Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ‘em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
WARTORN are a whirlwind of thrash punk goodness hailing from Wisconsin. Since 2004, they’ve been hitting the touring and record release circuit with no looking back. Here’s a quick interview I did to let people know about their two latest releases, Domestic Terrorist 7″ (Profane Existence) & Iconic Nightmare 12″ (Southern Lord). – Andy Leffer
(This interview also appears in CVLT NATION)
PE: You know the drill, just give us the basics on who’s who and what’s changed in the past, in regards to any line up changes, etc. Also, give us some insight on where WARTORN is going. We want to know tours, records, riots, protests, arrests….the whole back story on WARTORN’s origins.
Bitty: (Vocals) The band started in 2004, with Ryan, Hart (on drums) and myself as a three-piece. Within half a year I got a call with an offer for our first tour, which was with Municipal Waste. We did a mini tour with them and ever since then we have been able to go on tours with amazing bands each year such as Los Dolares, ATU, CYP, Krang, In Defence, Pyroklast, Hellshock, and up next Raw Power . We have been to 13 countries and have done lots of releases on many different labels.
Ryan: guitar / low vocals / whiskey enthusiast. Well we started as a 3-piece and over a span of over 8 years, have ended up with 6 members. With 3 of us being guitar players we are able to diversify our songs in ways that we could only do in a studio setting. This obviously makes a difference live as well.
Ela: I’ve been the bass player for over the last 6 years. Recently, we came out with an LP/CD on Southern Lord Records called “Iconic Nightmare” and a 7-inch, “Domestic Terrorist”, released on Profane Existence (which is part of their limited edition singles series).
Toban: (Guitar) I think I might have the most arrests out of anyone in the band. Not like its anything to brag about. I did narrowly avoid another arrest a few weeks ago.
Derek: Guitar as well. I’ve been in the band for a few months and have been on two tours so far.
PE: The music is dynamic, to say the least. You’re not getting any half-assed riffs or mindlessly thrown together lyrics or production with your music. Elaborate on the process and what is the driving force for doing such a band. Punk is a political movement, it’s always been a political movement. Are you a part of this fray as a whole, or is this more of a personal, therapeutic outlet?
Ryan: I definitely believe in the power of the riff. Heavy and raging. Punk is a political movement, but I also see it as a community (full of musicians, artists, writers, photographers, open thinkers etc). A lot of us live/ have lived in punk houses and have been booking DIY shows for years. It’s something we do to contribute to it as a whole.
Toban: Ryan is the riff-master general of the band. He does a great job of coming up with some of the most incredible riffs of anyone I’ve been in a band with. Adding Bitty’s smartly composed lyrics and Hart’s hard hitting/tight drum style makes a great concoction.
Bitty: As far as what I write lyrically, I mainly write about personal experiences or historical events. I don’t tell people what they need to think, that is for them to figure out on their own. Also, I could not label myself as more than a realist and a situationalist.
Ela: Well in my opinion, I would say that we are a part of this as a whole, but it also is a personal outlet for me. We have all contributed to the movement in one way or another, but I think of punk as more than just a political movement. For me it is also about a unified community… where people come together, whether it is for political reasons, to share a passion for music, a hobby, art, etc. … and we definitely have that in Appleton, which is awesome.
Hart: I honestly wouldn’t say punk’s always been a political movement at all. The fact that DK, Meatmen, and the Germs, for example, all existed during one heyday suggests more of a harsh musical and broad social changeover than anything to me. For me personally, punk rock, metal and hardcore have always been a therapeutic and vindicating way of life that has consistently solved a lot of my life’s most harrowing, fucked-up times. It had a total bottleneck effect on how I raised myself mentally and emotionally. It was a really great thing to find out about when I was trying to figure out how to express myself when everything just infuriated or bored the shit out of me. Later, after I was free as an adult, I quickly found out it came replete with its own sense of community, and a totally viscous following I was never aware existed at all. This band is fucking great, cause we never throw a blind rhetorical blanket over our lyrical ideals, or even necessarily our instrumentation for that matter. We have a rough format that we’ve stuck to, but we all come from slightly different scenes and upbringings, and I’ve always thought it showed at least a little in our styles. I honestly don’t think the excitement of being in this band has worn off for any of us. Sure, growing pains have slowed our progress a couple of times, but whenever the next lightbulb goes on over our heads, it’s all go no slow!
Derek: For me, this is definitely a personal outlet. That’s what music has always been for me. Being the young’n metalhead in the group, I’ve kind of just been exposed to the world of punk houses and DIY shows recently. From what I’ve gathered so far I can at least say that the sense of community is beautiful.
PE: Your latest singles release on Profane Existence “Domestic Terrorist”. There’s no beating around the bush on this subject matter. Once again, can you elaborate on this specific release and the intention behind the subject?
Bitty: There have been a few times where I had local law enforcement “protect and serve” the shit out of me. As a kid in the 80’s from a small hometown, I’ve had guns in my face from the cops, hammers pulled back and screaming in my face. I have also had an off-duty cop put a gun in my face and ask me if I thought it was funny while he was wasted. You know of all the times I was ever robbed or assaulted, at least I knew if I fought back I stood a chance; I even survived an attempted homicide! But, it’s not so easy when you have to fight back against law enforcement. They just beat your ass and lock you up, even if they are totally in the wrong. I’ve witnessed so much personal corruption; to me it seems to be an extension of an abuse of absolute power. Now that, to me, strikes terror in any citizen.
PE: Bitty, you’re straight edge…maybe not self-proclaimed, but you don’t consume drugs or alcohol. Considering the genre of punk and it’s history of abuse with these elements, has this hindered your views on the movement?
Hart: Total interjection here! Dude, Bitty’s optimism actually astounds me. He’s seen more friends either die or completely lose their vitality as humans due to drug and alcohol use than I’d like to ponder. He’s remained pretty fucking pragmatic in his attitude toward his friends’ choices in that sense. I myself get pretty fed-up at times about my own friend’s use of drugs, especially certain ones. I’ve had plenty problems controlling my drinking in the past. I do believe I have a fairly good idea these days of when to dry out, but it can pull me into a real bad place. I start questioning what even matters anymore, and I start fighting everything that means the most to me. However, that’s where that community comes in again! I’m learning to seek out the right punks or no one at all when the time feels right, and I’ve been keeping up on it for a while now.
Bitty: Not at all. You don’t need to be like me in order for me to like you. The real moment that reinforced my decision was when I came home to a friend that lived with me and I found him in a pool of his own blood. He had tried to cut his hand off with a butcher knife while he was completely wasted and ended up with more stiches then an average shark attack. It really put a bad taste in my mouth about how substances can amplify bad decision-making skills. Although I am aware that most just use it to have a good time, truth be told, I just didn’t like it. It wasn’t my thing. But as long as you’re not hurting me or others in any way shape or form it’s your deal not mine. This is just a suggestion, have fun and do what you need to do to deal with things or get by, but try not to destroy yourself in the process. You might end up missing out on some good things in life.
PE: WARTORN is a great band, so with that….does WARTORN have anything they’d like to say to the world, it’s listeners or the masses in general?
Toban: In the words of country music legend Kris Kristofferson “Don’t let the bastards get you down”. Ryan: Thanks for the interview.
Ela: Thanks for all the support. We can’t wait to hit the road and tear it up again in a couple months!
Derek: May the force be with you. But seriously, I can’t wait to hit the road and I hope to see everyone reading this there.
Hart: As always, start 4 bands tomorrow and eat your fiber!
Bitty: Thanks for the interview Andy and everyone that helped us out and we’ll see you on the road. If you’d like to help us out with booking or have any questions, feel free to write us at firstname.lastname@example.org.
DESPISE are a four piece punk/crust/metal unit from the depths of the Minneapolis underground. Their 7″ release is a line of single’s being released by Profane Existence this year.
Interview by Andy (Leffer) of War//Plague
Let’s get this party started. First off…like most all interviews let’s start with who you are, what you do and what DESPISE is up to? What does the future hold after this PE single release? Also, expand on some each of your backgrounds, and what you were involved with prior to the band.
I’m Hannah, I do vocals and write the lyrics. I moved to Minneapolis from Chicago in 2010. I played bass and did vocals in Securicor from Chicago, and also vocals in Krang.
Zach: Hopefully we can put out some full length records seeing as we have a lot of material. As for before despise. I started going to shows at age 13 or 14. Played in a band called EZ Bleeders. We were rock/metal/funk/punk so everyone hated us but we just wanted to play. Grew up in uptown Mpls around a lot of older punks.
Hi. my name is Mike. I play bass real loud. moved to Minneapolis in 2009. its rad here.
What’s your thoughts on the Minneapolis punk community and how DESPISE falls into the DIY mix. There seems to be quite a good mix of punk and crust rising from the ashes of other previous projects within the Minneapolis scene. We had the 90’s and early 00’s that brought us DESTROY, STATE OF FEAR, ASSRASH, PROVOKED, PONTIUSPILATE, and needless to say MISERY, which is still going strong. Do you feel DESPISE is a part of this element of resurgence and is there still that dedicated @narcho thought process within the band?
Hannah: Definatly. Minneapolis has such a awesome punk scene/ community. So many rad bands that I have grown up listening to and have influenced me are from here.
Mike: well, if you want my grossly unimportant opinion, the scene and the music within it are two separate entities. the music is fucking fantastic. and only getting better.so many new bands and new faces. as far as where Despise fits into everything, i think we fit right in. if ive learned anything about minneapolis since ive lived here, its that its a weird fucking place filled with weird fucking people who like weeeeeeeeeeeiiiirrd fucking music. and if you havent met us, were a bunch of weird motherfuckers too. i fucking love it here.
Mitch: The scene has really picked up , it’s awesome to see so much activity now, it reminds me of how much was going on in the 90’s, so many awesome bands going on these days that local shows are always “stacked”, can’t even go grocery shopping without seeing people from bands or shows. It reminds me to be grateful , a lot of towns don’t have that. I definitely feel that Despise fits right in with what’s been going on.
Zach: I think despise takes a whole different approach to the punk scene. I don’t think of our music as being punk or even being really a part of this “scene”. I don’t make music for other people. I do it because its what I want to do
I know you folks had a bit simpler sound when you began. Straight up D-beat hardcore punk, but now it seems you’ve melded into a more crust, metallic sound. Was this an evolution of the band you knew would take shape, or was it more “fly by the seat” type thing?
Hannah: I think its the result of a combination of all of us taking influence from different sub genres of punk…grind, crust, black metal, d-beat, hardcore, etc…throw it all in a mix and you get Despise.
Mitch: It’s been a pretty natural thing as far as songwriting, the musicianship has lent itself to more technical stuff without losing our roots, really had no idea it would progress that way. Stay tuned for some good old fashioned though.
Mike: We always kinda had a general idea of what we wanted the band to sound like. the first batch of songs we wrote were very black and white, crust or metal. after that, everything just kind of naturally progressed into whateverthefuck it is today. zach is so talented when it comes to songwriting. he’s responsible for the metal parts. i just try to keep up and take care of the wicked awesome bass solos. we’ve become who we are together because thats all we can be. ourselves. when people ask what genre of music we play, i usually just say “loud as fuck” because i honestly have no fucking clue haha.
Zach: Crust is fun to play but as far as what I enjoy playing I usually drift more towards metal. Black metal at that. Probably we’re a lot of the metallic elements of our music comes out. Definitely don’t want to take all the credit for that because everybody helps meld the song.
What’s the ideology behind the lyrics and how the music is written?
Mitch: As far as the music goes it’s really just as simple as playing solid riffs and piecing the songs together as it sounds good, we’ll always come to a consensus before a song is finished, that way we all like the finished product. We try keeping things heavy and not being afraid to test the waters. Hannah will have to field the lyrics side.
Hannah: I write most of the lyrics…Most of which pertain to animal rights, vivisection, mental disorders, depression, drug addictions, negative effects humans have on the planet and our ecosystem, and of course cute bunnies taking over and killing humans.
Mike:Hannah has the voice of 10,000 angels. …burning alive in the fires of hell hahahaha. her voice is as much a part of our sound as our guitar and bass tones. but yea she takes care of the lyrics. all of our songs are about things that truly matter to us and to her. you can really hear that she means what she’s saying. we have some political stuff, animal rights, war is bad, so is jesus, blahblahblah. but the ones that stand out to me, the ones that make my cry a little every time we play them, are about real fucking shit. like how drug addiction is killing the scene from the inside out, watching all of our friends (and ourselves) die and lose their minds right in front of us and not being able to do anything about it, that feeling of hopelessness and desperation and shame you get every morning when you wake up and realize the world is still shit. im really grateful that i get to make music with three no shit honestly good hearted human beings.
Zach: Lyrics? We have lyrics?
Are you guys gonna tour and what about local gigs…big plans?
Mitch: Would be nice to do at least a little touring either east or west some time this year, locally, we definitely play our share. lol. Really want to get the rest of our recording released and get back in the studio, lots of newer songs. Hoping for all that this year.
Mike: I think so. i hope so. i let them do the planning for the most part. im down to party whenever wherever and however long they tell me to. but yea. another 7″ comin out soon, followed by what is bound to be the most epic full length record you’ll be listening to while you listen to it as long as you’re not playing a more epic record at the same time.
Hannah: We are planning on touring the east coast this summer. Hopefully the south and west coast after that. We’ve been playing a lot of local shows lately, especially with the release of the 7″. Hoping to record again soon!
Let’s end this interview the normal way. Last words or comments for the world?
Hannah:Up the punks! Ha.
Mitch: Thanks to Profane Existence for releasing the e.p. We can be contacted via Facebook or despisecrust@gmail we’ll have some merch available online soon.
Mike: Be yourself. fuck anyone who tells you you’re not cool or not good enough. this shit belongs to all of us. and if we want it to live forever, we need every single one of you. oh yea. and dont be a dick. seriously. why the fuck cant we all just get along? yea. sorry. fuck everything. upthapuuunnnxxxxx.
With the rise in popularity of the ideas of urban gardening, deep ecology, and permaculture amongst activists, anarchists, and subcultures such as punk often questions of ethics seem to have become simplified to the equation of SUSTAINABLE = GOOD. Yet often all kinds of cruelty can be hidden behind the veneer of that buzzword sustainable.
The unfortunate reality is that simple fixes rarely offer much beyond false hope and easy ways out. Perhaps they help people to ease their personal guilt by assuming they are not part of the problem (everyone else is), but is this any more than a self serving delusion?
I grew up on a small family run farm in Alberta, 10 miles north of a town you have likely never heard of, with a population under 700. My mother grew up on that same farm with her two brothers. Her dad and his family lived there for many years, they had immigrated up from Nebraska where the family had farmed for a few generations since their original migration from Scotland, where again they had been farmers. It would be fair to say that farming is in my blood, so to speak (or perhaps I have just been reading too many Vampire The Masquerade books as of late?) Either way, I feel at least semi-competent to write about some of the ‘sustainable’ realities of small scale farming, drawing on my personal experiences.
I have many memories from growing up on the farm, from playing in the garden and eating carrots straight out of the ground with the dirt still on them, to collecting eggs from the chicken house, or chasing the turkeys for fun, being chased by the turkeys (which wasn’t so fun), or moving cattle from one pasture to another by horse back. There were some great memories too; picking saskatoon berries, wild raspberries that grew in the coolie, or building forts and campfires in the bush by the ravine. However, there were also just as many memories that were not so wonderful to look back on. Branding cattle with a hot iron as they screamed, or castrating steers — many city folks don’t realize you do not eat cows, and you do not eat bulls, you eat a male who had it’s nuts cut off so the flesh will taste better. All of which could be argued as sustainable.
Now I recognize that not all this is relevant to the popular trends I see amongst self styled alternative people over here on the west coast, as most of the folk punks are more into having pet goats and living on boats rather than farming beef or dairy cattle for auction. So I will try to keep more focused on the aspects of small scale farming that would be more of interest to the DIY crowd with their fantasies of farming and sustainable farming.
One of the more popular trends amongst the urban radicals is having back yard chickens, to collect and eat their eggs. Where I live, in the Cascadian bioregion, it has become almost as cliché to have 6-10 birds pecking around your back yard of your community house as it has to wear Carhardts, have a large dog, and all black clothing, or to play banjo. Unfortunately, I also live in an area where one thing that is not popular is sticking around. The radical community here tends to be quite transient in nature, with lots of college kids, traveler punks, and others folks who often didn’t come from here and even more often don’t have much intention of putting down roots. This is a common frustration to those who are part of long term projects propelled by volunteers, but none the less, it has its pros and cons. However for the chickens pecking the dirt and laying those golden eggs, it is a much bigger problem. An average chicken may live up to 8 years, which is far longer than the school term, or even a bachelors degree. A quick peruse of Craigslist at the right times of year will give you a good indication of just how expendable these animals are to many of the people who are excited in September (at the beginning of the school term) to build a chicken coop for their back yard. But even for those who don’t intend to go traveling or tree planting soon as the summer hits, few want to care for a chicken until it dies naturally of old age. You see, chickens only lay a lot of eggs when they are still fairly young, as they get older they will produce less and less. For many of the urban agriculture enthusiasts, a chicken that doesn’t lay eggs is just work with no pay off.
But the plight of the urban chicken doesn’t end there — or more accurately; it doesn’t begin there. You see, chickens don’t just appear, and they are not brought by the stork to deserving families, they come from somewhere – or in other words, someone breeds them. Few of the breeds of chickens people farm have any resemblance to wild breeds, and wild chickens are pretty rare these days due to our destruction of wildlife habitat for cities and farm land; never mind that there was chickens, like Europeans, are an invasive species to this part of the world. So most of the domesticated birds come from a hatchery; either directly – or indirectly.
I remember how exciting it was for me as a kid to order chicks. We would get a catalog in the mail, with pictures of the full grown birds, and you would select them by recording the order number of which breeds you wanted to buy. A few weeks later, you would get a large cardboard box in the mail which would be chirping. Upon opening it, you would see it packed full of fluffy yellow chicks, divided and layered with cardboard dividers so they could fit more into each box. Every so often a couple would die while in the mail, so you would get a few dead ones in every box.Kinda like two scoops of raisins, right?
An important thing to note is, that they also were separated not just by breed, but also gender. See chicks are born about half females and half males, but most people don’t want to order males. Roosters don’t lay eggs for one, and for two, if you have more than one (or maybe two) roosters, they will kill each other. So the chicks are bred, the females are sold through mail order and the males are killed. Yup, right into the wood chipper. When people get back yard chickens, they often order from a breeder or hatchery. I know some get “second hand” or even call them “rescues”, but where do you think those birds came from before you got them? Buying chickens is putting money into the industry that breeds them for profit. This is the industry of commercial chicken breeders, and they are often the same places that supply big farms, as well as small farms and your average urban gardener with their new found interest in permaculture. And I didn’t even talk about the forced insemination.
The study of words can reveal a lot. If you look at the etymology of the word Garden, we discover it is related to the German word for guard, and to words for walled, or closed lot. It doesn’t take a lot of thought to begin to see the relationship between these terms. As anthropologist Layla AbdelRahim explained in Wild Children – Domesticated Dreams, domestication requires the domesticator to control access to food and land. When you begin to garden a space, you must control what other species have access to that land or you will likely not have much of a crop to harvest. Whether we are talking about other non-human animals that might desire and easy lunch, or even competing plant species, insects, or other humans – gardening requires us to control what species are able to access the space. On an even more basic level, gardening usually begins with removing undesired plant species to prepare the land so we can plant seeds of the species we desire.
It has always amazed me how uncritically many Green Anarchists, Vegans, and Primitivists seem to embrace and support permaculture. Yet permaculture is in its essence another system of domestication rooted in anthropocentric desires. In other words, permaculture might be presented by its proponents as being sustainable (and therefore ethical) and based in local ecology, but in fact it is once again about human wants and needs. As well revered permaculturist Erik Ohlson explained in his interview in the book Tangled Roots: Dialogues Exploring Ecological Justice, Healing, and Decolonization, “Permaculture, which could be permanent—agriculture or permanentcultureis about designing human culture that is beneficial to both the land and to human at the same time.” That might sound great on the surface, but look at it a bit more closely and it follows all the same old patterns; humans are in control, Erik posits us as the managers and designers, and in the end it is about human needs first and foremost. Animals are not even acknowledged in this relationship, even though you would be hard pressed to find a permaculturist who doesn’t argue that domesticated animals are needed in order to maintain a healthy closed circuit. The implicit goal of permaculture is to make this human domination of wildlife spaces, plants and animals – sustainable and thus permanent.
I am fully aware that not every radical out there agrees with the anarcho-primitivist critiques of domestication, which sees domestication as not only the control of the wild, but also as the root of many other systems of domination such as patriarchy. It took me a long time myself to come to a place where I was open to those conclusions and the difficult questions they lead to. However there are many lenses to view the question of ‘sustainable farming’ through. From an animal liberation lens, another set of problems presents itself in that permaculture like other forms of gardening for human consumption involves turning wildlife habitat into farm lands that are exclusionary to certain wildlife, and even further permaculture also uses domesticated animals.
This is where it really becomes a problem for me, as it perpetuates the use and domestication of non-human animals for human benefit. But due to the SUSTAINABLE=GOOD formula, we choose to not see its implications for animals: both wildlife and domesticated. Often when I have presented these arguments to proponents of permaculture design, the response I get is akin to the lesser of two evils. The same argument often used to justify voting for shitty, racist, business friendly politicians.
I am by no means arguing that permaculture is worse for the land than monocropping, factory farming, or industrial agriculture, rather I am arguing that it is not the be all end all simple fix that many seem to desire it to be. Permaculture still means wildlife habitat is destroyed and used for human benefit that does not allow wild species full access and use of the spaces. Permaculture still involves captive breeding and continued domestication of animals for human consumption, whether it be chickens to scratch and turn the soil, or goats, pigs, or other species. Many of those animals will be from commercial breeders, and the care of those animals will continue to support industries that profit off of animal agriculture. Many of those animals will also still be killed in the end either so humans can consume their flesh and bodies, or because they have quit producing at the rates desired by the domesticators. Most of those animals will also be of breeds that simply did not exist in the wild, did not exist until humans interfered with their reproductive strategies to cause them to develop traits deemed more desirable. Did you know that wild pigs were never pink skinned, that sheep didn’t produce a harvestable amount of wool for hundreds of years after domestication, or that cattle bred for meat are different breeds than the cattle bred for dairy production? Wild cattle don’t produce as much milk, the animals we farm today are the product of thousands of years of selective breeding.
It is indisputable that modern industrial agriculture is anything but sustainable as it depletes the infrastructure of the landbase for higher temporary crop yields. Such a system by definition is incapable to sustaining itself indefinitely and would eventually lead to a collapse as once fertile croplands become less and less able to produce, due to nutrients in the soil being depleted. Technological fixes such as fertilizers may increase yields in the short run, but only work to deplete the health of the land in the long term. Permaculture on the other hand aims to be sustainable, which may be its most insidious trait. It seeks to make permanent the ability of humans to dominate the wild, and thus maintain industrial civilization. Advocates often argue that permaculture can allow us to use less land in order to grow crops to feed our populace (which is a population of not just humans, but also of the animals we domesticate for our use). However, promises of abundance aside, we live in a society of exponential growth. Capitalism is an economic system that requires such growth, both in profits and in populace which will consume the products of the capitalists. Permaculture does nothing to challenge or disrupt this growth, and in fact may allow it to continue far beyond the limits of industrial agriculture in its current form.
Capitalism kills animals. Industrialism kills animals. Civilization as we know it is based on the domestication of animals and destruction of the wild. I have no doubt that permaculture may live up to its promise of sustainability, I would even go further and suggest that many older practices of agriculture (such as crop rotation and choosing crops based on soil conditions) can also allow long term sustainability, yet like permaculture these techniques do nothing to challenge the relationship of human dominance, capitalism, growth, or cruelty to animals. The system always seeks to recuperate easy reforms in order to maintain itself. If we do not actively work to disrupt these power relations and include questions of ethics, sustainability will just become another way of hiding our violence and rationalizing our domination of other species.
At the very root of agriculture is the domination of other living beings by humans. At the very core of ethics is the question of domination and hierarchy. For me, any system that perpetuates these historical patterns is a system based on violence. I am always reminding myself that agriculture is a relatively new invention in the timeline of human existence. The world I would like to work towards in one that encourages and fosters the growth of wild species and habitats, not the subjugation of them.
I don’t know what the solution to all of this is, but I do know that if we hope for total liberation it can not perpetuate the oppression of others.
For those of interested in finding alternatives to these oppressive systems we need to consider more than simple solutions. Directness of our relationship to our food, and sustainability of our practices is only one part of the question we need to be asking. Another key question is, what is the outcome for non-human animals and for other species? Do the ‘alternatives’ we are promoting make any difference to the chicken in the cage? How about to the Wolf? the Trout? The Orca? Or Mycelium? Are they better off because of our actions? Or does our liberation continue to come at their expense? How can we begin to foster relationships that benefit wildlife? And how can we imagine our relationships to other species in ways that have the potential to be liberating and symbiotic?
In recent weeks there have been a number of mass shootings throughout North America which is becoming increasingly normalized in modern society. John Zerzan has written and spoken extensively about the phenomenon of shootings, never shying away from the difficult subjects and questions that many others actively avoid.
PE: I remember you once saying on your radio show that when the media talks about mass shootings they use a set of buzz words and often present it as though these acts are incomprehensible. Can you explain what you meant and why this is problematic?
Zerzan: First, let me say that my focus has been on the unprecedented rise in what are commonly called “random” multiple shooting; those that, as you say, are presented as incomprehensible. Of course they are not incomprehensible and speak to the nature of modern mass society. They are deeply symptomatic of the growing isolation, a product of the disappearance of community. Society becomes rapidly more technological and – contrary to the propaganda claims of the tech agenda – people are ever more adrift and lonely. With less and less to hang on to unspeakable things happen.
PE: Often mass shootings get blamed on mental health, yet many of these killers had no history of known mental illness?
Zerzan: Yes, most of the shooters have no history of mental illness. More often one reads what has become a kind of cliche description: ‘he was the quietest guy, very nice, never missed work or made trouble, etc’
PE: A while back there was an article about kids being bored by mass shootings. Do you think they have become part of the spectacle? Or are they the cracks?
Zerzan: It’s possible that as these multiple homicide acts become almost daily occurrences events they are tuned out or even become boring. Think what else is routinely tuned among the common horrors of civilization…
PE: I saw a feminist blogger recently write that all these shootings have one thing in common, that the perpetrators are all men. What’s your take?
Zerzan: Not all the shooters are male. A horrible part of of the phenomenon in recent years has been family slaughters, including mothers murdering their children.
PE: I have heard you say that mass shootings are a phenomenon that appears to be unique to both the modern times and certain parts of the world? What is the connection between privilege and this type of violent act?
Zerzan: Roughly speaking, these rampage killings happen in the more technological societies and are spreading from the US to other technologically advanced countries. Thus one wonders how ‘advanced’ or ‘privileged’ these places really are. In terms of individuals it is less often poorer people committing theses acts, more likely white suburbanites, with some exceptions.
PE: Ever since Chris Dorner opened fire killing a couple cops, more people are beginning to target the police. As an anarchist, what do you make of this?
Zerzan: Police brutality and the militarization of the cops seems to be increasing. So, not a big surprise that more folks would strike back.
PE: Another interesting aspect of the more recent shootings, starting with Dorner – is that the killers used facebook or other social media to post statements before committing their killings. I am certain this will justify increased profiling and surveilence. What’s your thoughts on this?
Zerzan: Social media usage is of course extremely widespread so we see more use of it by shooters e.g. the Isla Vista killer recently.
PE: Layla AbdelRahim writes about how politeness and manners are a form of civilized violence that helps to hide the violence of our society. We live in a horribly violent culture that pretends the violence doesn’t exist; what do you make of these outbursts of very public violence in the spectacle of polite society?
Zerzan:Layla refers to how domestication represses the violence, if less effectively these days, eh? The violence is less hidden than ever but denial reigns and the ‘solutions’ put forth are very superficial. For example, gun control laws which miss the basic reality. That is, guns have always been very prevalent in this country, since colonial times in fact. But the shooting rampages as a common phenomenon is quite recent historically. A year before Adam Lanza killed twenty-some children at a school in Connecticut he called Anarchy Radio to tell of a chimpanzee who attacked its owner. The chimp had been dressed in human clothes, fed human food, provided with TV – and snapped because of the degrading domestication it was subject to. The bitter irony was that Lanza himself snapped and killed two dozen people about a year later.
PE: When Ted Kazcinski was arrested as the Unabomber, you wrote him letters and visited him in jail; how do his acts of violence differ from these others? Is it simple a difference in ideology?What can we learn from “Uncle Ted’s” actions?
Zerzan: Kaczynski’s acts were in no way random. They were part of an exclusively anti-technology campaign.
PE: Is there a connection between how we as a society treat animals and the land with this type of violence?
Zerzan: I think it’s quite reasonable to see the mass cruelty of industrialized agriculture – to use a big example of how animals are treated – as cheapening life in general and thus contributing to these explosions of violence among humans.
PE: I remember when the Columbine shooting happened which seemed to be one of the first; followed by another highschool shooting in Taber Alberta not far from where I grew up only a week or two later. As a kid in a highscool that was tormented and bullied nearly to the point of committing suicide myself; having a couple kids pick up guns and shoot back was something I paid close attention to. But things didn’t seem to get better in the aftermath, rather kids like me were treated like we were all potential psychopaths and nothing else really changed.
Zerzan: Bullying is one triggering factor in some of the mass killings. But bullying is nothing new whereas there is something unprecedented going on as mass society shows such pathologies. I went to a rough high school where, in addition to beatings by some of the priests, there was a fair degree of bullying. No-one brought a gun to school and started blowing folks away.
PE: Fredy Perlman described civilization as a monster that keeps growing and consuming, while telling the story of people who either resisted by running away until the monster caught up to them or by fighting back – often becoming more like the monster they resisted in order to stop it until it collapsed and they took it’s place as the new monster. How do we resist without becoming recuperated into the machine we seek to destroy?
Zerzan: Civilization must be attacked at a deep enough level to hit its target. Activism that lacks critique, lacks a qualitatively different vision or paradigm is doomed to be quite limited in my opinion. This means, among other things, that we must not shrink from embracing property destruction, which is hard to co-opt.
PE: You have argued that technology alienates us further. Are these shootings a symptom individualism? Capitalism? Lack of nature? Or something else?
Zerzan: It’s all these things even if technology is major – and generally overlooked. Domination is a totality and needs to be seen as such to avoid single-issue reformism.
As Adorno put it, in terms of causes: “It is idle to search for what might have been a cause within a monolithic society. Only that society itself remains the cause.”
PE: You have written about hope, where as the trend seems to be moving towards nihilism. Where do you find hope in times like these?
Zerzan: I am hopeful because I see the energy of resistance alive in many places. It has not gone away. And because I think that the system of domination is actually quite hollow and weak. It is plainly losing the allegiance of many on many levels, has no answers to the myriad problems it has created.
If you are interested in more of John Zerzan’s work check out his radio show Anarchy Radio, live every tuesday at 7pm PST. You can also read many of his writings at: http://www.johnzerzan.net/articles/
Poet and author Max Wolf Valerio recently reviewed one of my poems; I had asked for feedback from a few people I knew who were themselves poets who I respected. Max’s review was so thorough and interesting I asked him if I could share it. So with his consent, here is the review of my newest poem Killing God. The poem being reviewed will follow at the end of this post.
This is a skilled rendering of your beliefs and perception of the world, and of the divine, and our present situation. I mean, you lay it out coherently and with precision – with craft. The line breaks are skillful, leading the eye from one place to another carefully. I like how you use parking lots, and museums to illustrate your ideas, and even bring in the number of years that civilization has been in existence and — Christianity (2,000 years). The idea that civilization is “killing God” is an intriguing one, and it is also interesting that you use the term “culture of death”. Seeing the term used here in this way is intriguing to me as the other place that one sees “culture of death” is in the writing of social conservatives, often Catholic social conservatives, who see the far left as a “culture of death” (abortion, euthanasia, movement toward less reproduction or no reproduction, the breakup of the family into smaller units — single mothers and the subsequent marriage of women to the state and not a man). BTW, I am not, of course, a social conservative, though I share some of their concerns and grapple with all these issues, as do you– obviously from this poem and what I know of you. I mean, you grapple with reproduction, death, technological interventions… etc. Your use of this term “culture of death” is not ironic, but is your take on a world that is increasingly artificial and alien. Now, I think you’ve done a good job here of rendering your beliefs, and carefully making them manifest in the use of actual objects and places: museums, parking lots, shopping malls, desecration of burial grounds. I think there is another step however, and I challenge you to go farther. I can see this poem as a statement to either preface a book of essays, even “poetic” essays or better — a kind of manifesto to a book of poems that take each one of these ideas, separates them, and really brings the experience alive to the reader in an actualized, concrete way. Or you don’t need to separate each idea, but show how they work together. Well, you can get creative as you write… Poems that make these ideas really come alive — that’s what I mean. Poems that leave less room for disagreement since they feel less like opinions. Possibly, they feel more like dreams or visions? You can experiment.
Now, one problem with political or ideological poetry is that it is the poet’s opinion. Often, political poems are turgid and each thing they say is entirely expected so the poems are not as “alive”. However, they can be instructive… But there is that issue… I mean, I can read a poem like this, and agree or not. There is space created for my agreement or disagreement that is easy to enter. There are poets who excel in this type of poem, and while he is not a leftist radical, to say the least — Rudyard Kipling comes to mind. He has that poem “The Gods of the Copybook Headings” which is ideological or a poem of ideas. It uses metaphors liberally, and is attempting to convey ideas the poet believes are important. This is a poem that conservatives love, and for good reason since it makes their cardinal points quite vividly. I mean, it makes them plain and is persuasive. While you are in a whole other place ideologically, look to this poem for clues as to how to proceed. I’ll link to it. Also your ideas, while very different, are also talking about a returning, a refusal of present values. In your case, it is not principles that are eternally true, but a return to some kind of elemental and pristine wildness that you believe is more essential and good and holy (you identify it with “God” in the poem) than the present morass. If you want, you can use the poem you presented to me as the first, and build a whole book from these ideas. Take each one, take the poem apart, and find ways to animate these ideas. My own approach to ideological poetry is that I try and make it less about my “opinion” and more about SHOWING the reader why my perspective is persuasive. You know, that old adage, show don’t tell. That can be applied to poetry as well. Even in Kipling’s poem, he shows the consequences of each set of wrong ideas and links them to his refrain of the “copybook headings” and finally to the copybook headings themselves like “the wages of sin is death”. The examples he posits, bring those crusty adages to life. This can be done with your ideas as well. ..Possibly really take us into each idea, show me the ceremonial burial sites, and what desecration is — don’t tell me, but show in image, metaphor, or — detail. I like detail, and a concrete detail can be imaginary, but must be entirely feasible. Because it is feasible, when the detail can be heard, felt, seen — it is persuasive.
Also the idea that “God is dead’ is not a progressive anthem, but a rallying cry for actual death, is interesting as it takes a conservative theme I’ve seen, that we have killed God, and either takes it further or – to another place entirely. I mean, in some ways, you are very, very conservative since you want humanity, I think, to return to something very ancient and before language. In that way of thinking all human revolutions or “evolution” that appears to have created “progress” are not progressive at all. In this worldview we need to go back, very far back — and things have to be brought back to extreme basics. Of course, that makes you more of a revolutionary, but in an interesting way. Anyway, show more, tell less. Try different voices or ways of showing, and maybe when you do tell, try something playful also. Anyway… thanks for showing me this poem! Very interesting. Here’s that Kipling poem, ironic I would think of him — but there you go. Poetry is a place of strange coincidences and odd conflations. Any way, take care — have a great day – Max V.
I hate cement
A concrete statement of the hatred of life
that your world is built on
Paved over earth
Yet you cannot kill the wild
even under the pavement habitual wildness
A plant reaches for the sun again
When I was a kid Halloween was by far my favorite day of the year. I have a distinct memory of the year I got chicken pox, I was 4 years old living in Ardrossen Alberta, and oh boy was I upset that I couldn’t go trick or treating with my older sister. She shared the candy with me, but it just wasn’t the same. Every year my mother would take me to the thrift store to find a cheap ski-suit, then come Halloween I would get on 2 pairs of long johns, don the ski-suit, and my mother would get out rolls of masking tape to cover me head to toe – I went as a mummy, with the help of mommy. And since I couldn’t bend my knees or elbows, I walked like one too!
As I got older, the costumes became more complex. My mother hand sewed me a Beetlejuice costume when I was about 12, and I spiked my hair for the first time (using green Halloween hairspray). I remember one year working for weeks with liquid latex to hand make a Halloween mask for my Lich costume (a Lich is like a zombie mage from D&D, what happens when evil wizards take a potion to extend their life at the cost of dying while staying alive so they can continue to gain more power). One year I went as the Devil, and even spent hours dying my skin red with watered down food coloring which stained for weeks, but looked awesome! Or there was the year I dressed up as a mafia guy, including a Tommy gun I spent week making, with a copper pipe barrel, coffee can magazine, and oak, hand cut and stained rifle butt. The cops pulled me over to confirm it wasn’t real – and of course to run my name for warrants – cause you know, they are assholes. That incident lead to its own humorous story, but I will tell that one another day.
Eventually I began setting up Halloween parties as a community event. This was really the first DIY organizing I ever did, years before I ever organized DIY all ages punk shows or anarchist bookfairs. I would rent a hall, get my (former) friend Pat to DJ, and my friend Yvonne to run the bar (this was years before I went Straightedge). People donated to get in, and the bar would usually break even, even after the costs of a liquor license and me setting the prices far below normal. The majority of attendees were people I played Vampire or D&D with.
The reason I loved Halloween so much as a kid, and even until I was a young adult, was that it was the one holiday where you could be dark, dress up scary, as something evil. Where you could embrace all the things normally frowned upon in this fake Christian and legalistic culture. It was the day the freaks, geeks, artists and picked on kids could shine. It was DIY, and encouraged youth to be creative, and use their imaginations. And it was the only holiday where you went out into the community, often with friends to meet your neighbors, and knocked on the doors of other people (who you would threaten with pranks if they didn’t give you candy). Every other holiday meant staying home with family to celebrate some weird depiction of a dead deity and gorged on dead animal carcasses. On Halloween, instead of consuming a carcass, you would try to create a costume that made you look like one! Halloween for me was the collective accumulation of everything missing from every other day of the year all wrapped up into one dark night. I was always drawn to darkness, just as I was always drawn to be creative.
But Halloween has been recuperated by the consumer capitalist mainstream and drunken party culture. Now it exists as nothing more than another excuse to buy more junk (made by children in a sweatshop in China), consume, and get drunk. Whereas the costumes of my childhood were mostly homemade, even if people occasionally bought a mask or the fake blood, or whatnot, there was always a DIY element to it; now the norm is to purchase your costume at the mall, 100% plastic shit, shipped from overseas, and throw it out the next day. Mom’s and dad’s no longer take their kids door to door in many cities, as the fear of poisoned candy and sexual predators has become so pervasive (even though no one has ever actually poisoned candy to hand out, and the vast majority of child molesters are family, close friends, or people given authority over the kids; not a stranger in the bush) that the new tradition for many parents is to drive their kids (in their gas guzzling SUV) to the mall where they go store to store instead of door to door, and managers or employees of corporations hand out candy along with promotional materials. Because as we all know, Corporations are far more trustworthy than the people who live down the street from you.
For young adults and teenagers, the new trend is a mix of sexist shit costumes such as “Slutty Nurse,” or “Breast Inspector” and the always popular cultural appropriation and other racist ‘costumes’ such as white people wearing blackface. And have you noticed the disturbingly sexualizing Halloween costumes being marketed for young girls these days? Costumes become more and more sexualized by the year, for both adults and children. From “Slut Shaming” to sexualizing children, the corporations who make and sell this shit have no problem profiting off of rape culture. Just as the bars have no issue with profiting of addiction, and binge drinking.
Then of course there is the Halloween candy, made of shit and chemicals that are toxic, glued together with processed sugar, and often containing the milk of abused cows or other products stolen from the bodies of animals which our species domesticated who live tortured lives in industrial farms and feedlots before being shipped to the slaughter house. This poison cocktail then gets wrapped in a couple sheets of plastic “to make sure it safe from contamination” before being shipped halfway across the world so you can give it to kids to ensure they become addicted to sugar. TRICK OR TREAT!
Even the horror movies have gotten worse, turning into movies that fetishize and sexualize torture for 2 hours straight.
Over the last few years I have pondered various strategies to try and re-appropriate what is left of the once very DIY and community oriented former Pagan holiday. As much as I am disheartened by what it has become, I still do see some hope in the darkness. The continuing popularity of the Halloween screenings of the cult classic The Rocky Horror Picture Show give me some hope, and honestly dressing up in drag and throwing toast in the air can be quite a blast! The overt queerness of Rocky Horror may be what has saved it from being appropriated and recuperated entirely by this consumerist and homophobic culture.
I use to see some possibility as well in November 5 – Guy Fawkes Day, before the iconic V mask became mass produced and adopted by the right wing Libertarians and conspiracy theorists who never bothered to read Allan Moore’s anarcho-antihero epic, nor taken the time to learn the real history of the Gunpowder Plot to blow up Parliament. But alas, I have given up on Guy Fawks day after burning only 1 effigy of Steven Harper.
And of course there is the Pagan revival, people going back the roots of Samhain. There is definitely something encouraging about people, especially settlers on stolen land, wanting to go back to their roots. The potential for decolonization is there. Yet I am not entirely sold on this either, as those pagan roots are often from cultures that have already engaged in the domestication of animals and plants, and worship warlike patriarchal gods, or gods who offer the control of nature for faithful servitude. Spirituality has also been largely recuperated by civilization and turned into an escapist retreat from taking action and creating change. Then there is the questions of cultural appropriation whether it is neo-pagan Wicca and reinvention of Samhain, or the appropriation of Día de Muertos.
Another thing I have attempted with limited success is to organize sober spaces that are alternatives to the drunken Halloween party culture. There is many people that can’t be in spaces where alcohol is, whether it is cause they are struggling with addiction, a youth who legally is not allowed into a space that sells booze, or someone who just doesn’t like being around drunks or doesn’t feel safe around them do to past experiences.
A new idea I had this year was to make posters which read in large text something along the lines of:
“GET TO KNOW YOUR NEIGHBORS
Halloween is suppose to be about building community
DON’T TAKE YOUR KIDS TO THE MALL
trick or treat & meet the people you live next to.”
Another idea I have played with is to make vegan treats, which may not be healthier but are a lot better than the toxic corporate crap candy most folks are handing out to trick or treaters. I have a simple recipe for Vegan rice crispy squares for example, and I thought if I was to make them with a note attached explaining who made them, why, and all the ingredients including a phone number and address to accompany my name; perhaps, just maybe, parents would let their kids actually eat them??? A connected idea to make this one work better, was to make a batch of Vegan Chocolate Chip Cookies, using Sarah Kramer’s awesome recipe, in about august/September, and make a note with the ingredients that reads “hand made for you by your neighbor,” then take these door to door and hand them out for a few blocks, as a good opportunity to get to know the people who you share geographical locality with. This way not only do you meet them which can help build community, but also make them more open to homemade candy come Halloween.
The other type of strategies would be to find ways to use the current consumer culture and appropriate it’s energy for anarchist purposes. Thousands of people in the streets wearing generic disguises can offer a perfect smoke and mirrors type of potential for low level warfare against capital. Although with the enormous police presence and normalization of snitch culture amongst yuppies, there are some real risks to this. Alternatively one could try to use the trendy hipsters as a funding base for anarchist projects. Put on an event or sell something targeted towards pop culture (Zombie paraphernalia?) and use the money from it to pay the rent on your infoshop, to restock your punk distro, buy media or AV equipment, send to prisoners, or to cover travel to conferences, summits, or elsewhere for people who should be there but can’t afford it. There are many projects that are in constant need of funds in the anarchist movement. However, this strategy also runs into some risks of recuperation or wasting our energy on projects that don’t help further our own.
Halloween has been reduced from the night to creatively celebrate horror and the dead to a dead holiday where zombies dressed as in costume celebrate the death of creativity and consume the horrors of capitalist civilized reality. Is it time to bury this tradition? Or can transform into wild beasts and enact a séance to resurrect it from the death that is this modern reality called of civilization and destroy the monster called Leviathan?
The grass IS always greener
When you’re standing in a desert
That use to be a forest
Like the Fertile Crescent
Or the great Scottish rain forests
You know, where now what we call the Moor is
Or parking lots and paved roads where the meadow use to live
But you see the trick isn’t to get over to the other side of the fence
But instead to tear it down altogether
A world free of false man made borders
Walls and fences
Cages are for captives
And we are meant to be free
As all life is meant to be
I hate walls and all the people who love them.[i]
I hate bars and prisons
And bars built to keep people drunk in
Captives to their own inebriation
Wasn’t that drink suppose to give you escape?
But there is no escape when the whole world is our prison
Just another bottle do drown in
Not until the people have risen
To tear the oppression down
Bring the bastards down
Royal or otherwise
[i] This line is a play off a line from anarcho-pop band Chumbawamba “I hate wars, and all the people who love them” from the song Here’s The Rest Of Your Life from their second album Never Mind the Ballots
It is with great enthusiasm that we are announcing the 2013 speaking tour for anthropologist, unschooler, and anarchist Layla AbdelRahim. Layla will be touring with her new book Wild Children – Domesticated Dreams through various communities in the Cascadian Bioregion.
We are still booking dates. If you wish to organize a speaking engagement with Layla in your community please get in contact: email@example.com
Tour dates so far:
Tuesday October 8, 5:30-7:00
Kwantlen Polytechnic University Surrey BC, Unceded Coast Salish Territories Crime and Reward from an Anarcho-primitivist Perspective.
Saturday October 12, Venue TBA
Vancouver BC, Unceded Coast Salish Territories The Insidious and Resilient Narratives of Domestication: Pitfalls to Watch for in Autonomous Learning Zones.
Tuesday, October 15, 7pm,
Camas Books – 2620 Quadra St,
Victoria BC, unceded Lekwungen Territories What’s in a Class? On Reproduction of Gender, Species, and Ethnicity as Categories for Labour and Consumption.
Friday, October 18, 7pm
University of Victoria Victoria BC, Unceded Lekwungen Territories The Ship of Fools as a Place of Spectacle, Healing, and Education where the Wild are Sent to Die.
Still seeking dates in Portland, Olympia, Eugene, and Seattle.
Full presentation descriptions:
Crime and Reward from an Anarcho-primitivist Perspective.
George Zimmerman’s acquittal in the shooting death of Black teenager, Trayvon Martin, this summer came as a surprise to many mostly because the civilised believe words and focus on language rather than on praxis and consequences. Namely, civilised people see the judicial system with its verbose process of trial as a system of justice and in the eyes of those involved in Zimmerman’s trial, there was “no evidence beyond reasonable doubt” that Zimmerman acted within the confines of the American law. The question thus was not whether killing someone was wrong, the problem that was to be resolved in this system of justice was whether the killer had the right to kill.
In this lecture, Layla AbdelRahim discusses the civilized premises that construct the human animal as predatory and thus centers murder in anthropology itself and reinforces the predatory narrative. Furthermore, this predation is structured by the classificatory system of civilized epistemology that categorizes groups of living and nonliving beings, whether human or not, as “resources” and “consumers” thereby excluding whole groups and immense suffering from the public discourse on justice. And as discussed in her book, Wild Children – Domesticated Dreams: Civilization and the Birth of Education, this predatory narrative is reinforced by both the medical sector and the system of education.
The Insidious and Resilient Narratives of Domestication: Pitfalls to Watch for in Autonomous Learning Zones.
Not only has the hierarchical project of domestication and civilization existed for the past ten thousand years, it has been expanding globally, engulfing more and more territories and bringing the world to a state nearing the brink of collapse of biodiversity and self-sustainability. This colonizing project has not been accepted passively. It has met strong ideological, epistemological, socio-economic, and physical resistance on both individual and social levels. Nonetheless, civilization has reached an epidemic level largely owing to its misconstruction of “knowledge” about human nature and the world. In her research, Layla AbdelRahim applies concepts from biology, anthropology, ethology, and sociology to examine the mechanisms by which socio-cultural narratives and material cultures reproduce themselves through domesticated bodies, minds, and desires. In this workshop, Layla will identify these mechanisms of perpetuating domesticated “unknowledge” and will engage a discussion on resistance to its narrative.
How do we know the world? How do we relate to the world and to our knowledge of it? Today, most people around the world believe that we cannot learn how to live in the world without having gone to school and received an “education”. However, what is this “education”? What is its content, its method, or its purpose?
Education is a systemic production, reproduction, and transmission of specific socio-economic constructs about humans, society, and the world. These constructs are then passed on as “knowledge”, which ensures the coexistence of epistemological classes as socio-economic classes in a hierarchical paradigm. Civilised science prioritises Cartesian thinking that divorces “reason” from “emotions” precisely because empathy with the exploited, the suffering, or the consumed will interfere with the project Civilisation.
In this conversation, Layla will discuss the underlying premises in scientific thinking about the world as a system of domestication of human and nonhuman resources for production, reproduction, consumption, and ultimately devastation.
The Ship of Fools as a Place of Spectacle, Healing, and Education where the Wild are Sent to Die.
The Medieval European allegory of the Ship of Fools was more than a metaphor or a literary ruse to critique the Church and the state. In Madness and Civilization, Michel Foucault argues that this trope was also a real socio-political tactic used to cleanse the civilised space by isolating the “mad” or the “unreasonable” from “society”. For civilisation, “reason” has two constituents: raison d’être and sanity. The sane are here defined as those existing for the purpose of domestication in a “natural” food chain hierarchy. In this sense, “society” consists of those working for the “reason” of domestication and socio-economic hierarchy, exploitation, and consumption and those who cannot or refuse to abide by the domesticator’s definition of their reason for existence are either sent to sanatoriums, hospitals, or other correctional facilities to be cured or killed.
Drawing from the research conducted for her book, Wild Children – Domesticated Dreams: Civilization and the Birth of Education (2013), Layla AbdelRahim discusses schools and children’s culture as spaces of such isolation and “correction”: where the wild raison d’être to dream and to exist for one’s own, known or unbeknownst to self purpose is extinguished and where the child is taught to exist to serve as a human resource in the chain of exploitation of nonhuman resources.
We need your help! The Victoria Anarchist Bookfair & Festival of Anarchy collective is always looking for new people to help behind the scenes. We’re looking for help in all kinds of areas such as:
*welcoming & information tabling
*counseling and safer-space support
*cleanup and more…
The Bookfair is entirely volunteer-run and helping out is a great way to get involved and meet new people. If you’re interested, please read the volunteer descriptions, our collective principles and accessibility statements on our website and let us know how you’d like to help out!
The deadline to apply for a table, propose a workshop or submit an event listing for the Festival of Anarchy has been extended to July 31, 2013! See below for details:
1. Bookfair Dates & Contacts
2. How to Request a Table
3. Call for Workshops & Presentations Proposals
4. Festival of Anarchy
5. Street Newz Anarchy Issue
1. Victoria Anarchist Bookfair Dates & Contacts
September 14th and 15th, 2013
Fernwood NRG Community Hall
We are pleased to announce the eighth annual Victoria Anarchist Bookfair, located on unceded Coast Salish Territory in Victoria, British Columbia. The Bookfair is for anarchists and non-anarchists, with participants from all over North America and beyond. Events include book and information tables, workshops, readings, films, presentations, and much more!
The Bookfair always includes workshops on a wide range of topics. We seek to introduce anarchism to the public, foster dialogue between various political traditions, and create radical, inclusive, and anti-oppressive spaces. Participants with different visions, practices, and traditions are welcome.
Our theme this year is Eco-Defense. We aim to highlight various environmental threats and the resistance movements that have formed against them. From logging of old growth to oil development to mining, we will analyze resource-extraction from an anti-capitalist and anti-colonial perspective. We will explore how the Indigenous and settler populations can share responsibility for the challenges at hand. We aim to move beyond critique and chart creative paths toward healing the planet.
As part of Anarchy 101, we require presenters on anarchist history and associated radical theories. We also aim to provide a mix of workshops that show the breadth of issues and the diversity of opinion within anarchism. Thus, we are seeking presentations on topics of colonialism, decolonization, gender, sexuality, ‘race’, disability, food security, spirituality, feminism, class struggles, poverty and homelessness, animal liberation, primitivism, DIY, militancy, pacifism, anarchism in practice — as well as topics that connect any number of these. Whether it’s a practice-presentation, participatory demonstration, panel discussion, facilitated discussion, and everything in between — if you have an idea for a workshop, we want to hear about it!
GENERAL INQUIRIES: firstname.lastname@example.org
2. How to Request a Table for Sept 14 & 15
The heart of the Bookfair is the main room including booksellers, distributors, independent presses and activist groups from all over BC, North America, and abroad. If you’d like to table this year, please provide a short description of your group and the materials you intend to distribute at the Bookfair.
There is no fee for tabling at the Bookfair, but we will be requesting 10% of sales after expenses in order to help us cover the costs of the venue rental.
The deadline to request a table is July 31, 2013 (we cannot guarantee inclusion on the poster or in our program-zine for late submissions).
The Bookfair organizing collective is currently seeking workshop and presentation proposals. They may be aimed at people who are curious about, or new to anarchist ideas and radical practices, or they might address a topic in some depth intended for people who are already familiar with the anarchist tradition, radical activism, or anti-oppressive practices.
Standard Bookfair workshops last for 50 minutes with a 10-minute break in between. While we are open to a variety of workshop formats, and we recommend that facilitators leave at least 20 minutes for discussion at the end of their presentations. Each year we get a lot of submissions, but if we don’t have space at the Bookfair, we still want to help make your workshop happen!
Please provide a title, and short description of the workshop’s content in your submission. If your workshop is accepted, this information will be reprinted in the program zine.
NOTE: The deadline for all workshop and presentation proposals is July 31, 2013 (after that date we cannot guarantee a timeslot at the Bookfair or inclusion in our program-zine for late submissions).
4. Festival of Anarchy Events: Sept 5–14 (various locations TBA)
In addition to the Bookfair, a “Festival of Anarchy” will take place during the preceding week, with diverse anarchist-themed events occurring at different venues in Victoria. You can propose any type of event or activity: the only limit is your imagination.
Festival of Anarchy events are organized autonomously from the Bookfair and, as such, venues are the responsibility of Event Organizers—that’s you!
The Bookfair collective acts as a hub to promote and coordinate these events. We’re committed to helping promote autonomous festival events to the best of our ability through the program zine and the website.
If you’re interested in having us promote your event, please provide a title and short description of your program by July 31, 2013 so that we can include it in our zine and on our website.
We strongly recommend Festival Events are NOT scheduled during the Bookfair’s operating hours. In general, contacting the Bookfair Collective about scheduling dates before our proposal deadline is a useful way to ensure the least number of event conflicts.
5. Street Newz Anarchy Issue
Victoria Street Newz is looking for articles on anarchism for its September issue. This special issue celebrates the annual Victoria Anarchist Bookfair which takes place the 2nd weekend of September
Punk bands tour the world singing anthems that promote militant direct action & activism, putting out albums with flaming Molotovs emblazoned across their covers, with militant messages; but few of us ever truly put those words into action. Walter Bond on the other hand has spent decades working tirelessly, whether leafleting at shows and in the streets, tabling at Pride events, protesting, or volunteering at animal sanctuaries before finally turning to the more militant tactics of the Animal Liberation Front. Walter is a proud anarchist, Vegan, of Latino heritage, who identifies as bisexual. He also is currently a prisoner in one of the most controversial and restrictive prisons in the USA today.
I have been writing to Walter in prison since he was first arrested 2 years ago, after his brother snitched him out. At the time of his arrest, Walter was living on the streets while attacking businesses that profit from animal exploitation.
PE: - You identified as an anarchist for most of your life. Can you tell us what being an anarchist means to you, and how it connects with Animal Liberation, and Total Liberation?
WALTER: When I was in 7th grade in 1989 I used to make all kinds of clip art fliers with my friends under the name ‘Anti-Statist Counter Culture’. We would distribute them mostly to local corporate businesses and churches in the area, mostly to agitate. By the end of 8th grade I had completely dropped out of school and was living this nihilist lifestyle and was just very reactionary and angry at the whole world, parents, school, everything! Back then I was dealing with a world of shit that was to much for me to handle. I turned to drug abuse and vandalism as an outlet. Anarchism back then was a personal vendetta I had about how my life and the world around me was and how I felt it should be.
I wasn’t alone. I had three other very close friends that felt the same. Two of them connected with some gutter punks in Boulder, Colorado and ran away to Hollywood, California. 25 years later one of them is a vocalist for a grind core band, and another is a bicycle maker that lives in a squat in New York City and gets harassed whenever he tries to leave the country because he has bee
n on federal watch lists since the 90’s.
Today anarchism is firmly connected to my activism. The Animal Liberation Front has been an anarchistic dis-organization since its inception. There is no way for business-as-usual and Animal Liberation to co-exist in any fashion that is effective for the goals and interests of either side. Business, consumerism and corporations ultimately care about whatever is profitable. Their raw materials are the blood and bones of Animals and the life’s’ blood and guts of the Earth, which is the fountain head of all life. It’s difficult to make this connection as just a foodie Vegan but once you spend some time in the activist world, it’s an unavoidable clash.
Anarchism is in opposition to State control, corporate domination, class privilege, oppression of one group by another. These are the identical ideals fought for by Animal Liberation abolitionists, just applied to different objectives. I think that anarchism and Animal liberation from the abolitionist or radical perspective are an organic pairing. What good would it do to establish a human society of free communities only to destroy the planet with a McDonalized diet or a mass addiction to industrialization? The reality is that there are billions of people on the planet! With or without government or state authority, industry is going to continue destroying the Earth. It doesn’t matter who turns on the machines everyday, because things are not made out of no things. And history has proven time and time again that if we do not remove the oppressions of the least defensible of us then the circle of abuse begins again with a brand new name.
PE: - You are an Animal Liberation POW, and you also hold anti-civ views, and have a critique of technology. I see a lot of overlap between the anarcho-primitivist critique of domestication, and mass society, with the views of Total Liberation. Do you feel there is a contradiction there? Or how do you see them fitting together?
WALTER: I definitely am not a fan of technologically advanced civilization. From the industrial age forward what we are really looking at is a lattice work infrastructure, put in place by governments of men to subjugate women, the poor, Animals, Earth, labor and each other according to Ethnicity, nationalism, class, gender and economics. Since the age of the machine and science; pain, suffering, war and murder have been greatly, incredibly and insanely quickened!
Despite all the promises of making things better we are blowing mountains in half to get at their coal. We are chopping down every forest on Earth. We are dropping bombs on civilians from remote control airplanes; we are mechanically murdering billions of Animals at the expense of the natural world. We are wasting mass amounts of crop, soil, and water, all euphemisms for Earth, so that we can eat cheap burgers. Thanks to constant technological crutches most adults cannot listen to, follow or remember simple directions. Meanwhile paranoia and random acts of violence are at an all time high!
It is time to stop pretending that we don’t see the writing on the wall. Technology kills! And that is most often its primary use. WE HAVE ENOUGH NUCLEAR WARHEADS ON THIS PLANET TO KILL ALL LIFE SEVERAL TIMES OVER, BUT WE CANNOT EVEN SAVE OUR OWN SPECIES ONCE. I used to build slaughterhouses for a living and I can tell you from first hand experience that it’s not physically possible to butcher tens of thousands of Animals a day without an abundance of mechanical aid. Just like it is not possible to destroy a forest without first building roads and inlets to get yellow death machines into the area.
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No machine is morally neutral when it’s sole design and intent is to eviscerate, vivisect, slash cut and transport the splintered, destroyed and devastated remains of the biosphere! The technologies we use to heal the sick and, lessen pain and suffering and generally make the human world a more comfortable place are scant in comparison to the damage done. But just like any alcoholic or drug addict we exaggerate the pay off we get while greatly ignoring the damage it takes to pay for it. And just as with any other addiction the truly terrible thing is how many other innocent lives have become ruined in the addicts wake.
Politics would have us believe the modes of production are neither beneficial nor harmful but only in the right or wrong hands. Yet time and time again his-story has shown that whether the factory is run by greedy capitalists or free thinking anarcho-communists, the machines still get turned on and the raw materials of industry are still the blood and guts of the Earth and her Animal Nations! In truth, who controls the means and modes of production is of concern to those who labor and profit by and for the machines, with little to no concern for the connectivity of all life, or the world.
As far as how I view the connectivity, or lack thereof of ideas like Total liberation and anarcho-primitivism I guess I view it as parallel. In my estimation Total Liberation should be making steps to unite various struggles in the real world against the common leviathan of government and towards the reality of free communities. Unfortunately, I don’t see much grassroots organization around Total Lib. it remains, thus far, in the world of ideas, of salutations of solidarity. I think the occupy movement started out with a truly unifying Total Liberation tactic and showed the tremendous power of coming together. But there has to be an escalation of tactics at the helm or else all is eventually kaput. I’m not trying to be smug here but where is Total Liberation physically? Ideally Total Liberation should be a bridge building movement to unite activists of all liberation struggles be they human, Earth or Animal. That is a huge amount of work. And honestly it’s an abundance of work I seldom see getting done. No one wants to yield or compromise enough to make a true united liberation front possible. Or as radicals we use total lib as a pretext to ideological recruitment of other radicals.
Anarcho-primitivism on the other hand is really against the entire foundation of what our modern ‘civilized’ oppressions are built upon. As such it’s not very activist friendly. I mean, you don’t protest civilization with a sign. The idea of a truly clean slate is far to radical for that. The only way to effectively protest technology, mass society, domestication and their ilk is for you yourself to become a wild child and destroy the machines. But Total Liberation and anarcho-primitivism are for ever united by the same objective. That being the complete escape from tyranny and oppression for as many lives, and ways of life as can exist without any oppressing the other. One is just dedicated to aligning forces in the here and now, while the other is looking at how we will have to not only get rid of the road we are on, but also get rid of the road.
PE: - It almost seems like there was a Class Warfare element to the choices you made when selecting your targets. Was this intentional?
WALTER:- You are the first person to ever ask me this question, and the answer is yes. There were a couple different messages to my arsons beyond Animal Liberation, one was classism. Every place I hit was not what society would try to justify as ‘necessary’ Animal cruelty. Each place in its own right was of service to the upper middle, to the rich echelon of society. Whether for fashion, hobby or delicacy I wasn’t going after stores in the hood or ethnic communities. I was after retailers that sold dead Animals’ broken bodies or skins purely for consumer pleasure.
Another thing I have heard grumbles about is why I went after soft targets instead of more strategic targeting. There was a subtle reason behind this as well. As an activist I often saw people pass the buck when it comes to Animal industries. The wholesalers and retailers always blame it on the public. If no one bought their products they wouldn’t sell them. Or since there is a demand someone is going to fill it whether them or someone else. The consumers always hide in numbers. They don’t feel responsible because there not buying anything that’s not being bought a million times over by others. The drop in the bucket syndrome. If you pick on them you will instantly be accused of targeting specific groups of people. And after all it’s really the evil corporations fault for putting such cruelly produced products on the market.
I burned three businesses right in the middle of major cities. I did not want to hide my ALF actions the way Animal cruelty is hidden. I wanted every retailer and consumer to see that when you deal in product of death you shouldn’t be surprised when retribution finds its way to your doorstep. Honestly, if I would have had more resources or help I would have done live Liberations unfortunately this was not a viable option. But the only good thing about living in a non-Vegan world is that if you want to combat cruelty you never have to go far. You don’t need to have a bunch of money or go to some clandestine trading camp to make an impact.
Most of the time people like to imagine that their heroes have all this expertise that they never could. It’s a convenient belief because otherwise they wouldn’t have any excuse for putting their own self-interest, fear and apathy above doing in their hearts what they know must be done. The truth is when it comes to Animal exploitation or the destruction of the Earth, no one is innocent. Not Vegans, or cadaver munchers. Not anarchists, or capitalists. Not me, or you. We are all shades of red as Screaming Wolf once wrote in the seminal book ‘Declaration of War’. We lessen our shade of red with our lifestyles and our actions. And this is our obligation if we have compassion. Not from some outside authority but from inside ourselves, our consciousness.
PE: - Recently you completely changed your position on abortion, what prompted this seemingly sudden shift?
WALTER:- What prompted this change of heart is a growing disenchantment with so-called conservative views. And the pompous attitudes that produce them. I have never been involved in any anti-abortion activism, just so people know. In the hundreds of pages that I have written in the last 3 years I have written approximately one paragraph about the ‘pro-life’ views I once held. I just want to set it straight from the beginning that I am not some reformed anti-abortion extremist. That said, I once held an obscure view on abortion that was part of a conservative clique within the Straight Edge movement of the 1990’s.
My limited comprehension of abortion as an issue was from this two dimensional idea that ‘if I am going to care deeply about the rights of shrimp, then I should care about the rights of a fetus’. This was a complete absent reference to the fact that this whole issue takes place inside a woman’s body and that there is a more complex issue of rights to be observed. Not just vegan hardline consistency.
I have recently begun to educate myself on feminism and in particular anarcha-feminism. The more I learn the more I feel like an ass for having displayed such an idiotic and disconnected view of abortion in the first place. From an Animal Liberation perspective which is more my field, it must be said that humanity is the cause of extreme amounts of suffering to billions of Animals annually, for food vivisection, entertainment and beyond. Ultra-consumpive societies like north America, china and now India are currently decimating the Earth like a cancer! In this war on nature humans are a tyrannical and abusive enemy. I stand on the side of the Animal Nations and Mother Earth, I am a species traitor. And human birth control is a relief to the planet!
But as I was saying, what prompted me to finally take a long look at my beliefs, not only on abortion but many of my moralist attitudes in general are my surroundings. For those that do not know I am a prisoner of war, inside a political prison, within a prison. On this unit of 40 men, I never leave, and I am housed here for an indefinite remainder of my prison sentence. Most of the men here are orthodox Muslims; with a sprinkling of those god bless America type of militia, Ron Paul weirdoes. It’s a super conservative and religious environment. I have learned first hand what dogma and so-called conservativism leads people too. Mainly, bigotry, homophobia, and close-mindedness.
PE: - When you held anti-abortion views, it seemed like most of your criticism was directed towards the medical industries. This brings up the question of herbal abortion as a non-medical alternative. Was this something you had considered?
WALTER:- No it was not. But I am not more for one method than another. It’s not my business how women decide to abort, control birth or exercise autonomy over their own bodies. As a man, I am not only never going to be in their position but I am never going to put a woman in that predicament either. I have no children, and the first thing I am going to do upon release, which is years from now, will be to go to the hospital and get myself fixed. Furthermore, no woman anywhere should feel ostracized or shamed for her decision to exercise her reproductive rights be it herbally, or in a clinic.
PE: - Author Peter Gelderloos once wrote that anarchy and colonialism need to be made completely incompatible. Cultural approbation of indigenous art, spirituality, and cultural traditions is a major problem in many subcultures today. I want to ask about your face tattoo. I know it means a lot to you, but is your tattoo an appropriation of Maori Moko?
WALTER:- I have a few supporters from New Zealand and have been questioned about this by a couple different Maori. One told me that the design I have would better be suited as part of a leg piece, and the other argued that it was a handsome piece for Moko, but wanted to know why I don’t have the rest of my face done. But the truth is that while I definitely used the style of traditional Maori, my tattoo artist and I made absolutely sure that we were not replicating any traditional or current Maori designs.
I have also been locked up with a Maori guy and several tanga, Samoa and Polynesian islanders. Everyone has been cool with it mainly because I am of Island descent. My mother is Taino. For those that don’t know these are the indigenous people of Puerto Rico. This coupled with the fact that I am in prison for fighting for a cause seem to have earned me the respect of other islanders. The general vibe I get is relief that I take warrior hood seriously and am not just trying to look hardcore for my white friends in the suburbs.
I plan on getting the rest of my face tattooed when I get out of prison along with the rest of my body. That said I never promote it as something others should do. Getting a large face tattoo is serious business and can have serious repercussions. And It has intense personal meaning to me. It was a life changing event, it literally changed my personality. Some would say pushed me over the edge.
And yes, appropriation of indigenous cultures is an epidemic problem. In many larger ways than a very few people getting face tats. Here in the United States every white person wants to pretend they are part native. Out of some feelings of white guilt. Instead of helping the decimated Indian population. They shove real natives onto reservations to starve and die while pretending to be the real deal. Honestly, this makes me sick
PE: - Most of the businesses you targeted reopened and continue to make profits even though you did extensive damage. In light of this do you think your actions were effective? Could you have been more strategic? If so how?
WALTER:- The way I look at it I could have spent everyday of my life standing in front of those businesses holding a sign and I would have never cost them one penny. Even when I used to volunteer my time helping actual Animals it would occur to me that I was still having a negative impact against the industries of Animal exploitation. Even with Veganism, I am one of the few Animal Liberation abolitionist Vegans you will hear admit that my diet is not saving 90 Animals a year. So there I was living as ethical as I could, helping Animals and talking with and educating people. All the while all I am seeing is negative impact. I have friends that have been holding signs and tabling for decades, negative impact. Why is activism always geared to just lessen our roll in the cruelty but never to fight it? Negative impact.
I got fed up with it. All the -more-Vegan-than-thou- conversations that I had at every coffee shop in Denver. Always playing supplicant to people. Practically begging people to care. Then I woke up one day and it hit me. I was a utopianist, I was deluded. I, as most overly idealistic people really believed that deep down everyone was like me. I was once one of them, hell; I even used to build slaughterhouses! If I can change, anyone can, right? Wrong.
I came to the conclusion that most people don’t want to change, most people don’t want to learn what’s going on with Animals because they don’t want to feel bad or responsible for it, and most people are not going to sacrifice their time energy or money to make a change. BAM! The facts, welcome to reality! All that was left in my life was to fight back on the Animals behalf of shut up because I was sick of the sound of my own voice.
And you know what I didn’t change the world. But I did something that I never was able to before. I cost the Animal abuse industries about two and a half million bucks, positive effect! And with every defiant step forward that I took, I inspired. By my count there were eight international underground acts of solidarity with my case. And now when I speak I really do have a voice. I mean look, we are having an interview. I have been saying all this same stuff for years before I became the ‘Lone Wolf’ but you would never know it because, no one ever listened.
As far as strategy, of course I could have done better. Unfortunately HOW I could have, or WHAT I would have done different I cannot discuss. Due to my current situation as an imprisoned and monitored man.
PE: -Let’s talk about your life on the inside. How do you spend your days? Do you get paid to work? What are the costs you have to spend money on? You have and mp3 player, how does that work?
WALTER:- Here in the CMU it is a very small world. I live day after day, month after month and over a year now in a single prison unit completely segregated from the rest of the penitentiary of Marion. The day I get released from the CMU to the general population of the prison it will feel like I got a parole. I am allowed two 15 minute phone calls a week and no visits. Every person I have tried to have put on my visiting list has been rejected. I have not hugged, touched or physically seen anyone I care about since the day off my arrest in the summer of 2010.
A typical day goes something like this. I wake up about nine in the morning. I walk to the top of the range and sit down at a computer. I log in and see if I have any emails. All my incoming and outgoing email is screened by the counter terrorism unit in Virginia to make sure I am not sending or receiving coded messages. They also can reject or approve any incoming or out going emails before I have the chance to send or receive them. They can also block me from communicating with anyone they want and they have done this with three of my contacts. When that happens I cannot snail mail, email or make telephone calls to these people ever again. In short, all communication is cut off permanently, and without explanation.
After I am done on the computer I go ‘outside’ which is a rectangle walkway that surrounds an island of three ‘recreation’ cages. The sky is completely obscured by chain link fence and razor wire. I walk in rectangles until lunch. Lunch is usually beans, rice or the occasional veggie burger. The food is terrible and unhealthy. It is worse than any other institution I have ever been in. After I eat I go back to my cell and write responses to letters from supporters and friends. At noon, I go to mail call and get any mail, books or magazines that have come in that day. After mail I watch the soaps on Spanish TV. I like ‘Amorcita Corazon’. When my soaps are over I go out to the cages and do body weight exercises or shoot hoops. I come back up to my cell and lock down for four O’ clock stand up count, and then I nap until dinner. After dinner I walk for another hour. then I study Spanish for one to two hours, after which I slam a couple cups of black tea and go back to my cell to read, write and draw until about one in the morning, or until I fall asleep. Then I wake up and do it again.
As far as work goes, on the other side of the cell house opposite the rec. cages is a ramp and a patch of grass that leads to the chow hall. My job is to clean the walkway and cut the grass. I make twenty dollars a month but they take all of that for restitution and court costs I owe. So in reality I get paid nothing. But I get to go on the only patch of Earth that we have in the CMU and it’s ‘out of bounds’ for everyone else.
As far as cost of living, everything I have shoes, shorts, Vegan food, toothpaste, paper, stamps, envelopes, music, and email (yes, I get charged to send and receive email) Is only because of money supporters send me. Without support funds I would literally have nothing. Recently the entire federal prison system got mp3 players. They installed the hardware and software on the computers. Songs cost a dollar and a half each, no discount for purchasing whole releases. They have some good music. I have downloaded Earth Crisis, Chumbawamba, Jose Alfredo Jimenez, Augustin Lara, Napalm Death, Public Enemy and many, many more! With very little stimulation music is essential for mental health. I went overboard and spent all my money on music, which makes things tight for me but I don’t care I would rather listen to music than anything else in here.
The conversations and interactions I am subjected to in the CMU are repetitive and obsessive. There are the legal guys that just talk about law all day long, constantly and without end. There are the religious guys that just talk about god and scriptures and religious interpretation all day. And the institutionalized guys that just talk about every prison they have been at. Most of those guys have spent their entire lives in prison.
I quit talking to most people here because I don’t like to argue, it’s pointless and agitating. And outside of my circle of about 5 friends whose company I enjoy the rest of these guys can go flush themselves down the toilet, and go where ever the rest of the pieces of shit end up, for all I care!
I’ll tell you this, I still feel as hardcore about my beliefs as ever but I am completely over preaching to people that don’t want to hear them, protesting is different than proselytizing.
PE: - Recently you quit using the Muslim name you had been given. Have you completely given up on Islam? Religion altogether? Do you still maintain some type of spiritual beliefs?
WALTER: I am going to be honest about my feelings towards religion and much of what passes for spirituality. I don’t believe it. It’s a human shibboleth. Animals in a state of nature have no use for it and neither do I. I am part of something bigger than any religion, ‘god’ or hocus pocus, it’s called LIFE. When I die I will go back to the Earth. I will go back to where ALL life must, and I will not know where that is until the time comes and death is upon me.
I know god is not in books. I have read and studied most world religions and many obscure spiritualities. I have learned for certain that god is not in books. The only thing in books is words. The entire concept and production of a book is a human construct. It’s our way for the dead and absent to infect the thoughts and lives of the living, for good or ill.
I Got involved in Islam under adverse and incredible circumstances, which is the only way I would have gotten involved in any religion, let alone one so incredibly dogmatic. I won’t go into the entire sordid tale except to say that I once promised an old woman that meant the world to me that one day I would attempt, one day, to try and find god. And I gave it my all. Unfortunately, I do not make a very good submitter.
Did you know that the first time I was ever in trouble with the law was for breaking into a church and burning a huge pentacle star into the carpet directly in front of the preacher’s lectern? It was a Methodist church in a rich white neighborhood, across the street from the police station. I also have a 14 inch upside down crucifix for half of my tattoo sleeve. On that same sleeve I also have a tattoo of the pope, except this pope has goat horns and is standing in flames. All the things I love the most in life: face tattoos, sex, fire, Animals, music, Liberation and Veganism seem to all be completely against religion. Oh well, I guess that’s how ‘god’ made me!
When I got involved with religion it completely shifted my focus and the focus the movement around me. Everything started to become about my new name and beliefs etc. I didn’t like that. I remember one night I went to bed and it occurred to me that I hadn’t thought about Animal lib, Straight Edge or resistance all day, just religion. That was the beginning of the end for me. I didn’t like that feeling of assimilation, like the Borg on that sci fi show ‘Star Trek the Next Generation’. It was a calming feeling but also creepy. Next thing you know you have that glazed doughnut look in your eyes, the one that super religious people get. No thanks, I’m already off in the head enough without any help from the land of make believe!
I also got tired of reading all the terrible stuff about god hating gays and stoning people to death, or chopping off people’s hands for stealing. This crap is in all the so-called ‘holy books’ of various religions; right their in black and white print. And if you believe it then you have to do a bunch of mental gymnastics to somehow make it all not, horrible!
All this said, I did learn a lot about Islamophobia and I am completely against it! the media promotes Islam to be a terrorist religion and that is just not accurate. Every religion has violent fringe elements but we don’t paint all their followers as ‘terrorist’ or ‘extremist’. Look at those crazy evangelicals that drink poison or the ‘army of god’ psychopaths. Still the media doesn’t call them ‘Christian terrorists’. I learned along time ago that it’s not what people believe that makes them good or bad apples it’s the things they do and their capacitates for compassion, or cruelty. But as far as any more personal beliefs about ‘pie-in-the-sky-when-you-die’. I am a disbeliever, and will remain so.
PE: - About a year ago you put out a public statement saying you could no longer call yourself an anarchist, recently you have recanted, re-embracing anarchy. What was the reason for your change of heart? What brought you back to the dark side?
WALTER:- The reason with my disenchantment with anarchism was in reality a disenchantment with certain anarchists. I don’t like the concept of publicly battling with people and the spectacle it creates. It’s a mistake I have made in the past, and when I look back at those statements they just look egotistical and immature. That said, I will for the first time explain what was going on and what led up to not only that statement but also baseless rumors that have followed me since. I will be careful not to name drop or call anyone out, a courtesy that was not afforded to me by the anarcho-rumor mill.
At the time of my arrest in Colorado in the summer of 2010, the second letter I ever received was from a local anarchist group. They talked about supporting me and were even interested in being my official support team. Furthermore they had their own print shop. I was happy to have their support and planned to write extensively with them as the publishers. A visit was arranged and one of the collective came to visit me at the county jail in Golden. I was told by this person that there were rumors that I was an informant. I was taken back by this and said that ‘I was the only person on my case and no other arrests had been made so who exactly am I informing on?’ This person agreed, and from that moment support was forthcoming, for a whole four weeks anyways.
I gave my new support team my email address and password so that they could get another picture of me besides the mugshot the media had. I began writing articles about Animal Liberation from an anarchist perspective. I was calling the collective about twice a week. And then abruptly it all came to a screeching halt. Nothing I wrote ever got published or sent back to me. No one accepted my calls. No more visits. A couple weeks later I received a letter from the collective about some so called visit from my email account to a ‘homophobic YouTube video’. I was told I need to explain myself, defend myself and do it quick because ‘anarchists everywhere are calling to drop support for you’.
Words cannot describe how I felt. First I didn’t know what homophobic video they were talking about, and I still don’t. Second the only people that could be turning ‘anarchists everywhere’ against me were the self same people that were my support team, as I was newly arrested and they were the only anarchists I was in contact with. And third, I was not the only person with availability to that email. For all I know the FBI could have been in my email account trying to gather information or spread disinformation; which would make good sense from their end of things. In any event I have never to this day seen the homophobic YouTube video that was allegedly watched in connection with my email account. I haven’t seen it because it does not exist.
I was really pissed off about this for a couple of years because these rumors not only hurt elements of my support but also my feelings. Very, very few people know what it’s like to be in the position I was: In jail, on the news, facing federal prison as a ‘domestic terrorist’ and all the while using this as a platform to discuss Animal Liberation through my writings while facing rumors and tear down tactics from ‘anarchists’! I mean there I was in jail for being an ALF operative and I was being questioned as if I was a Nazi fascist in jail for queer bashing!
When people that do know me tried to post comments to this collectives website stating that I am in fact openly bi-sexual they would not post them. I know this because friends printed me those defenses and mailed them to me in jail along with printouts of their webpage and blogs showing what they were posting, the only comments they would let stand were the ones against me.
So after my court case was finished in Colorado I wrote that statement about not Identifying as an anarchist. I wrote that at a time when Animal Rights activists were being very supportive and at the same time I was getting a lot of accusative mail from anarchists primarily from the united states. It’s one thing when you don’t get along with a group of people in person you just hang out with others. But when you’re in imprisoned and people from several different states critique and sometimes ridicule you in letters there is a feeling of totality to it. So I thought, fine I will cut my losses with the anarchist community and stick with Animal Liberation and Straight Edge which is not hostile to me.
It must also be said that many anarchists such as yourself and the international anarchist community have unfailingly showed true support and solidarity since day one. Two things that have a profound effect on decision making is a lack of information and emotional distress. I have had my share of both since my arrest. But these days find me much more grounded and less erratic. Due in large part to being done with court and in the routine of my current surroundings. I am an anarchist, this has always been a foundation of who I am. Before I was the ALF lone wolf, before I was Straight Edge, before I was Vegan. I was an anarchist. I don’t have to drop one thing to become another. I am all this and more.
PE: - What would you say to people that have characterized you as ‘single issue’?
WALTER: Calling me or the ALF or the Animal Rights movement a ‘single issue’ cause is a little verbal slur that otherwise thinking and activist oriented people like to use on Vegans. Seriously, anyone that has read my book or the statements that I have been making from prison for years knows that I am concerned with more than one issue and I always have been.
But more importantly why the single issue snub when it comes to Animal Liberation?
I have personal met gay rights activists that act like the only thing wrong on the planet is that gay marriage isn’t recognized legally. I have never heard anyone tell them that their cause is less valid because it is a ‘single issue’. Factually it is incorrect to typecast Veganism or Animal Liberation in this way. A.R. issues have to do with several different species of life and often tie in with environmental concerns. Nearly every other Liberation struggle is only concerned with a fragment of one species, humans!
To those people that equate me or Veganism to being a one hit wonder, I would challenge back: Fine then tell me exactly what you are doing to liberate all life, everywhere! The fact is Total Liberation is the connecting of many different issues and tactics, and Animal and Earth Lib are a big part of that. One need not give up movement autonomy to be valid under the umbrella of Total Lib. I am an Animal person. I love Animals! I am a Vegan activist. These are clearly compassionate and selfless pursuits.
of course not every group or individual is going to click but slighting the A.R. community as if we are going a different direction than Total Lib is messed up! We can point that finger anywhere. I know plenty of anarchists that think that anarchism is strictly a political ideology, or theoretical idea. Or what about independence struggles like my own Puerto Rican peoples struggle for independence from los Estatos Unidos? They are definitely very concerned with their own movement autonomy and the single issue of independence. People will always say whatever they feel and that is great but remember this, it’s harder to build others up than to tear them down.
Thank you Comrade for this interview. I really wanted to have the opportunity engage in a question and answer session that not only brought these critiques out into the open but one that also allowed me to lay it all on the table with nothing held back. And now my friend……I rest my case…. Take care and I will do the same.
Total Liberation, Whatever It May Take!