Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
WARTORN are a whirlwind of thrash punk goodness hailing from Wisconsin. Since 2004, they’ve been hitting the touring and record release circuit with no looking back. Here’s a quick interview I did to let people know about their two latest releases, Domestic Terrorist 7″ (Profane Existence) & Iconic Nightmare 12″ (Southern Lord). – Andy Leffer
(This interview also appears in CVLT NATION)
PE: You know the drill, just give us the basics on who’s who and what’s changed in the past, in regards to any line up changes, etc. Also, give us some insight on where WARTORN is going. We want to know tours, records, riots, protests, arrests….the whole back story on WARTORN’s origins.
Bitty: (Vocals) The band started in 2004, with Ryan, Hart (on drums) and myself as a three-piece. Within half a year I got a call with an offer for our first tour, which was with Municipal Waste. We did a mini tour with them and ever since then we have been able to go on tours with amazing bands each year such as Los Dolares, ATU, CYP, Krang, In Defence, Pyroklast, Hellshock, and up next Raw Power . We have been to 13 countries and have done lots of releases on many different labels.
Ryan: guitar / low vocals / whiskey enthusiast. Well we started as a 3-piece and over a span of over 8 years, have ended up with 6 members. With 3 of us being guitar players we are able to diversify our songs in ways that we could only do in a studio setting. This obviously makes a difference live as well.
Ela: I’ve been the bass player for over the last 6 years. Recently, we came out with an LP/CD on Southern Lord Records called “Iconic Nightmare” and a 7-inch, “Domestic Terrorist”, released on Profane Existence (which is part of their limited edition singles series).
Toban: (Guitar) I think I might have the most arrests out of anyone in the band. Not like its anything to brag about. I did narrowly avoid another arrest a few weeks ago.
Derek: Guitar as well. I’ve been in the band for a few months and have been on two tours so far.
PE: The music is dynamic, to say the least. You’re not getting any half-assed riffs or mindlessly thrown together lyrics or production with your music. Elaborate on the process and what is the driving force for doing such a band. Punk is a political movement, it’s always been a political movement. Are you a part of this fray as a whole, or is this more of a personal, therapeutic outlet?
Ryan: I definitely believe in the power of the riff. Heavy and raging. Punk is a political movement, but I also see it as a community (full of musicians, artists, writers, photographers, open thinkers etc). A lot of us live/ have lived in punk houses and have been booking DIY shows for years. It’s something we do to contribute to it as a whole.
Toban: Ryan is the riff-master general of the band. He does a great job of coming up with some of the most incredible riffs of anyone I’ve been in a band with. Adding Bitty’s smartly composed lyrics and Hart’s hard hitting/tight drum style makes a great concoction.
Bitty: As far as what I write lyrically, I mainly write about personal experiences or historical events. I don’t tell people what they need to think, that is for them to figure out on their own. Also, I could not label myself as more than a realist and a situationalist.
Ela: Well in my opinion, I would say that we are a part of this as a whole, but it also is a personal outlet for me. We have all contributed to the movement in one way or another, but I think of punk as more than just a political movement. For me it is also about a unified community… where people come together, whether it is for political reasons, to share a passion for music, a hobby, art, etc. … and we definitely have that in Appleton, which is awesome.
Hart: I honestly wouldn’t say punk’s always been a political movement at all. The fact that DK, Meatmen, and the Germs, for example, all existed during one heyday suggests more of a harsh musical and broad social changeover than anything to me. For me personally, punk rock, metal and hardcore have always been a therapeutic and vindicating way of life that has consistently solved a lot of my life’s most harrowing, fucked-up times. It had a total bottleneck effect on how I raised myself mentally and emotionally. It was a really great thing to find out about when I was trying to figure out how to express myself when everything just infuriated or bored the shit out of me. Later, after I was free as an adult, I quickly found out it came replete with its own sense of community, and a totally viscous following I was never aware existed at all. This band is fucking great, cause we never throw a blind rhetorical blanket over our lyrical ideals, or even necessarily our instrumentation for that matter. We have a rough format that we’ve stuck to, but we all come from slightly different scenes and upbringings, and I’ve always thought it showed at least a little in our styles. I honestly don’t think the excitement of being in this band has worn off for any of us. Sure, growing pains have slowed our progress a couple of times, but whenever the next lightbulb goes on over our heads, it’s all go no slow!
Derek: For me, this is definitely a personal outlet. That’s what music has always been for me. Being the young’n metalhead in the group, I’ve kind of just been exposed to the world of punk houses and DIY shows recently. From what I’ve gathered so far I can at least say that the sense of community is beautiful.
PE: Your latest singles release on Profane Existence “Domestic Terrorist”. There’s no beating around the bush on this subject matter. Once again, can you elaborate on this specific release and the intention behind the subject?
Bitty: There have been a few times where I had local law enforcement “protect and serve” the shit out of me. As a kid in the 80’s from a small hometown, I’ve had guns in my face from the cops, hammers pulled back and screaming in my face. I have also had an off-duty cop put a gun in my face and ask me if I thought it was funny while he was wasted. You know of all the times I was ever robbed or assaulted, at least I knew if I fought back I stood a chance; I even survived an attempted homicide! But, it’s not so easy when you have to fight back against law enforcement. They just beat your ass and lock you up, even if they are totally in the wrong. I’ve witnessed so much personal corruption; to me it seems to be an extension of an abuse of absolute power. Now that, to me, strikes terror in any citizen.
PE: Bitty, you’re straight edge…maybe not self-proclaimed, but you don’t consume drugs or alcohol. Considering the genre of punk and it’s history of abuse with these elements, has this hindered your views on the movement?
Hart: Total interjection here! Dude, Bitty’s optimism actually astounds me. He’s seen more friends either die or completely lose their vitality as humans due to drug and alcohol use than I’d like to ponder. He’s remained pretty fucking pragmatic in his attitude toward his friends’ choices in that sense. I myself get pretty fed-up at times about my own friend’s use of drugs, especially certain ones. I’ve had plenty problems controlling my drinking in the past. I do believe I have a fairly good idea these days of when to dry out, but it can pull me into a real bad place. I start questioning what even matters anymore, and I start fighting everything that means the most to me. However, that’s where that community comes in again! I’m learning to seek out the right punks or no one at all when the time feels right, and I’ve been keeping up on it for a while now.
Bitty: Not at all. You don’t need to be like me in order for me to like you. The real moment that reinforced my decision was when I came home to a friend that lived with me and I found him in a pool of his own blood. He had tried to cut his hand off with a butcher knife while he was completely wasted and ended up with more stiches then an average shark attack. It really put a bad taste in my mouth about how substances can amplify bad decision-making skills. Although I am aware that most just use it to have a good time, truth be told, I just didn’t like it. It wasn’t my thing. But as long as you’re not hurting me or others in any way shape or form it’s your deal not mine. This is just a suggestion, have fun and do what you need to do to deal with things or get by, but try not to destroy yourself in the process. You might end up missing out on some good things in life.
PE: WARTORN is a great band, so with that….does WARTORN have anything they’d like to say to the world, it’s listeners or the masses in general?
Toban: In the words of country music legend Kris Kristofferson “Don’t let the bastards get you down”. Ryan: Thanks for the interview.
Ela: Thanks for all the support. We can’t wait to hit the road and tear it up again in a couple months!
Derek: May the force be with you. But seriously, I can’t wait to hit the road and I hope to see everyone reading this there.
Hart: As always, start 4 bands tomorrow and eat your fiber!
Bitty: Thanks for the interview Andy and everyone that helped us out and we’ll see you on the road. If you’d like to help us out with booking or have any questions, feel free to write us at email@example.com.
Back in December, Harvest King Records released one hell of a compilation containing a nice assortment of bands over 20 tracks. Aside from ROYAL RED BRIGADE, KLEINS96, TOMORROW STARTS TODAY and THE JUMP OFF(who all have two), each band has one track to showcase their goods. Something to look forward to is the diversity in sound that everybody brings to the table unlike some comps that give a handful of bands all banging out tunes that, in reality, could all be the same band. The range on this disc hit punk rock, hardcore, indie, country/folk and more. Even better…you can listen to it for free! That’s right, free. So, go to Harvest King’s bandcamp site and check it out. Then, after realizing you like all the bands, order all the albums! (Jake)
WARNING: There is virtually nothing new in this issue that has not been previously published on our web blog. There is no cover price and money being charged here is to nominally cover printing, shipping and bank fees. You may be able to get a copy for free or small donation from touring bands or at Extreme Noise Records, Long Haul Info Shop and other cool DIY places
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
We’re going to print with PE #64 this week and are offering a special edition T-shirt featuring Sean Fitzgerald’s cover artwork (with the usual “Making Punk a Threat Again” on the back). We’re also going to throw in a copy of the finished magazine too. PE #64 has 32 big tabloid sized pages crammed with selected reprints from PE’s blog from 2012 and 2013. Includes interviews / features on:
Jack Conroy (Of the SHAC 7)
The expected ship date is on or after June 10th. Overseas customer expect to pay a LOT in postage. PE is just too damned heavy!
Organize and Arise along with Profane Existence will be setting up shop at Cause Spirits and Soundbar in Uptown Minneapolis to celebrate 25 years of MISERY as they play two gigs. One all ages show and a later 21+ show. Needless to say, this will be a record release show for DESPISE and WAR//PLAGUE, along with many other bands.
Once again, Rob and Matt at Aborted Society Records has managed to release something that is exceptionally good! ADELIT@S play excellent melodic punk rock with a very strong emphasis on the socio/politcal theme. It’s intelligent, straight forward and very pleasing to the ear. This band offers much insight into our world and the many afflictions that plague this place. It’s truthful and the catchy songs bring an involuntary action to your fist being raised…and it’s very cathartic! There’s some great lyrical content here with the dual female/male vocals…for example “Stop talking to me about the laws – this nation is illegal“…simple, but very effective. I love what this band is doing. To some degree, I affiliate a few of the bands nuances to Los Crudos, and that’s due to them singing in Spanish and criticizing the countries failed efforts at seeing “illegals” as first class citizens. There’s so much more this band has to offer. So I highly recommend you get off your rump, if you haven’t already and add this to your collection. (Leffer)
Holy shit! Yeah, that saying about judging a book buy it’s cover? Out the window. This is the second instaIlment of the Profane Existence Limited Edition Singles Series. I had certain expectations when I first set eyes on this beauty and they all came true. When the needle dropped on the Desolate side, the slow paced gloomy intro sets the scene heavy with dread and depression. It’s like being held down by a morphine drenched pile of sleeping bags. You can’t get up and realize that there’s just no good reason to try. The bleek lyrics and Hannah’s ghostly howls make it that much harsher once the band kicks into a fury of blackened crust riffing. Occasionally they slow down to open the mood up even further. On side Inebriated, the subject matter is exactly what you think: self medicating to get through this shit-circus of a human existence. This track is every bit as emotionally heavy and soul crushing as Desolate. Being experienced seasoned veterans of older Minneapolis bands, you know that the chances of this being a piece of crust magic is almost a sure thing and it is. I hope that we get many years and releases from DESPISE as they are nothing short of amazing! This is available in four different colors(black, red, pink or green) for $7.77 each or $25 for all four colors. (Jake)
Profane Existence / PO Box 18051 / Minneapolis, MN 55418
I had no idea what to think when I pulled this out of the box. Between the cover and song titles: Who Shot Ya, Notorious Thugs and Somebody’s Gotta Die, anything could happen. Well, it’s three songs of super lo-fi, dirty punk rock and roll grit that at times seemed to pull influence from TRAGEDY and possibly EYEHATEGOD with the aggression of NAILS. I dig the style and enjoyed the songs, but a few things stood out that I wasn’t into. The sleeve was interesting, being printed on “tracing paper” and the 7″ was pressed on see though light purple, but the B side was blank. Wasted space is a huge pet peeve of mine and a little more info or a lyric sheet would have been nice. Other than that, I think it’s a really fun listen. And to top it off, I was surprised to see that it was Mastered by someone my wife and I lived with when we first moved to PDX: Brad Boatright at Audio Siege. Small world indeed. (Jake)
Man, where were these guys when I was in high school? In the mid 80s I dedicated every spare moment to skateboarding. We’d go down my buddy Chris’s mini ramp and skate our asses off listening to BLACK FLAG, DEAD KENNEDYS, CIRCLE JERKS, etc. Then I discovered thrash and shit got real! My first show was ANTHRAX, EXODUS and CELTIC FROST and everything changed. Once you get a taste of punk/thrash crossover, you can’t go back. IN DEFENCE from Minneapolis is the link to my shred-tastic youth. I now this may upset the folks in the band, but some of the writing reminds me a lot of M.O.D. Sorry, dudes, but it’s true. Not in a bad way, though. Fortunately the subject matter is way more funny than it is offensive and while they love to have a laugh, they do flirt with serious politics. Each song kills it riff after riff with solos that fill the song out without being wanky and they are usually accompanied by beautifully moshy breakdowns that I realized I was unknowingly banging my head to each and every time. There’s no way to listen to this without getting stoked. It contains the second LP and 2 7″s(in case you didn’t get that from the line I wrote above the picture). Unlike some 22 track albums that seem to drag on, you’ll want to put this on repeat, flip up the bill on your hat and circle pit around your room for hours. When these thrashers come through your town make sure you buy them lots of pizza….er, um, burritos. Lots of burritos. (Jake)
Profane Existence / PO BOX 18051 / Minneapolis, MN 55418