Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
Mike XvX has just released a new album. A World For All Species is Mike’s 6th studio album, 8 tracks – but not an 8 track – this is a digital album available for download off Mike’s website or bandcamp. This format mean you can listen to the album online for free or choose to download the album or individual songs as you like.
One of my favorite aspects of Mike’s music is that it doesn’t sound or feel like any other ‘folk punk’ I have heard, either musically or lyrically. I am extremely picky when it comes to folk punk, as after years of setting up shows as a DIY promoter, I have developed a strong distaste for generic and formulaic music, which I find a lot of folk punk has become in the last few years.
Musically Mike XvX hovers a bit more on the folk/acoustic side of the genre avoiding many of the cliches that have become all to common with folk punk now that every train hopper has a banjo or accordion. You won’t find a lot of blue grass influence or scratchy, twangy, or whiny vocals, nor will you find generic ballads about drinking under bridges, shoplifting, and hopping trains. Instead Mike writes in a way that retains the punk concepts lyrically with songs like his campfire cover of Cop Killer; while tieing in to the older American folk traditions of collecting and telling stories in the vein of Woody Guthrie, Buffy Sainte Marie, or Utah Philips. Mike XvX uses his guitar as a device to tell the stories of those he has collected over the years; however unlike his labor organizing folk-fathers, most of Mike’s stories are largely about the animals he has known over the years who have impacted his life, animals who are survivors of torture and exploitation at the hands of human animals.This way of writing about animal liberation and animal exploitation feels far more heartfelt and personal than the more usual punk songs on the subject which tend to be filled with statistics, graphic depictions and people yelling at you to Go Vegan.
Not all the songs on this album are only about animal liberation; there are songs like the Flood, and without a doubt my favorite track off this album is The Forest Near Your Old House which is about logging and environmental destruction and sounds largely like a much needed call to action
“I hear the chainsaws ripping through the ancient trees – I see good people doing nothing… …Simply asking them to stop is fucking useless – will they sit there and do nothing?”
The crust punk veterans from the wintry polar vortex of Minnesota have returned to release yet another great record. This time it’s a 6 song 30 minute album that’s very loosely considered an EP. MISERY have had the same lineup for the past 25 years now, and is unique in the fact that all members take turn at lead vocals. Very early in the beginning, the lead vocalist left the band to pursue other options with a band from NYC. Although this other band may arguably have a bigger reputation than MISERY, the group crumbled due to a “difference of egos”. This new offering, aptly titled The Beginning, features the original 5-piece lineup on 1/3 of the material here. This is the band’s second release on Seattle based Inimical Records, and is the follow up to the highly acclaimed 2xLP “From Where The Sun Never Shines”, which was put out in 2012.
The record starts with 2 brand new tunes, title track The Beginning and Armageddon. The Beginning utilizes heavy usage of clean guitar melodies, and starts with a baby’s wails before any vocals. Musically the song seems to describe the cleanliness of birth before the corruption we all endure from the forces leading society. The sense of doom is palpable. Guest singer Cassandra Schorn aka DUFF joins Jon on the vocal work, the duo trading off back and forth throughout the song. It works really well, providing even more atmosphere to an already great tune. Lyrical focus is the malevolent hierarchy of society, and with lines like “they’ve tainted your brain from the very first day”, it’s a clear reference to the social conditioning that is impossible not to witness. Armageddon is the second brand new one, and is much more typical of the crust we’ve come to expect from MISERY. Some of the guitar riffs are very reminiscent of the song Just Never Ends. The song builds from lyrical ideas laid out by the one before it, but becomes more specific in relation to the social control of religion. The drums (especially the tom fills) are amazing on this tune.
The middle of this record features 2 songs from the first recording session in 1988, back when they were a 5-piece. Midnight features Al Long, for the first time on a MISERY song since he left to work with NAUSEA. Just like the original, the music is slow and doomsy as all hell. It’s clear that the band worked some new ideas into the mix, which gives the song an updated feel to it. In all reality, things are just as bleak as they were back then, but instead of worrying about atomic warfare, we now must face the looming doom of enslavement of the human species. Side B opens with New Year’s, another song originally recorded during the same session as Midnight, but which never made it to record until 1996. Originally sung by Al, Gags takes over the vox and MISERY make it their own. They do a damn good job, and just like Midnight, the song is different and yet the same, with better studio techniques this time around.
The last 2 songs are covers originally recorded by bands that were influential to MISERY. First up is a cover of Lifeline by SACRILEGE. Album closer is 3rd From the Sun, originally done by CHROME, and is the other song to feature the band as a 5-piece. Gary makes a great performance on the drum kit in this one.
Artwork & layout by Andy Lefton of WAR // PLAGUE, PROVOKED, etc.
Recorded at House Of Misery Studio 2012.
this EP-LP is highly recommended, and you should kick your own ass if you dont buy it!
Political punk rock hailing from the vast deserts of Arizona. Here on their brand new Album “Ecocide”. They’ve played with PE’s own DRESDEN and opening up for other political punks OPPOSITION RISING. 7 songs of punk rock with catchy drums and rifting guitar and growly vocals. Most of these songs come off with a hint of SKA guitar and drums. Covering topics such as Genocide, Religion, and DIY on this record this album is super catchy. For anyone into politically charged punk rock tat wants to make a social change in the right direction, this album is for you. (XbezerkerX)
Here is another juicy morsel from ALTERNATIVE TENTACLES, we all know and heard of this record label and it’s consistency of putting out decent records. Here are 13 tracks of lo-fi garage rock, in the vein of NOBUNNY and HUNX also with a little KIMYA DAWSON mixed in. “Love At First Site” as a nice saxophone intro with a delightful piano with male and female duel vocals. This is something any musician could do honestly, record a nice family friendly album that you can play for your kids. (XbezerkerX)
Das KING LUI VON BEETHOVEN are from Germany and play a very good and catchy pop-punk. That sounds like something that FAT WRECK CHORDS would have put out. Recently playing with Minnesota’s own MANIX and playing countless other shows, this is a brand of punk you could compare to THE SLOW DEATH or NOTHINGTONS with a little punk rock attitude of THE BRIGGS. With 11 tracks in total this is a really solid release hopefully I’ll hear more from these guys. The only thing I didn’t like was the artwork for this album. Doesn’t fit the bands sound the cover art makes it look like a cheesy punk band. But don’t judge a book by its cover (XbezerkerX)
Finally an new album from Doom it’s been quite a while, so it’s a nice start to the year. There is no need for any introduction with with a band like Doom. If your looking at Profane Existence your damn familiar with with them at this stage. Here we have 14 songs of great variation with each one packing a great punch. Once again they play that heavy crusty punk we love them for. In our ever changing world Doom remain constant, their message has not changed throughout the years but remains as relevant as it ever has been.
‘Corrupt Fucking System’ opens with heavy distortion, then goes straight for the jugular. Lyrically shitting on the vile conspiracy that is the Catholic church which goes straight to your cerebrum senses. This is crust punk the way it should be, belted out, loud, bass heavy and takes no prisoners. That filthy monolithic buzzing guitar has not changed since the beginnings of the band. The only difference is that it is now just way better produced. This isn’t a song-by-song analysis as you can check out their bandcamp page and see how good it is for yourself. This album won’t change the world, it just says it how it is. Let’s leave the review with a quote from ‘Corrupt Fucking System’
“We are all victims of their system. A system created to protect the powerful ruling elite. A corrupt fucking system, that thrives on people’s acceptance & silence. We are all sick with society, a capitalist nightmare disease which infects us all. We are all forced to play the game, which perpetuates their control. We are all guilty but who will voice their opposition? Who will hold these corrupt bastards to account? & who will just be silent? Who will just be a silent drone too afraid to stand up? And who will ridicule anyone who speaks out & assume we must live in fucking caves before we can speak out against this corrupt fucking system. They are the perpetuators not us. We are all stuck in this corrupt fucking system and we all must utilise the technology and advancements this system has created against itself & ‘byte’ back. Fuck those people and their acceptance for a quiet life.”
If you are looking for a DEVO type band from Japan then ULTRA BIDE is for you. Here you have a dual bass and drums on every track with some synth on it. This is there first U.S. release in 10 years and the almighty Alternative Tentacles puts it out. Here are 11 new tracks to jam out to, nice bright cover stands out for me since it’s very bright but these tracks are really something to listen to. Apparently these guys are heading out on a U.S./Canadian tour for 2014 and with the sounds of this CD. I’m going to try and see these guys. (XbezerkerX)
URBAN HEAD RAW hail from JAPAN. They play fast metal with amazing guitar riffs that are ear splitting. On this CD effort you have 8 brand new tracks from these heavy hitters. This band features members of other Japanese punk,hardcore and metal bands that have come together to form one super group. Very fast and thrashy riffs . Get your thrash hats out and your high top nike’ and start a circle pit with your best buds while drinking a beer. If you are in the Minneapolis scene think LOCKGNAR or PLAQUED INSANITY (but less goofy) (XbezerkerX)
There is a rich history behind this release , this is a collective of different individuals in the North Suburbs of Chicago that got together and started making the sounds that they grew up with. So here is a CD with 12 tracks of punk rock, and rockabilly. This isn’t a bad release at all it’s just not something I typically listen to but if you’re into old school punkabilly then this is for you. Look this album up and read about it’s history, also cd booklet is a nice little comic book that deserves a quick flip through. (XbezerkerX)
SALVICTION is a new crusty metal band from Poland that incorporate cold atmospheres via keyboard and depressive melodies and harmonics into their doom metal influenced crust. Comprised of members from previous bands such as FILTH OF MANKIND and well, other bands from Poland. This album starts up with rhythmic industrial noises, and changes quickly into guitar and drums driven crust metal with massive amounts of depressive melodies, clean bass lines, cold atmospheric keyboards and hoarse dry throat vocals. Incredible drum talent from Paweł Szymański is just off the wall with tom fills, time changes, and interesting tribal rhythms at times.
Songs can be minimal and melodic, then switch over to pure aggression with heavy riffage, and back to an atmospheric ambiance before even a single song has finished, making this an interesting listen that is anything but stagnant / stale. The length of these songs ranges from 5 to 10 minutes, and allows enough time for such an organic progression within each of the compositions seem natural. My favorite song is Killing Yourself To Live, because the drums are so complex on this one, and the lyrics are an ode to the working class in factories around the world. Lyrical topics are just as depressive as the music, and cover issues of a dying world taken from a truly misanthropic perception. With 6 great songs in the span of 42 minutes, and past band experience, SALVICTION is a band of accomplished musicians and deserve international attention. for fans of bands such as COUNTERBLAST, NEUROSIS, and AGRIMONIA.