: http://www.cvltnation.com/proxy-demo/
BATTLESCARD is a thrash punk band from Yokohama city, Japan. This three piece didn’t include lyrics in the booklets, but it’s pretty clear that they are singing in English. Plenty of pix in both booklets. Demo self released? Cassette EP released on Black Konflik.
Motorcharge is their apparently self – released demo and has 5 songs of thrashy punk rock directly influenced by early bands MOTORHEAD and DISCHARGE. Side Motor has three songs of roughly the same speed same style thrash. Side Charge starts off with a slower longer song that has a hoppin lead riff, it maybe a joke song. Skull Smash returns to form and finishes the demo on a good note.
The first thing I notice about this professionally released tape is that the band has managed to make their sound faster, more complex, and more aggressive. All band members are credited with vocals, and the guitar shows more prowess than on the demo, with complex solos (title song, & Yokohama City is Burning) / riffs. Bass is loud and clear, and drives the music for Yokohama City… which is by far the most catchy song on the tape. Still no lyric sheet, but the words come through pretty clear. Much better production than on the demo too.
for fans of DEATHSIDE and BASTARD
Black Konflik: http://blacxkonflik.blogspot.com/
Black Seed Records: http://www.blackseedsrecords.com/
Blood Of War Records: http://bloodofwarrecords.blogspot.com/
SORRY FOR LACK OF PHOTO
This zine is about a group of people that canoed through some of the most remote area in Canada, and then drove up to a town above the arctic circle, before finally driving all the way home. Their journey started in Vancouver, from whence they drove up to Whitehorse, the capitol city of Yukon with a meager population of 23, 280. From Whitehorse, they conoed on the Yukon river for about two weeks before coming ashore at Dawson (popular during a gold rush, the town now has little more than 1,300 citizens). Along the way between the two towns they saw some amazing ghost towns, ranging in size from miniscule camps to organized settlements that would have housed around 300 people. Some have been vacant for a long time, others have been converted into camp grounds for tourists. After coming ashore in Dawson, the group dried off and drove in a little car 800 some miles on a loose gravel road to one of Canada’s northernmost towns, Inuvik, at the mouth of the MacKenzie river. Just getting there was an adventure in itself, and once there, the whole town / culture was different in ways that they would have never imagined. Inuvik is approximately 200 km north of the arctic circle, and has a population of 3, 500, about 3 times bigger than Dawson.
This zine is about 35 pages long, and well done with lots of photos and maps.
The ALBATWITCH were a mythical group of 4 foot tall ape–men that were hunted nearly to extinction in the early 1800s and lived in the hills and rivers of southeast Pennsylvania. It is from these stories that the band gets their name. Full color booklet includes credits and lyrics as well as lots of artwork and a vinyl sticker (while supplies last). Officially released September 2013, CD package seems to be made of recycled cardboard.
This band is unlike anything I have ever heard before. The two member band that is ALB(A)TWITCH successfully mix dark folk, black noise, and crusty black metal together to create a sonic mass few have heard before. Members come from other York PA bands such as STONE BREATH, LAYR, and CROW TONGUE, among others. The band take influence from the other projects they are in and produce something beyond easy description. Some songs are deeply rooted in a WITTR style of black metal, others are American folk based, while still others are harsh walls of machine made noise. Lyrics are very anarcho – punk in style although not musically, other subjects deal amongst the timelessness of astral reality. Apart from the metal based songs, the primary drums used are the dumbek and the Bodh ran, both of which are hand played drums. Other traditional instruments consist of banjo, celtic harp, lobow, and stick dulcimer, amidst new technology such as oscillators and a harmonium.
The CD opens with an acoustic chamber style tune, devolves into industrial machine noise & distortion, then progresses into non-conventional black metal. I say non – conventional because the vocals and guitar are drenched in reverb beyond clarity, industrial elements persist throughout, and the drums are slower than usual for the style. The entire album rotates amidst these styles for 60 + minutes, although the styles start to weld together by the last 3rd of this cd and become a sludgy mixture which is still great. By the time this album is over, it feels like the collapse of western civilization has commenced and we are naught but survivors in a strange new world. We have survived because we have the integrity required to live through the heat and the cold and the intelligence to stave off the predators for another night. All acoustic songs are performed to remind the listener that revolutionary music existed before electricity and modern technology, and will persist after the industrial collapse.
ALB(A)TWITCH is neither for the scene purist, nor the faint of heart. Aided by the lyrics, the songs make one think, and that is exactly what this band wants people to do. When listening to this album, one will be rewarded only if they bring an open mind.
Lost Grave: http://www.lostgravefound.blogspot.com
Dark Holler: http://www.darkhollerarts.com
Eleventh Key: http://www.eleventhkey.com
When I saw this record in the review box from MCR Company, I thought “no way, why would I get a review album from such a well known and respected band like Extreme Noise Terror?” As I read the letter written by Dean Jones, it dawned on me that this record is actually REALLY different. What I have here is three songs recorded for the Earslaughter split with CHAOS U.K. in December 1986. Only one of the songs went onto the split (False Prophet), and the other two songs were never played live or released in any other way. Basically, no one has heard the songs (Tear it Down, and What a State) since that recording session at the end of 1986! Unfortunately these songs are so underground that Dean Jones himself couldnt find / remember the lyrics. This ep is the first ever recording with Mick Harris on the drum kit, all other members are the original lineup.
Three crust as fuck songs in a blistering four minutes, this is mid 80′s English punk at arguably it’s most aggressive era. The bass is tuned high and is very clear, the guitar also tuned kinda high and becomes a maelstrom of bludgeoning force at top speed. Classic dual high / low vocals, as always barely intelligible since they sing so damned fast. What A State is the first recorded time that these guys us the blast beat, and they nail it down perfectly in short brutal bursts of absolute rage.
Cover artconcept by the guy who found the tapes, Dean Jones himself. Inside is some cool photos of the band during recording, and damn they were young! Songs were remixed and mastered at Springvale Studios in Ipswish England during June 2013 by Dean Jones and others. This is a must – have for collectors and serious fans of ENT. Co-released by MCR Company and Lowlife Records.
I found this split 7″ one day spent at Profane Existence, and was interested primarily because the art is so cool. Nerve Damage are from southern Texas (Brownsville I think?) and play thrashy hardcore punk. Konflicto are from Matamoros, Monterrey Mexico, and play a heavier version of hardcore, with lots of metal influences. Konflicto has 2 singers, one screechy like the guy from FILTH, and the other one much deeper / crustier.
The art is pretty killer on this one. On the Nerve Damage side, is a drawing of the angel of death holding onto a baby in one arm (baby is wearing a gasmask), and a stockpile of nukes in the other arm. The Konflicto side features skulls on a black background, relatively basic, but still cool.
From what I can tell, this record was produced very DIY with small batch, and no record companies. There really isnt much info for either band, especially Konflicto (there’s nothing, just 3 songs). Nerve Damage provided band member info, and the lyrics for the 3 songs featured.
NERVE DAMAGE FACEBOOK: https://www.facebook.com/nervedamagetx
KONFLICTO FACEBOOK: https://www.facebook.com/KonflictoKONFLICTO BANDCAMP: http://konflictomx.bandcamp.com/album/split-with-nerve-damage
Prague, Czech Republic, seems to have a really great crust punk scene. This is the 3rd ep sent to me for review from there this summer, and all of them have been great. One of those bands, PROPAGANDA (WOLFBRIGADE style), is mentioned in the thanx list within the jacket of this record from KRüGER. The other band is PRAY FOR DEATH, a band that reminds me of others like HELLSHOCK, KRANG, and to a lesser extent WARCOLLAPSE. To be honest, I’d like to get more review material from Prague and the surrounding region!
This EP is KRüGER’s 3rd 7″ release, their second by themselves. After having listened to all they have on bandcamp, I can say that the other records are just as good as the one I have in my hands. This eight (8) song ep is non-stop intensity with gruff f / m vocals, and the drums keep a charged pace, while still finding space to throw in plenty of drum rolls. The guitar / bass mixing is pristine, the bass never gets buried, even with all the distortion, and the alternating riffs keep things going strong and interesting. Side B starts off with Tomorrow’s Hell, which starts on a fast guitar riff, stops for the bass to repeat riff, and then goes straight into the full fledged assault. I really like the cover song Cash & Greed by BATTLE OF DISARM, very good with perhaps better production than the original! These 8 songs blast away in 13 minutes, which surprized me cos the ep feels a lot longer, perhaps because of everything thats going on in the songs. There is no filler on here, all songs are good and I dont have a favoritie. This ep should be listened to in whole, not just a couple mp3s.
The lyrics for this mini-album (cos thats what it feels like!) were sung in Slovakian, since one of their singers is originally from there. Luckily for those who cant read many languages beside English, there are translations for every song, found in the foldout record jacket. Lyrics are written in classic D-Beat style, which is actually Japanese Haiku, But these songs arent really political, but more personal. The artwork is heavy on the classic bones and war destruction that is seen on many a crust punk record. Its all crust as fuck (existence), and done with pen / ink.. very nice.
As stated before, this is KRüGER’s 3rd 7″ release, and they also have a totally ripping cover of Pay For… on the TRIBUTE TO DISRUPT 2xlp compilation. If you haven’t heard of these guys, get online, and check out their bandcamp page. All songs are offered free, but toss them a couple dollars / euros if you got a credit card (what!? punx with credit cards!?) cos these people work hard to put out the great music that they do. besides, they had to record it, and it’s worth sacrificing a beer or two!
check them out here:
KRüGER BANDCAMP: http://krugerpunx.bandcamp.com/
KRüGER BANDZONE: http://bandzone.cz/kruger
WOLF DRUNK RECORDS: WOLFDRUNK@SEZNAM.CZ (recommended)
SVOBODA RECORDS: http://www.svoboda-records.fr
RAWMANTIC DISASTERS: firstname.lastname@example.org