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Making Punk A Threat Again!

  • Finally, the third LP from AGNOSY has arrived! 

    AGNOSY-cover

    Dark, heavy, galloping crust from the streets of London. AGNOSY is back to present us with a ferocious beast of an album that can only be forged by the anger and frustration of living in today’s world. “When Daylight Reveals The Torture” aggressively attacks evils such the current rise of fascism and animal abuse. It intelligently and passionately touches on the Afrin invasion and the revolution in Rojava and shows nothing but utter disgust toward the arrogance of humankind’s lust for greed and power that will inevitably lead us down paths of war and environmental devastation.

    AGNOSY – Live at SCUMFEST in London. 2011

    While lyrically AGNOSY are much more politicly straight forward this time around than on previous releases, musically they have expanded on their sound to create a dark and moody atmosphere while at the same time staying crust as fuck. To say they know what they are doing would be an understatement from this band of vets whose members have played in HIATUS, HEALTH HAZARD, and BEGINNING OF THE END.

    Long galloping intros are followed up by traditional d-beat, fierce solo’s are then meet with vicious vocals and pulverizing bass in a brilliant recording captured by Lewis Johns at The Ranch Production House and was mastered by Brad Boatright at Portland’s legendary Audiosiege. We then pressed on deluxe heavyweight 150-gram vinyl,  printed on reverse board jackets, and included an 11in x 22in gatefold insert to bring you a high quality and truly epic record.  

    Click this link to buy AGNOSY “When Daylight Reveals the Torture” Vinyl

    Click this link Stream or Download from our BANDCAMP page

    PROFANE EXISTENCE – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
  • The legendary crust classic is now available once again!

    Authorized and released in cooperation with MISERY, S.D.S., & MCR Japan & Remastered by Jack Butcher at Enormous Door Studio we are beyond proud to make one one the most rare and sought after crust records available  once again.

    Fuck the scavengers charging punks exuberant amounts of cash on ebay and discogs. We worked meticulously with both bands and with Jack at Enormous door to bring you an updated version that kicks major audio ass while maintaining the original authenticity. 

    Released on deluxe 150 gram vinyl. With an 11×11 inner sleeve. Black Paper Jacket. Reverse Board Jacket.

    Feel free to Stream or Download at our Bandcamp page – HERE

    Buy a physical copy of the Vinyl from our webstore – HERE

    Check out Terminal Sound Nuisance for an outstanding review of the original LP. The review gives insight on not only the music but the records long lasting impact on crust music and why it remains so important to this day. – http://terminalsoundnuisance.blogspot.com/2013/06/misery-sds-pain-in-suffering-future.html
    S.D.S.
    MISERY

    Earlier this year we re-issued this legendary LP and sold over 950 copies in just 4 short months. For this second pressing we pressed 490 copies on Krystal Clear & 485 on Grey Vinyl with Black Mist.

    Crystal Clear (Bullet belt no included)
    Grey With Black Mist (Bullet belt no included)
    PROFANE EXISTENCE – PO BOX 647 – HUNTINGTON WV – 25711
    UNITED STATES
  • Stench crust the way it was meant to be played!

    The UK crust scene of the 1980’s inspired band after band but no other band has ever reincarnated the sound of that time as well as SWORDWIELDER. Quite simply if you like crust, then this the album you have waited decades for.

    Package includes- 
    LP pressed on deluxe 150-gram vinyl. 
    Reverse board jacket 
    Printed inner sleeve 
    11×17 poster

    Stream album for free or download for a small fee here – https://profaneexistence.bandcamp.com/album/swordwielder-system-overlord-lp

    Buy Vinyl here – https://profaneexistence.bandcamp.com/album/swordwielder-system-overlord-lp

    Review by Craig Hayes from “Your Last Rites”… 
    Swordwielder – System Overlord 
    Heavyweight punk fanatics take note: System Overlord is a fucking triumph. The long-awaited sophomore album from Gothenburg stenchcore band Swordwielder is a brooding behemoth, constructed from the filthiest and heftiest strains of punk and metal. System Overlord shimmers with apocalyptic visions, and it’s overflowing with all the grim atmospherics and intimidating intensity that defines consummate crushing crust.

    Too much hype? No way… And no apologies, either. Swordwielder deal in definitive stenchcore on System Overlord, and much like their full-length debut, 2013’s Grim Visions of Battle, the band’s latest release is a knockout. Swordwielder’s harsh, gruff and dark sound owes a significant debt to old school icons like Amebix, Axegrinder, Deviated Instinct, and Antisect, and they mix and mangle their influences and leave ’em to rot on the battlefield.

    Plenty of hammering rage drives System Overlord tracks like “Violent Revolution,” “Savage Execution” and “Cyborgs,” and thundering epics like “Corrupt Future” and “Northern Lights” exhibit subtler strengths, mixing guttural growls and clean vocals with crashing percussion and dirge-laden riffs. Connoisseurs of corpse-dragging crust will love the brute-force belligerence of “Absolute Fear,” “Nuclear Winter,” and “Second Attack,” which rain down like merciless mortar barrages. As a rule, all of System Overlord‘s mammoth tracks chug and churn with grinding muscle, while reeking of squalor and decay.

    Swordwielder exudes tightly coiled aggression from start to finish here—songs rise from the ashes of desolation, and resounding calls for action and resistance ring loud. If you’re a fan of heavy-hitters like Fatum, War//Plague, Carnage, Zygome, Cancer Spreading or (insert your favorite hefty crust crew here), System Overlord‘s trampling tempo and strapping sound are bound to appeal.

    Crust profane existence swordwielder
  •  We are happy to announce our next new release

    WILT – “Self Titled” 

    WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.

     

    Here is a track from the upcoming LP

    https://profanexistence.files.wordpress.com/2017/03/02-sermon-for-the-bootlickers.wav

     

    “Sermon for the Bootlickers”

    Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you. 

    WILT will be on in Europe this July / August will ELECTROZOMBIES From Chile

    Wed, July 12 Hanover / Germany / Confirmed
    Thu, July 13 Bremen  
    Fri, July 14 Mulhem / Germany / Confirmed  
    Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed
    Sun, July 16 Paris / France or Amsterdam / Nederland  
    July 18 North-East France or West Germany 
    July 19 Freiburg / Germany TBC 
    July 20 Winterthur / Switzerland 
    Fri, July 21 Zurich / Switzerland
    Sat, July 22 Biel / Switzerland 
    July 23 Lausanne or Geneva / Switzerland 
    July 24 Geneva / Switzerland or Grenoble france
    July 25 Treviso (or Milano or Bologna or Verona) / Italy
    July 26 Ljubljana Slovenia Confirmed
    July 27 No Sanctuary chilling day
    Fri, July 28 NoSanctuary Confirmed
    Sat, July 29 NoSanctuary Confirmed
    July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
    July 31 Wiena / Austrai or Budapest or / Slovakia
    August 1 Brno / Czech Republic.
    August 2 Prague / Czech Republic
    August 3 Finsterwalde / Germany TBC
    Fri, August 4 Leipzig / Germany TBC
    Sat, August 5 Berlin / Germany / confirmed
    August 6 Dresden
    August 7 Wroclaw / Poland
    August 8 Warsaw / Poland
    August 9 Poznan / Poland
    August 10 Szczecin/Poland TBC
    Fri, August 11 Rostock / confirmed
    Sat, August 12 Hamburg TBC
     

    For this in the Seattle or surrounding area you can catch WILT this Saturday April first at Highline Bar with NOOTHGRUSH from Oakland.

    Anarchist anarchist metal blackened crust Crust D-Beat death Grind Metal Punk Rock thrash wilt
  • STORM OF SEDITION – “Decivilize” LP

    Are you prepared to brave the storm?…

    Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!

    Comes with a 12 page booklet containing lyrics, notes, and song explanations. 

    -CLICK HERE FOR PURCHASE INFORMATION-

     

    STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!! 

    Keep you eye’s peeled for a list of tour dates soon!

     

    Listen to the song “Disconnect” here… 

    https://profanexistence.files.wordpress.com/2017/03/storm-of-sedition-decivilize-05-disconnect.mp3

    Living a domesticated existence
    Starves people of meaning in their lives
    Everyone feels the void beneath the surface
    Of everyday activities and routines

    Miserable, exploited, mass populations
    Feeding the industrial systems endless hunger
    Treated like machines, living beings
    Enslaved and kept passive in a technological noose

    We live in these cages
    Made of concrete, glass, and steel 
    A functioning human made hell 
    Complete with natural scenery 

    Yet there is no community
    Deprived of connection with real people 
    Technology perpetuates alienation 
    But promises to connect us

    And fill the void in our lives
    In constant need of escape and distraction 
    From this fucking ugly world
    Technology creeping into our lives 

    Pop culture, pacifying shit
    Endless distractions to curb dissent 
    A society of lonely domesticated beings 
    Attempting social interaction behind a digital screen

    Clinging to the feeling of connectedness 
    Personalized profiles, mass communication tools
    Monitored and funded by pigs 
    Spying on people, on movements
    While corporations profit off government control
    Microsoft, apple, fedbook
    Endless lists of corporations
    Infiltrating our everyday lives
    The NSA, the CSE 
    Databases created from what you share
    Information for incrimination 
    Millions of people on terrorist watch lists
    Technology’s a weapon used against us 

    Its function is to propel their ability
    To efficiently exploit us and the natural world 
    While doing so capitalizing off selling us
    Gadgets to distract us from the lives we live and hate 

    Turn off that shit, enter the real world
    You are not connected
    You are alone staring into a fucking a screen

    Get outside, meet with real people!
    Even if we use these tools 
    We must never forget 

    Technology is a system created by and for those in power
    And it will only exist with 
    Division of labor, exploitation, and death

    Becoming connected through technology
    Is a sick fucking joke

    PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES

    WWW.PROFANEEXISTENCE.COM

     

    Activism Anarchist anarcho-primitivism Anarchy anticiv blackened crust Crust D-Beat DIY Grind profane existance Punk Punk Rock Storm of Sedition stormofsedition
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PROFANE EXISTENCE has a web store filled with records, shirts, zines, tapes, patches, pins, CD's and more. Check it often as we are constantly adding new items to the list and selling out of old ones.

Visit the PE web store at:
http://profaneexistence.storenvy.com

Tag: Metal

0 WILT – “Self Titled” LP out this June.

  • March 27, 2017
  • by PE Admin
  • · Events · Hero Slider · On Tour · PE Records · Radness

 We are happy to announce our next new release

WILT – “Self Titled” 

WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.

 

Here is a track from the upcoming LP

https://profanexistence.files.wordpress.com/2017/03/02-sermon-for-the-bootlickers.wav

 

“Sermon for the Bootlickers”

Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you. 

WILT will be on in Europe this July / August will ELECTROZOMBIES From Chile

Wed, July 12 Hanover / Germany / Confirmed
Thu, July 13 Bremen  
Fri, July 14 Mulhem / Germany / Confirmed  
Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed
Sun, July 16 Paris / France or Amsterdam / Nederland  
July 18 North-East France or West Germany 
July 19 Freiburg / Germany TBC 
July 20 Winterthur / Switzerland 
Fri, July 21 Zurich / Switzerland
Sat, July 22 Biel / Switzerland 
July 23 Lausanne or Geneva / Switzerland 
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
 

For this in the Seattle or surrounding area you can catch WILT this Saturday April first at Highline Bar with NOOTHGRUSH from Oakland.

0 WARWOUND -“A Huge Black Cloud” OUT NOW!

  • February 1, 2016
  • by nolordsnoleaders
  • · Hero Slider · PE Records · Store Specials · Uncategorized

new-banner2

Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast! 

warwound-cover-Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!

LP – LINK

LP+ SHIRT – LINK

Wholesale 5 LP’s

Wholesale 10 LP’s

Audio “3 Minute Warning” Demo 3

https://profanexistence.files.wordpress.com/2015/12/01-warwound-three-minute-warning-d3.wav

Audio “Yopper Boy” Demo 2

https://profanexistence.files.wordpress.com/2015/12/25-warwound-demo-2-yopper-boy.wav

 

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PROFANE EXISTENCE RECORDS / PO BOX 647 / HUNTINGTON WV / 25711

0 SILENCE – The Deafening Sound of Absolutely Nothing

  • October 30, 2015
  • by nolordsnoleaders
  • · Events · PE Events · PE Records

We are thrilled to announce that this winter PROFANE EXISTENCE will be working with SILENCE from Pittsburgh PA to release their debut LP – “The Deafening Sound of Absolutely Nothing”.

silence-promo

Silence-LP-JacketpromoSILENCE is a relatively new band that have been playing shows around Pittsburgh the last few years and toured the east coast earlier this spring.  After a multitude of demos SILENCE recently hit the studio and recorded what can only be described as a brilliant debut LP.

SILENCE take music stylings from post punk / goth acts like SISTERS OF MERCEY, and SIOUXSIE AND THE BANSHEES with hints of NEW MODEL ARMY then combines it with anarcho punk reminiscent of RUDIMENTARY PENI, ZOUNDS, and THE MOB. Although the post punk revival is “all the rage”  these days SILENCE stands apart from the crowd due to their serious political edge. Bringing activism to the forefront SILENCE’s songs are deeply rooted in animal rights, personal freedom, and convey a strong anti violence / anti war stance. Giving the post punk scene a much needed kick in a more radical direction.

Listen to the track “WAR DRUMS” here.

https://profanexistence.files.wordpress.com/2015/10/03-track-03-war-drums.wav

Lyrics…

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Photo by Em DeMarco

When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?

They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.

Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.

Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died

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PROFANE EXISTENCE • PO BOX 647 • HUNTINGTON WV 25711 • UNITED STATES

0 ISKRA INVADES THE UNITED STATES

  • September 10, 2015
  • by nolordsnoleaders
  • · Events · On Tour · PE Events · PE Records · Radness · Uncategorized

Later this week ISKRA will be starting a short tour in the midwest / east coast of the united states in support of their newest LP “Ruins”

Iskra_US_September_Tour_2015

For those that haven’t had a chance to see ISKRA live yet prepare to witness a ferocious power-house of anarchist metal. Combining over the top and in your face head-banging metal with passion and politics ISKRA put on an incredible live show for those lucky enough to see it.

ISKRA will be playing 7 shows this September in the United States with SUNLIGHTS BANE from Michigan. ISKRA are supporting their newestLP “Ruins” (available here) 

Iskra_September13th_The_Treehouse_2015

SEPTEMBER 13TH
THE TREEHOUSE
BUFFALO, NY
$6, 7PM
w/ SUNLIGHT’S BANE
ENTHAUPTUNG
AMISH NOISE

Iskra_Sept14th_Kung_Fu-Necktie_2015

SEPTEMBER 14TH
KUNG FU NECKTIE
PHILADELPHIA, PA
21+, $6, 8PM
w/ SUNLIGHT’S BANE
INFERNAL STRONGHOLD
JENKEM

Iskra_Sept15th_The_Acheron_2015

SEPTEMBER 15TH
THE ACHERON
BROOKLYN, NY
21+, $10, 8PM
w/ SUNLIGHT’S BANE
TRENCHGRINDER
MAULER

Iskra_September_16th_Gooski_2015

SEPTEMBER 16TH
GOOSKI’S
PITTSBURGH, PA
$8, 9PM
w/ SUNLIGHT’S BANE
AXE RIPPER
THE MUD CITY MANGLERS

Iskra_September18th_Quarters_2015

SEPTEMBER 18TH
QUARTERS
MILWAUKEE, WI
$5 – 7, 9PM
w/ SUNLIGHT’S BANE
ANTHROPIC
POPULATION CONTROL

Iskra_September19th_Mt.Happy_2015

SEPTEMBER 19TH
MT. HAPPY
CHICAGO, IL
$7, 9PM
w/ SUNLIGHT’S BANE
SICK/TIRED
PIG CHAMPION
KELUT

IMG_2270-1
ISKRA Live in Calgary July 2015

Iskra Ruins
ISKRA – “Ruins” LP Available now at http://www.profaneexistence.com

 

 

 

 

 

 

 

 

 

 

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PROFANE EXISTENCE RECORDS

PO BOX 647

HUNTINGTON WV 25711

UNITED STATES

http://www.profaneexistence.com

0 SWORDWIELDER (Sweden) United States West Coast Tour – Northwest Dates with VASTATION

  • September 2, 2015
  • by nolordsnoleaders
  • · Events · On Tour · PE Events · Uncategorized

0000880047_100sword

VASTATION LOGO

Death To The Gods…

Later this month Swedish epic metal punks SWORDWIELDER will be spreading blackened crust across the united states west coast. Northwest dates are with Portland stenchcore warriors VASTATION.

September 09 – 
Cafe Colonial  
Sacramento, CA

September 10 – 
The Arena
 Bend, OR https://www.facebook.com/events/928291957214313/

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September 11 – 
The Blackwater Bar
 Portland, OR https://www.facebook.com/events/1065417076803230/

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September 12 – 
The Mix
 Seattle, WA https://www.facebook.com/events/390294981162032/

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September 13 – McCoy’s Tavern Olympia, WA https://www.facebook.com/events/1619255128354526/

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September 14 – Little Red Lion Cocktail Lounge Eureka, CA https://www.facebook.com/events/816942501760263/

September 15 – 
The Golden Bull Bar
  Oakland, CA

September 16 – 
The Tavern
 Ventura, CA

September 17
 – Tower Bar
 San Diego, CA https://www.facebook.com/events/1474129639565383/

September 18
 – The Blvd Los Angeles, CA https://www.facebook.com/events/437445136428346/

promo_for_webstore
We still have copies of the VASTATION / WAR//PLAGUE – “United In Darkness” Split EP available in our web-store. http://profaneexistence.storenvy.com/

11950985_1025985447432655_887319855_n
SWORWIELDER -DEATH TO THE GODS- US TOUR 2015

 

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PROFANE EXISTENCE RECORDS  

-PO BOX 647-

HUNTINGTON WV 25711

www.profaneexistence.com

 

 

 

 

 

0 ISKRA – “Ruins” LP Available Now!

  • July 30, 2015
  • by nolordsnoleaders
  • · Uncategorized

We now have copies of this masterpiece in hand and ready for distribution! 

FullSizeRender copy

FullSizeRenderFormed in 2002, ISKRA set out with one goal – To revolutionize the metal underground. When I asked founding member Wolf as to why punks / activist’s would spend so much time and energy working in a  metal scene that seems worlds away from anarchist principles, his response was simple, “Because it needs it.” Since the early 2000’s ISKRA have toured the United States, Canada, and Europe. Brilliantly combining crushing metal with well thought out and highly political lyrics, it is no surprise that they have become somewhat legendary in both the punk and metal underground.

“Ruins” is ISKRA’s third studio album and by far their best one yet. Recorded February 2014, Ruins was engineered and produced in true DIY fashion by ISKRA’s own drummer Cody Baresich. The album was then mastered for vinyl at Sweden’s CUTTING ROOM by Martin Ankelius.

FullSizeRender-4“Ruins” contains 10 punishing songs with lyrics ranging from anarchist theory, military drone strikes on civilian populations, historic native american battles against european colonialism, and a yearning to be free from draconian laws. Combined with over the top riffs, devastating blast beats, pulverizing toms, and the occasional dive bomb this LP will leave your speakers smoldering. Not only is this one of the most intense records PROFANE EXISTENCE has ever done, it is also one of the most beautiful presentations we have seen in recent years. The stark mountainous cover resembles Middle Earth artwork but the real gem is the 11in x 11in 12 page booklet inside. FullSizeRender-2Printed on glossy paper, this booklet contains not just lyrics but very thorough explanations of each song. This vinyl release is financed by a number of DIY labels from around the united states and Canada. Including, PROFANE EXISTENCE RECORDS (USA), BLACK RAVEN RECORDS (CAN), DOOMED SOCIETY RECORDS (CAN), WAR ON MUSIC (CAN), WHAT IS MAKING US SICK (CAN), NOCTURNAL RIEGN (USA), and ECHOES FROM BENEATH (CAN).

Click here to listen to the teaser track Predator Drone MQ​-​1

Other records still hot from the press… 

 

atu we dont need themAPPALACHIAN TERROR UNIT – “We Don’t Need Them” LP

“We Don’t Need Them” is the second full-length record from West Virginia punks Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover (with art designed by Stiv of War) along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further.

Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track“We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.

11422686_936570653071639_1886705904_nThis is a split release between PROFANE EXISTENCE, RUIN NATION, SKULD RECORDS, and APPALACHIAN TERROR UNIT.

Package includes.
-LP Pressed on 150 gram vinyl
-Gatefold Jacket designed by Stiv art. Printed on Matte UV coated 20 point recycled board with soy based inks.
-Fold out lyric sheet with artwork by Daniel Lerner and Timothy Tanker.
-Large 24 x 17 inch poster

 

promo_for_webstoreWAR//PLAGUE / VASTATION – “United In Darkness” Split EP

Back with some serious raging crust and hardcore punk. Both WAR//PLAGUE and VASTATION have teamed up to delivery a fierce and socio/politically charged record that will fulfill your craving. Bringing both the Minneapolis and Portland DIY communities together!

This is WAR//PLAGUEs 7th release that has 2 songs with a cover track that pays homage to TOTALITARs “Sin Egen MotstÂndare”. Signed, sealed and approved by TOTALITAR themselves! This current release for the band is a prelude to their upcoming LP and 8th release.

fistVASTATION once again are out for blood! This band has proven time and time again that they are at the forefront of
the stench/crust movement with influences stemming from Sacrilege and Bolt Thrower! These guys have put Portland back on the map again with music that brings brutal rage and a thought provoking element to the DIY scene.

Package includes.
-EP Pressed on 150 gram vinyl
-Full color jacket with artwork by Andy Lefton
-Fold out 14in x 7in  lyric sheet and poster.

01.1-logo-PROFANE EXISTENCE RECORDS

PO BOX 647

HUNTINGTON WV 25711

UNITED STATES

0 VASTATION- UNITED STATES WEST COAST TOUR

  • June 2, 2015
  • by nolordsnoleaders
  • · Events · On Tour · PE Events · PE Records · Uncategorized

VASTATION LOGO

This June / July the newest member of the PROFANE EXISTENCE family, Portland’s VASTATION will be touring the west coast of the United States. They will be teamed up with WILT from Seattle for the entirety of the tour. If that’s not enough crust to rip your face off, a few selected shows will also feature BÄDR VOGU and British Columbia’s legendary ISKRA!

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VASTATION is a somewhat newer band that formerly went by the name NIGHT NURSE. Musically VASTATION play raw galloping stenchy metal crust reminiscent of old peacevile bands. Their songs feature elements of greats like BOLT THROWER and AXEGRINDER mixed with DISCHARGE and EXTINCTION OF MANKIND. Later this month VASTATION will be dropping two incredible split EPS. The first one is with Minneapolis’s WAR//PLAGUE. It will be released on PROFANE EXISTENCE RECORDS and on ORGANIZE AND ARISE. The second split is with MUTILATED VETERANS and will be released on MORBID REALITY RECORDS.

 

 

If you have not heard VASTATION yet now is the time! Listen to the track “Don’t Uphold Their Law”

wilt vastation tour

http://vastation.bandcamp.com

https://wilt.bandcamp.com

http://badrvogu.bandcamp.com

http://www.iskracrust.com

 

BORN IN CHAINS

 7inchad

 

 

 

 

 

 

 

http://www.profaneexistence.com

http://organizeandarise.bigcartel.com

http://morbidrealityrec.bigcartel.com

 

0 An Interview With AHNA

  • March 16, 2014
  • by damieninbred
  • · Interviews · PE Web Zine · Radness · Uncategorized

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AHNA are a force to be reckoned with, combining elements of sludge metal, grind, death metal, crust, with a heavy dose of anti-authoritarian politics.They have never fallen into any trend or relive-the-past nonsense. AHNA are truly doing their own thing, making a hell of a lot of noise, and keeping it super real. Profane is proud to be a part of their new split 12″ with Winnipeg crusties CETASCEAN. To celebrate this new record, Damien Inbred sat down and had an email exchange with AHNA drummer/vocalist Anju.

First off, can you give me a bit of the history of AHNA?
We started as a two piece doing doom-drone and later had Graham on bass, Anju on drums, and a vocalist for a bit doing primitive doom stuff. We decided to go back to being a two piece and take on vocal duties ourselves and wrote our demo “The Confederation of the Cult of One” which led to our first record (s/t) that we also just recorded among ourselves. We have been a band for about 6 years and our focuses as musicians and writers has grown and changed throughout those years, with right now it just being an obsession with a variety of crust, old school death metal, primitive black metal, and other stuff in that realm. We basically just try to execute the ideas in our heads as best as possible and obsessively work on it. This might be why we started playing music together, we are both really committed and constantly work on music pretty much every single day. And I think this is also why it might seem that our music is often evolving or changing, since we are always challenging ourselves to do what we are inspired by. There is rarely a time when we are not writing.
Right now Graham and I write all of the music and lyrics and that’s fine for writing and even recording, but we feel that being just a two piece is really limiting in terms of what we can do live. Traditionally, we have always played all instruments on our records ourselves and Graham and I would do all guitar etc.. overdubs, but live it would be challenging to do what we managed to achieve in studio. Now Graham has moved onto playing lead guitar and we have a bass player (Derek) and a second guitar player (Taylor) to try to get a sound that is as close to what comes out on our records as possible for when we play live. The people we have playing with us are our friends and the lineup might change from tour to tour based on who is available for what tour or recording and this lets us continue with the level of commitment we both have while getting some help live and in the studio from friends who are stoked and wanna do that stuff with us. On this split with CETASCEAN, our friend Taylor played bass on the recording which meant that Graham could focus on guitar and then guitar overdubs and it was definitely way less pressure and allowed for more interesting guitar parts to come out. Having a third person record with us was a totally new approach and it worked well. It was great to have him there and he will be playing 2nd guitar on our LP and Derek will be on bass.

Aside from the split 12″, what releases do you have coming out in the near future?
We have a split 7″ with raw d-beat punks CONTORTURE from Sweden that is later than expected, but should be arriving any day now. We also have a split 10″ with Canadian gore-grinders G.O.D (GROTESQUE ORGAN DEFILEMENT), and then we will be recording out next full length LP that we hope will be out in time for our tour in late July. A Danish label is also going to be doing a Discography cassette of our stuff in Denmark ideally for when we get there for our tour.

You did a tour of Europe last year with ISKRA – how did that come about? What was the tour like? What were some of the positives and negatives?
ISKRA are good friends of ours and we wanted to tour with a band that was like minded so we all talked about it and it happened. As a band they are incredible to watch, night after night they played crushing sets. They are one of our favorite bands going right now and I believe they act with integrity and their music shows their sincerity and dedication. Everyone in that band is great as people and Wolf (guitarist) is someone who I respect and have learned a lot from. The tour was long and we had a total of 2 days off in 45 days or something and it went really well. The best part of that tour was watching our friends play to receptive crowds every night and having the chance to see them over and over. It seemed that people all over Europe really appreciated ISKRA and of course it’s the best feeling when you see your friend’s bands do really well. It’s hard to pinpoint any negatives, I guess not having any time off sucked but the idea that tour is a vacation is a misleading concept that even after many tours we have to remind ourselves is not the case. That said we wouldn’t be able to handle not playing music for longer than a few days very well anyway, so the lack of time off isn’t a huge deal for us. It’s hard to find negatives on a tour when we already spend our regular life playing music everyday, taking work out of the mix is the only real change and that’s always awesome.

What are some of the differences that you’ve noticed between touring in Europe, and touring in North America?
We haven’t toured the US yet due to a criminal record but Canada versus Europe is quite different. First the music we make seems to have stronger communities all over Europe. Smaller cities in Europe have a longer history of DIY squats and venues where that seems to be rare and newer in Canada. Quebec is probably the best province for that stuff here. And of course when planning a Europe tour we can tell our bandmates that they will probably be fed, get some drinks and a decent place to sleep whereas in Canada that mostly only happens when you plan ahead or know people. This all said, touring Canada is important to us since we now have a lot of friends and a strong community across the country. And especially since a lot of our friends and punks have moved to spaces off the grid, we visit and remind ourselves that there are options to live without being a wage slave.

 Vancouver has long had a vibrant and active punk scene of all stripes. Where does AHNA fit into the Vancouver scene?
We have a strong connection to a lot of different bands and communities in our city. Genre is not the defining point of how we participate since we appreciate punk and metal from a variety of genres and perspectives. We have a strong community of friends in bands in and around the city including ISKRA, HAGGATHA, HOOPSNAKE, MASS GRAVE, COOKED AND EATEN, FAMINE, SIXBREWBANTHA, OSK, WAR HERO, OBACHA, SHOOTING SPREE, CHAPEL, RADIOACTIVE VOMIT, KOSZMAR, HYPEREMESIS, POOR FORM, and so many more. Just based on that abbreviated list it’s clear that what’s happening here is really diverse, and so it’s hard to say where we fit in when we participate in a lot of it. It’s kind of a small scene so it’s crucial to support everything from raw punk to grindcore to black metal to crust if you’re into it, otherwise that shit dies out and then there’s nothing interesting left in the city. People in bands in our community tend to end up at shows you might not expect to see them, because people are supportive across genres. And obviously we have a lot of respect for our friends bands that we play with who have been keeping punk/underground metal going in this town for 10+ years like MASS GRAVE, ISKRA and HAGGATHA and I think that helps keep punk “vibrant and active” as you described it here, or “alive and thriving” as someone has described it in town before, ha.

Since we both also do harsh noise we also have a strong connection to local projects like THE RITA and RUSALKA as well. As a drummer, Anju’s main influence was Matt Wood (HAGGATHA/BISON) from when she first saw GOAT’S BLOOD years ago and that really totally started a path to where we are now. Now she takes a lot of influence for drumming from Nick (BAPTISTS), Brett (MASS GRAVE), Goat (EXPRESSION OF PAIN) and Bina (CAMBODIA). There is a lot of dialogue between musicians in Vancouver because we all love what we do. MITOCHONDRION is another local band that is slightly outside of the community we usually connect with but their originality and unique approach has inspired us though we end up with a different sound in the end. Of course close neighbours being Kamloops, we have a strong connection to bands like BRIDGEBURNER, SKUFF, CHANGE and also a new anarcha-feminist space in Kamloops called The Femme For All Collective which is run by Athena, Freja and Sian, all of whom now play in bands. It might be easier to ask how we fit in the BC punk community rather than just Vancouver since it’s pretty much impossible for our band to separate ourselves from the influence and relationship we share with Squamish, Kamloops, and Victoria.

Is there much of an anarchist punk scene in Vancouver these days?
We strongly support anarchism and play fundraisers with our band and our other bands and harsh noise projects often. All of the bands in our community may not identify explicitly as anarchists or political bands but the people involved all have an interest in maintaining a non oppressive community. People like Brett from MASS GRAVE, and Dave Mccrea from OSK have always shown me a lot of support and respect as a female drummer in a predominantly male dominated genre. Tommy Wilson who runs fastcore fest has traditionally supported politically focused bands like RAPE REVENGE and opens up that dialogue within the fastcore community by attempting to bridge those gaps. I bet these people may not even be aware of the importance of their subtle contributions. That said, we don’t have a unified specifically political punk scene here but I don’t believe that labelling something makes it more legitimate. If you listen to bands like SIXBREWBANTHA’s lyrics you will definitely find strong political ideas, though they do not identify specifically as a political band. So, I guess I would say that while we don’t have a labelled anti-oppression community in Vancouver, it’s happening and co-operation between people with slightly different viewpoints and perspectives is important to us.

Aside from AHNA, are you involved with any activist or political organizing?
We have been/are part of a couple projects that are focused on expressing anti-oppression ideas in punk and underground music by running physical spaces or events. The newest project is a radical space that is opening in the city in early March.  We support political organizing in the city by working in collaboration with groups who are interested to have our band or projects play or contribute in a specific way.

Where did the idea for the split with CETESCEAN come from? Will there be a tour to coincide with the split?
We are about 27 hours away from Winnipeg and yet both of our bands have made efforts to tour back and forth between one-another’s cities and play together. This created a strong friendship and we have influenced each other’s bands in the process as well. I don’t remember exactly how it happened when the decision was made to do the split, but it made absolute sense and it seemed to be at a good time while we are taking a break to record a few records before our next tour. They are an incredible band and we have a great personal relationship with all of the members.
We are not touring together to support the record, but we will be going to Kamloops and Edmonton on March 21st/22nd to play with CETASCEAN and HEAD HITS CONCRETE, and then doing a record release show in Vancouver on March 28th. We are touring ourselves on the way to the ROAR festival in Montreal in August and then we will head to Europe in late August to tour starting with a festival in Denmark. Our tour dates are approximately late July to early October and go from Vancouver to East Canada and then to Europe and back.

The split with CETESCEAN is called “Imperial Decline”. Who came up with the title, and what does it mean in the context of this record?
It’s hard to remember who exactly came up with it, but i’m pretty sure it was collaborative between the bands. The themes that both of the bands are interested in relate to the title directly, which is that people and systems in power are fucked. Both of our bands have had lyrical themes about oppression, genocide, and treatment of humans by other humans on other records as well. The title seemed fitting to sew the two sides of the record together.
ahna_cetascean_cover

On this split with CETESCEAN, what subject matter do the songs tackle?
The first track War Games is about a person at the top of the colonial food chain. Master of War was another title we were considering for this track, and it might explain some the ideas behind the lyrics. The song is comparing the war mongering person’s role to someone playing a chess game and not thinking about the lives they destroy, only ever thinking about it as a game because they never have to deal with any consequences.

The second song, Massacre describes the use of “total war” as a common tool in colonizing efforts throughout history in many countries. Graham was especially inspired by a particular event in a biography he was reading about Goyahkla (Geronimo) when writing these lyrics in which it was described how the army would wait until the men were out hunting and go in and slaughter all those who were unlikely to be able to fight back. There is also General Custard and the massacre at Wounded Knee. American history made this man a hero for going in and slaughtering woman children the sick and the old. The last lyrics are about the soldiers marching on to glory but actually marching on to their own massacre like the one at Little Big Horn. “March on brave soldier your penance awaits…..”.  When we wrote about hell and penance we were talking about the reality of the payback that is due for such cowardly acts: the violence that begets violence and the nightmare of retribution.

The third song (Death Sentence) specifically uses anecdotes from victims and observers of the effects of the use of White Phosphorous by the American army on Iraqi civilians in Fallujah. The chemical would burn its victims and cause incredible pain, suffering, and damage. In the lyrics the “rain of fire” refers to a common description made by residents of Fallujah of the day that the US army dropped WP on the city. The vision of the chemical dropping was described as being surreal and horrifying, and the aftermath showed that the only function the chemical had would be to torture, harm, and destroy. Most of the victims were civilians, many of whom were unable to evacuate the city in time before the chemical assault. Many of the victims were children. The lyrics don’t focus only on this particular event since they are a more general description of the use of fucked up weapons like this, but images and descriptions from Fallujah have stuck with us and were used in the lyrics.

Check out AHNA at http://ahnadroneviolence.blogspot.ca/

1 Controled Entry — Imaginary Lines

  • February 1, 2014
  • by Comrade Black
  • · Columns · PE Web Zine · Uncategorized

by Comrade Black Comrade PE

Yesterday I crossed the colonial imaginary line which divides the stolen territory claimed by one colonial nation state from the territory of another. My experiences crossing the border haven’t been too extreme, but they are interesting in the context of class,and how it intersects with race and gender.

A few months ago while on tour with Layla AbdelRahim, as I went through customs the guard asked how long I would be in the country, then proceeded to ask “what kind of job do you have that lets you take an entire work week off?” I replied that I am on disability, at which point he looked away, gesturing dismissively with his hand to move along. A bit surprised I asked unsure “were you still going to search my bag?” (which was open beside me). Again, continuing to not even look at me he waved his hand in a manner suggesting to “get away from me.” I didn’t argue and proceeded to Seattle. Layla later joked that he must have been afraid he would catch my disability if he continued to interact with me.

Last night as I crossed through from Victoria again on way to Seattle to see Rod Coronado speak. This time I had a bit more trouble at immigration than the time before. I was one of the first

still dates in: Saturday Feb 1st Portland OR at PSU Student Union Room 238 7pm Sunday Feb 2nd Eugene OR at UO, room McKenzie 221 7pm Saturday March 1st Philly at Wooden Shoe Books and Records 7pm

in line in case there was any issues since I had heard horror stories from friends who had been interrogated for 6-9 hours when they tried to cross, so I wanted to be there early just in case.

The immigration officer this time was a woman of colour. She began with generic questions, and went to scan my passport, when her computer began having problems – so her supervisor – a white male- came to help. He was actually the same Immigration cop who processed me when I went through in October. As he was trying to help her with the computer, he asked why I was crossing; and as I said I was going to see Iron Lung and Despise You, he began talking to me about how much he liked metal, and the documentary Metal: A Headbangers Journey by Sam Dunn (a Victoria based metal head and film maker). He asked a bit about the bands I said I was going to see, and told me he once processed Lemmy crossing through on a flight at a San Diego border crossing.  “He was an interesting guy” the cop told me enthusiastically.

Everything was going ok until the woman who was the original border guard asked what I did for work. I replied I was on disability. Suddenly she seemed to become hostile, and began asking how much money I had, if I had been asked for proof of Ties and Equities last time I went through, and so on. “So you don’t have much money for hotels, are you just planning to stay on the streets?” I told her 2 or 3 more times I had a friend putting me up. She continued asking if I had been arrested ever, to which I replied I hadn’t (even though I was a bit unsure if a few things would come up or not from when the Integrated Security Unit for the 2010 Olympics game was harassing me and following me, or when I was volunteering with SHAC Canada in 2006). to my relief nothing did and I continued to act as casual as possible. At this point she asked if I was ever arrested for drugs, to which I replied “no, I am actually what is called straightedge, I haven’t even smoked in 10 years.” Surprisingly to me, she didn’t drop the subject and persisted “have you ever received any treatment for your addictions?” and so on the questions continued.

The supervise was still near by, and came back over towards her, she told him she was concerned I didn’t have much money with me. “I don’t think there is any reason to deny him entry” he told her. So instead she gave me a controlled entry, which involved finger printing me, photographing, and telling me I had to return by the 4rth or else (what else I am not sure exactly).

How much did class, gender and race play into the outcome of this experience? I have to wonder if I hadn’t been a white male, if the supervise wasn’t also a white male, would I have been denied entry? On the other hand, if I hadn’t looked poor with my black patched cloths, tattoos and locked hair, and more so if told her I was on disability; would I have had so much trouble? Borders are an inherently racist construct; if I had told the guards I was coming over to see a Indigenous man speak about defending wildlife rather than to see some bands in a scene where one could safely assume they are likely white males – would I have been allowed to enter?

A year ago I was on welfare waiting for my disability application to be approved (and hoping it wouldn’t be denied). Until then, traveling wasn’t even a possibility I considered real. On $610 a month, I couldn’t even afford to put in the passport application, never mind ferry costs, bus, or food. The only travel I oculd afford was my thumb. The interplay of class, race, and gender – of privilege and oppression under capitalism; within a colonial civilization is complex and anything but just. My experiences were mild in comparison to what many racialized people and those who present in a way that is visually queer often experience, yet they served me as an interesting examination of power and privilege.

In the end I am reminded of a line by Crass ”
Are we really so dumb, so cowered into submission
That not only are we prepared to eat shit
We’re also prepared to say thanks for the privilege?”

ColumnHeaderComradeBlack

0 MOLLUSK: COLONY OF MACHINES: CD-R REVIEW

  • November 9, 2013
  • by PigBastard
  • · Reviews

COM  Four songs of sludge from Cincinatti rage through a half hour of bliss for metal heads with an affinity for long songs.  All songs featured on this album are 7:45 or longer, with the exception of title track Colony Of Machines.  The aforementioned is merely a relaxing interlude between mammoth assaults of sludge that characterize this album.. really more like a segue into the last song, or if this was put on vinyl it would act as an introduction to the B-side.  MOLLUSK is comprised of two members, one of which is credited with drums / vocals, but the level of musicianship on this album shows what monumental feats a two piece can do.  I cant really describe this as a vision from the guy credited with strings (guitar & bass), because the album wouldn’t flow without the drums.  Truly, the drumming going on here is what keeps this monster of sound from slowly drowning in the murky waters of ambiance that the melodies provide.  Gruff shouted out vocals that are rather generic in style emanate from only the compositions on the first half of this cd, the other half being purely instrumental.  Lyrics are neither provided on the bandcamp page or in the cd, so its anyones guess what the duo sing about.  Judging from the music, I’d say they deal with the decay of society into the quagmire of filth that flows through the sewers of our cities like black blood through someones veins.  It’s not really the lyrical content that the band is going for, but more for the mood and feeling that the musical mixture of distorted melodies and surging drums provides for the listener.  Highly recommended for those who like long sludge metal songs with a heavy slab of doom thrown in for good measure.  Not for everyone.Recorded at Candyland Studio by Mike Montgomery during the Spring of 2013.  Expect a sticker with purchase of CD.  or you can download for free from bandcamp.

MOLLUSK: mollusk.bandcamp.com

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