Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
Mike XvX is a long time animal liberation activist, and singer songwriter who tours in the punk, folk punk and hardcore circuits bringing the message of resistance through music and action wherever he goes. Mike has toured extensively, and has taken part in animal liberation campaigns on four continents. Mike is currently organizing a multimedia tour incorporating different genres of music, poetry, film, and demos bringing the message of militant animal liberation and community activism across the west coast.
PE: Tell us a bit about some of the stuff you have been involved in over the years?
Mike XvX: Well other than this tour, I’ve been pretty busy the past few years. As a musician I’ve traveled to about 20 countries in the last three years which has been an amazing experience all on it’s own. Touring as a solo musician gives me the flexibility to tour as frequent as I’d like, wherever I’d like. I feel very fortunate to travel as much as I do to talk about animal rights in front of so many different people the world over, and in that period of time I’ve been lucky enough to build lasting relationships with a lot of folks I normally would have never had the opportunity to meet.
Other than music, I’ve been involved in the animal rights and other movements for almost a decade now. I’ve worked alongside several different groups in that time, and I try to make myself available to anyone that needs help in their campaigns. I work regularly with Portland and Seattle Animal Defense Leagues, volunteer as often as I can with Portland Anarchist Black Cross, as well as have done work for groups like Sea Shepherd in the past. In March of 2011 I traveled to Japan with Sea Shepherd to document the world largest cetacean slaughter, which is the Dall’s Porpoise slaughter in Otsuchi, Iwate. Incidentally, this was also the location of the epicenter of the tsunami that destroyed all of Japan’s northeastern coast, and myself and five other activists narrowly escaped with our lives.
It would seem that something has sent out a call throughout the universe
that is bringing bands out of hibernation. Among bands like ANTISECT,
AMEBIX and DEVIATED INSTINCT is the noisy as all hell RANCID HELL SPAWN.
After 16 years of inactivity, Charlie Chainsaw has decided that it’s a
good time to assault the world with another 7” with four tracks that are
so drowned in distortion that you could almost get away with playing it at
any speed you wanted to and still get the desired effect. The best way I
could describe the sound is KK NULL covering the Ramones. Once you adjust
to how noisy it is, you’ll realize how melodic the writing actually is. As
far as I can tell this is a one-man project utilizing old school
electronic drum technology. I can’t find much information to share about
this except for a discography. There’s no lyrics in the sleeve or on line
that I can find, but the album photos and song titles are pretty
interesting. If you’re into that lo-fi oldschool noise sound, then this is
your thing. Whether or not there are more releases depends on if this one
sells. The power is in your wallet! (Jake)
Wrench Records / PO Box 67353 London N8 1BQ / England//
This split is very well matched up with two bands from Portland with
slightly different approaches to good political punk. ABOLITIONIST chose
The Bucket Brigade Kills from their It Used to Rain LP. It’s mid paced,
melodic and super catchy. There’s a certain quality to it that brings to
mind an early eighties skate rock sound like T.S.O.L., AGENT ORANGE OR THE
DAMNED. The lyrics are simple enough to stick in your, but are deep and
thoughtful so while you’re singing along they sort of open up and stick in
the back of your mind. I’ve also read a rumor recently that Chad (co-owner
of Food Fight, an all vegan grocery store, is now in the band). On the
flipside is FOOLS RUSH. At first glance you can tell that they’re full of
youthful spirit. The artwork is a drawing of a shaggy haired kid with a
patch-covered backpack full of fliers holding a staple gun. Then, when the
needle hits the record, the feeling is confirmed. Their sound draws
heavily from the young activist folk punk sound that spread like wildfire
a few years back. The vocals even sound a lot like DEFIANCE OHIO, but
backed by jangley
electric guitar and mid paced drumming that almost feels intentionally
slightly sloppy to add emotional intensity. The lyrics are more aggressive
than the music, but fit really well. Every time I put this on I just keep
flipping it over and over. This moldy splattered avocado vinyl is limited
to 300 and comes with digital download codes. (Jake)
1859 Records / www.facebook.com/1859Records
Grindcore is one of those musical genres that seem to have limitless
possibilities, which can make for some very interesting releases since
there are far less limitations than other genres have. These guys have
added their interpretation of the sound by using only drums and keyboards
creating an instrumental sound that is fun, yet still on the harsh side.
Most of the grind bands that I’ve heard that go this minimal are
disgusting digi or pornogrind bands, but fortunately that’s not the case
here. The front cover has a very soft lit shot of a lingerie clad woman
posing with a keyboard, while the back has a cat “giving up the goat”
while playing a keytar and live shots are included on the inside. This was
obviously a fun side project that was encouraged by one Rob Hanna. We’ve
got Luke Lapants on keyboard and Ben Wah on drums ripping out 5 melodic
and chaotic instrumentals. There are only 200 of these gems pressed and
the only way you’ll get mine is if you have a camo neck through ESP Viper
to trade and even then you’d better be a sweet talker! This is no PHOBIA
or NAPALM DEATH, but it’s a nice disc to have around to switch things up.
$5 ppd and email Ben for a download. (Jake)
Ben Wah hippiesinflames (AT) hotmail.com
Wartorn is back with a discography LP highlighting their most punishing works from 2004-2010. The LP was pressed on wicked splatter wax and features the best cuts from “Tainting Tomorrow With The Blood Of Yesterday”, “In The Name Of The Father, Son & Holy War” and their split with Pyroklast. The record also comes with a digital download card with everything else that wouldn’t fit on the actual record… including tracks from their long out of print split with Appalachian Terror Unit. Only available from PE direct through the webstore. Limited to 100 copies. GET ONE HERE!
The featured artist for June 2012 is Chris Parry. Chris has been churning out amazing drawings for some time now and we, and a friend of Chris’s felt it’s high time we do a feature on him. We’re proud to showcase some of his work and tell his story. So without further adieu…
PE: How long have you been creating?
Chris Parry: I’ve been drawing since I was a kid. I started doing art for bands when I was 15. That’s about the time I was starting to attend punk and metal shows, and asking the bands if I could draw their flyers.
PE: Some of your work is tense and emotes a sense of anguish and dispair, but there are also pieces that show a lot of beauty. It’s not the typical doomy crust stuff. What influences your artwork? Which artists have influenced you the most?
CP: I like to incorporate elements of nature, mysticism, magic, depression and religion. I tend to use feminine figures in my work as well. I feel that the use of the female in art adds a sense of beauty, giver of life and the sense of a creator. My influences early on were V.C. Johnson, Pushead, Raymond Pettibon and Jim Phillips. Inspiration from skateboard graphics was huge. Nowadays, I get inspiration from a variety of friends and peers. Artists like John Baizley, Jeremy Hush, Santos, Glyn Smith and Paul Ramano just to name a few. I enjoy keeping up with their recent works. They definitely keep me on my toes.
Antisect are from England formed in 1982. Their debut album, In Darkness There is No Choice, was released in 1983. They played a significant role punk rock history, and are said to have been a major influence upon “black-clad, politically charged punks over the last 30 years”. The band addressed issues of animal rights and social justice and were among the instigators of the squat venue scene in the mid to late 1980s. Members lived the lifestyle of being either on the road or part of the vibrant London squat scene of the time. They toured extensively both in the UK and Europe, before splitting up in 1987. The band reformed in May 2011. The fact that they are touring the U.S. and playing the Triple Rock (Minneapolis, MN) on Sunday June 3rd is epic! If you live in Minneapolis or anywhere within a day’s drive we recommend going to this show.
MISERY (MPLS Crust Legends)
Misery have been making noise in Minneapolis since the late 80’s. Their music and message have been heard around the world… in fact their original vocalist, Al Long, left Misery in 1988 to join legendary New York based anarcho-punk band Nausea. Word on the street has it that he is back in town and will be on stage singing with Misery at this gig. I for one am looking forward to this!
WARTORN (Appleton, WI)
Bitty, famed PE Columnist, and co. will be headed to Minneapolis to make a special appearance at this gig and kick off their West Coast Tour with Profane label-mates IN DEFENCE.
IN DEFENCE (Mpls Pizza Crust… ???)
Local Minneapolis taco thrashers In Defence will kick things off.