Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
TERLARANG are a fastcore band from Malaysia on the political side of the hardcore spectrum, which I can always appreciate. Granted, fastcore isn’t usually my bag, but I can appreciate it in small bursts such as their side of this split. It’s not obnoxious like powerviolence, and the songs don’t all sound the same. The vocals remind me of CRUCIAL UNIT, although with more blast beats. Anti-society and anti-authoritarian lyrics make this one a surefire winner.
On the flip side is Greece’s JAGERNAUT, who play gruff crust-core, very much in the style of DISRUPT. No lyrics are included, but considering the political landscape in Greece right now, it’s fair to say that these punks fall into the anarchist camp (the song titles, “Hatred”, “Voice Less Leaders”, and “Dead Sect” give that impression as well). JAGERNAUT only play three songs, but they all fucking rule. I also hear some mid-90s Montreal crust creeping in here – GLOBAL HOLOCAUST, specifically. That ain’t a bad thing.
I always like it when two bands who sound very different put out a split together. It goes to show that the spirit of DIY crosses silly subgenre borders. This is a killer record for sure – go pick it up at once! (Inbred)
Suburban White Trash Records: PO Box 270594, Fort Collins CO, 80527-0594 / www.suburbanwhitetrashrecords.com
Black Trash Records: http://blacktrashrecords.blogspot.com
Screaming Victims: http://screamingvictims.blogspot.com
Here comes NOISE COMPLAINT straight outta the UK, skatin’ and thrashin’ up a storm. They play fast, snotty hardcore in the “I don’t give a fuck” 80s style. This sounds like it should have come out of the Midwest in 1982, instead of London in 2012. I’m not really into the whole rehashing of the 80s hardcore thing, but this really isn’t that bad. High energy, and on a 7” format at 45 rpm, there isn’t enough time to become boring at all. I’ll bet these dudes are killer live. However… Lyrically, this is apolitical as hell… sometimes to the point of being over the top offensive. Case in point, the lyrics to the song “Religious Fuck”, which blatantly fantasize the raping of a nun. Look – I despise religion as much as the next punk, but I will not support anything that promotes rape of any sort. Not fuckin’ cool, dudes. Too bad about that, because if it weren’t for that song, I’d definitely recommend this record for your non-political thrashing needs. However, since I’m too “PC” to recommend pro-rape bullshit, I’d advise you to skip this and check out some of the other killer bands on Suburban White Trash instead. (Inbred)
Never heard of this band before but finding out more about them, this band is from Helsinki, Finland. Apparently they do not play any shows. This is some down and gritty punk rock reminds me a lot of the Sub/hum/ans or Citizen Fish. A total of 4 tracks. Amazing guitar riffs are in the first song “48 Balls” next up is “You know What You Are” again another gritty punk rock song. Now it’s time to flip over to the B-Side the first song on the b-side is “Who Wants it All” a very different start to this side not a very punky song kinda sounds like an 80’s song with the low vocals and kinda a keyboard sounding guitar/drum combination. Finally the last song is called “Strength Through Noise” very much like the last song with vocals but very strong guitar and more screaming then singing. This is an amazing release I really hope the band sees this and will send me there first 3 e.p.’s because i would really like to check them out-(XbezerkerX)
Well what I got here is a 2 song demo from MESSENGERS. First track is called “Laid To Waste” which is a nice minute and a half of very fast guitar riffs with some very angry vocals laid down on top of it reminds me of INTEGRITY. Pretty much any hardcore band that is coming out right now very heavy and very angry and very well put together. Track number 2 is called “Rotting Away” which is the better of both songs. This would go perfect on a Toxic Breeds Funhouse Comp. So if you’re into heavy, dark, angry hardcore with the breakdowns this is for you. I do apologize though I do not have any info for the band no site no nothing. (XbezerkerX)
Spreading Evictions is a two piece crust band from California is what I found out there is no info on the cd or outside cover. It was really hard to tell what there name is by there logo all I could read out was egoism on the cover. So after all that I put the cd in to listen to it and all the tracks are instrumental which are not bad but there’s no vocals and to me why make music without vocals it has no meaning then. All 7 tracks sound pretty much the same. Crust without vocals what’s the point? (XbezerkerX)
First nice screenprinted cover inside and out. Second stamped center labels if this isn’t DIY then what is? So I put this record on the player and wow this is some very heavy and very fast music. Starting off the record is a song called “Abwesend” no clue what it means but it’s an amazing start to this record. Next is “No Time” a little slower then the first song but equally heavy very thrashy feel for the guitar and very doomy vocals. I am loving this so far time to flip this record over. The secod side starts off with “Licht” which the record is named after and this song does not disappoint . This has a very good sound to it reminds me of ENGLISH DOGS. Lastly there is “Stuff V” a last helping of doomy thrash to leave you wanting more from these guys. Be on the lookout for these guys in America. (BerzerkerX)
Here is a nice slab of wax all the way from Japan the only English on the record is there name and what the 7 inch is called. Other then that everything else is in Japanese so this 7 inch has 2 songs couldn’t tell you the names but the a side is awesome very relaxing and calm song. The B side is very upbeat and poppy so I would assume that this is a very pop punk song it’ll have you tapping your feet to the beat of the music again very easy on the ears. I really wish I knew what they were saying. All the info I could find was the labels website. So go check out the label and pick this up if you’re into feeling happy and joyful. (XbezerkerX)
Ready to get your asshole blown away by some no frill straightforward Grind. This 2 piece band hail from the sewers of Minneapolis to pulverize your ear drums with some short but sweet morsels of blast beats that are put together so you can actually listen to it. Unlike some of those so called grind bands out there that use drum machines this drummer is insane behind the kit the faster the better for him. Not to leave the vocals out with screams, growls and groans. With song titles like “Mystery Grind Theater” “Macho Madness” and “Blast The Crusher”, to name a few nothing over the top with titles or images they let the music speak for itself. I personally love all the wrestling references they have and logos they do. If you like grind in the ways of BACKSLIDER and Faction X Disaster then you’ll love these guys always touring the Midwest look for these guys best served live. (Berzerker)
The concept of this CD is just beautiful. Each song was written to celebrate the lives of people that were very close to writer(ex vocalist for RAW NERVES). He explains in the notes that admitting to one’s self that the passing of loved ones is permanent is very difficult, especially to those who don’t believe in an afterlife and that he felt he owed it to them to create these pieces to honor them. There are seven tracks in all and are instrumentals with the exception of some movie sound bites and low spoken bits. The first track was interesting in that it start with the spoken part recorded backwards and the music over it, then about three minutes in, the music stops and then it switches. The words are normal and the music is backwards. I had a hard time hearing what they were saying, buy it might just be too many years of going to shows while not wearing ear plugs. Most of these songs are clean solo guitar with heavy use of reverb and flange with some drumming. Without knowing the theme of the album, it feels like the sound track for driving alone at night down long dark roads. It’s atmospheric with big rich tone. At times it sounded heavily influenced by newer NEUROSIS and THE VENTURES. The writing is creative and artful, great for relaxing and slipping into deep thought. $5 from Poisoned Candy Records. (Jake)
Anti Society records boasts an incredible catalog with titles from the likes of DOOM, ANTISECT, ANTISYSTEM, etc…basically a who’s who of the early UK punk, peace punk and crust scenes. The label was started in 2010 by the dude who had done Rejected Records in Ireland since 1994. This CD comp captures a sub-section of early UK punk and focuses on the Welsh punk scene from 1980 to 1984. 12 bands and 57 tracks later we’ve got ourselves quite the retrospective. Looking, or in this case listening, back some of the early punk is far from threatening by today’s standards but the passion and the message cannot be denied. There is something about that early punk innocence that just brings a smile to my face. Styles of music may change and the definition of what is punk music is constantly challenged but the struggle continues and while some of the music, may, at times, sound dated the song remains the same, the message is strong and the by the song titles it’s obvious how little things have changed and by most arguments have only gotten worse. Songs like ‘Victim’, ‘Violent City’, ‘No More Wars’, ‘Where Does Our Money Go’ are really timeless in title and subject matter and describe a world too similar to the struggles that we face in our modern lives. Where does my tax money go? Does it go straight to my daughters school or is it funneled into government weapons projects and ammo stock piling? Stand acts include CORRUPTION who play some of the most aggressive music on this comp with vocals that push for more of a scream than just the angry shout that most of the bands employ. The guitars have a good fuzzy distortion to them and the tempos are some of the fastest amongst their peers. CLASSIFIED PROTEST aren’t afraid of the distortion either and are really kind of reminiscent of SHATTERED FAITH or some of the SoCal punk of the same era. ARMISTICE is another stand out band with their somewhat uniqueand punky sound on tracks like the simply titled ‘Anarchy’. Its not all doom and gloom, bands like NO LABEL offer some hope in lyrics and call for the punx to make a stand and declare that ‘Anarchy’s Right for You and Me’. REALITY ATTACK attack with a dose of reality and a fired up “set” that is probably my favorite of the second disc only to be followed closely by the less chaotic but equally menacing SECLUDED. Other bands on this two CD comp are: ABNORMAL, CONDEMNED, DEATH PATROL, IMPACT, NO LABEL, PSEUDO SADISTS, and SKULL ATTACK. The packaging is pretty cool as the set comes with a booklet with a lot of color photos of all the punx looking punk and copies of many of the bands’ hand drawn logos. This is essential for the punk rock historian or completist that we all know. For me this was a killer treat and I am stoked I got my hands on a copy of this. So many good bands and songs are pulled together here that might have otherwise been lost to faded memories, bad cassette copies or extremely limited and obscure 7”s. “Old Punk Never Die…They Just Stand In The Back!!!” (Josh Mosh)