WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
We’re going to print with PE #64 this week and are offering a special edition T-shirt featuring Sean Fitzgerald’s cover artwork (with the usual “Making Punk a Threat Again” on the back). We’re also going to throw in a copy of the finished magazine too. PE #64 has 32 big tabloid sized pages crammed with selected reprints from PE’s blog from 2012 and 2013. Includes interviews / features on:
Jack Conroy (Of the SHAC 7)
The expected ship date is on or after June 10th. Overseas customer expect to pay a LOT in postage. PE is just too damned heavy!
More than a year ago we shelved the printed version of Profane Existence Magazine, mainly because it we couldn’t afford the continual financial drain. We’re please to announce that we’re going to bring the printed version of PE magazine back in a limited form. The idea is to put together an annual roundup of the best material from the web zine (interviews, reviews, articles, etc.), plus highlight upcoming summertime festivals and events.
The first of these annual issues will be published during the first week of June with distribution happening via touring bands. It will be available for a small donation or free with merch purchase (show them some gas money love)! 3000 printed copies will be distributed in the USA. A free PDF version will also be available world-wide from this web site. Get your copy at any of the upcoming IN DEFENCE tour dates and others.
HAVE SOMETHING TO ADD?
We’re looking for the following contributions at this time:
1. Information about upcoming festivals and events. This was always a big feature in our summer issues and we’re going to continue it again.
2. Ads. To help pay for printing we’re going to sell a limited amount of ad space. Rates are as follows:
1/3 page = $100
10″ wide by 5″ tall (3000 x 1500 px)
5″ wide by 10″ tall (1500 x 3000 px)
2.5″ wide by 15″ tall (750 px x 4500 px)
1/4 page = $75
5″ wide by 7.5″ tall (1500 x 2250 px)
7.5″ tall by 5″ tall (2250 x 1500 px)
1/6 page = $50
2.5″ wide by 10″ tall (750 by 3000 px)
10″ wide by 2.5″ tall (3000 by 750 px)
5″ wide by 5″ tall (1500 x 1500 px)
1/8 page = $37.50
3.75″ wide by 5″ tall (1250 x 1500 px)
5″ wide by 3.75″ tall (1500 x 1250 px)
1/12 page = $25
2.5″ wide by 5″ tall (750 x 1500 px)
5″ wide by 2.5″ tall (1500 x 750 px)
We’re also open to bartering ad space and will run ads for benefit project free of charge. Get in touch for details.
3. We NOT looking for columns, reviews, or other articles at this time because we already have tons of great material. We’re always interested in help on the web site and your contributions to that may end up in next year’s edition of the print zine.
If you would like to get in touch with use about your festival or event, advertise, or bring copies of PE on tour, get in touch through the contact form below.
WARTORN double sided T-shirt featuring art by HUSH
WARTORN Aftermath… 2004-2010 LP (colored vinyl)
WARTORN Domestic Terrorist 7″ (latest EP – colored vinyl)
All of the above will only set you back $23 including postage in the USA. Both records are limited edition vinyl releases and will not be around long. Take advantage of this special deal while it lasts!
Those who have followed Profane Existence over the years are more than familiar with GARMONBOZIA. Their singer, Mariko, was very vocal about issues of racism, sexism, homophobia and awareness of mental illness. She is back with a new band, RIFLE DIET. Recommended for fans of Garmonbozia, Disfear, Oroku, & Wolfbrigade. They are every bit as heavy and brutal and still full of spite for the systems of oppression that plague our scene. We are proud to announce that they will be joining the Profane family and their new 7″ Abuse Begets Abuse is #4 in the Limited Edition Singles Series, out April 1, 2013. We also have a handful of the PE Distro Special Offer #12, which contains the first RIFLE DIET Thrash Compactor 7″. Click image to see all ordering options for new RIFLE DIET 7″.
Singles Series Subscribers:
All subscriptions are now in the mail* and your copy should be arriving shortly. There is currently 1 of the deluxe subscriptions left (glow in the dark vinyl and patch with each record). If you miss the deluxe subscriptions, there are a handful of regular subscriptions now available. These are for random color vinyl and do not include patches. *NOTE: a small handful of overseas subscribers will be receiving your copy along with #5 and #6 in the series – thanks to massive postage increases on overseas packages.
Profane Existence is proud to announce a brand new POLICE BASTARD T-shirt design has now been added to our catalog. These are screened on heavy-weight 100% cotton T-shirts printed in our very own sweat shop (haha!) with the classic PE “Making Punk a Threat Again” logo on back. Just $10 post-paid in the USA.
We have recently printed up a bunch more of the various classic PE designs – many of which had been sold out in crucial sizes for a while. We only put t-shirts up on our site that are available for immediate shipment, so if you order now, your shirt will be shipped right away. All of our shirt designs can be found HERE.
We’re making the old print issues of Profane Existence Magazine available as downloadable PDF files, and will begin working our way backwards through time. Here is the last edition of the printed PE magazines from Fall 2011…
Click image to download.
Boneshaker Books interview
BURNT CROSS interview
Peace Ridge Sanctuary interview
Moshpit Tragedy Records interview
Featured artist Daniel Shaw
Mosh Against Monsanto
New band profiles
Columns from Anti-Christy, Bitty, Stinkbot, Damien Inbred, Diamond Doug, Josh Mosh, Mandapocalypse, Leffer, Ben Axiom and Newt
For the last year we have been pressured by outside forces to keep the “retail” prices high for Profane Existence releases. We’ve never been able to get used to seeing our records priced at nearly double of what we traditionally sold them for. Profane Existence has always vehemently independent and our recent experiment with an exclusive distributor has pushed us outside of our comfort zone. Effective immediately, we are lowering our mail order prices across the board, back to where they were in 2011 (in fact less than 2011 in most cases). In the USA, most 7″s will now cost $5, CDs will be $6.66 and LPs will be $7.98 – all prices including postage. We do still have some older Profane Existence magazines left and they are also appropriately DIY priced.
We do still plan to keep the limited edition singles series going, but due to the economy of scale (or lack thereof), these records will still be significantly higher than mass-produced PE EPs. We will release a low-priced CD version, containing six complete EPs each, shortly after the release of 6th, 12, 18th, etc. PE also has quite a line-up good new releases planed for 2013, plus some some classic PE releases coming back with low-priced vinyl and CD versions.
We apologize for the lack of DIY spirit PE has displayed for the last year or so. We’ve all been busy with other aspects of our lives and regret that we let things slip out of whack for so long. Rest assured we are taking corrective steps to get PE back on track and to help keep DIY punk a force to be reckoned with!
1. Your assessment of the Occupy movement was very positive. What is the overall perception you have of this movement today? What is left of Occupy?
There is not much left of the Occupy movement as such — almost all the encampments were destroyed in November or December 2011 and virtually no new ones have emerged. On the other hand, the movement was in no way “defeated.” With few exceptions, the people arrested were quickly released and totally exonerated. The elimination of the encampments simply had the effect of forcing the participants onto other, more diverse terrains of struggle. Countless people all over the country continue to meet regularly, to network with each other and to carry out all sorts of actions — picketing banks, disrupting corporate board meetings, blocking home foreclosures, protesting environmental policies (Monsanto, Tar Sands Pipeline, fracking, etc.), in addition to more specifically “occupy” type actions such as attempting to take over and reopen schools and libraries that have been closed and abandoned, or “Homes Not Jails” attempted takeovers of vacant housing to provide dwellings for homeless people. One of the most interesting and well planned of these latter types of actions, “Occupy the Farm,” took place just a few blocks from my home last April, when ecological activists took over a large plot of vacant urban land and turned it into a community garden, planting more than ten thousand seedlings in the space of a few days. The gardener-occupiers were driven out after three weeks, but the agitation continues and has resulted in a temporary victory against a planned commercial development. [November note: Since the completion of this interview the immense disaster relief work of Occupy Sandy is yet another very important and exemplary development.]
The Occupy movement already had the implicit goal of “reclaiming the commons” — occupying public squares or parks played on this theme, since regardless of quibbles about permits it was obvious that such spaces belong to the public and are, or at least originally were, intended for public use. But these more recent actions have the merit of challenging the fetish of private property in a more direct manner. That fetish has always been extremely strong in the United States, and the police responses to its transgression have always been more immediate and brutal. But I like to hope that these types of actions will eventually weaken the fetish, just as happened in the days of the Civil Rights movement. Back in the 1950s and 1960s, when black people first started restaurant sit-ins, one often heard this argument: “That restaurant belongs to the owner, he has the right to do whatever he wants with it, including deciding who he wants to serve.” But as more and more people kept peacefully sitting in and calmly accepting arrest, the general public was gradually brought around to the idea that there was a “higher law” than property rights — that other rights also had to be respected, such as the right to be treated fairly as a human being. I think this may eventually happen with these post-Occupy invasions of various types of property, as people see the absurdity of there being millions of vacant buildings while there are millions of people living in the streets. Even now many people sympathize with the idea of defending a family against foreclosure, despite the fact that a bank technically owns the home, because there is increasing awareness that the banks have often acted illegally. The notion of reopening abandoned schools, etc., is even more exemplary in that it hints at the notion of a society based on cooperation and generosity rather than on how much money can be made from something.
The two drawbacks of these types of action are that they are risky and that they thus tend to be the work of a small minority (mostly young and mostly male). Occupying public spaces is much more likely to attract the sympathy, the support, and ultimately the participation of multitudes of ordinary people (including parents, children, elderly, disabled). But for those who want to push the limits and don’t mind the risks, taking over vacant buildings and opening them up to public uses is much more challenging and inspiring than breaking windows.