Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
This interview was conducted over email by Comrade Black. Information on upcoming tour dates can be found at the end of the interview.
PE: For those unfamiliar with your past, could you introduce yourself?
YES SIR, INMATE #03895-000…oh wait, sorry, old habits…
Hi my name is rod and I’m from the desert southwest, but live in the great lakes bioregion now. I’ve spent my life fighting for the earth and animals and have just finished a 5 year period of federal supervision that prevented me from being involved in environmentalism or animal issues. I’ve spent a total of 6 years in prison for actions related to the protection of animals, and am now moving forward in my life with new strategies and tactics, that are both effective and legal. Though I walked a controversial and radical path, I no longer advocate illegal activity. That’s a personal decision that I made before with very intense personal consequences, so I’m not doing that anymore. I’m doing what a lot of people are doing now, and that’s struggling to find a way to help stop some horribly violent federal and state policies that currently are allowing for the killing of wolves and other wildlife.
PE: What have you been doing these last 7 years while on probation? Other than helping wolves, what else are you doing these days with your life?
Trying like hell to stay out of prison. When you’ve made a mark for yourself like I have in the law enforcement community, it gets real easy to get back into trouble. So I did what I had to do, I severed all contacts with the activist world, didn’t email, phone, write or do any social media with anyone with an activist past history and just worked my job at a brewery where I’m a server. I also was a big part of my children’s lives. I wasn’t in prison. I was a present father, raising children, teaching them to love life and nature. Loving life myself. I went kayaking when I could. We played in lakes and rivers, camped. I did what Geronimo and others like him had to do when they were forced to surrender and live on the rez. I will still be a father, but now ts time to stand up for the wild once again.
PE: It seemed for a while like every time you moved they were trying to put you in jail again. I had thought you retired to raise your child, What have you actually been doing during all the years where you seemed to disappear from the public eye?
No one will deny that federal law enforcement agencies had identified me as a target. Not only had I already spent 4 years in prison for Animal Liberation Front actions in the 1990’s, but in the ensuing years I had become a spokesperson for the group while continuing to organize with Earth First! And Stop Huntington Animal Cruelty. I even made it easier for them by hanging out with other suspects of federal investigations. So while I did have to go back to prison as part of a non-cooperative plea agreement, at least I didn’t get the 16 year sentence they threatened me with in trial. So yes, it was time to lay down my arms and think about my children and the future. I spent the last five years just keeping my head low and not traveling or seeing any close friends and only very restricted travel to see my family. I wasn’t allowed to visit my elderly parents in Portland, because my probation officer said all of the Northwest was off limits due to its history of radical environmentalism and animal rights activities.
Like so many other men recently released from prison, I focused on the financial survival of my family. I also got involved with my children’s school and met other parents raising children nonviolently who became friends. We tried to start a community garden near the school and introduced a zero-waste program that survives today. The last five years allowed me to be a part of my kid’s lives rather than only hear about it in letters.
Now that my federal supervision is over, I can think about acting as a responsible human being and organizing against the destruction of the wild. Here in Michigan that means stopping the recent sport hunt for wolves. That’s where the tour came in. Folks from the Hunt Saboteurs approached me offering to help build a broader grassroots campaign drawing from several movements. Not just against wolf hunts in the six states where they are now being hunted, but against contest predator hunts and control efforts by the USDA’s Wildlife Services program.
PE: A lot of people seem to see animal liberation and anti-colonial work as opposed. But to you they seem to be very deeply connected?
The connection for me comes with the concept of seeing an animal, person or mountain as part of something bigger, or whether they are just a resource to be exploited and dominated. That is the foundation for the invasion of planet earth and for me I’ll work with anyone fighting against that destruction. Here in the Great Lakes, the wolf is a sacred animal to the indigenous people. So you ave not only animal welfare and animal rights people opposed to the hunt, but the tribes as well. Combine that with environmentalist and even sportsmen against hunting and trapping wolves and you have the potential for a lot of solidarity which equals strength. The Idle-No-More movement s amazing and supporting indigenous peoples engaged in struggles against colonialism is vital or they are going to be marginalized and silenced. All us parties affected by the same Invader need to build stronger alliances and push back in the legal channels we have left.
PE: I asked David Barbarash, a former ALF spokesperson what he would want to ask you if he was interviewing you. He wondered if you regret any of the actions you participated in over the years?
Ahhh, the regret question. Who doesn’t have regrets? But if the interviewer is evading asking me more directly if I regret my illegal actions on behalf of wildlife, I’d have to say no I don’t. I could be cheeky and say I regret not sinking the third whaling ship with the watchman aboard, or finding more lion snares, but that’s kind of how I feel…I’d never want to hurt anyone, but with so many victories like wolf recovery being reversed, I wonder whether its less about “winning” and more about simply standing for what you believe even when its unpopular to do so. It wasn’t popular to take the actions I did, but I did them not with the intention of winning any popularity contests, but to save some lives…however temporarily that might have been. And I don’t regret that.
PE:David also wondered if you would share your thoughts on whether people’s activism may be motivated by past experiences of trauma or anger, and how that affects their actions?
I think this has to do with what I said about the connection between animal and Indigenous issues. A lot of people relate to animals and nature because they are ground up by the same machines. In that way, I think a lot of people are empathetic to animals and can relate to them because we all have a bond with animals some time in our lives and like children, we believe it is wrong to abuse them. But if your saying that such activism attracts unhealthy or unstable people, well I’ve seen that too.
PE: I have read that you became vegan and started working to defend animals after listening to punk music, in particular the song This Is The ALF by Conflict?
That’s kind of funny because its only partially true. Here’s the real story. I began working to protect animals when I was 12 and listening to Paul McCartney and John Denver. Punk music didn’t come until I went overseas on Sea Shepherd in 1985. I started fighting against whaling and the Canadian harp seal hunt after being exposed to both through dramatic direct action campaigns by Sea Shepherd and Greenpeace. In England, the Sea Shepherd crew included hunt saboteurs who were also vegetarian and vegan. They were the first ones to lead me to question my beliefs about all animals. I had tremendous respect for members of the American Indian Movement who were still fighting colonialism, then I witnessed nonviolent civil disobedience used in anti-nuclear protests, but these people exposed me to the principles behind the Animal Liberation Front, and that’s where “This is the ALF” comes in. After working on Sea Shepherd in port one day, some hunt saboteur volunteers had me over to listen to music. I couldn’t understand a word of what sounded like screaming, but they handed me the album cover which had the lyrics and I wanted to join. That’s when I went vegetarian and convinced I would start an ALF group.
PE:Did you grow up around animals? When did you learn your love for animals from?
I believe everyone has an inherent compassion for animals. It’s just the question of whether it gets repressed by institutionalized thinking that convinces us to see animals another way. I guarantee that if you switched babies between hardcore hunters and vegans, each child would be raised with the corresponding parent’s worldviews, at least while they were children. But if nature is allowed to prosper, compassion for animals will come to anyone. The only thing unique about me s that I chose a path of action that made my compassion more noticeable.
PE: Do you still see punk or other music cultures today as having radical potential to radicalize youth
I’m sure that’s true, but I don’t have my finger on that pulse. I’ve always had my movement musician favorites, Dana Lyons, Alice DiMicele, Jim Page, Joanne Rand, Casey Neil and many others whose music was a kind of soundtrack for my life in the 80’s and 90’s, but I don’t know who is leading that charge anymore. I believe that music is a sacred medium to reach people and I still love listening to any new song with a story sympathetic to animals or nature, because you know that we are not a minority and those kinds of songs are received well.
PE: What is hunt sabotage?
Hunt sabotage has evolved for me over the years. It began with my English friends who sabotaged British hound foxhunts with false scent trails and horn calls, then it evolved to similar tactics in America to interfere with desert bighorn sheep hunts. I’d say hunt sabotage is nonviolently interfering with the recreational killing of wildlife. I was arrested in 2004 for sabotaging a mountain lion hunt and went to prison for 8 months. Now hunt sabotage means something different for me. It means utilizing any channel you have available to stop not just individual hunts, but entire hunting seasons. Its very dangerous confronting armed men in the woods, but we can sabotage hunts by getting involved with the agencies that establish hunting seasons and begin to lobby to have the views of the non-hunting majority represented. These agencies are supposed to be following principles of conservation that recognize that wildlife is a public trust resource and as such the opinions of non-consumptive “users” matters. Presently the states where wolf hunting and
trapping was recently enacted, the state wildlife agencies have cosy relationships with sportsman’s groups. It’s not a unique situation. The hunters through payments for licenses and tags provide the budget for those agencies, so they tend to manage wildlife with the needs of hunters as a priority. So for me, hunt sabotage is any tactics or strategy that aims to stop the recreational killing of wildlife.
PE: What is the reason they are intending to kill the wolves? Can you talk a bit about the campaign?
In Michigan, the justification for the wolf hunt is that wolves are preying on livestock and hunting dogs as well as being seen in the neighborhoods of some rural towns. This is what was said leading up to the hunt and then when it began, we discovered that 90% of livestock depredations in Michigan were at one farm where the farmer practiced horrible farming practices. Cattle that died were left in pastures and when wolves were attracted they were blamed for the deaths and permits issued to kill them. This one farmer also received over $60,000 in compensation for his livestock losses and was recently criminally charged with animal abuse. One of the other justifications was the killing of “pets” which means dogs trained to chase down bears. Bear hunters place bait piles to attract bears, but they also attract wolves too sometimes or are placed in areas where wolves have their dens. These hounds are released to chase bears through wolf territory and occasionally get killed when they do this. But that’s not the wolf’s fault. Then we have the state’s wildlife agency lying to the media about the level of danger wolves were posing to humans in one town and those lies being repeated by a state representative to justify the hunt to the legislature. And on top of this, we have laws in Michigan which already allow hunters or farmers to kill a wolf they witness attacking their animals. In addition, the USDA’s Wildlife Services has been called in to kill over 20 wolves in recent years in Michigan. So that’s what we are fighting. We are opposed to the indiscriminate killing of wolves and we want to see wolves returned to endangered species listing.
PE:It seems a lot of people see wolves as a pest, or a threat to be afraid of. Do you find it is hard to convince people wolves need to be protected?
I don’t think its hard for people to get this issue. We’ve learned it before after we eradicated wolves the first time. Society as a whole has changed, but the agencies responsible for livestock and wildlife refuse to evolve and reflect those changes. And these agencies have little accountability. People understand that predators play a vital role in maintaining the health of prey animals like deer and elk. What I’ve been hearing is people asking, “why are people still killing wolves?” In addition to the role predators play in the ecosystem, I also believe they should be protected because we still don’t know a lot about them. The campaigns of persecution have continued literally since Europeans first arrived, and I think we should demonstrate a little human evolution by no longer waging such a war on wildlife. Wolves returning to the landscape is a success story in endangered species preservation that desperately needs to be defended right now.
PE:Anthropologist Layla Abdel Rahim writes about how the idea of a predator is a problematic construct, because the animals don’t see other animals as prey all of the time – but rather just as other animals most of the time and only as prey when they need to feed. I wonder what you think of this and if you think using scientific categorizations such as apex predator is at all problematic?
Well, let’s see where else do we use that word? To describe sexual predators! So undeniably, there is a negative connotation for some people. But yes, we allow science and taxonomy to frame our relationship to animals when the relationship can be so much more sacred. It’s a agreed upon concept to call some animal relations “predator” but we should also question our personal and spiritual relationship to animals. Not just because I am indigenous, but I also gravitated towards the way native people viewed animals. It was never demeaning, it was always on an equal standing. The animals were (and still are) people too, or people are animals too…Wonderful stories of mysticism and magic that sounded better than Bible stories to me.
I love to be educated and read wildlife agencies reports on wolf management, but at the end of the day I choose to see the wolf as my sacred relation. And as a resident of Maa’iigan’s homeland, I feel an obligation to speak up among the humans when the wolf’s future is at stake. Yes, because they are a apex predator who helps hold the ecosystem in balance, but also because they are the sacred brother/sister to the Anishinaabe who still call this place home, and wolves and coyotes and other predators are just mega-cool…
PE:How can we build bridges between Indigenous resistance and movements for animal liberation?
By first, not being so fucking judgmental of people who eat animals. Long before there was an animal rights movement, there were indigenous peoples defending the earth and her animals with their lives. And they still are! Just because they eat meat doesn’t make them the enemy. Until we learn tolerance we will continue to be disenfranchised. It doesn’t mean WE have to be like them, but there’s such beauty in diverse worldviews that all hold nature and animals on the same level as us. It is the oppositions worst nightmare for us all to be unified against their policies that destroy the same world we all love.
PE:How does being a parent change things now for you?
I heard this story where a young warrior wants to be at the front of the war party, in the thick of any fighting, but when you’re a little older, you let the younger warriors lead the battle, and then when you’re a little older, you’re fine being in the rear guard and when you’re a little older than that, maybe you’re crouching behind a tree or rock watching to see how things are going before jumping into the fray… I think it’s like that for me. I’ve been in enough battles, I’m not an adrenalin junkie doing this for the thrill. I’m a middle-aged man with kids dammit, and I have to take care of them to be a warrior, that’s why indigenous resistance exists, to protect our families and communities. It’s always been about protecting the vulnerable, the young and elderly, it’s the same way in our struggle.
We are trying to protect people and the environment for the good of all, so that we may simply maintain our right to exist. Being a parent has given me a deeper understanding of the need for a long-term sustainable strategy for fighting and living. I also know that those I might come into conflict with are also trying to do the same thing, eke out a living and protect their families. So that means not being so adversarial, and being less willing to fight, and more willing to try and work together first.
Having children has made me a better warrior, because I’ve realized when you’re willing to defend something with your very own life as many father’s are prone to feel, you understand the motivational power as it exists in nature where many creatures are driven by the same strength of love. Because that’s what it’s about for us, about defending what we love. And if we can’t experience that raw passion and love for something close to us, then we’re dead already. I’m not ready to give that up. It’s also why no struggle can be real unless its inclusive of people raising children. People with dominating, destructive worldviews have been breeding like crazy, we need some kids to be raised in the new old ways…
PE:You spent a lot of time in prison, and on probation over the years. Can you talk from your experiences about what is effective prisoner support, both when people are in prison and when they get out? Is there any advice you would give to people who might be looking at doing time?
First, advice to people looking at doing time. Don’t have children. Going to prison doesn’t just effect you, it effects those who love you, so be prepared to put them through incredible trauma and suffering too. Don’t think you can maintain relationships while you are in prison. The best you are doing is sharing your traumatic experience. There is nothing good about going to prison. It should be avoided at all costs.
Once you are in the system, your purpose is no longer the survival of your family and community, its about your own survival. That’s what I experienced and that’s why I’m grateful to be able to be organizing again and am very conscious to not step over that line into anything even remotely illegal. It’s simply not worth it. We have to constantly be doing a cost/benefit analysis of our modes of resistance and weigh whether its a sustainable strategy or not. If our tactics result in our bravest warriors being imprisoned for years, then its time to rethink. It doesn’t mean we condemn our past tactics or strategies, it just means we evolve to our changing environment. Like coyotes or wolves.
PE:There has been a dramatic rise in ALF actions over the last year, bands like Los Crudos and Earth Crisis are touring again, and now Rod Coronado is back on tour encouraging activists to get active; kinda feels like the 90s again. How do you figure the current state of radical movements compares to past decades?
I don’t think it’s a resurgence, it’s the survival of our struggles. Some of us might have gone to prison, but the need for organizing never went away, and thankfully brave people are following a very dark time for the radical environmental and animal rights movements and pushing forward. I don’t think we can compare this to past decades because twenty years ago 9/11 hadn’t happened and we weren’t labeled as terrorists. We have to evolve and recognize that there are strong forces out there that want to treat us like criminals rather than the harbingers of social change. So in that way, I can’t say what the state of radical movements is like because I don’t consider myself radical anymore, nor am I up on their progress. I hear about infighting, the debates on issues that distract us from being a broader more public movement that focuses on solidarity building issues with people we too often call the enemy. I’m just trying to share with the new generations of activists out there what I’ve learned and help them realize the cost-benefit analysis of doing actions that won’t lead you to prison. There’s a time and place for everything, but right now its time in the US to reclaim the public process in regards to wildlife issues and do something completely different. In a way, organizing in these old fashioned traditional ways can be very radical because its a strategy that has been left to very conservative people.
PE:Can you talk a little about your history with wildlife defense and hunt sab?
My first hunt sabotage actions were in England targeting foxhunts and badger baiting back in 1985. In 1987 we started a hunt saboteurs group in California to interfere with trophy desert bighorn hunts. A lot of my ALF actions were on behalf of predators, the most prominent being our actions against the fur farm industry and our Don Quixote-esque raid on the USDA’s Predator Research Facility in 1992. We destroyed the laboratory, but they just rebuilt it bigger, but at least a few coyotes got away that night.
I returned to opposing trophy hunting in 2002, going into the Kofa National Wildlife Refuge in Arizona to interfere with desert bighorn sheep hunts. We spent winter weekends searching out a handful of trophy hunters across a huge desert mountain landscape. The bighorn sheep hunt sabs were the perfect balance of effectiveness and experiential bliss, because the desert is beautiful in winter time.16 mile hikes looking for hunters, seeing the sheep themselves, and other wildlife, you are literally seeing what your fighting for. We also began going to wildlife agency meetings, giving testimony on hunts we were opposed to and documenting illegal hunting in the field.
It culminated in 2004, with the very public hunt interference against attempts to remove mountain lions from the Sabino Canyon National Recreational in the Coronado National Forest outside of Tucson, Arizona where I lived. Public opposition to the hunt was overwhelming, and the whole city knew the only thing standing in the way of the state and federal lion hunters was us Earth First!ers. We spread false scent trails with mountain lion urine, and I was chased down with a helicopter after we sprung a lion snare. I was sentenced to 8 months in federal prison for that one.
The most effective campaign we did was against the hunting of sandhill cranes which winter in southern Arizona. We would lay in cornfields between hunters in blinds and incoming cranes who upon seeing us waving our arms or reflective mylar would veer away from the hunter’s. The best part about it is that never once did we get caught. When we did interact with hunters, it was as fellow hunters as I always have the appropriate tags and licenses. We also documented the hunt, including cranes attempting to aid their wounded relations. We also solicited public comment on the hunt at birding events and repeatedly testified against the hunt on ecological grounds that it wasn’t sustainable or necessary. Once again, it was amazing just to be in the fields watching thousands of cranes flying overhead.
I had wanted to continue the campaigns against trophy hunts in Arizona, but then I was overtaken with my legal defense on not just the lion hunt front, but for a lecture I gave defending arson the same day an ELF fire caused a $60 million fire in San Diego. So that’s why now I’m jumping on board to help wolves now, because I think the same strategy can work, to participate in the process of changing policy by attending public meetings and calling on these agencies to reform to reflect the interests of citizens who appreciate wildlife as a working component of the environment, not only as some kind of resource.
Mike XvX has just released a new album. A World For All Species is Mike’s 6th studio album, 8 tracks – but not an 8 track – this is a digital album available for download off Mike’s website or bandcamp. This format mean you can listen to the album online for free or choose to download the album or individual songs as you like.
One of my favorite aspects of Mike’s music is that it doesn’t sound or feel like any other ‘folk punk’ I have heard, either musically or lyrically. I am extremely picky when it comes to folk punk, as after years of setting up shows as a DIY promoter, I have developed a strong distaste for generic and formulaic music, which I find a lot of folk punk has become in the last few years.
Musically Mike XvX hovers a bit more on the folk/acoustic side of the genre avoiding many of the cliches that have become all to common with folk punk now that every train hopper has a banjo or accordion. You won’t find a lot of blue grass influence or scratchy, twangy, or whiny vocals, nor will you find generic ballads about drinking under bridges, shoplifting, and hopping trains. Instead Mike writes in a way that retains the punk concepts lyrically with songs like his campfire cover of Cop Killer; while tieing in to the older American folk traditions of collecting and telling stories in the vein of Woody Guthrie, Buffy Sainte Marie, or Utah Philips. Mike XvX uses his guitar as a device to tell the stories of those he has collected over the years; however unlike his labor organizing folk-fathers, most of Mike’s stories are largely about the animals he has known over the years who have impacted his life, animals who are survivors of torture and exploitation at the hands of human animals.This way of writing about animal liberation and animal exploitation feels far more heartfelt and personal than the more usual punk songs on the subject which tend to be filled with statistics, graphic depictions and people yelling at you to Go Vegan.
Not all the songs on this album are only about animal liberation; there are songs like the Flood, and without a doubt my favorite track off this album is The Forest Near Your Old House which is about logging and environmental destruction and sounds largely like a much needed call to action
“I hear the chainsaws ripping through the ancient trees – I see good people doing nothing… …Simply asking them to stop is fucking useless – will they sit there and do nothing?”
Today, February 22,2014, live on http://www.brutalexistenceradio.net, it’s Worst Case Scenario’s 4 year anniversary. For this show, it’s the best female fronted crust/grind/dbeat/anarcho bands. It all begins at 1pmET/1900CET. It replays Sunday on BER beginning at 7pmET/4pmPT. The set list will be up after the show and set lists for older shows are available at http://werstcasescenario.tumblr.com
My head bounced – one -two- three times off the pavement, as the ringing in my ears silenced all other sound. I laid there motionless, unable to move as I watched the world in slow motion through open eyes; for what seemed like hours. I honestly have no clue how long I laid there.
I often think I was both quick thinking and lucky to have managed to at last second moved my hand quickly under my head before his boot came down full force. But in reality it was him who was lucky. While I ended up with a severe concussion and probably some small degree of brain damage which took years to heal, he ended up with all my money on a nice sunny day – instead of a prison sentence for murder.
I don’t often tell this story; in part cause it leads to some uncomfortable questions. But primarily I don’t tell it cause it tends to make people uncomfortable to know it happened. Even worse, to know it happened to someone they actually know. Especially people who come from a background of comfort and privilege, who never had to deal with real violence other than on TV.
Most days I love my life, I look forward to my next day, my next week. But it wasn’t always this way – and there are some days where I think about these brutal experiences from my past which most people don’t know ever happened. The part of me very few people know about, or even want to. In some ways it helps me to keep a positive outlook and to love life, to know it as a gift. In other ways it alienates me from others who don’t share any understanding of violence and this type or level of trauma. This incident I describe was far from the only time I experienced extreme violence, but it stands out in my head.
As I lay in bed, my head resting gently against a soft pillow; I can not sleep. Thoughts of concrete keep me awake. I am not sure why, but I felt like I needed to write this, to share it, before I could rest tonight. Lately my memories of these experiences have been on my mind, hovering in that skull that only never cracked because of a last second reaction to protect it and put my hand under before the boot came down. I don’t know why this is on my mind or what I will get from sharing it with you – but maybe now that the words are typed I may finally sleep.
I was asked to contribute to PE what seems like forever ago and I made a few posts promoting my show, but that’s about as far as it went. Sometimes life and lack of motivation get in the way. I don’t do resolutions, just act, so this year I,with circumstances permitting, be contributing more here.
I ended the year by getting stuff off my mind that bothered me. Seems some people were offended. Do I regret what I said, no? People used to complain how PC the 90s were. At least people got called out and those people people had to answer the claims. Jump to the 21st century. You call someone out for being inept,a thief,a nuisance and basically a detriment to community/society and those who do the calling out are labeled a bully. And people defend those who are the ones committing the offense, and they don’t even have a clue how wrong the person is and that the facts support themselves. This was just in my personal life recently. But, the scope is universal. Phil Robertson from Duck Dynasty spouts bigotry and homophobic statements and people defend him. The media does it on an almost daily basis. We’ve become a society of victims,but that blog is for another time. In this day and age, information is flying by in milliseconds and you pick and choose what you see, and so much of it isn’t based on fact. And that’s what scary about the people who are quick to defend. People see a post on a social network site and automatically accept it as fact. There are also the parody sites like the Onion,the Daily Currant and others that people see the headline, or even if they read the story, don’t realize it’s a parody, then spreading it as fact. It’s sad and scary that this is how information is getting passed around. Not only that, someone finds a story that is a few years old, posts it and people, once again don’t even pay attention to anything more than the headline and it’s accepted as current and factual even if it’s been refuted. I can ramble on and on and give examples of how globally these things spread, or go ‘viral’ as they like to say these days, but I won’t. Just testing the waters and getting back into writing and posting regularly. There’s enough misinformation being spread these days and some of it intentionally, that our brains sometimes can’t fathom the amount of information and we get lazy and just post away thinking we’re enlightening the world, when in fact we’re just adding to the sheer amount of garbage we see/hear every day. So, I ask of you readers of this blog/zine, to actually read the entire whatever it is, whether it’s a blog,news article, quote,etc, to find out all the information before you run it up the flagpole.-Stussey
A call out for a collaborate zine that will explore experiences of shy sober people within radical/anarchist/queer/punk/traveler…scenes and the ways in which we navigate them.
If you are a shy sober person, I would love to publish your stories, essays, comics, art, poetry, etc. in this zine.
E-mail email@example.com with submissions of questions or send them to Quinn c/o Left Bank Books 92 Pike St. Seattle, WA 98101 by March 31, 2014
If you feel called to this zine but are not a part of any of the scenes mentioned above, or feel excluded from those scenes you might otherwise be a part of because of your sobriety or another aspect of yourself, feel free to submit anyway.
INDOCTRINATE hail from Austria and are a political (anti-fascist, anti-sexist, anti-authoritarian and animal friendly) DIY crust punk band who play a catchy, abrasive and diversified blend of hardcore punk and d-beat/crust. Their music also incorporates elements from grindcore, post-hardcore, doom/sludge and other sub-genres of metal. They recently released a new 7” called “… and all hail to progress and efficiency” on Profane Existence. It is their first release for PE and the band as well as the label are quite excited about this collaborative effort. The record was co-released with several other fine DIY punk labels from around the globe. – Interviewed by Lisa H. CLICK HERE TO GET A COPY
PE: So you’ve just finished recording your newest release, a 7” going by the name of “… and alll hail to progress and efficiency”. Are you satisfied how it turned out?
Indoctrinate: Yes we are. We think the songs are cool and we like how the recordings turned out. It took us quite some time to get them done and to find labels which would contribute to the release. In the end we’re really happy to have all these great DIY labels from around the world behind us and supporting us. Also, we like the overall design of the record and how it goes together with the content.
PE: Your lyrics are mostly concerned with socio-political issues. Why do you think it’s important to keep writing about such topics? Could you imagine ever writing a feel-good party song or a love song? Do you think that music can actually bring about change?
Indoctrinate: We think it is important to write about these things because they concern all of us. Fucked up things happen all the time, everywhere, all around us and it’s not that we have a choice but in one way or another we have to face them. So we think it’s very important to draw attention to certain political/environmental/social issues because in order to be able to change things we have to understand them/know about them first. There are so many issues one could write about and sometimes it’s quite hard to pick just one of them. So yeah we think that music can actually bring about change in the sense that it can create awareness, unite people and inspire (direct) action. Hmm…a love song…what a great idea… No, seriously, I think there are so many more important current issues to address and there are just way too many ridiculous feel-good party or love songs out there so we will spare you from another one of those. Haha!
PE: So is this one of the reasons why you choose to make music? What other influences are there?
Indoctrinate: Yeah this is definitely one of the reasons why we do what we do. Concerning other influences I would say the world around us, especially when it comes to writing lyrics, is a big influence since we try to talk about things that are happening and that need our attention (e.g. animal/human rights, war, neo-liberalism, the prison system, environmentalism, and so on). Music-wise there are a lot of bands and musicians that are an inspiration for us but to name all of them would be pretty useless. We just wanna play heavy music that besides being brutal (wow!) has got a certain groove and feel to it.
PE: What do you think about the political and environmental situation of the world in general? Do you think that the recent riots in Egypt, France, Ukraine or Hamburg (Germany) could open the door to major changes in global politics?
Indoctrinate: In general I think that the current situation of the world does not look very promising. Although all the recent riots, protests and uprisings show us that people are in fact trying to bring about change in the world. And one can only hope that all these events in the long run somehow do bring about (for the lack of a better word let’s say revolutionary) change and an end to poverty and oppression on a worldwide scale. The least these events do teach us is that we as human beings are capable of autonomy and self-governance (when you think about Occupy and similar movements for instance).
PE: Lets talk about your music again: Who does the songwriting in your band? How do your ideas for lyrics and tunes evolve into actual songs? Could you describe the process for us?
Indoctrinate: We arrange the songs together but usually our guitar player/singer has already a certain pre-existing structure in mind which he tries to communicate to the others sometimes more sometimes less effectively.
PE: How would you describe the underground scene in Austria? Do you get the chance to perform a lot? Are there any remarkable differences if you compare your home country to other places that you have played in?
Indoctrinate: Well, I guess the biggest scene’s in Vienna although it’s actually not that big compared to other (for instance European) cities. And there are a few venues (like EKH, Venster99, Arena or Pankahyttn) and DIY promoters who set up shows in the city and surrounding areas. So it’s quite a good scene. Other cities like Graz, Linz and Innsbruck also do have a vibrant punk scene. As far as politics are concerned there are for example local groups of Food not Bombs and the Anarchist Black Cross. Yeah, you do get the chance to play live, especially in Vienna where you got a lot of shows. Hmm differences? There are some minor differences, of course, but I wouldn’t say other places are so much different when it comes to shows.
PE: Do you worry about the future? Do you think there’ll be a time when you will be “too old” for punk-rock, when you’ ll be happy to marry and settle down with your wife, your three kids, the dog and a big-ass plasma TV?
Indoctrinate: Yep, we do worry about the future. A lot. But there’s still hope I guess. Oh yeah, that reminds me, I gotta go and watch some MTV on my big-ass plasma TV!
PE: Well, thanks so much for taking the time to answer these questions. Hopefully the readers will have a chance to see you performing live sometime soon! Do you want to make any last comments or give a shout-out to anyone?
The Anishinaabe of what is now called Michigan state in the colonial tongue are opposed to the killing of any wolves on their territories, and wish to make their territories a wolf sanctuary.
This was the message that Rod Coronado (Pascuae Yaqui Nation) just toured speaking about. He is working with others to form a grassrroots campaign to stop the killing of wolves, and has begun working with the Anishinaabe to assist them in their efforts to protect the wolves within their territories.
From what Rod said, The Anishinaabe come from a deep spiritual connection to the wolf, and the wolf is sacred to them. Rod is hoping to help them raise funds to put up signs designed by the youth of the Anishinaabe community; declaring their territories a sanctuary and forbidding hunting. As well as hoping to help in many other legal ways. He, and the NW Hunt Saboteurs are doing talks and workshops around the country to protect wolves everywhere, and to build diverse strategies to save the wolves from both sport hunting, and from being “destroyed” by government departments which are funded primarily by hunters and ranchers.
I just followed 3 days of the Rod Coronado/Hunt Sab tour, and it was an amazing experience. I hope I can find ways to assist in their work, as well as ways to bring back what I learned from them to help in campaign in my own community.
The first time I met Rod, his brother was with him, and his brother asked me “so what do you hope to get out of these talks.” I had no answer – but I am glad he asked as I think it made me more conscious and receptive, and has helped me to remember this is not about what I can get, but what I can do with that to give back.
Watch for the upcoming exclusive interview with Rod on Profane Existence
Upcoming Tour Dates:
Tuesday February 25th Buffalo NY TBA Wednesday February 26th Buffalo NY TBA Thursday February 27th Boston MA TBA Friday February 28th Brooklyn NY TBA Saturday March 1st Philadelphia PA, at Wooden Shoe Book store. 704 S. st 7:pm Sunday March 2nd Philadelphia PA, TBA Monday March 3rd Saratoga Springs NY, TBA Saturday March 22nd Animal Liberation Forum (Long Beach CA) Sunday March 23rd Animal Advocacy Museum in Pasadena CA. Tuesday March 27th Humbolt State University