WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
While there are a million “dis” bands out and around these days, few are standouts. They tend to be lazy about it and just go through the motions so that they can play drunk hoping nobody will notice. Granted, there’s nothing wrong with playing what you love whether it’s good or bad, but fortunately there are a few bands like DISHONORABLE DISCHARGE that pull it off incredibly well. As soon as the needle drops it’s like a runaway freight train of perfect dis-comfort. Other bands should be lucky enough to sneak by the bulls and get a comfortable spot inside a grainer when they belong in the coal car compared to this. All you get here is stripped down power, fury and anger with straight to te point haiku style lyrics and black and white visual atrocity for artwork. Although, it would have been nice to get a little more art on an insert with lyrics, but instead, the lyrics are posted straight to te back of the LP cover. * songs of no BS d-beat bliss (seven sets of lyrics in English and one in Norwegian) covering all the topics you know and love: power struggle, oppression, war and genocide. Nothing original, but everything you want! Get it! (Jake)
Dishonorable Record Company / postboks 49, Valerenga / 0626 Oslo, Norway
This four piece band from Toronto, ON has put out their debut vinyl release with four blistering metallic hardcore songs with a bunch of crust and d-beat thrown in. The singer, if you can call him that since he’s screaming and yelling his throat out on this, is mixed fairly well, the drums are pretty high in the mix which is pretty cool, it makes it a bigger presence and just pounds away throughout. These guys sound like they are trying to win a race the way that they tear through these four songs. If you’re a fan of this stuff, these guys will fit the bill nicely. I was impressed, they really did a good job on this and I’m interested in what comes next. (Rick E.)
Here is my first digital only review. What is the world coming to now with all these digital releases. Can’t really complain when I listen to this, this is a bad ass release. They call themselves D-beat/Crust Punk which I can see but this is better then your average D-beat/Crust band these songs sound way better with the gritty vocals and the heavy guitar. Plus all the songs aren’t long epic riffs there are some like “Bottle of Oblivion” that is a super fast catchy punk song with heavy drums and fast vocals. Track #9 has a nice intro into the song of a Native American talking about the struggle of the white man taking there land away and putting them on reservations. So kind of in the lines of RESISTANT CULTURE. Kind of has the KONTRASEKT sound to them. Then goes into the gritty as hell vocals that I think really make this album, nothing fancy straight to the point and not over produced at all. Please everyone go follow the link and download this album for free or pay whatever you can. You’ll be glad you did. (XbezerkerX)
A pairing of two East Coast crust bands by means of Profane Existence, this definitely sounded like an exciting release when I first got word of it. OILTANKER has a pretty killer sound mixing crust and hardcore, while NO TOMORROW is mostly crust-laden D-beat- what more can a crusty ask for? The two previous releases OILTANKER has are exemplary (the Crusades 7″ and the Shadow of Greed LP) and NO TOMORROW’s demo tape was heavy and epic in its own right. This was a record designed for success.
The Oiltanker side is a continuation of that crust-core sound-rolling drum beat, equal sounding guitars and bass, and raspy hardcore shouts. It isn’t innovative or progressive, but it kept my attention for the duration. All the songs were pretty good- worth streaming / downloading, at least. If you like heavy crust or have been a fan of OILTANKER before, you won’t be disappointed. NO TOMORROW’s side is a mix of DISCHARGE, TRAGEDY, and I can even hear a slight AGNOSTIC FRONT influence (Victim in Pain/ Cause for Alarm era). I do want to like this- I really do. However, the bass sound is almost overwhelming, and the guitar is hard to hear, given that the band seems to do the “wall of sound” style (that being guitars tuned down, bass amped up, and drums in a mid-tempo sort of beat). Some like that sound, but I like to hear the guitars as a separate part of the music (to the band’s credit, they do have a couple break-off points where they have a separate guitar track that?s much more distinct). Also, the mid-tempo beat of this throughout can get dreary after a while. Not “bad” per se, but I didn’t get overly excited.
Overall, a decent split, with OILTANKER being the better side. I’d say stream this first, and it’s likely a case of genre music for genre people. I like the mixing job on the this record, too; props to the audio engineer.
From New Brunswick, NJ, comes Soft Dov with an all out assault on your senses. Totally fast, loud, wild and to the point on this release with ten tracks in just over eleven minutes! A great d-beat sound on here played with all the intensity you need with an old school feel that makes this stand out from the pack. This makes you want to play it loud and get out the combat boots to thrash around the house and fuck shit up! The production is pretty good, clear for being self released and the playing is tight, no lyrics included in this, but the really cool part is that you can get the digital download for free! I would go look for this on cassette to keep it old school, but go get the free download and play the hell out of this one. (Rick E)
Soft Dov/Barley Point Island/142 Black Point Road/Bungalow #c-4/Rumson, NJ/87760 //
When I was in high school I played in a band called DFA (Death From Above), we were a total thrash-punk crossover band that listened to healthy doses of DRI, VENOM, METALLICA, COC, the EXPLOITED, etc. We just jammed for our friends and had a good time representing RFHC (Roaring Fork Hard Core). We never recorded anything other than practice tapes and we probably sucked.
This DEATH FROM ABOVE hails from Brazil and plays straight-up D-Beat, this is their first foray into the world of vinyl and they do not suck. DFA does not stray far, if at all, from the patented D-Beat formula and on this 4 song 7” they even cover DISCHARGE’s ‘War’s No Fairytale’ doing it perfectly.
This three-piece packs quite a punch and the production is immaculate. It’s heavy and warm… and punk as fuck! The packaging is the classic black and white imagery so common to this style of music, but folds out into a mini-poster of sorts. There are no lyrics with the genre and songs like ‘Bloody Streets’ and ‘Game of the Arseholes’ you pretty much know what they are about.
This is total DISCHARGE worship with little of its own identity but it is so well done that the record is actually quite fun and is worthy of its existence! (JoshMosh)