Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
This split is very well matched up with two bands from Portland with
slightly different approaches to good political punk. ABOLITIONIST chose
The Bucket Brigade Kills from their It Used to Rain LP. It’s mid paced,
melodic and super catchy. There’s a certain quality to it that brings to
mind an early eighties skate rock sound like T.S.O.L., AGENT ORANGE OR THE
DAMNED. The lyrics are simple enough to stick in your, but are deep and
thoughtful so while you’re singing along they sort of open up and stick in
the back of your mind. I’ve also read a rumor recently that Chad (co-owner
of Food Fight, an all vegan grocery store, is now in the band). On the
flipside is FOOLS RUSH. At first glance you can tell that they’re full of
youthful spirit. The artwork is a drawing of a shaggy haired kid with a
patch-covered backpack full of fliers holding a staple gun. Then, when the
needle hits the record, the feeling is confirmed. Their sound draws
heavily from the young activist folk punk sound that spread like wildfire
a few years back. The vocals even sound a lot like DEFIANCE OHIO, but
backed by jangley
electric guitar and mid paced drumming that almost feels intentionally
slightly sloppy to add emotional intensity. The lyrics are more aggressive
than the music, but fit really well. Every time I put this on I just keep
flipping it over and over. This moldy splattered avocado vinyl is limited
to 300 and comes with digital download codes. (Jake)
1859 Records / www.facebook.com/1859Records
Grindcore is one of those musical genres that seem to have limitless
possibilities, which can make for some very interesting releases since
there are far less limitations than other genres have. These guys have
added their interpretation of the sound by using only drums and keyboards
creating an instrumental sound that is fun, yet still on the harsh side.
Most of the grind bands that I’ve heard that go this minimal are
disgusting digi or pornogrind bands, but fortunately that’s not the case
here. The front cover has a very soft lit shot of a lingerie clad woman
posing with a keyboard, while the back has a cat “giving up the goat”
while playing a keytar and live shots are included on the inside. This was
obviously a fun side project that was encouraged by one Rob Hanna. We’ve
got Luke Lapants on keyboard and Ben Wah on drums ripping out 5 melodic
and chaotic instrumentals. There are only 200 of these gems pressed and
the only way you’ll get mine is if you have a camo neck through ESP Viper
to trade and even then you’d better be a sweet talker! This is no PHOBIA
or NAPALM DEATH, but it’s a nice disc to have around to switch things up.
$5 ppd and email Ben for a download. (Jake)
Ben Wah hippiesinflames (AT) hotmail.com
From sacred grounds do these dudes come. Yes, from the birth place of BLACK SABBATH and JUDAS PRIEST comes SCARRED SOCIETY. Calling Birmingham England home is about the only thing these guys have in common with the aforementioned bands. SCARRED SOCIETY plays straight up hardcore punk that borrows slightly from the world of metal but really can’t be considered a metal/punk band and certainly cannot be tagged with the “crossover” tag. They are too far entrenched in the punk rock camp for that tag to stick even though they do remind me of the EXPLOITED (with far more intelligent and thought out lyrics) at times. They abrasive punk rock assault might bring to mind a slightly less spastic TOXIC NARCOTIC or maybe even the PIST. Bill from TN is the fucking ‘A’ master of rhyming lyrics but this dude Paul from SCARED SOCIETY is no slacker! He gets in there and gets shit done. The anger and frustration with this whole fucking mess that we are all wrapped up in comes through as he spits out every single word. And I mean “spits”. He’s spitting mad! I bet he gets the mic all slimey and shit so that the bands after them at a gig are grossed out by it! LOL! I can just see the spit flying! The whole ordeal with the dude from NEUROSIS doing the Scion thing caused quite a stir. Most of us are very protective our culture and our scene and when we feel like someone only used our DIY culture as a stepping stone we take offense. The song ‘Corp-Core’ tackles the subject of using DIY as a spring board. Sure maybe you’ll sell a few more records and get your message out there (Isn’t that what those bands always say? They want to reach a wider audience…) but you’ll do so while selling your soul and turning your back on the very people that got you to where you are. We saw a lot of that in the 90’s didn’t we? Debt is the modern slavery designed for ensnaring the poor and debt collectors are a sick bi-product existing only to harass the common and man and degrade them. An interesting song topic that SCARRED SOCIETY dives into with the song ‘Chain of Debt’. The album cover is kind of EXPLOITEDish even with some punk zombies eating some poor fucker…Pretty cool…I like it, these guys pass the acid test. Check’ em out! (JoshMosh)
Finding this 7” in the mailbox was quite a nice surprise, since this is
the first I’ve heard of them after reviewing their CD What Remains a few
issues back. It would seem that they’ve hit their stride with their own
style of epic crusty thrash laced up with haunting melodies. While this is
still intensely fierce, there is a cohesion that is most likely the result
of time and experience that sets this release ahead. The writing seems to
have matured a bit and Sunrise in Ashes is perfect example. The song kicks
off with short bursts of guitar paired with desperate howls of “This must
be stopped. All this must crumble.”, then a quick tap on the snare and the
entire band bursts in with blasting fury and dissonant chords, then
repeat, but with the next lyric. They manage to build up a tremendous
amount of anticipation in just a few short seconds that could have easily
been wasted had the structure not been set up perfectly. Each of the four
songs has been written much more thoughtfully this time around creating
the perfect atmosphere to deliver their demands to everyone to get our
shit together as a species so that we might slow the damage we’re doing to
the planet and subsequently each other. I almost want to call it
apocalyptic post-crust. Is that even a thing? (Jake)
Dead Rodent Records / PO Box 518 / Plainfield, IN 46168-0518 www.facebook.com/deadrodentrecords
This is the fucking shit yo! Man…I love being surprised and excited by the stuff in my review pile and this is definitely one of those times where I become a fan of a band discovered in the review stack. Starting with the black and white art work (complete with a chaos symbol, a skull, fists and barbed wire) you know in general what sub-genre this band might roll up under. What we have here my black clad friends is a full blown exercise in badassery. NEH play supercharged D-Beat leaning into the underworld of metallic crust. At times the guitar even burns through the riffs with a bit of a thrash metal vibe before exploding into a searing lead. As the disc progresses I can’t help but to hear some EXTINCTION of MANKIND in the mix or even HELLKRUSHER rounded out with the explosiveness of WB2D. I think you get the idea. Lyrically they protest the rich and injustices of the work but also offer hope and encouragement with songs like ‘Save the World’ and ‘Strive to Survive’. I find both songs to be a breath of fresh air against the stark background of what is typically all doom and gloom. They scream out in a call to action and ask the listener to take get off their ass and take a stand! Damn right! The Swedes have always known how to D-Beat/Hardcore punk right and this is obviously not an exception. Mixed and recorded last fall the production of this album is perfect, they achieved a thick and powerful sound without sacrificing any of the rawness that is so essential. I don’t know if it was released on vinyl or not, but I am sure if was the vinyl sounds su-fucking-perb! I really can’t say enough good things about this disc, it is certainly worth seeking out. (JoshMosh)
Maybe they still use myspace in Sweden… http://www.myspace.com/558821481 (OutVillage Records) http://www.myspace.com/notenoughhate
I saw these dudes a couple of years ago and I have to say I wasn’t particularly impressed. Their live performance left a bit to be desired. Maybe they were hung-over, maybe they were tired…Who knows…But the more important question is who cares?! Because this record kicks fucking arse! First off it’s Gabba from CHAOS UK and that is about as good a starting place as any. In fact that is the best place to start and also a great reference point because…dude, they sound a helluva lot like CHAOS UK and the ‘Chipping Sodbury Bonfires Tapes’ to be exact. They have the same buzz saw sound and are punk as fuck. I mean this is everything you think punk is supposed to be when you are young and just learning about all things punky. It’s fast, it’s loud, it’s obnoxious and it’s offensive. It’s like if the SEX PISTOLS were a real band made up of real punks. There is no metal to be heard in the grooves of this platter, there is no crust, they is no BS…Just straight forward UK punk rock! This is a 13 song, 12” 45 on clear vinyl. Shit! Even that is punk as fuck! They all have cool names like Gabba, Glueboy, Cliff Vicious and Hedgepig. Punk! The distro logo on the sleeve has a parrot with a mow-hawk sitting on a safety-pin. Punk! The name of the band is FUK! Super punk! It’s punk done as only the Brits can do it and in case I haven’t said “punk” enough throughout this review here is one more: PUNK! (JoshMosh) http://www.cultberger.cz
The first time I listened to this CD I ripped it from the mailbox on my way to pick up four truck-loads of manure in a truck I borrowed from my in-laws who don’t seem to feel the need to have a car stereo that showcases the detailed work of awesome bands. The only speaker that worked was a small one behind my head. Fail. Fast-forward to post shit shoveling. Popped this in a proper CD play and was blown away by the intensity. Musically I’m reminded of CREATION IS CRUCIFICTION with less math and more fire and the vocals at times remind me of GORGOROTH when Pest was doing the vocals. The riffing is really aggressive and creative without any wankery to muddy up the intensity the drumming brings to the mix. It’s an interesting mix of blackmetal, doom and hardcore (I think I’ve actually heard the term blackcore once) with some grind thrown in. Lyrically the intensity is kicked up a few more notches. On the first page of the booklet is a preface that gives a little back story that explains the theme of the lyrics, which centers around ecology, speciesism and general destruction of the planet due to our selfishness and shortsightedness. I know some people would consider these guys extremists because of their views, but I’m a fan of this kind of passion in music. I wish more bands would sing more about fucking things up and less about getting fucked up. (Jake)
Power-It-Up Records / Zum Holzfelde 12 / 31226 Peine / Germany www.power-it-up.de
I just finished reading White Is The Color of Death published by Combustion Books. it is a collection of 3 short stories including one by Margaret Killjoy, editor of Steampunk Magazine and Graceless: A Journal of the Radical Gothic, and author of What Lies Beneath The Clock Tower.
All 3 stories in this collection are authored by different people, yet there is a strong continuity between them. The stories are set in an apocalyptic version of Victorian England where snow and ash has covered the entire world transforming it into a perpetual winter shifting between twilight and night. A mysterious group known as The Afflicted terrorize and hunt the remaining communities of human survivors in this dark, desolate gothic landscape. All the stories have spiritual, & philosophical elements combined with a bit of madness on the part of the characters. As well most of the characters appear to be queer, yet this is treated in a way that rather than fetishizing their sexuality, instead normalizes it as if it just is and is not actually of any importance to the story or anyone in it.
As the needle drops on the BLOODY PHOENIX side, I sit back with the record insert and let the magic unfold. The cover isn’t misleading at all and lends greatly to the lyrics, which are carried like a patched up casket filled with humanities hopes and dreams into a pit of despair. I swear that just reading the lyrics makes me physically heavy like I’m being filled with 1,000 pound granules of sand made of dread. Just to be clear, I love these folks. Their ability to delivery this sort of emotion through music without giving in to cliché is a thing of absolute beauty. The music is heavy crust/grind/D-beat that at times reminds me of DOOM and ENT. Killer! QUESTION has a slightly different approach to punk. This is the first material of theirs that I’ve actually owned and from what I can see they haven’t released much material, but I can only imagine that they put on one hell of a live show. They just go at it fast and loud letting it all hang out. At times it sounds like Amy from NAUSEA singing for an early ‘90s East Bay outfit with the rage of a band that lives in an area with harsh Winters. Anger, high energy, piss, vinegar. I’m all about this split. (Jake)
Six Weeks Records / www.sixweeksrecords.com
This is some sort of ninja band from the Czech Republic with their name in
silver by itself across a solid black picture-less cover. The inside of
the gatefold has a silver image of each member and includes a lyric
booklet, which includes English translations. So far, so good. Hmm, not
much info about the band in here, so I turn to the internet. Still not
finding much. What I do know is that they are a five piece that play fast
driving punk with fairly clean vocals used to deliver scathing social
commentaries covering topics such as redundancy in the punk scene, blind
consumerism and questioning the validity of the political voting system.
The translation seems a bit rough, but the meanings come through clearly
enough and fit the music really well. This leans more towards the rock
side of punk with an oi feel, minus any sort of sing along and no filler.
There are no drawn out intros or weedly weedly solos, just no nonsense
rocking. The last time I through it on I left it on repeat due to the
sheer catchiness of the writing. The only problem is that I don’t
understand the words and the music is stuck in my head! I’m either going
to make up my own words or end up “meowing” along. Don’t ask. Totally
solid CD. (Jake)
PAPAGÁJŮV HLASATEL/ Pavel Friml / Mrštíkova 393 / Říčany u Brna 664 82