WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
As even a cursory glance at my past two columns for PE would tell you, the past few years have been a time of immense transformation for me. At the end of the day, I still have enough of the youthful punk rock idealism pulsing through my veins, and I wouldn’t be writing this column or helping edit Profane Existence if it wasn’t. At the same time, I have learned more than I care to know about some things and to say that it’s affected my positive mental attitude would be a hell of an understatement. There are times, in fact, where I feel like living in a more liberal environment has made me come off like a gnarly old man; as if Charles Bukowski was resurrected somehow and asked to write for Profane Existence. It is true that I have learned to question the good intentions of all things liberal, with things from yoga to public radio to dinner parties to punk rock all becoming favorite targets of this jerk right here-a seasoned smartass of the highest order. To me, it’s all about different types of consumerism than anything else and the only real difference is which pile of shit you happen to choose.
But while I’m probably about the least spiritual person you will ever meet, I am extremely grateful for what I do have, and for the fact that I am able to live comfortably without making a ton of sacrifices. Moreover, there isn’t a day that goes by where I am not thankful of being able to walk, talk, see, and hear as well as managing to stay in good physical health. Even as the golden age of 39 is rearing its head, I feel like I have been extremely lucky in this way and feel like I have a lot of good years left in me.
So you can imagine I was more than a little dismayed when I noticed that the vision in my right eye was getting worse and worse. Beginning earlier this year, I had noticed that my vision in that eye was becoming increasingly blurry. I didn’t think anything of it and figured my contact prescription was changing, which happens every couple of years. As the weeks wore on, I would spot various flashes and amorphous floating objects that weren’t really there, as if my eye was short-fusing somehow. I then noticed that my vision in my right eye was doing what eye specialists refer to as “shadowing,” which is a precursor to blindness in a lot of cases. Not knowing what else to do, I made an appointment with an optometrist in the vain hope that a new set of contacts would set me straight. Unfortunately, I was to find out that the retina in my right eye was detaching and the only thing that would take care of it was a moderately invasive surgery known as the “scleral buckle procedure.” I was referred to a retinal specialist who confirmed this, and before I could say “Holy sheepshit, I’m going blind,” I was filling out paperwork and getting ready to go under the knife, as they say.
Well, this is not the same DISCHARGE that we all know and love. Technically it’s the same band, but it sounds completely different. As the title states, this LP is their early demo recordings from March – June, 1977. If you’ve never heard this, and someone played it at a party, you would never guess who it is. No, this is not the raging D-beat hardcore that we’re all accustomed to. The punk on this record is so ’77 that it’s almost ridiculous, very much a product of its time. The music is extremely basic, very simple, very primitive, and completely callow. It doesn’t have the political, anti-war out rage either, instead we have songs with titles like; ‘I Don’t Care’, ‘Acne’, ‘I love Dead Babies’, and ‘Sweet Suburban Dreams’. And if the lyrical content wasn’t enough to convince you that this is actually a lost SEX PISTOLS demo, then the vocal style, which sounds strikingly similar to Johnny Rotten, will. There is no list of members who played on these demos, so I have no idea how many of the members went on to be in the later incarnations of DISCHARGE. The whole record screams of the early days of young, snotty, pissed off punks filled with teen angst. I guess if you’re a huge DISCHARGE completist, you should pick this up, or if your really into the raw, primal ’77 punk sound. The record is pressed on pink vinyl, if that helps. (righteous) Antisociety Records
This one is for all you black metal fans out there…Although this is not the typical black metal band, or album. If yer into the last three DARKTHRONE albums then you will like this one. This has a similar approach in the sound and concept of albums like F.O.A.D. but lyrically very different.
Now, I am not gonna say that black metal lyrics are all sunshine and roses….they are a black metal band after all, but in my perception there is at least something constructive going on here and there and it’s not completely filled with hatred and disdain for the world around us. Craft on the other hand, has nothing positive to say really, but then again the album is called “Void”. … Continue Reading
From the frozen wastelands of Sweden comes a powerhorse of a 7”. The much-loved D-beat/rock-n-roll style is in full effect here, not unlike a stripped-down AUKTION. And much like another excellent d-beat band I reviewed in this issue – UNLEARN – this band has risen above the terrible trappings and clichés of this easily-tired rawpunk genre. Just by writing lyrics about a diverse array of topics that are actually relevant, they have blown most of the competition out of the water. Each song on this 7” is about something relevant. The title track talks about suicide bombers around the world, brainwashed by religious leaders to kill themselves and others for their religion. The next song, Love Song is a song that gives proper respect to those activists and groups who do their part to make a better world (when was the last time you heard a dis-song encouraging support for activists, and even giving hope for a brighter future?). Side B starts with Children Should Play, which goes after those who profit from child labor in sweat shops, which is a topic that seems to have fallen out of favor with the punks lately. Lastly, we have Computer Control, a song about civil liberties and loss of privacy. Let me sum this up – this is a great record. It has everything I look for in one package – simple, yet effective cover art. Great sounding songs – not too raw, but certainly not overproduced by any stretch. Political lyrics and no fucking clichés. Let’s have more of this more often. (Inbred)
Six songs of hardcore UK hardcore punk! Its fast, a bit sloppy, lo-fi just the way that hardcore punk is meant to be. This is as straight forward as you can get. No frills just in your face punk. The music is a bit generic for the genre but the songs are enjoyable and played well with plenty of energy, so its easy to overlook this and have some fun. Everything about this band screams DIY making you appreciate the CD even more. Honestly this band reminds me of CONFLICT quite a bit. Never getting into CONFLICT, I did find myself enjoying this CD quite a bit. Maybe I’ll start cheking into CONFLICT a bit more. This is definitely for anybody into UK 82 punk. (Travis Assault) Portswood Punx
We are working on a new project for a recipes section, we are calling this the Crusty Collectivist Cooking Project.
All recipes will be vegan and we are going to play with regional foods using fresh ingredients. Our goal is to build one solid meal with each member contributing a course, or portion. If all of this works out we will add more people or cycle through contributors.
We will also work with other food projects and eventually post recipes from readers.
The first project is underway and will be posted shortly.
Stinkbot, Jake Tribe, Cave Wizard and Damien Fuckin’ Inbred
The town I grew up in is Manitowoc, WI, a.k.a. Helltown. Manitowoc had an amazing punk scene from the early 80’s all the way to the late 90’s. In the mid-eighties, I got into punk through skateboarding. Back then those two things went hand in hand. However, in the late 80’s another scene was about to integrate into the punk scene. It was when the metal scene went punk and brought in some of the most out of control, criminally insane, and violent people I had ever met.
BURNING SONS play a mid-paced punk rock with some rock n’ roll feel. The vocals are raspy and screamed and are well paired with the music. Their influences show pretty strongly in their music but they manage to to be influenced without trying to rip off other bands. This album is pretty straight forward with no innovation here but you don’t always have to reinvent the wheel with every album. They do a great job of writing music that is enjoyable to listen to and to pay homage to the bands they grew up listening to. There are seven songs on here making it a quick listen. Despite its shortness for a full length it feels complete and doesn’t leave you unsatisfied. This album is a winner with more ups than downs and is worth giving it a good listen if you like some no frills punk rock. (Travis Assault)
I have seen BLACK COBRA live a few times and did not get em at first……It’s weird how sometimes a band will make a HUGE impression on you live then fall flat with recorded music or vice versa. I never felt like this band really moved me live, not terrible just never really left an impression on me. So… I never bought any of their music. This album however has already caught my attention. There are a lot of innovative elements here, and I love writing about bands that don’t compel me to compare them to other bands……Cause I can honestly not think of any band that sounds like this! And with bands in the “heavy music” realm, that is quite a feat. With an opening track called “Avalanche” its hard to go wrong. Not overly down tuned, this band brings a new brand of heavy to heavy music. Intricate rhythms that fall somewhere between trash, psychedelic rock with an almost tribal ( not like NEUROSIS or a hippie drum circle…just manic patterns similar to a lot of ethnic/tribal music throughout history). … Continue Reading
I was totally excited to get this CD in my review pile. Mind you, I already own a copy of it, but this band has been a favorite for a long time, and I’m stoked to get to review it! ANTI-SYSTEM were one of the best punk bands of the 80’s peace punk movement, but it seems like they’ve gone largely unnoticed by a lot of people who should know about them. They were on the harder edged side of the anarcho-punk genre, with a very heavy and crushing sound, and some of the tracks are even pretty metallic. They could be compared musically to bands like ICONS OF FILTH, DIRGE, ANTISECT, and A.O.A., not the melodic, sing-song peace punk of the time, this is angry, pissed off, hardcore political punk, and done fucking right! Like all the great bands of their time, they were passionate about animal rights, (with some members even serving jail time for carrying out animal rights actions) and vehemently against war & government. This Discography has it all, the debut EP, the ‘No Laughing Matter’ LP, ‘A Look at Life’ 12”, as well as their first demo, and all comp tracks. This CD also comes with a thick booklet with great liner notes, tons of old artwork, pictures, and a lot of interviews from back in the day. I’ve seen most of their records being repressed on vinyl lately, but if you want all their music, pick up this CD, I can’t say enough great things about this seminal 80’s anarcho-punk band. (righteous) Antisociety Records