WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
This is the first seven inch from ANCIENT FILTH, a brand new unit from Boston, Mass. There’s some brilliant new hardcore pressed into the grooves of this piece of wax. Start to finish, every song has raging energy and angst, there’s nothing dusty about any track on this seven inch. It’s kinda cool how a band can keep a lower profile and it just makes their music that much more impressive. I guess it must be because every fucking thing is spoon-fed to us in the information age. That being said, there are six intense tracks of hardcore punk with good mosh parts, breakdowns, riffing and several samples woven into the insanity that make this record more of an experience and just six songs. I’m not going to make any comparisons . Additionally, ANCIENT FILTH is right-on in the lyric department which makes them a double threat. Lately it’s been hard to find crazy awesome punk that also has well written lyrics. So anyway, ANCIENT FILTH’s lyrics are intelligent, pissed-off, and fucking straight-up smooth and their vocalist delivers them like a mad man. The seven inch comes with a screen printed poster/insert with the lyrics, explanations, an band info printed on the reverse.(Just a side note: My copy doesn’t have the arrow design on the front of the sleeve.)
This record is the shit! If you get a chance, get one of these. I have no doubt that we’ll be seeing more from ANCIENT FILTH, so get in on the ground floor. Badass.(JasonS)
Shock To The System/ PO Box 400206/ Cambridge, MA/ 02140
BERSICKER demo CD
Maybe I’m just old, but I do really enjoy an album (or demo in this case)
that opens with an instrumental intro to set the mood. The cd opens with
feedback soon joined by very steady 2/4 drumming followed by some slow
riffing that fades into feedback. Track 2 is d-beat from start with plenty
of distortion, just short of noisy, and vocals fixed up with some reverb
and delay that give it that old school feel. The track is much of the
same: very same: solid d-beat crust worship, but very practiced and
polished. I’m really into the structure and tonality of the whole thing.
The artwork is exactly what you’d expect from a release such as this. The
cover is black and white with the band name dropped across an old photo of
bombs, while the back has an old shot of a well dressed man tying off
about to shoot up. The first song is about television numbing the masses
so that nobody seems to notice the world falling apart around us. Song 2
focuses on the horrors of war and the way war mongers portray themselves
to the accepting masses. If you go to their FB page, they’ve written a
lengthy manifesto detailing their take on just about everything. I’ll be
looking out for a full album by these folks. (Jake) www.facebook.com/pages/BERSICKER/195813037132823
CRIATURA – Trampas LP
More and more bands are popping all everyday, all over the world. Home
recording technology, programs that come standard in some computers and
the internet make so easy that it eliminates most excuses for not putting
out a CD or at least a quality demo. The problem is that its hard to hear
every band and good ones can go unnoticed for years at a time. That’s the
case for me with CRIATURA. They have quite a few releases, full lengths
and splits under their belts and this is the first I’ve heard of them.
Pinning down a description of CRIATURA is a bit difficult since their
sound is pretty unique, but after listening to them I’d have to believe
that bands in like CIRCA SURVIVE may have taken some influence from their
style. It’s a rare moment when the guitars are playing the same chords at
the same time, and there’s only one song that uses a “typically” punk song
format using power chords. Supported by very skillful, precise and
creative drumming, the guitars and bass delicately tease each other into
soft yet powerful melodic progressions using only a few effects like delay
and reverb with just enough distortion to make things fuzzy but without
losing clarity. Dual female/male vocals deliver poetically written words
that translate like a postcard from a close friend that you haven’t seen
in years that has spent time discovering the beauty and horror of the
world through self discovery and literature. Even in all their beauty, the
songs tackle issues like domestic violence, self-empowerment and
struggling against the establishment. Each line is more exciting than the
last and before you know it you’ve flipped the record four times. I highly
recommend this band. (Jake)
Mala Raza / apdo 6037, 50080 Zargoza Spain www.malaraza.info / firstname.lastname@example.org
When I was in high school I played in a band called DFA (Death From Above), we were a total thrash-punk crossover band that listened to healthy doses of DRI, VENOM, METALLICA, COC, the EXPLOITED, etc. We just jammed for our friends and had a good time representing RFHC (Roaring Fork Hard Core). We never recorded anything other than practice tapes and we probably sucked.
This DEATH FROM ABOVE hails from Brazil and plays straight-up D-Beat, this is their first foray into the world of vinyl and they do not suck. DFA does not stray far, if at all, from the patented D-Beat formula and on this 4 song 7” they even cover DISCHARGE’s ‘War’s No Fairytale’ doing it perfectly.
This three-piece packs quite a punch and the production is immaculate. It’s heavy and warm… and punk as fuck! The packaging is the classic black and white imagery so common to this style of music, but folds out into a mini-poster of sorts. There are no lyrics with the genre and songs like ‘Bloody Streets’ and ‘Game of the Arseholes’ you pretty much know what they are about.
This is total DISCHARGE worship with little of its own identity but it is so well done that the record is actually quite fun and is worthy of its existence! (JoshMosh)
THE FURLOUGHS s/t 7”
These guys won me over before I even heard the music just because the
record is pressed on recycled on marble vinyl and sold in 100% recycled
kraft envelopes with hand stenciled artwork. Granted, the design is simple
and is without skulls, cops on fire or dirty patched up punks, it has
heart and shows their passion for their project. Maybe I’m wrong and they
are just cheap, but that’s not my call. Also included in the package is a
b/w sheet with photos of the band (some of whom are from distant countries
while the band is based in California) and lyrics which are very engaging
and maintain positivity even when addressing negative aspects of social
behaviors and awful political situations. It’s very refreshing. It’s so
easy to pull out an arsenal four-letter words and resort to harsh name
calling or paint a very gruesome picture in order to get a point across.
Instead, the words are chosen in a thoughtful manner and even delivered in
melodic way where the vocals are used as another instrument instead of
just growling or barking the vocalist’s opinions. I’m thankful for that
since it would have vastly altered the dynamic of the music which is more
of the rock side of punk in that late 80s early 90s D.C. almost post
hardcore style. The drums are careful to work in precise step with the
bass to provide great rhythm and structure for the songs while allowing
the guitars to playfully, yet powerfully work in tuneful harmony to lift
up the entire experience. I would never have guessed that these guys were
so young. (Jake)
Vehement Records / 1303 Yosemite Dr. / Corcoran, CA 93212
Talk about obscure, I can find anything about these guys anywhere online. From what I know they were a punk rock band out of Seattle that was active in the early 90’s. A search for the individual band members online yielded some interesting results. One of the dudes is Jeremy Enigk…Is this the same Jeremy Enigk that went to form Sunny Day Real Estate?
RFH play early 90’s hardcore that may borrow as much from the DC post-punk scene and bands like SOULSIDE as they are reminiscent of more hard-hitting outfits like ECONCHRIST. The music is dark and heavy and the vocals have heavy reverb on them. The music pushes ahead at mostly mid-tempo with a few bursts of raging hardcore speed and the vocals go from a talk/shout to a sheer rage as the music intensifies. I see in the notes on the back of the record they thank RESIST for a place to stay…Maybe they played with them?
On the back of the sleeve it says it was recorded on a single micro-phone in the basement of a place called the Blues House. I don’t know how they did it, but damn!, it came out really good.
The lyrics are not included as the packaging is minimal but from some of the song titles and what I picked up in a few of the songs they seem to sticking to topics of socio-political topics. They even go as far as to spell it out on the back of the sleeve: “No Tolerance for Racism, Sexism, Xenophobia, or Totalitarianism”. Word. (JoshMosh)
Mark Swanson / 1020 NE 125th st / Ste 16 / Seattle WA 98125
BLACK HOLE OF CALCUTTA – AGE OF EXTINCTION LP
The first time I threw this on it was spun at 33rpm leading me to believe
that this was going to be an epic journey through some sludgy funeral
doom. Oops, totally the wrong speed. After adjusting the speed and
checking to make sure nobody else noticed (fine, I was alone) I starting
over and was just as stoked on these folks. The opening riffs are slow and
hypnotic, almost enchanting. Just as you allow yourself to give in to it
everything changes: thunderous drums lead in with a warlike rhythm
launching the band into a ferocious wall of chaos. At times I’m reminded
of the HIATUS s/t 12” due to the drawn out melodies with a very
Scandinavian hardcore base. The melodies are carefully paired with manic
tempo changes in the vein of IRON LUNG or DESPISE YOU. The drummer seems to be the backbone here. Not to take away from anyone else, the string section churns out beautiful chaotic violence almost effortlessly, but
Jesse is just killing it, lending to the intensity of the vocals. I’ve had
the line “why do you lie so much?” stuck in my head for a few days now.
The lyrics are pretty intense and personal with youth being the recurring
theme. I can’t say enough good things about this record and I literally
haven’t taken this of the turntable in a week. It’s no surprise that it’s
so good considering the long list of bands these guys have been active
with: THE MAKAI, ¡MAMMOTH TORTA!, KIDS WITH HEADLICE, NO THANKS, SCUM
DOGS, DEAD REGIMENT, THE QUAKERS, FACE DOWN, NO GOODNIX, OEDIPUS AND THE
MOTHER FUCKERS. Yep. (Jake)
Sacred Plague Records / sacredplague.com / www.myspace.com/sacredplague
Shit howdy do I love me some Scandinavian crust! These folks have it all: raging dual female/male vocals belting out seven bleak anthems of the hopelessness of being human in today’s society from the conditioning we undergo from an early age in public schools to the illegal political prisons and all of the gloominess in between. The buzz-saw guitar and grinding bass accompanied by blistering drum work catapult each bit of dreary political poetry into your eardrums at around 2 minutes or less. At times I’m reminded of DISKONTO and STATE OF FEAR. Each songs drives straight to the point with out distractions like noodley guitar solos or long atmospheric intros or outros (not that there’s anything wrong with that!). All of the lyrics are presented in Finnish and then in English on top of very grainy b/w photos of war images, nooses, skulls and the like, just in case you forgot that this wasn’t about kittens and rainbows. This was originally released as a cassette with 10 originals and a cover of CONSUME’S The Cycle Continues (limited to 100, but sold out), but was finally pressed to vinyl with just 7 of the original tracks. Not pushing any boundaries, just powerful raging crust. (Jake) Tuska & Ahdistus Records/ Kannaksenkatu 6 as. 7 / 33250 Tampere / Finland //
What a truly moving album. Very minimal at times, and very complex at times. This work has a sound that nods towards ANTISCHISMbut has much more complex and diverse sound, not unlike NEUROSIS’ Souls At Zero.This album constantly has a surprise around each bend, but remains consistent conceptually and sonically.
Does anyone remember a band from Germany called ZORN? PANACEA and several other bands as of late remind me of that band, who was way ahead of their time. Drawing from punk, crust and metal, these bands have managed to create thought provoking and emotional masterpieces that could very well be a sound track to a movie. It’s nice to have a change from the overtly political (not that I do not like that kinda stuff) to stuff that reaches into the depths of the human heart and soul that is still intelligent and not selfish or cheesy in concept. … Continue Reading
Starting from the outside, this 7” is totally eye catching. It’s done in black, grey, red and white in a black metal-ish font. The cover has a robed skeleton and the back has the bands logo splitting the sleeve open down the middle opening up like shutters. The inside has a few old morbid photos and a separate full size lyric card. The first two songs seem to be written from the perspective of the undead, while the third is a tad more living, personal and emotional. All three tracks are fairly old, coming from a recording session in 2004 that were recently re-mastered and unleashed upon the public. Their style isn’t fresh and new, but it’s a rock solid, foot up on the monitor, head banging, throwing up the horns in your favorite black jeans, patched up vest and wrist to elbow spiked gauntlets sort of kick ass slab o’ pressed petroleum. If brutal driving crust with vocals that are heavily influenced by first generation black metal is you’re cup of tea, then you should grab this. There are only 550 pressed: 440 on red, 110 on black and somewhere in there are 50 that come in a hand crafted boxes with all sorts of bells and whistles that would drive any collector nuts. (Jake) Aborted Society Records