WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
A four song EP from this cool hardcore band that is in your face, raw and damn good. It’s great to see that the tradition of great hardcore bands from DC is still continuing after a time of a lot of the bands that were doing hardcore watering down their music, moving away or breaking up. These four songs just start out heavy and hard and they continue the rest of the way through this EP in that vein. Great gruff sounding vocals with some nice background vocals, the guitar just rings with power and nice leads, the drumming is tight, and the bass is heavy. The production is pretty good, not glossy at all, but a bit rough which adds to the sound of the band, the only thing that I would have changed is the drums need a bit more in the mix to thicken them up a bit, but not a major thing at all. My favorite song was “GG & Morrissey Sitting In A Tree”, great playing and lyrics made this one stick out for me, but all four songs are great. (Rick Ecker)
Twelve songs of punk with rock overtones that would fit well with the scum rock bands like NASHVILLE PUSSY and their ilk very well. You get some special guests singing on here too, Sandy Moreno from THE GASHERS on “The Long Con”, and Melanie Ash from DIRTY PANTIES on “Iconic”, and both bring a whole different feel to the songs with Moreno shredding her throat on her song and Ash bringing her strong vocals to her song. This band sure can rock out, the bass gets the lead spot quite a few times, the guitar is just ripping and throwing hot leads all over, the drums just rock out and the gruff lead vocals give the songs some nice grit and an extra edge. This is a great album that is based on stories from the book Vegas Knockout by legendary Las Vegas author, P Moss. Great album and great label. (Rick Ecker)
Fifteen short hardcore songs that kick you in the gonads as soon as you hit play on this album that go by in less than twenty minutes. Formed in 2004, these guys play some great hardcore that has elements of THE QUEERS to their songs, but not in a copying way at all, just a hint of it. The band has great lyrics, some fun like “Beer For Breakfast” and some more serious like “An Aggressive Lecture”, that’s always a big plus, diversity. This band just tears through the songs like maniacs, they would be great on a tour with THE EXPLOITED, same intensity and power. The dual vocals really were great, giving some mix to the sound with one being more gruff than the other one, the guitar just rips on here, the bass charges ahead at full speed, some fast, hard-hitting drums all added up to a great release from this three-piece. I’m going to be playing this a lot, you should get a copy and turn it up and blow the roof off of your house. (Rick Ecker)
Some great hardcore filled with woah-ohs, pummeling drums, tasty guitar leads, slick bass, and some ska thrown in as well. OFFICER DOWN has put out a great sophomore album that sounds somewhat reminiscent of the hardcore from the mid to late 1980s with the heavy bass, breakneck guitar work, drums on fast, and vocals that go from gruff to smooth and lots of gang vocals too. This was a real treat to throw on, as soon as I put it on, I had to turn it up loud, this shit kicks it up hard. This is what I really needed to hear, great, catchy hardcore that just grabs you by the neck and holds you against the wall. I really don’t have a favorite song on here, I liked them all, and the lyrics were really good, personal and well written. Great job on the production, nothing is super clean, but it’s nice and loud and gives enough room for you to hear everything without a gloss to it. This was one of the best albums that I’ve heard in a while, damn, I needed this to clear out the crappy day I’ve had. (Rick Ecker)
This Australian punk band has been together since 2008 and has put out an album full of hard-hitting anthems with a ton of energy and power. The songs have some great gang vocals, powerful drumming, bass that brings depth, awesome guitar leads that reach out past punk to hard rock at times and the vocals are raw, but have a great sound to them. There’s not a duff song on this release, they have made every one of the songs into an epic of punk with melody and rawness. Lots of catchy songs that veer towards almost hardcore, but not the metal type, more like the feel of hardcore on the songs. The band plays with conviction, has heartfelt lyrics, rips through twelve songs in less than thirty-five minutes and rocks…what more can you ask for? (Rick Ecker)
Holy shit, this is one of the best melodic punk records that I’ve heard in a long time! The band just plays their hearts out on these six songs, such energy and conviction, plus hooks galore on this EP. The first song “Across The Susquehanna” just comes at you from the start to pull you into this collection of songs. The playing is just so passionate that I listened to it at least three times in a row. The production is very good, lots of power and energy and fullness. My favorite song on here is the third song “American Bones” with the awesome guitar throwing out riffs all over, the powerful drumming, the rolling bass, and the gruff vocals that just grabbed me. The hook in this song is just a killer, you get some great background vocals too, I really love this damn song! This is the kind of album that makes me love punk rock and gets me wound up and it makes me crank up the songs really fucking loud and sing along. This is one of those albums that will be permanently on rotation in my collection, you need to have a copy of this one. (Rick Ecker)
UP FOR NOTHING have been around now for over a decade and just keep putting out great songs and the quality never wanes. You get some nice tight punk rock with some great woah-ohs, bouncing bass, driving drums, great guitar leads and snotty, but strong vocals that all add up to some kick ass punk rock on the first song “This Moment”. The great thing about this EP is that they just don’t stop with the great punk rock on this EP, they just keep the quality going. This was produced by New York Hardcore legend Ernie Parada from TOKEN ENTRY, GREYAREA, and BLACK TRAIN JACK, it was recorded and mixed by Pete Steinkopf from THE BOUNCING SOULS and mastered by Stephen Egerton from THE DESCENDENTS, so you know that this had better be a good fucking collection of songs, and it sure is. The band is tight, the vocals are top-notch and I really recommend this EP. (Rick Ecker)
SLENDER LORIS adopted their name from a small creature indigenous to Sri Lanka that was once reportedly hunted by voodoo tribesmen for its tears and now it’s a post hardcore noise band from Hamilton, Ontario. Five short songs drenched in feedback and punk rock goodness and mixed together to bring a glorious noise fest that brings back memories of the more experimental bands from back then, but still keeps everything in the here and now. You get some fuzz guitar, screamed and clean vocals that are both crazed and melodic, drumming that bashes away, and some bubbling bass that made the band pretty catchy. You actually have a well done live album that really captures the band in its natural habitat, playing loud, furiously and really well. If I only still lived in Hamilton, I would be at your shows. (Rick Ecker)
500 animals per day die in the labs of Huntingdon Life Sciences (HLS), one of the largest contract testing companies in the world. Beagles, primates, rabbits, mice, rats, cats and other species are burned, cut open, or injected with poisons all while alive to ensure products like Viagra and diet pills will make it to the shelves of stores around the world; as well as GMO crops, pesticides, fertilizers and house hold cleaners. A small handful of dedicated activists started a campaign that nearly brought the giant to its knees as over 500 companies quit doing business with HLS, including their insurance company. Activists also managed to get HLS dropped from the New York Stock Exchange, eventually stopping their stocks from being publicly traded altogether.
Jake Conroy was one of the activists involved in Stop Huntingdon Animal Cruelty campaign (SHAC) in the USA, helping to run the website, and lead demos. For this, Jake was sentenced to 4 years in jail.
PE: How did you get involved with animal activism, and more specially the SHAC campaign?
JAKE: I’ve always had strong feelings for the underdog throughout my life. It didn’t really occur to me until I was 19 that some of the biggest underdogs in the world were non-human animals. I had spent a long time thinking about the issues and reading books and pamphlets I picked up at hardcore/punk shows, and watching videos wherever I could find them (which actually was pretty hard to do in a pre-YouTube era). But I was somewhat on the fence about making that leap to get involved.
I was living in Seattle at the time, walking downtown to school, when I passed some folks protesting against the circus as they paraded the elephants for miles through the city. I passed them and didn’t say a word but it sat heavily in my mind that I should. So I turned around and walked back and asked what they were doing and who they were and how I could get in touch with them. They simply replied, “We’re in the Yellow Pages”. Sure enough, under Animal Rights, there was one listing – The Northwest Animal Rights Network. I called the number and listened to the info about the upcoming circus protests, and I went down that weekend by myself to join in.
The next 5 years I would participate in civil disobediences, run successful campaigns to close fur salons, help transform Seattle into one of the most animal-friendly cities in the country, and be arrested (with my current co-defendant Josh Harper) for engaging in the first whale hunt sabotage in US coastal waters by piloting a boat between whales and hunters.
In 2001 I had been working locally on the anti-HLS campaign in the Seattle area, when I got a call from a friend asking if I wanted to move out east for a few months to help start the office for this group, Stop Huntingdon Animal Cruelty USA. I had nothing else to do, so I packed up my belongings, put them in storage, and headed out to Philadelphia. I became so excited and inspired by our first 3 months that I never went back. I would spend the next 5 years helping run one of the most exciting campaigns of my life.
PE: What can people learn from SHAC, and from the repression you faced?
JAKE:I think the most important thing people can learn is that their activism needs to be strategic, smart, and creative, while being thoughtful, careful, and calculated. We shouldn’t rush in head first because that’s the way it’s always been done; rather prepare for all outcomes, be ready to accept them, and not fear them. We need to realize that we are under a microscope, so our actions need to be significant and have a focus on duration and long term strategy.
PE: What do you think made SHAC so successful?
JAKE: Bobby Seale, the co-founder of the Black Panther Party, once said that in order to be successful you have to capture the imagination of the people, and the anti-Huntingdon Life Sciences campaign and SHAC USA did just that. It began in North America at a time when national welfare organizations started to dangle paychecks in front of grassroots organizers, when they began shifting the debate away from liberation to welfarism, and when they made you feel like you were doing your part by voting every couple of years and sending in your donations to cover their expanding paychecks. They were disenfranchising the animal rights movement and getting folks to fall into line. But deep inside, we all wanted more.
SHAC USA sprang into action quickly and furiously. It said loudly and proudly that we weren’t going to sit back and accept bigger cages, and we were going to hold everyone and anyone accountable for their actions and support of animal cruelty, no matter when or where. We were happy to push the envelope and support radical ideas and tactics when others wouldn’t. We believed in people power, horizontal and autonomous organizing, and supporting and using every tool in the toolbox to enact change. Within months, we managed to gain victories as an all-volunteer organization of 4 where huge national organizations couldn’t. We captured the hearts and minds of activist communities and the general public, and we were off and running, bulldozing anyone that got in our way.
PE: SHAC centers on vivisection, specifically contract testing for consumer products like viagra and diet pills. Why focus on vivisection rather than fur, circuses, or the horrors of the pet industries, food/meat, or other areas of animal exploitation?
JAKE: There are so many atrocities perpetrated against the earth, and the animals, both human and non-human, that live on it. It’s very easy to fall into a pattern of trying to save the entire planet all at once. But we need to be strategic about our campaigns and smart about how we go about them. There had been a campaign against HLS since the late 80’s, with some amazing actions, but it just wasn’t getting the job done. But the late 90s saw a perfect storm of sorts in England. Activists had closed Consort Beagle Breeder, Hillgrove Cat Farm, Regal Rabbits and they were closing in on Shamrock Primate Farm and Newchurch Guinea Pig Farm. Energy was extremely high and victories were coming in swiftly. Meanwhile, Huntingdon had two undercover investigations released against them in the UK and the US, and it had almost bankrupt them. They were a huge target, teetering on the brink of foreclosure, and they needed a firm kick to push them over the edge. It would be a gamble, but it was part of a larger overall campaign strategy that was proving to be successful. HLS is the third largest contract research organization in the world and they were on the brink of being brought to their knees by grassroots activists. The time was just right.
PE: Do you still think that the SHAC Campaign can succeed at this point? What is the relevance of the campaign today?
JAKE: Martin Luther King Jr said that the arc of the universe is long and bends towards justice. And to add a footnote by Becky Tarbotton, “sometimes we don’t see it bend, sometimes it feels like it flattening out. And other times we can see that arc perceptively bending towards justice.” We didn’t close down Huntingdon Life Sciences according to our timeline, but I still believe the campaign can and will be successful. It’s suffered some major blows to it’s infrastructure, but like all good things, it keeps moving forward, it continues to bend towards justice. People are still active all over the world in the quest to shut it down for good and HLS is still financially hemorrhaging.
I think the relevance of the campaign is that it represents the tenacity, passion, and drive we as a global movement has to see justice served, no matter how long that might take. The tactics the SHAC campaign used were innovative and powerful, and they continue to be replicated by a broad spectrum of movements around the world to fight back. That alone is a testament to the relevance of the campaign and how successful it was and continues to be, regardless of the outcome of our explicit goals.
PE: How can activists today become more effective?
JAKE: Effectiveness and success is going to come by studying our collective histories, working hard and being creative today, while keeping long term future strategies in mind.
As activists today we have a unique opportunity to still talk to and learn from some of the greatest revolutionaries of decades past. These folks are still involved decades later and they want to sit with you, to have you learn from their mistakes, and understand their successes. We need to take advantage of these opportunities any chance we get before it’s too late.
We need to recognize that we are living in one of the most oppressive times to be an activist. Our targets wield more power than ever before and are getting away with using every tool in the toolbox to silence and imprison us. We need to take their lead and fight back in kind. We as activists need to realize that perhaps our old ways and tactics aren’t going to work anymore and we need to start thinking outside the box; to be more creative and look for other ways around the blockades before us in order to reach our desired goal.
Finally, we need to be smart. We can no longer rush in head down, into brick walls. We need to pick our heads up and look forward and see how we can strategically plan not just for this year but the next generation. We need to look deeper and with more thoughtfulness into how we are making change and how we can make it lasting.
PE: Are you still involved with animal activism now that you are out of prison?
JAKE: I’m involved with animal activism as much as I can be. I am currently finishing my third year of probation (out of 3), which puts restrictive conditions on you and your actions. Your whereabouts, employment status and financial records are all monitored by the federal government. I have a list of 30 or so rules, some very specific, some very broad, that I am required to live by. If I violate any of these rules, the probation office has the right to yank me off of probation and put me back in prison. So while they can be lax about certain things, getting in trouble doing animal activism is a sure way to end back in prison.
However, I still do as much animal activism, prisoner support, and outreach that I can. I am also employed by a non-profit environmental organization that uses non-violent direct action and pressure campaigns against global corporate targets to affect change. In a sense it’s much like SHAC, minus the radical aggressiveness that landed us in prison.
PE: If we truly want to be effective in our activism, it seems like in today’s atmosphere we should get prepared for the very real possibility of prison. Do you have any advice on how to prepare or was there anything that helped you get trough it?
JAKE: While I think activists today need to be very aware of the repression going on around the globe and learn how they can fight back, I wouldn’t say that prison is a very real possibility for a large majority of us. In the grand scheme of things, very few of us have actually been imprisoned for the amount of actions and campaigns that have been going on. Unfortunately, while the number of folks in prison right now is rising, it doesn’t mean that we all are going to end up there some day.
The SHAC7 case was a perfect example of that. Thousands of people in North America alone participated in the campaign in their own way and it came down to a half dozen of us in court. The odds are in your favor.
If you are in the small minority of people facing prison time, I would highly suggest turning to those who have been or are currently incarcerated, for advice and counsel. Prison is a place like no other; nothing can possibly compare to it. It’s a place filled with bizarre rules and expectations and nothing can really prepare you for it outside of the experience of others. I spent a lot of time leading up to my incarceration writing friends that were serving time as political prisoners, asking them every thing I could possibly think of. We would write tomes back and forth. But ultimately nothing can fully prepare you for the experience.
Ultimately, prison is a dark and lonely and depressing place. And one of the few things that can put a smile on an inmate’s face is a letter. It is what makes the experience survivable. So I would encourage everyone to look through the lists of political prisoners and find a couple that resonate with you, and write them. It doesn’t have to be a lengthy diatribe on your political beliefs (its better that it’s not), rather, write them about your day, the last back packing trip you took, the last meal you made. Send a photo or a postcard. Anything will brighten their day. Take the time to foster a relationship with them and help them get through their experience. What may seem like an insignificant 20 minutes to you writing a letter, it can be a total life saver when on the receiving end while in prison.
PE: How much dose having a terrorist enhancement effect your life? And how do you feel about being considered a terrorist in the eyes of the government?
JAKE: Just to be clear, none of the SHAC 7 received a terrorist enhancement during sentencing. We were, however, classified by the Bureau of Prisons as domestic terrorists. This meant that during our stay in prison and our time on probation (and I’m sure afterwards), that label followed us around wherever we went. In prison, for me, that meant all of my phone calls were monitored and recorded, all of my incoming and outgoing mail was opened, read, and photocopied if they desired, and my ability to have my friends come visit me was drastically reduced. It also meant that I was put onto a ‘high visibility inmate’ watch list inside of the prison. I was one of 10 to 15 inmates that the administration said posed the biggest security threat to the institution, in a population of around 1300 inmates incarcerated for murder, rape, bank robbery, high-level gang activity, etc..
PE: Could you please recap what the charges against you were, and what you were accused of doing?
JAKE: Kevin Kjonaas, Lauren Gazolla and I were found guilty of 6 charges based on our direct involvement and so-called “leadership” roles with SHAC USA. They were one count of conspiracy to violate the 1934 Telecommunications Harrassment Act, one count of conspiracy to violate the Animal Enterprise Protection Act (now called the Animal Enterprise Terrorism Act), one count of conspiring to commit interstate stalking, and 3 counts of interstate stalking.
Essentially we were found guilty of running a webpage that advertised and editorialized events, actions, and strategy; that published write-ups of those events and actions after the fact (much like an online newspaper); that shared ideas, and supported the thinking of controversial ideologies. By doing all of this online, we crossed state lines to enter into a conspiracy with essentially anyone who had ever used the internet. By simply publishing and editorializing ideas and actions, we were encouraging anyone who accessed our webpage to go out and do the same things.
It was a far-fetched (yet successful) attempt at criminalizing controversial, yet legal, forms of demonstrations, supporting radical and controversial ideologies like non-violent direct action, and the sharing of ideas.
PE: Can you talk about the role music & subcultures can play in Animal Liberation and other activism?
JAKE: Subcultures and music has played a very influential role in grassroots and radical movements. The first time I was introduced to the idea of black power and the Black Panther Movement was after buying the album Fight The Power by Public Enemy when I was in junior high. As a white, suburban kid growing up in New England, those radical ideas didn’t make it into our classrooms. Soon after I would be introduced to hardcore and punk rock, which would open the doors to a do-it-yourself subculture, the straightedge philosophy, and veganism. Bands, ‘zines, and literature acquired at record stores and shows filled my imagination and passion with big ideas about grassroots organizing and direct action; the idea that we didn’t need large organizations and governments to enact the change we wanted to see in the world. That change was something we could bring about on our own and on our own terms. This idea wasn’t just mine – this self-empowerment and introduction to direct action through music communities was shared by 5 of the 6 individuals in the SHAC7 case, and direct action legends like Rod Coronado and Keith Mann. It introduced a whole generation of young people in the mid 90’s to veganism, activism, and direct action, that would eventually shape the entire animal rights movement.
Damn! This cd is just so raw and energetic from the second you hit play. These guys play a sort of timeless rock and roll driven punk that draws from 70s acts like MC5 and THE STOOGES, while at the same time I can hear bits of DEVO stylings in the rhythms. Their set up is a basic five piece complete with a keyboardist that really adds a nice bit of dimension and depth to the over all sound. The guitar is slightly overdriven, but not very distorted and is played in a way that it’s percussive at times, but not in a way that interferes with the bass. They work in great harmony as the bass rumbles and climbs through each riff while being pushed forward by Andy’s creative skin banging. OPPOSABLE THUMBS have created a great sound for themselves out of the blueprints of great rock acts, but at the same time are not mimicking anyone. From the opening track, She Roll It, straight through to the tenth and final track Miss Represented, they roll like a train car that has derailed and it on a crash course to oblivion. The recording sounds like it was done “studio live” which gives it more a gritty feel that adds to the overall character. Besides the live shot on the back and a little drawing on the insert, the artwork is minimal. Under the disc tray is a picture of what looks like somebody’s parents. Kinda sweet, but not sure if there’s a connection that I’m missing. Either way, these guys play some fine rock and roll. (Jake)
Gubbey Records / PO Box 7481 / Louisville, KY 40257