Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
All original artwork (label logos updated) with three different vinyl color options.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
“The Battlefield Is Still Red” Bloodsplatter Edition.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
“What Good Is Money, When There Is No One Left To Buy” T-shirt.
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
See through “Smoke” vinyl. Available at SKULLFEST/ PROFANE EXISTENCE 27th anniverseray party / record release show.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
PROFANE EXISTENCE RECORDS PO BOX 647 HUNTINGTON WV 25711 UNITED STATES
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
Including a resurrection of the PROFANE EXISTENCE printed zine!
Stay tuned – Stay Active – Stay Punk
PROFANE EXISTENCE 2015
…MAKING PUNK A THREAT AGAIN!
Make sure to catch PROFANE EXISTENCE bands ROAC and WAR//PLAGUE at this years crustock 3. Also keep a look out for an APPALACHIAN TERROR UNIT West Coast tour of the United States and Canada this July.
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
Bog of Eternal Stenchcore 7″
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Sounds of Death LP
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
Krang slaying Minneapolis : Photo by Adam DeGross
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
Broken Waves EP
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
All original artwork (label logos updated) with three different vinyl color options.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
“The Battlefield Is Still Red” Bloodsplatter Edition.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
“What Good Is Money, When There Is No One Left To Buy” T-shirt.
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
See through “Smoke” vinyl. Available at SKULLFEST/ PROFANE EXISTENCE 27th anniverseray party / record release show.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
PROFANE EXISTENCE RECORDS PO BOX 647 HUNTINGTON WV 25711 UNITED STATES
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
Including a resurrection of the PROFANE EXISTENCE printed zine!
Stay tuned – Stay Active – Stay Punk
PROFANE EXISTENCE 2015
…MAKING PUNK A THREAT AGAIN!
Make sure to catch PROFANE EXISTENCE bands ROAC and WAR//PLAGUE at this years crustock 3. Also keep a look out for an APPALACHIAN TERROR UNIT West Coast tour of the United States and Canada this July.
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
Bog of Eternal Stenchcore 7″
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Sounds of Death LP
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
Krang slaying Minneapolis : Photo by Adam DeGross
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
Broken Waves EP
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
DEADLY REIGN:
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
DEADLY REIGN:
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
DEADLY REIGN:
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
DEADLY REIGN:
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
DEADLY REIGN:
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
DEADLY REIGN:
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
DEADLY REIGN:
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
WARTORN are a whirlwind of thrash punk goodness hailing from Wisconsin. Since 2004, they’ve been hitting the touring and record release circuit with no looking back. Here’s a quick interview I did to let people know about their two latest releases, Domestic Terrorist 7″ (Profane Existence) & Iconic Nightmare 12″ (Southern Lord). – Andy Leffer
(This interview also appears in CVLT NATION)
PE: You know the drill, just give us the basics on who’s who and what’s changed in the past, in regards to any line up changes, etc. Also, give us some insight on where WARTORN is going. We want to know tours, records, riots, protests, arrests….the whole back story on WARTORN’s origins.
Bitty: (Vocals) The band started in 2004, with Ryan, Hart (on drums) and myself as a three-piece. Within half a year I got a call with an offer for our first tour, which was with Municipal Waste. We did a mini tour with them and ever since then we have been able to go on tours with amazing bands each year such as Los Dolares, ATU, CYP, Krang, In Defence, Pyroklast, Hellshock, and up next Raw Power . We have been to 13 countries and have done lots of releases on many different labels.
Ryan: guitar / low vocals / whiskey enthusiast. Well we started as a 3-piece and over a span of over 8 years, have ended up with 6 members. With 3 of us being guitar players we are able to diversify our songs in ways that we could only do in a studio setting. This obviously makes a difference live as well.
Ela: I’ve been the bass player for over the last 6 years. Recently, we came out with an LP/CD on Southern Lord Records called “Iconic Nightmare” and a 7-inch, “Domestic Terrorist”, released on Profane Existence (which is part of their limited edition singles series).
Toban: (Guitar) I think I might have the most arrests out of anyone in the band. Not like its anything to brag about. I did narrowly avoid another arrest a few weeks ago.
Derek: Guitar as well. I’ve been in the band for a few months and have been on two tours so far.
PE: The music is dynamic, to say the least. You’re not getting any half-assed riffs or mindlessly thrown together lyrics or production with your music. Elaborate on the process and what is the driving force for doing such a band. Punk is a political movement, it’s always been a political movement. Are you a part of this fray as a whole, or is this more of a personal, therapeutic outlet?
Ryan: I definitely believe in the power of the riff. Heavy and raging. Punk is a political movement, but I also see it as a community (full of musicians, artists, writers, photographers, open thinkers etc). A lot of us live/ have lived in punk houses and have been booking DIY shows for years. It’s something we do to contribute to it as a whole.
Toban: Ryan is the riff-master general of the band. He does a great job of coming up with some of the most incredible riffs of anyone I’ve been in a band with. Adding Bitty’s smartly composed lyrics and Hart’s hard hitting/tight drum style makes a great concoction.
Bitty: As far as what I write lyrically, I mainly write about personal experiences or historical events. I don’t tell people what they need to think, that is for them to figure out on their own. Also, I could not label myself as more than a realist and a situationalist.
Ela: Well in my opinion, I would say that we are a part of this as a whole, but it also is a personal outlet for me. We have all contributed to the movement in one way or another, but I think of punk as more than just a political movement. For me it is also about a unified community… where people come together, whether it is for political reasons, to share a passion for music, a hobby, art, etc. … and we definitely have that in Appleton, which is awesome.
Hart: I honestly wouldn’t say punk’s always been a political movement at all. The fact that DK, Meatmen, and the Germs, for example, all existed during one heyday suggests more of a harsh musical and broad social changeover than anything to me. For me personally, punk rock, metal and hardcore have always been a therapeutic and vindicating way of life that has consistently solved a lot of my life’s most harrowing, fucked-up times. It had a total bottleneck effect on how I raised myself mentally and emotionally. It was a really great thing to find out about when I was trying to figure out how to express myself when everything just infuriated or bored the shit out of me. Later, after I was free as an adult, I quickly found out it came replete with its own sense of community, and a totally viscous following I was never aware existed at all. This band is fucking great, cause we never throw a blind rhetorical blanket over our lyrical ideals, or even necessarily our instrumentation for that matter. We have a rough format that we’ve stuck to, but we all come from slightly different scenes and upbringings, and I’ve always thought it showed at least a little in our styles. I honestly don’t think the excitement of being in this band has worn off for any of us. Sure, growing pains have slowed our progress a couple of times, but whenever the next lightbulb goes on over our heads, it’s all go no slow!
Derek: For me, this is definitely a personal outlet. That’s what music has always been for me. Being the young’n metalhead in the group, I’ve kind of just been exposed to the world of punk houses and DIY shows recently. From what I’ve gathered so far I can at least say that the sense of community is beautiful.
PE: Your latest singles release on Profane Existence “Domestic Terrorist”. There’s no beating around the bush on this subject matter. Once again, can you elaborate on this specific release and the intention behind the subject?
Bitty: There have been a few times where I had local law enforcement “protect and serve” the shit out of me. As a kid in the 80’s from a small hometown, I’ve had guns in my face from the cops, hammers pulled back and screaming in my face. I have also had an off-duty cop put a gun in my face and ask me if I thought it was funny while he was wasted. You know of all the times I was ever robbed or assaulted, at least I knew if I fought back I stood a chance; I even survived an attempted homicide! But, it’s not so easy when you have to fight back against law enforcement. They just beat your ass and lock you up, even if they are totally in the wrong. I’ve witnessed so much personal corruption; to me it seems to be an extension of an abuse of absolute power. Now that, to me, strikes terror in any citizen.
PE: Bitty, you’re straight edge…maybe not self-proclaimed, but you don’t consume drugs or alcohol. Considering the genre of punk and it’s history of abuse with these elements, has this hindered your views on the movement?
Hart: Total interjection here! Dude, Bitty’s optimism actually astounds me. He’s seen more friends either die or completely lose their vitality as humans due to drug and alcohol use than I’d like to ponder. He’s remained pretty fucking pragmatic in his attitude toward his friends’ choices in that sense. I myself get pretty fed-up at times about my own friend’s use of drugs, especially certain ones. I’ve had plenty problems controlling my drinking in the past. I do believe I have a fairly good idea these days of when to dry out, but it can pull me into a real bad place. I start questioning what even matters anymore, and I start fighting everything that means the most to me. However, that’s where that community comes in again! I’m learning to seek out the right punks or no one at all when the time feels right, and I’ve been keeping up on it for a while now.
Bitty: Not at all. You don’t need to be like me in order for me to like you. The real moment that reinforced my decision was when I came home to a friend that lived with me and I found him in a pool of his own blood. He had tried to cut his hand off with a butcher knife while he was completely wasted and ended up with more stiches then an average shark attack. It really put a bad taste in my mouth about how substances can amplify bad decision-making skills. Although I am aware that most just use it to have a good time, truth be told, I just didn’t like it. It wasn’t my thing. But as long as you’re not hurting me or others in any way shape or form it’s your deal not mine. This is just a suggestion, have fun and do what you need to do to deal with things or get by, but try not to destroy yourself in the process. You might end up missing out on some good things in life.
PE: WARTORN is a great band, so with that….does WARTORN have anything they’d like to say to the world, it’s listeners or the masses in general?
Toban: In the words of country music legend Kris Kristofferson “Don’t let the bastards get you down”. Ryan: Thanks for the interview.
Ela: Thanks for all the support. We can’t wait to hit the road and tear it up again in a couple months!
Derek: May the force be with you. But seriously, I can’t wait to hit the road and I hope to see everyone reading this there.
Hart: As always, start 4 bands tomorrow and eat your fiber!
Bitty: Thanks for the interview Andy and everyone that helped us out and we’ll see you on the road. If you’d like to help us out with booking or have any questions, feel free to write us at pwground@hotmail.com.
DESPISE are a four piece punk/crust/metal unit from the depths of the Minneapolis underground. Their 7″ release is a line of single’s being released by Profane Existence this year.
Interview by Andy (Leffer) of War//Plague
Let’s get this party started. First off…like most all interviews let’s start with who you are, what you do and what DESPISE is up to? What does the future hold after this PE single release? Also, expand on some each of your backgrounds, and what you were involved with prior to the band.
I’m Hannah, I do vocals and write the lyrics. I moved to Minneapolis from Chicago in 2010. I played bass and did vocals in Securicor from Chicago, and also vocals in Krang.
Zach: Hopefully we can put out some full length records seeing as we have a lot of material. As for before despise. I started going to shows at age 13 or 14. Played in a band called EZ Bleeders. We were rock/metal/funk/punk so everyone hated us but we just wanted to play. Grew up in uptown Mpls around a lot of older punks.
Hi. my name is Mike. I play bass real loud. moved to Minneapolis in 2009. its rad here.
What’s your thoughts on the Minneapolis punk community and how DESPISE falls into the DIY mix. There seems to be quite a good mix of punk and crust rising from the ashes of other previous projects within the Minneapolis scene. We had the 90’s and early 00’s that brought us DESTROY, STATE OF FEAR, ASSRASH, PROVOKED, PONTIUSPILATE, and needless to say MISERY, which is still going strong. Do you feel DESPISE is a part of this element of resurgence and is there still that dedicated @narcho thought process within the band?
Hannah: Definatly. Minneapolis has such a awesome punk scene/ community. So many rad bands that I have grown up listening to and have influenced me are from here.
Mike: well, if you want my grossly unimportant opinion, the scene and the music within it are two separate entities. the music is fucking fantastic. and only getting better.so many new bands and new faces. as far as where Despise fits into everything, i think we fit right in. if ive learned anything about minneapolis since ive lived here, its that its a weird fucking place filled with weird fucking people who like weeeeeeeeeeeiiiirrd fucking music. and if you havent met us, were a bunch of weird motherfuckers too. i fucking love it here.
Mitch: The scene has really picked up , it’s awesome to see so much activity now, it reminds me of how much was going on in the 90’s, so many awesome bands going on these days that local shows are always “stacked”, can’t even go grocery shopping without seeing people from bands or shows. It reminds me to be grateful , a lot of towns don’t have that. I definitely feel that Despise fits right in with what’s been going on.
Zach: I think despise takes a whole different approach to the punk scene. I don’t think of our music as being punk or even being really a part of this “scene”. I don’t make music for other people. I do it because its what I want to do
I know you folks had a bit simpler sound when you began. Straight up D-beat hardcore punk, but now it seems you’ve melded into a more crust, metallic sound. Was this an evolution of the band you knew would take shape, or was it more “fly by the seat” type thing?
Hannah: I think its the result of a combination of all of us taking influence from different sub genres of punk…grind, crust, black metal, d-beat, hardcore, etc…throw it all in a mix and you get Despise.
Mitch: It’s been a pretty natural thing as far as songwriting, the musicianship has lent itself to more technical stuff without losing our roots, really had no idea it would progress that way. Stay tuned for some good old fashioned though.
Mike: We always kinda had a general idea of what we wanted the band to sound like. the first batch of songs we wrote were very black and white, crust or metal. after that, everything just kind of naturally progressed into whateverthefuck it is today. zach is so talented when it comes to songwriting. he’s responsible for the metal parts. i just try to keep up and take care of the wicked awesome bass solos. we’ve become who we are together because thats all we can be. ourselves. when people ask what genre of music we play, i usually just say “loud as fuck” because i honestly have no fucking clue haha.
Zach: Crust is fun to play but as far as what I enjoy playing I usually drift more towards metal. Black metal at that. Probably we’re a lot of the metallic elements of our music comes out. Definitely don’t want to take all the credit for that because everybody helps meld the song.
What’s the ideology behind the lyrics and how the music is written?
Mitch: As far as the music goes it’s really just as simple as playing solid riffs and piecing the songs together as it sounds good, we’ll always come to a consensus before a song is finished, that way we all like the finished product. We try keeping things heavy and not being afraid to test the waters. Hannah will have to field the lyrics side.
Hannah: I write most of the lyrics…Most of which pertain to animal rights, vivisection, mental disorders, depression, drug addictions, negative effects humans have on the planet and our ecosystem, and of course cute bunnies taking over and killing humans.
Mike:Hannah has the voice of 10,000 angels. …burning alive in the fires of hell hahahaha. her voice is as much a part of our sound as our guitar and bass tones. but yea she takes care of the lyrics. all of our songs are about things that truly matter to us and to her. you can really hear that she means what she’s saying. we have some political stuff, animal rights, war is bad, so is jesus, blahblahblah. but the ones that stand out to me, the ones that make my cry a little every time we play them, are about real fucking shit. like how drug addiction is killing the scene from the inside out, watching all of our friends (and ourselves) die and lose their minds right in front of us and not being able to do anything about it, that feeling of hopelessness and desperation and shame you get every morning when you wake up and realize the world is still shit. im really grateful that i get to make music with three no shit honestly good hearted human beings.
Zach: Lyrics? We have lyrics?
Are you guys gonna tour and what about local gigs…big plans?
Mitch: Would be nice to do at least a little touring either east or west some time this year, locally, we definitely play our share. lol. Really want to get the rest of our recording released and get back in the studio, lots of newer songs. Hoping for all that this year.
Mike: I think so. i hope so. i let them do the planning for the most part. im down to party whenever wherever and however long they tell me to. but yea. another 7″ comin out soon, followed by what is bound to be the most epic full length record you’ll be listening to while you listen to it as long as you’re not playing a more epic record at the same time.
Hannah: We are planning on touring the east coast this summer. Hopefully the south and west coast after that. We’ve been playing a lot of local shows lately, especially with the release of the 7″. Hoping to record again soon!
Let’s end this interview the normal way. Last words or comments for the world?
Hannah:Up the punks! Ha.
Mitch: Thanks to Profane Existence for releasing the e.p. We can be contacted via Facebook or despisecrust@gmail we’ll have some merch available online soon.
Mike: Be yourself. fuck anyone who tells you you’re not cool or not good enough. this shit belongs to all of us. and if we want it to live forever, we need every single one of you. oh yea. and dont be a dick. seriously. why the fuck cant we all just get along? yea. sorry. fuck everything. upthapuuunnnxxxxx.
Punk bands tour the world singing anthems that promote militant direct action & activism, putting out albums with flaming Molotovs emblazoned across their covers, with militant messages; but few of us ever truly put those words into action. Walter Bond on the other hand has spent decades working tirelessly, whether leafleting at shows and in the streets, tabling at Pride events, protesting, or volunteering at animal sanctuaries before finally turning to the more militant tactics of the Animal Liberation Front. Walter is a proud anarchist, Vegan, of Latino heritage, who identifies as bisexual. He also is currently a prisoner in one of the most controversial and restrictive prisons in the USA today.
I have been writing to Walter in prison since he was first arrested 2 years ago, after his brother snitched him out. At the time of his arrest, Walter was living on the streets while attacking businesses that profit from animal exploitation.
PE: – You identified as an anarchist for most of your life. Can you tell us what being an anarchist means to you, and how it connects with Animal Liberation, and Total Liberation?
Walter Bond at the CMU
WALTER: When I was in 7th grade in 1989 I used to make all kinds of clip art fliers with my friends under the name ‘Anti-Statist Counter Culture’. We would distribute them mostly to local corporate businesses and churches in the area, mostly to agitate. By the end of 8th grade I had completely dropped out of school and was living this nihilist lifestyle and was just very reactionary and angry at the whole world, parents, school, everything! Back then I was dealing with a world of shit that was to much for me to handle. I turned to drug abuse and vandalism as an outlet. Anarchism back then was a personal vendetta I had about how my life and the world around me was and how I felt it should be.
I wasn’t alone. I had three other very close friends that felt the same. Two of them connected with some gutter punks in Boulder, Colorado and ran away to Hollywood, California. 25 years later one of them is a vocalist for a grind core band, and another is a bicycle maker that lives in a squat in New York City and gets harassed whenever he tries to leave the country because he has bee
n on federal watch lists since the 90’s.
Today anarchism is firmly connected to my activism. The Animal Liberation Front has been an anarchistic dis-organization since its inception. There is no way for business-as-usual and Animal Liberation to co-exist in any fashion that is effective for the goals and interests of either side. Business, consumerism and corporations ultimately care about whatever is profitable. Their raw materials are the blood and bones of Animals and the life’s’ blood and guts of the Earth, which is the fountain head of all life. It’s difficult to make this connection as just a foodie Vegan but once you spend some time in the activist world, it’s an unavoidable clash.
Anarchism is in opposition to State control, corporate domination, class privilege, oppression of one group by another. These are the identical ideals fought for by Animal Liberation abolitionists, just applied to different objectives. I think that anarchism and Animal liberation from the abolitionist or radical perspective are an organic pairing. What good would it do to establish a human society of free communities only to destroy the planet with a McDonalized diet or a mass addiction to industrialization? The reality is that there are billions of people on the planet! With or without government or state authority, industry is going to continue destroying the Earth. It doesn’t matter who turns on the machines everyday, because things are not made out of no things. And history has proven time and time again that if we do not remove the oppressions of the least defensible of us then the circle of abuse begins again with a brand new name.
PE: – You are an Animal Liberation POW, and you also hold anti-civ views, and have a critique of technology. I see a lot of overlap between the anarcho-primitivist critique of domestication, and mass society, with the views of Total Liberation. Do you feel there is a contradiction there? Or how do you see them fitting together?
WALTER: I definitely am not a fan of technologically advanced civilization. From the industrial age forward what we are really looking at is a lattice work infrastructure, put in place by governments of men to subjugate women, the poor, Animals, Earth, labor and each other according to Ethnicity, nationalism, class, gender and economics. Since the age of the machine and science; pain, suffering, war and murder have been greatly, incredibly and insanely quickened!
Despite all the promises of making things better we are blowing mountains in half to get at their coal. We are chopping down every forest on Earth. We are dropping bombs on civilians from remote control airplanes; we are mechanically murdering billions of Animals at the expense of the natural world. We are wasting mass amounts of crop, soil, and water, all euphemisms for Earth, so that we can eat cheap burgers. Thanks to constant technological crutches most adults cannot listen to, follow or remember simple directions. Meanwhile paranoia and random acts of violence are at an all time high!
It is time to stop pretending that we don’t see the writing on the wall. Technology kills! And that is most often its primary use. WE HAVE ENOUGH NUCLEAR WARHEADS ON THIS PLANET TO KILL ALL LIFE SEVERAL TIMES OVER, BUT WE CANNOT EVEN SAVE OUR OWN SPECIES ONCE. I used to build slaughterhouses for a living and I can tell you from first hand experience that it’s not physically possible to butcher tens of thousands of Animals a day without an abundance of mechanical aid. Just like it is not possible to destroy a forest without first building roads and inlets to get yellow death machines into the area.
art off Walter Bond support page
No machine is morally neutral when it’s sole design and intent is to eviscerate, vivisect, slash cut and transport the splintered, destroyed and devastated remains of the biosphere! The technologies we use to heal the sick and, lessen pain and suffering and generally make the human world a more comfortable place are scant in comparison to the damage done. But just like any alcoholic or drug addict we exaggerate the pay off we get while greatly ignoring the damage it takes to pay for it. And just as with any other addiction the truly terrible thing is how many other innocent lives have become ruined in the addicts wake.
Politics would have us believe the modes of production are neither beneficial nor harmful but only in the right or wrong hands. Yet time and time again his-story has shown that whether the factory is run by greedy capitalists or free thinking anarcho-communists, the machines still get turned on and the raw materials of industry are still the blood and guts of the Earth and her Animal Nations! In truth, who controls the means and modes of production is of concern to those who labor and profit by and for the machines, with little to no concern for the connectivity of all life, or the world.
As far as how I view the connectivity, or lack thereof of ideas like Total liberation and anarcho-primitivism I guess I view it as parallel. In my estimation Total Liberation should be making steps to unite various struggles in the real world against the common leviathan of government and towards the reality of free communities. Unfortunately, I don’t see much grassroots organization around Total Lib. it remains, thus far, in the world of ideas, of salutations of solidarity. I think the occupy movement started out with a truly unifying Total Liberation tactic and showed the tremendous power of coming together. But there has to be an escalation of tactics at the helm or else all is eventually kaput. I’m not trying to be smug here but where is Total Liberation physically? Ideally Total Liberation should be a bridge building movement to unite activists of all liberation struggles be they human, Earth or Animal. That is a huge amount of work. And honestly it’s an abundance of work I seldom see getting done. No one wants to yield or compromise enough to make a true united liberation front possible. Or as radicals we use total lib as a pretext to ideological recruitment of other radicals.
Anarcho-primitivism on the other hand is really against the entire foundation of what our modern ‘civilized’ oppressions are built upon. As such it’s not very activist friendly. I mean, you don’t protest civilization with a sign. The idea of a truly clean slate is far to radical for that. The only way to effectively protest technology, mass society, domestication and their ilk is for you yourself to become a wild child and destroy the machines. But Total Liberation and anarcho-primitivism are for ever united by the same objective. That being the complete escape from tyranny and oppression for as many lives, and ways of life as can exist without any oppressing the other. One is just dedicated to aligning forces in the here and now, while the other is looking at how we will have to not only get rid of the road we are on, but also get rid of the road.
PE: – It almost seems like there was a Class Warfare element to the choices you made when selecting your targets. Was this intentional?
WALTER:– You are the first person to ever ask me this question, and the answer is yes. There were a couple different messages to my arsons beyond Animal Liberation, one was classism. Every place I hit was not what society would try to justify as ‘necessary’ Animal cruelty. Each place in its own right was of service to the upper middle, to the rich echelon of society. Whether for fashion, hobby or delicacy I wasn’t going after stores in the hood or ethnic communities. I was after retailers that sold dead Animals’ broken bodies or skins purely for consumer pleasure.
Another thing I have heard grumbles about is why I went after soft targets instead of more strategic targeting. There was a subtle reason behind this as well. As an activist I often saw people pass the buck when it comes to Animal industries. The wholesalers and retailers always blame it on the public. If no one bought their products they wouldn’t sell them. Or since there is a demand someone is going to fill it whether them or someone else. The consumers always hide in numbers. They don’t feel responsible because there not buying anything that’s not being bought a million times over by others. The drop in the bucket syndrome. If you pick on them you will instantly be accused of targeting specific groups of people. And after all it’s really the evil corporations fault for putting such cruelly produced products on the market.
I burned three businesses right in the middle of major cities. I did not want to hide my ALF actions the way Animal cruelty is hidden. I wanted every retailer and consumer to see that when you deal in product of death you shouldn’t be surprised when retribution finds its way to your doorstep. Honestly, if I would have had more resources or help I would have done live Liberations unfortunately this was not a viable option. But the only good thing about living in a non-Vegan world is that if you want to combat cruelty you never have to go far. You don’t need to have a bunch of money or go to some clandestine trading camp to make an impact.
The Sheepskin Factory Walter shut down
Most of the time people like to imagine that their heroes have all this expertise that they never could. It’s a convenient belief because otherwise they wouldn’t have any excuse for putting their own self-interest, fear and apathy above doing in their hearts what they know must be done. The truth is when it comes to Animal exploitation or the destruction of the Earth, no one is innocent. Not Vegans, or cadaver munchers. Not anarchists, or capitalists. Not me, or you. We are all shades of red as Screaming Wolf once wrote in the seminal book ‘Declaration of War’. We lessen our shade of red with our lifestyles and our actions. And this is our obligation if we have compassion. Not from some outside authority but from inside ourselves, our consciousness.
PE: – Recently you completely changed your position on abortion, what prompted this seemingly sudden shift?
WALTER:– What prompted this change of heart is a growing disenchantment with so-called conservative views. And the pompous attitudes that produce them. I have never been involved in any anti-abortion activism, just so people know. In the hundreds of pages that I have written in the last 3 years I have written approximately one paragraph about the ‘pro-life’ views I once held. I just want to set it straight from the beginning that I am not some reformed anti-abortion extremist. That said, I once held an obscure view on abortion that was part of a conservative clique within the Straight Edge movement of the 1990’s.
My limited comprehension of abortion as an issue was from this two dimensional idea that ‘if I am going to care deeply about the rights of shrimp, then I should care about the rights of a fetus’. This was a complete absent reference to the fact that this whole issue takes place inside a woman’s body and that there is a more complex issue of rights to be observed. Not just vegan hardline consistency.
I have recently begun to educate myself on feminism and in particular anarcha-feminism. The more I learn the more I feel like an ass for having displayed such an idiotic and disconnected view of abortion in the first place. From an Animal Liberation perspective which is more my field, it must be said that humanity is the cause of extreme amounts of suffering to billions of Animals annually, for food vivisection, entertainment and beyond. Ultra-consumpive societies like north America, china and now India are currently decimating the Earth like a cancer! In this war on nature humans are a tyrannical and abusive enemy. I stand on the side of the Animal Nations and Mother Earth, I am a species traitor. And human birth control is a relief to the planet!
But as I was saying, what prompted me to finally take a long look at my beliefs, not only on abortion but many of my moralist attitudes in general are my surroundings. For those that do not know I am a prisoner of war, inside a political prison, within a prison. On this unit of 40 men, I never leave, and I am housed here for an indefinite remainder of my prison sentence. Most of the men here are orthodox Muslims; with a sprinkling of those god bless America type of militia, Ron Paul weirdoes. It’s a super conservative and religious environment. I have learned first hand what dogma and so-called conservativism leads people too. Mainly, bigotry, homophobia, and close-mindedness.
PE: – When you held anti-abortion views, it seemed like most of your criticism was directed towards the medical industries. This brings up the question of herbal abortion as a non-medical alternative. Was this something you had considered?
WALTER:– No it was not. But I am not more for one method than another. It’s not my business how women decide to abort, control birth or exercise autonomy over their own bodies. As a man, I am not only never going to be in their position but I am never going to put a woman in that predicament either. I have no children, and the first thing I am going to do upon release, which is years from now, will be to go to the hospital and get myself fixed. Furthermore, no woman anywhere should feel ostracized or shamed for her decision to exercise her reproductive rights be it herbally, or in a clinic.
PE: – Author Peter Gelderloos once wrote that anarchy and colonialism need to be made completely incompatible. Cultural approbation of indigenous art, spirituality, and cultural traditions is a major problem in many subcultures today. I want to ask about your face tattoo. I know it means a lot to you, but is your tattoo an appropriation of Maori Moko?
WALTER:– I have a few supporters from New Zealand and have been questioned about this by a couple different Maori. One told me that the design I have would better be suited as part of a leg piece, and the other argued that it was a handsome piece for Moko, but wanted to know why I don’t have the rest of my face done. But the truth is that while I definitely used the style of traditional Maori, my tattoo artist and I made absolutely sure that we were not replicating any traditional or current Maori designs.
I have also been locked up with a Maori guy and several tanga, Samoa and Polynesian islanders. Everyone has been cool with it mainly because I am of Island descent. My mother is Taino. For those that don’t know these are the indigenous people of Puerto Rico. This coupled with the fact that I am in prison for fighting for a cause seem to have earned me the respect of other islanders. The general vibe I get is relief that I take warrior hood seriously and am not just trying to look hardcore for my white friends in the suburbs.
I plan on getting the rest of my face tattooed when I get out of prison along with the rest of my body. That said I never promote it as something others should do. Getting a large face tattoo is serious business and can have serious repercussions. And It has intense personal meaning to me. It was a life changing event, it literally changed my personality. Some would say pushed me over the edge.
And yes, appropriation of indigenous cultures is an epidemic problem. In many larger ways than a very few people getting face tats. Here in the United States every white person wants to pretend they are part native. Out of some feelings of white guilt. Instead of helping the decimated Indian population. They shove real natives onto reservations to starve and die while pretending to be the real deal. Honestly, this makes me sick
PE: – Most of the businesses you targeted reopened and continue to make profits even though you did extensive damage. In light of this do you think your actions were effective? Could you have been more strategic? If so how?
WALTER:– The way I look at it I could have spent everyday of my life standing in front of those businesses holding a sign and I would have never cost them one penny. Even when I used to volunteer my time helping actual Animals it would occur to me that I was still having a negative impact against the industries of Animal exploitation. Even with Veganism, I am one of the few Animal Liberation abolitionist Vegans you will hear admit that my diet is not saving 90 Animals a year. So there I was living as ethical as I could, helping Animals and talking with and educating people. All the while all I am seeing is negative impact. I have friends that have been holding signs and tabling for decades, negative impact. Why is activism always geared to just lessen our roll in the cruelty but never to fight it? Negative impact.
artwork off Walter Bond’s support page
I got fed up with it. All the -more-Vegan-than-thou- conversations that I had at every coffee shop in Denver. Always playing supplicant to people. Practically begging people to care. Then I woke up one day and it hit me. I was a utopianist, I was deluded. I, as most overly idealistic people really believed that deep down everyone was like me. I was once one of them, hell; I even used to build slaughterhouses! If I can change, anyone can, right? Wrong.
I came to the conclusion that most people don’t want to change, most people don’t want to learn what’s going on with Animals because they don’t want to feel bad or responsible for it, and most people are not going to sacrifice their time energy or money to make a change. BAM! The facts, welcome to reality! All that was left in my life was to fight back on the Animals behalf of shut up because I was sick of the sound of my own voice.
And you know what I didn’t change the world. But I did something that I never was able to before. I cost the Animal abuse industries about two and a half million bucks, positive effect! And with every defiant step forward that I took, I inspired. By my count there were eight international underground acts of solidarity with my case. And now when I speak I really do have a voice. I mean look, we are having an interview. I have been saying all this same stuff for years before I became the ‘Lone Wolf’ but you would never know it because, no one ever listened.
As far as strategy, of course I could have done better. Unfortunately HOW I could have, or WHAT I would have done different I cannot discuss. Due to my current situation as an imprisoned and monitored man.
PE: -Let’s talk about your life on the inside. How do you spend your days? Do you get paid to work? What are the costs you have to spend money on? You have and mp3 player, how does that work?
WALTER:– Here in the CMU it is a very small world. I live day after day, month after month and over a year now in a single prison unit completely segregated from the rest of the penitentiary of Marion. The day I get released from the CMU to the general population of the prison it will feel like I got a parole. I am allowed two 15 minute phone calls a week and no visits. Every person I have tried to have put on my visiting list has been rejected. I have not hugged, touched or physically seen anyone I care about since the day off my arrest in the summer of 2010.
A typical day goes something like this. I wake up about nine in the morning. I walk to the top of the range and sit down at a computer. I log in and see if I have any emails. All my incoming and outgoing email is screened by the counter terrorism unit in Virginia to make sure I am not sending or receiving coded messages. They also can reject or approve any incoming or out going emails before I have the chance to send or receive them. They can also block me from communicating with anyone they want and they have done this with three of my contacts. When that happens I cannot snail mail, email or make telephone calls to these people ever again. In short, all communication is cut off permanently, and without explanation.
After I am done on the computer I go ‘outside’ which is a rectangle walkway that surrounds an island of three ‘recreation’ cages. The sky is completely obscured by chain link fence and razor wire. I walk in rectangles until lunch. Lunch is usually beans, rice or the occasional veggie burger. The food is terrible and unhealthy. It is worse than any other institution I have ever been in. After I eat I go back to my cell and write responses to letters from supporters and friends. At noon, I go to mail call and get any mail, books or magazines that have come in that day. After mail I watch the soaps on Spanish TV. I like ‘Amorcita Corazon’. When my soaps are over I go out to the cages and do body weight exercises or shoot hoops. I come back up to my cell and lock down for four O’ clock stand up count, and then I nap until dinner. After dinner I walk for another hour. then I study Spanish for one to two hours, after which I slam a couple cups of black tea and go back to my cell to read, write and draw until about one in the morning, or until I fall asleep. Then I wake up and do it again.
As far as work goes, on the other side of the cell house opposite the rec. cages is a ramp and a patch of grass that leads to the chow hall. My job is to clean the walkway and cut the grass. I make twenty dollars a month but they take all of that for restitution and court costs I owe. So in reality I get paid nothing. But I get to go on the only patch of Earth that we have in the CMU and it’s ‘out of bounds’ for everyone else.
As far as cost of living, everything I have shoes, shorts, Vegan food, toothpaste, paper, stamps, envelopes, music, and email (yes, I get charged to send and receive email) Is only because of money supporters send me. Without support funds I would literally have nothing. Recently the entire federal prison system got mp3 players. They installed the hardware and software on the computers. Songs cost a dollar and a half each, no discount for purchasing whole releases. They have some good music. I have downloaded Earth Crisis, Chumbawamba, Jose Alfredo Jimenez, Augustin Lara, Napalm Death, Public Enemy and many, many more! With very little stimulation music is essential for mental health. I went overboard and spent all my money on music, which makes things tight for me but I don’t care I would rather listen to music than anything else in here.
The conversations and interactions I am subjected to in the CMU are repetitive and obsessive. There are the legal guys that just talk about law all day long, constantly and without end. There are the religious guys that just talk about god and scriptures and religious interpretation all day. And the institutionalized guys that just talk about every prison they have been at. Most of those guys have spent their entire lives in prison.
I quit talking to most people here because I don’t like to argue, it’s pointless and agitating. And outside of my circle of about 5 friends whose company I enjoy the rest of these guys can go flush themselves down the toilet, and go where ever the rest of the pieces of shit end up, for all I care!
I’ll tell you this, I still feel as hardcore about my beliefs as ever but I am completely over preaching to people that don’t want to hear them, protesting is different than proselytizing.
PE: – Recently you quit using the Muslim name you had been given. Have you completely given up on Islam? Religion altogether? Do you still maintain some type of spiritual beliefs?
WALTER: I am going to be honest about my feelings towards religion and much of what passes for spirituality. I don’t believe it. It’s a human shibboleth. Animals in a state of nature have no use for it and neither do I. I am part of something bigger than any religion, ‘god’ or hocus pocus, it’s called LIFE. When I die I will go back to the Earth. I will go back to where ALL life must, and I will not know where that is until the time comes and death is upon me.
I know god is not in books. I have read and studied most world religions and many obscure spiritualities. I have learned for certain that god is not in books. The only thing in books is words. The entire concept and production of a book is a human construct. It’s our way for the dead and absent to infect the thoughts and lives of the living, for good or ill.
I Got involved in Islam under adverse and incredible circumstances, which is the only way I would have gotten involved in any religion, let alone one so incredibly dogmatic. I won’t go into the entire sordid tale except to say that I once promised an old woman that meant the world to me that one day I would attempt, one day, to try and find god. And I gave it my all. Unfortunately, I do not make a very good submitter.
Did you know that the first time I was ever in trouble with the law was for breaking into a church and burning a huge pentacle star into the carpet directly in front of the preacher’s lectern? It was a Methodist church in a rich white neighborhood, across the street from the police station. I also have a 14 inch upside down crucifix for half of my tattoo sleeve. On that same sleeve I also have a tattoo of the pope, except this pope has goat horns and is standing in flames. All the things I love the most in life: face tattoos, sex, fire, Animals, music, Liberation and Veganism seem to all be completely against religion. Oh well, I guess that’s how ‘god’ made me!
When I got involved with religion it completely shifted my focus and the focus the movement around me. Everything started to become about my new name and beliefs etc. I didn’t like that. I remember one night I went to bed and it occurred to me that I hadn’t thought about Animal lib, Straight Edge or resistance all day, just religion. That was the beginning of the end for me. I didn’t like that feeling of assimilation, like the Borg on that sci fi show ‘Star Trek the Next Generation’. It was a calming feeling but also creepy. Next thing you know you have that glazed doughnut look in your eyes, the one that super religious people get. No thanks, I’m already off in the head enough without any help from the land of make believe!
I also got tired of reading all the terrible stuff about god hating gays and stoning people to death, or chopping off people’s hands for stealing. This crap is in all the so-called ‘holy books’ of various religions; right their in black and white print. And if you believe it then you have to do a bunch of mental gymnastics to somehow make it all not, horrible!
All this said, I did learn a lot about Islamophobia and I am completely against it! the media promotes Islam to be a terrorist religion and that is just not accurate. Every religion has violent fringe elements but we don’t paint all their followers as ‘terrorist’ or ‘extremist’. Look at those crazy evangelicals that drink poison or the ‘army of god’ psychopaths. Still the media doesn’t call them ‘Christian terrorists’. I learned along time ago that it’s not what people believe that makes them good or bad apples it’s the things they do and their capacitates for compassion, or cruelty. But as far as any more personal beliefs about ‘pie-in-the-sky-when-you-die’. I am a disbeliever, and will remain so.
PE: – About a year ago you put out a public statement saying you could no longer call yourself an anarchist, recently you have recanted, re-embracing anarchy. What was the reason for your change of heart? What brought you back to the dark side?
WALTER:– The reason with my disenchantment with anarchism was in reality a disenchantment with certain anarchists. I don’t like the concept of publicly battling with people and the spectacle it creates. It’s a mistake I have made in the past, and when I look back at those statements they just look egotistical and immature. That said, I will for the first time explain what was going on and what led up to not only that statement but also baseless rumors that have followed me since. I will be careful not to name drop or call anyone out, a courtesy that was not afforded to me by the anarcho-rumor mill.
At the time of my arrest in Colorado in the summer of 2010, the second letter I ever received was from a local anarchist group. They talked about supporting me and were even interested in being my official support team. Furthermore they had their own print shop. I was happy to have their support and planned to write extensively with them as the publishers. A visit was arranged and one of the collective came to visit me at the county jail in Golden. I was told by this person that there were rumors that I was an informant. I was taken back by this and said that ‘I was the only person on my case and no other arrests had been made so who exactly am I informing on?’ This person agreed, and from that moment support was forthcoming, for a whole four weeks anyways.
I gave my new support team my email address and password so that they could get another picture of me besides the mugshot the media had. I began writing articles about Animal Liberation from an anarchist perspective. I was calling the collective about twice a week. And then abruptly it all came to a screeching halt. Nothing I wrote ever got published or sent back to me. No one accepted my calls. No more visits. A couple weeks later I received a letter from the collective about some so called visit from my email account to a ‘homophobic YouTube video’. I was told I need to explain myself, defend myself and do it quick because ‘anarchists everywhere are calling to drop support for you’.
Words cannot describe how I felt. First I didn’t know what homophobic video they were talking about, and I still don’t. Second the only people that could be turning ‘anarchists everywhere’ against me were the self same people that were my support team, as I was newly arrested and they were the only anarchists I was in contact with. And third, I was not the only person with availability to that email. For all I know the FBI could have been in my email account trying to gather information or spread disinformation; which would make good sense from their end of things. In any event I have never to this day seen the homophobic YouTube video that was allegedly watched in connection with my email account. I haven’t seen it because it does not exist.
I was really pissed off about this for a couple of years because these rumors not only hurt elements of my support but also my feelings. Very, very few people know what it’s like to be in the position I was: In jail, on the news, facing federal prison as a ‘domestic terrorist’ and all the while using this as a platform to discuss Animal Liberation through my writings while facing rumors and tear down tactics from ‘anarchists’! I mean there I was in jail for being an ALF operative and I was being questioned as if I was a Nazi fascist in jail for queer bashing!
When people that do know me tried to post comments to this collectives website stating that I am in fact openly bi-sexual they would not post them. I know this because friends printed me those defenses and mailed them to me in jail along with printouts of their webpage and blogs showing what they were posting, the only comments they would let stand were the ones against me.
So after my court case was finished in Colorado I wrote that statement about not Identifying as an anarchist. I wrote that at a time when Animal Rights activists were being very supportive and at the same time I was getting a lot of accusative mail from anarchists primarily from the united states. It’s one thing when you don’t get along with a group of people in person you just hang out with others. But when you’re in imprisoned and people from several different states critique and sometimes ridicule you in letters there is a feeling of totality to it. So I thought, fine I will cut my losses with the anarchist community and stick with Animal Liberation and Straight Edge which is not hostile to me.
It must also be said that many anarchists such as yourself and the international anarchist community have unfailingly showed true support and solidarity since day one. Two things that have a profound effect on decision making is a lack of information and emotional distress. I have had my share of both since my arrest. But these days find me much more grounded and less erratic. Due in large part to being done with court and in the routine of my current surroundings. I am an anarchist, this has always been a foundation of who I am. Before I was the ALF lone wolf, before I was Straight Edge, before I was Vegan. I was an anarchist. I don’t have to drop one thing to become another. I am all this and more.
PE: – What would you say to people that have characterized you as ‘single issue’?
WALTER: Calling me or the ALF or the Animal Rights movement a ‘single issue’ cause is a little verbal slur that otherwise thinking and activist oriented people like to use on Vegans. Seriously, anyone that has read my book or the statements that I have been making from prison for years knows that I am concerned with more than one issue and I always have been.
But more importantly why the single issue snub when it comes to Animal Liberation?
I have personal met gay rights activists that act like the only thing wrong on the planet is that gay marriage isn’t recognized legally. I have never heard anyone tell them that their cause is less valid because it is a ‘single issue’. Factually it is incorrect to typecast Veganism or Animal Liberation in this way. A.R. issues have to do with several different species of life and often tie in with environmental concerns. Nearly every other Liberation struggle is only concerned with a fragment of one species, humans!
an old flyer Walter made years ago
To those people that equate me or Veganism to being a one hit wonder, I would challenge back: Fine then tell me exactly what you are doing to liberate all life, everywhere! The fact is Total Liberation is the connecting of many different issues and tactics, and Animal and Earth Lib are a big part of that. One need not give up movement autonomy to be valid under the umbrella of Total Lib. I am an Animal person. I love Animals! I am a Vegan activist. These are clearly compassionate and selfless pursuits.
of course not every group or individual is going to click but slighting the A.R. community as if we are going a different direction than Total Lib is messed up! We can point that finger anywhere. I know plenty of anarchists that think that anarchism is strictly a political ideology, or theoretical idea. Or what about independence struggles like my own Puerto Rican peoples struggle for independence from los Estatos Unidos? They are definitely very concerned with their own movement autonomy and the single issue of independence. People will always say whatever they feel and that is great but remember this, it’s harder to build others up than to tear them down.
A book collection of Walter Bond’s prison writing on veganism and animal liberation
Thank you Comrade for this interview. I really wanted to have the opportunity engage in a question and answer session that not only brought these critiques out into the open but one that also allowed me to lay it all on the table with nothing held back. And now my friend……I rest my case…. Take care and I will do the same.
Total Liberation, Whatever It May Take!
iving and I can tell you from first hand experience that it’s not physically possible to butcher tens of thousands of Animals a day without an abundance of mechanical aid. Just like it is not possible to destroy a forest without first building roads and inlets to get yellow death machines into the area.
the rest of the pieces of shit end up, for all I care!
