WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
WILT will be on in Europe this July / August will ELECTROZOMBIES From Chile
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
For this in the Seattle or surrounding area you can catch WILT this Saturday April first at Highline Bar with NOOTHGRUSH from Oakland.
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
All original artwork (label logos updated) with three different vinyl color options.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
“The Battlefield Is Still Red” Bloodsplatter Edition.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
“What Good Is Money, When There Is No One Left To Buy” T-shirt.
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
See through “Smoke” vinyl. Available at SKULLFEST/ PROFANE EXISTENCE 27th anniverseray party / record release show.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
PROFANE EXISTENCE RECORDS PO BOX 647 HUNTINGTON WV 25711 UNITED STATES
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
“I like my town with a little drop of poison / nobody knows they’re lining up to go insane” – Tom Waits
I’ve decided my route. Well, at least part of it. To be honest only the first day’s ride, but that’s something at least. I was originally thinking of biking out of Portland and heading Northwest up to Astoria, OR and then doing the entirety of the Oregon Coast from one end to the other. Through much deliberation though (and advice from concerned housemates) I decided to scratch that plan and instead bike directly from Portland to Tillamook, which is a straight shot on Highway 6. It cuts 3 days off my timeline and it’s still about 20 miles further to bike to Tillamook and then down to Crescent City, CA rather than if I had got a car ride to Astoria and started there. A bit heartbroken as I love Astoria, but it’s only fair considering finances, time, and of course the health of my knees. Also, I’ve seen that section of Oregon so many times and there are parts of the coast further South that are totally new to me. Goonies never say die, though. I’ll be back to you soon Astoria!
New basket and bungee net!
I have also made a fair amount of progress on my bike thanks to my buddy Starmichael at Kenton Cycle Repair in North Portland. I got an email from him inviting me down to work on my bike in his shop, so I rode down there on my wobbly tired Schwinn and got to it. We listened to a mix of old Johnny Cash related bands (The Highwaymen and his other duets and collaborations), Roger Miller and some others. During which I told him about my idea to play a set at a family-friendly market in town that I was invited to and only play traditional folk songs from the darker, more depressing end of the spectrum. For example: “Waiting Around to Die” and “Don’t Let the Sunshine Fool Ya” by Townes Van Zandt, “Big River” and “I Guess Things Happen That Way” by Johnny Cash, “Clay Pigeons” by Blaze Foley and of course a handful of Tom Waits songs. He recommended I cover “One Dyin and a Buryin” by Roger Miller, which is Miller’s acoustic, pro-suicide ballad sung in a traditional manner. The market attracts a large number of people each month, mostly families, and we’re here in his shop laughing and thinking about me getting up on stage on a bright and sunny day and just depressing the shit out of everyone.
My other idea I floated to fill the 2 hour set was to get up on stage without my guitar, grab the microphone and belt out “WHEN A MAAAAN LOOOOVES A WOOOOOMAN” until someone unplugs me or drags me off stage. I guess that’s what you’d call career goals maybe? Certainly ambitious to say the least.
A beautiful sight.
I worked on my bike all day while he welded a frame in the back, and in the end I installed a heavy duty front basket, new pedals and straps, a rack over my back wheel, changed out and replaced all the little bits of hardware that were mismatched or rusted, and tried to true my wheels but ended up watching Starmichael do it for me instead. I replaced the back wheel also as the spokes were frozen in place and I wanted to get another 700 wheel to match the front one anyway. There are few things in this world as satisfying as working on a bicycle, especially when you have the appropriate tools and parts. Starmichael gave me an insanely good deal on all of that stuff, and some of it even free as it was used and not in good enough condition to sell but not poor enough to throw away. Fuck yeah punks! So yeah, if you’re ever in Portland and need your bike repaired go check out Kenton Cycle Repair, and be sure to drop the secret phrase: “I’m punk as fuck” and they’ll work their magic.
Starmichael working his aforementioned magic.
After I got home I took a walk to the library and printed out a few “Bike the Oregon Coast!” brochures that the state of Oregon put out. The pamphlets were huge, and printing stuff at the library can go from extremely cheap to extremely expensive very quickly, so I ended up only printing about 15 pages or so of what I thought I’d actually need. Whether this proves to be a fatal mistake is yet to be seen. These do seem super helpful though, as they list not only the cheap state campsites that have showers and hiker/biker sites but also the towns that have bike repair shops. There’s also a fair amount about some awesome natural spots to check out, my main interest lying in a place called “Thor’s Well” just south of Yachats, OR. From what I could ascertain it’s an oval shaped hole in a rock that has water flow up and out of it during high tide, which is represented well in some really awesome photographs I found online. It wasn’t marked clearly on my map so I wrote it in with pen, as well as a few other things I found on my internet search.
Food party.
Just a few days left now to get ready, and I’m still not even close to being done! I can tell it’s going to be down to the wire here. On top of getting ready for this I’m also playing a show on Saturday night at a vintage clothing shop with a band I play guitar in, Intentional Overtones, so I’m concerned I might wake up on Sunday not feeling physically ready to make that initial ride out to the coast. I decided if worse comes to worst and I just feel totally wrecked from the show that I can leave Monday morning, but ideally I want to stick to my original plan. We’ll see what happens, for now it’s time to rest!
Comments
Trackbacks & Pingbacks
No incoming links found yet.