The long awaited debut LP from NYC’s FLOWER “Hardly A Dream” is finally set to arrive.
FLOWER’s tedious approach to writing/creating/drawing their debut LP was carefully thought out and the result is a monumental anarcho punk /crust record.
“Hardly A Dream” Takes us on a bleak journey through the dark side of society. As soon as you drop the needle a dark atmosphere is immediately created with a slow intro featuring arpeggio guitar work that builds into pummeling d-beat crust. The albums vocals then leave you with a feeling of being crushed by the ever-present weight of living through our modern world of late stage capitalism that was built on the falsehoods of the so called American dream, religious hypocrisy’s, nationalism, and the greed of humankind.
FLOWER take many cues from predecessors and are most often (and rightfully so) compared to NAUSEA but they also take a heavy influence from ANTISECT, SACRILEGE & other greats. The artwork has a very RUDIMENTARY PENI feel and the record comes with an amazing 24.5 X 34.75 CRASS style poster jacket. All art work was meticulously hand drawn and overseen by the guitarist Willow in true DIY style and spirit. Willow was also cool enough to draw up a special shirt for the record release featuring an alternative PROFANE EXISTENCE backprint!
Dark, heavy, galloping crust from the streets of London. AGNOSY is back to present us with a ferocious beast of an album that can only be forged by the anger and frustration of living in today’s world. “When Daylight Reveals The Torture” aggressively attacks evils such the current rise of fascism and animal abuse. It intelligently and passionately touches on the Afrin invasion and the revolution in Rojava and shows nothing but utter disgust toward the arrogance of humankind’s lust for greed and power that will inevitably lead us down paths of war and environmental devastation.
AGNOSY – Live at SCUMFEST in London. 2011
While lyrically AGNOSY are much more politicly straight forward this time around than on previous releases, musically they have expanded on their sound to create a dark and moody atmosphere while at the same time staying crust as fuck. To say they know what they are doing would be an understatement from this band of vets whose members have played in HIATUS, HEALTH HAZARD, and BEGINNING OF THE END.
Long galloping intros are followed up by traditional d-beat, fierce solo’s are then meet with vicious vocals and pulverizing bass in a brilliant recording captured by Lewis Johns at The Ranch Production House and was mastered by Brad Boatright at Portland’s legendary Audiosiege. We then pressed on deluxe heavyweight 150-gram vinyl, printed on reverse board jackets, and included an 11in x 22in gatefold insert to bring you a high quality and truly epic record.
PROFANE EXISTENCE – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
The legendary crust classic is now available once again!
Authorized and released in cooperation with MISERY, S.D.S., & MCR Japan & Remastered by Jack Butcher at Enormous Door Studio we are beyond proud to make one one the most rare and sought after crust records available once again.
Fuck the scavengers charging punks exuberant amounts of cash on ebay and discogs. We worked meticulously with both bands and with Jack at Enormous door to bring you an updated version that kicks major audio ass while maintaining the original authenticity.
Released on deluxe 150 gram vinyl. With an 11×11 inner sleeve. Black Paper Jacket. Reverse Board Jacket.
Earlier this year we re-issued this legendary LP and sold over 950 copies in just 4 short months. For this second pressing we pressed 490 copies on Krystal Clear & 485 on Grey Vinyl with Black Mist.
Crystal Clear (Bullet belt no included) Grey With Black Mist (Bullet belt no included) PROFANE EXISTENCE – PO BOX 647 – HUNTINGTON WV – 25711 UNITED STATES
Stench crust the way it was meant to be played!
The UK crust scene of the 1980’s inspired band after band but no other band has ever reincarnated the sound of that time as well as SWORDWIELDER. Quite simply if you like crust, then this the album you have waited decades for.
Review by Craig Hayes from “Your Last Rites”… Swordwielder – System Overlord Heavyweight punk fanatics take note: System Overlord is a fucking triumph. The long-awaited sophomore album from Gothenburg stenchcore band Swordwielder is a brooding behemoth, constructed from the filthiest and heftiest strains of punk and metal. System Overlord shimmers with apocalyptic visions, and it’s overflowing with all the grim atmospherics and intimidating intensity that defines consummate crushing crust.
Too much hype? No way… And no apologies, either. Swordwielder deal in definitive stenchcore on System Overlord, and much like their full-length debut, 2013’s Grim Visions of Battle, the band’s latest release is a knockout. Swordwielder’s harsh, gruff and dark sound owes a significant debt to old school icons like Amebix, Axegrinder, Deviated Instinct, and Antisect, and they mix and mangle their influences and leave ’em to rot on the battlefield.
Plenty of hammering rage drives System Overlord tracks like “Violent Revolution,” “Savage Execution” and “Cyborgs,” and thundering epics like “Corrupt Future” and “Northern Lights” exhibit subtler strengths, mixing guttural growls and clean vocals with crashing percussion and dirge-laden riffs. Connoisseurs of corpse-dragging crust will love the brute-force belligerence of “Absolute Fear,” “Nuclear Winter,” and “Second Attack,” which rain down like merciless mortar barrages. As a rule, all of System Overlord‘s mammoth tracks chug and churn with grinding muscle, while reeking of squalor and decay.
Swordwielder exudes tightly coiled aggression from start to finish here—songs rise from the ashes of desolation, and resounding calls for action and resistance ring loud. If you’re a fan of heavy-hitters like Fatum, War//Plague, Carnage, Zygome, Cancer Spreading or (insert your favorite hefty crust crew here), System Overlord‘s trampling tempo and strapping sound are bound to appeal.
WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
WILT will be on in Europe this July / August will ELECTROZOMBIES From Chile
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
For this in the Seattle or surrounding area you can catch WILT this Saturday April first at Highline Bar with NOOTHGRUSH from Oakland.
A track from the bands forthcoming LP “Carrion”. Released by Organize and Arise, Profane Existence, Doomed Society, Harvest King and Mankind Disaster Records.
As soon as the needle drops, this 7″ is so fucking heavy! Starting with the song Crowd Control, short, to the point lyrics about the absurdity of organized religion, is engulfed by thick guitar tone. The tempo is at perfect head nod pace with bursts of blast beats peppered in to keep the listener on their toes. Short, but definitely not so sweet. Then gliding into Cursed Veins, which gets a little longer. Just enough time to really get lost in the haunting melodies that sound like they might have been influenced by TRAGEDY, MAYHEM and early EMPEROR. In fact, all six tracks are delightfully dark, brooding, blackened crust with lyrics that are equally as dark. And to be completely honest, some are even a bit disturbing. For example, Etruscan War is nothing less than a violent and hateful rant, threatening to burn a city to the ground, killing everyone and everything an pissing on their crown. Then there’s Drowning in Circles, which lyrically comes across like a suicide note moaned over the soundtrack of sorrow and despair. It’s been a few years since I’ve heard one of Chris’s bands and this is everything I had hoped it would be. The only bad thing I can say is that I wish this was a full length, because I want more. If you aren’t able to get your hands on a physical copy of this totally DIY slab o’ wax, you can get a digital version on Spotify, Tidal, Bandcamp and iTunes. Well, done folks! (jake)
Continuing our series of (sadly non-downloadable) digital versions of ancient Profane issues, here we are with issue #2, going all the way back to early 1990. To make some of you older punx feel even older, I was still 4 years old when this beast came out.
The March of the Corporations. Some things never change.
Continuing our series of (sadly non-downloadable) digital versions of ancient Profane issues, here we are with issue #2, going all the way back to early 1990. To make some of you older punx feel even older, I was still 4 years old when this beast came out.
Aside from the usual letters/columns/reviews, you’ll enjoy an extensive radical news section (including pieces on squatters vs the filth in NYC, police violence, the shady right wing scum behind Coor’s beer [seriously, stop drinking that crap!], and anti-conscription activists on trial in Spain). Band interviews this time around are with STATE OF MIND, and SOFA-HEAD. And how can we forget Felix Von Havoc’s Short History of Anarchism pt 2 (featuring Mikhail Bakunin), and the piece he co-wrote with R@t, the somewhat controversial “Revolt Against Communism”.
Here we go, back to the very beginnings of Profane Existence!
From the ashes of Minneapolis Alternative Scene, here is the debut of this humble little collective that’s still active 26 1/2 years later!
In this issue, we have interviews with the now-legendary DESTROY!, ATAVISTIC, and DEAD SILENCE. We’ve also got an extensive news section (remember, this is pre-internet!) including a clash between patriotic skins and flag burners in NYC, a write-up of the 1989 Anarchist Gathering in the Bay Area, Twin Cities animal rights news, and some Poll Tax resistance in Scotland, among other news articles.
Plus, part one of Felix Von Havoc’s Short History of Anarchism (featuring the roots of modern Anarchist theory – Godwin and Proudhon).
The UK anarchopunk scene is explored in the Scene Report section.
But don’t let me spoil it for you – go read the fucking thing!
Over the next few weeks, I will be linking to old PE issues in the spirit of keeping our past alive! It's really interesting to see where the PE collective was at back in 1989-94, and how little has changed in the world
I just got back to Calgary last week from a too-quick vacation out to Toronto and Montreal. While I was out there, I met up with a long-time internet friend, Randy Smith. He’s been around for quite a while, and has one of the biggest collections of old zines and radical literature of anybody I’ve ever met. A while back, he started to digitize his collection. A sizable chunk of his collection turns out to be early issues of Profane Existence (and our immediate precursor, Minneapolis Alternative Scene).
While I was out there, we got to chatting about Randy’s project of digitizing pieces of the radical past. Long story short, I asked if I could link to his digitized issues of PE from our site, and of course he agreed!
Over the next few weeks, I will be linking to old PE issues in the spirit of keeping our past alive! It’s really interesting to see where the PE collective was at back in 1989-94, and how little has changed in the world.
Keep an eye on this space for digital versions of *Classic PE*!
Before you roll your eyes and start mumbling about the fixed gear trust fund hipsters with the big beards, hard parted hair and skinny jeans that frequent the local coffee shop…hear me out. The coffee producers are getting screwed. As I type this, the Coffee C market price(the price at which commodity coffee gets traded) is only $1.17 per pound in it’s green unroasted form. Sure, that might sound like great news for people on the consuming end. Let’s face it, most of us drink coffee every day, sometimes multiple cups a day and we all like to save money where we can, but that savings greatly affects the producers. When you get coffee at the gas station, bodega or brew from a big can at home, that is most likely commodity grade coffee. When you go to a local coffee shop that charges $2-$5 a cup, those places are paying a lot more for the coffee. It’s not that they are just trying to get more of your money to stuff in their pockets, they are also making sure the coffee farmers are making more of a living wage. Think about this: it takes approximately 40 coffee beans to make one cup of coffee. Those beans are picked by hand one at a time(except on large farms in Brazil where some are mechanically picked) since the pickers have to be sure to only pick only ripe coffee cherries and those without noticeable defects. Then they have to be transported in heavy bags on foot or sometimes bicycle to a station to be sorted, processed, dried and bagged for export. Now, if the coffee companies here are only paying $1.17 a pound, how much of that do you think gets back to farmer? Not only do they have to support families, they have to buy fertilizer for the farms, upkeep equipment and whatever else comes along in life. Fair Trade price is only $1.40($1.70 if organic), but models that are more of a direct trade are available that ensure the farmers can earn much more a pound and that’s what the better coffee companies are doing. So next time you go to buy a cup of coffee, consider going to a place that supports a more sustainable business model. If you don’t want to support sweatshop clothing or factory farmed food, why wouldn’t you include coffee in those decisions? Most places will be honest with you about their practices if they aren’t shady. This is why coffee should cost more. This is just a brief summery of what goes on and was something that was on my mind while I drink a mug of Colombian coffee that was more than double the C Market price.I’ve been a coffee roaster for about 7 years now and am always learning more about the politics of coffee. If you folks are interested in reading more about coffee, I’ll keep writing about it.
I figured I should post this while we still have some Summer weather, since so many of us like cold coffee on a hot day, but don’t want to pay ridiculous amounts of cash to do it. You’re probably thinking that it’s as simple as brewing coffee and dropping ice cubes in it. You can do that, but you risk creating a diluted bitter drink. If you want a heavier bodied, sweet cold coffee, try this:
Take a 32oz mason jar and add very coarsely ground coffee half way between the 200-400ml lines. Add cold water almost to the top and give it a vigorous stir, then top it off. Put it aside for roughly 12 hours. At this point, scoop what you can off the top and pour the rest through a filter. The remaining liquid is a cold coffee concentrate that just saved you a bunch of cash and a trip into public.
Cliquez sur « cc » pour les sous-titres en Français
This week we break Bill C-51, down Klanada’s sinister new law, that would give the Canucks increased spying powers over its population.
On the break, long standing hip-hop act Onyx, returns with “Fuck The Law.” We wrap things up with an interview with Antoine, a computer security ninja, about how we can protect ourselves from surveillance.
“An International Culinary Conspiracy!” SOY NOT Oi! Volume #2
Over 200 Original Vegan Recipes Compiled by the All-New HIPPYCORE KREW!
Disclaimer – The title SOY NOT Oi! Was chosen 25 years ago during the rise in popularity of the right wing fascist Oi scene. The term NOT Oi! Is a direct fuck you to the Nazi boneheads infiltrating the punk and skinhead scene – both then and now! We would like to note that Oi in general is not racist, and some of it is quite good. There are many anti-fascist Oi bands that we support and love… Oi POLLOi, THE SHAME, THE OPPRESSED, HARD SKIN, COCKNEY REGECTS, BLITZ and the list goes on. So to end this little “disclaimer” lets just say fuck the fascist and up the punx!
Okay so lets start with the basics…
For those that do not know the history of SOY NOT Oi! The original book was compiled by HIPPYCORE 25 years ago. SOY NOT Oi! was an international effort with contributors mailing in recipes from all over the world.
The idea was to get affordable vegan recipes into the hands of punx. It quickly became well known and was spread throughout the punk scene like wildfire. Over the years the SOY NOT Oi! cookbook became legendary, a household item no proper punk kitchen or squat was without.
Over 2 decades later the main editors Joel Olsen and Jack Kahn discussed the idea of reprinting an updated version of SOY NOT Oi! However before they could collaborate on the idea Joel passed from this world. Jack got in touch with former contributors with the idea doing SOY NOT Oi!-2 with all proceeds directly benefiting Joel’s family. Everyone was more then happy to be board with both breathing new life to SOY NOT Oi! and also paying respect’s to Joel.
SOY NOT Oi!-2 contains over 200 vegan recipes as well as… nutrition information, grocery shopping tips, essays on punk rock and veganism, tips for dumpster diving, edible wild plants, recipes for making homemade cosmetics, and even a crash coarse in home brewing! Plus a section on canning food with a step-by-step guide for preserving tomato’s written by PROFANE EXISTENCE founder Dan Siskind!
The recipes contained in this volume are vast, and with contributors submitting recipes from all over the world you will find something different on each page. Every recipe is written with easy step-by-step instructions, although some might argue the most important step is what record to spin while you are chopping up some garlic. Well don’t fear, most contributors have been kind enough to suggest what soundtrack is best for his or her recipe. For instance Dawn Dyer suggest that you jam Adolescents and Media Children while putting together her “Green Chile, Spinach, Tofu and Mushroom Enchiladas” and Todd Meszaros highly recommends blasting PISSED- “Greatest hits” while baking his “Zucchini Muffins”.
Overall SOY NOT Oi! #2 is pretty damn amazing. The editors have successfully combined veganism, punk rock, humor, and love for a friend all in one book that is full of information. SOY NOT Oi #2 is a fun book to just sit down and thumb through. The recipes are enjoyable to make – and exceptional to eat! I made two recipes from the book specifically for this review. Adrienne Lowe’s “Smokey Eggplant Chilli“, and April Olson’s “Chocolate Peanut Butter No-Bake Cookies“. Both dishes are delicious but even better they are simple recipes that even the most inexperienced cook could easily complete and get some great results. Needless to say my dinner guest that night went home happy that night. Only time will tell but I feel like I can say with full confidence that SOY NOT Oi! -2 will become a staple on punk bookshelves all across the world just like the first one.
Chapters include…
Staples and Foundations(Spice mixes, Vegan egg replacers, how to make Seitan and more)
Breakfast
Snacks and Appetizers
Quick Fix Meals
Salads
Soups and Stews
Main Dishes
Pissed. recording in Minneapolis, Minnesota, December 1991. Left to right: Dan Siskind, Joel Olson, and Newt Rayburn.
Side Dishes
Saucecore
Spreads and Dressings
Breads and Muffins
Deserts
Brewing
Foodways and Funstuff(includes recipes for homemade deodorant and facial masks, edible wild plants and more)
Like a swirl of flame, Burnchurch’s sound makes you aware. Makes you strong and unscarred by the wounds that have humbled some. It has that real uplifting aggression that has a pulse-beat. You’d know it is a sound that has developed over time. The members of the band have played for years in many other underground DIY bands such as Easpa Measa, Rats Blood and Silence.
They have a real nice dual-guitar sound with constant harmonies yet throughout retain that haunting melancholic baritone. There is melodic strength derived from the bass riffs too, like the riff accompanying on “God Eaters”, where it loops around and around bringing all the elements together. The main vocal at times are like if you took an intake of breath and let it out again screaming until you have to gasp for a breath. Very hard to do and get right I’d imagine, the result makes it more hostile. It all is held tightly together by a drum beat, specifically fast but all parts uniquely distinct.
Their sound is best described perhaps as that hard edged introspective dark hardcore with a sombre presence. Lyrically my favourite on this is “Curses”. It invokes an ancient Irish curse. They say with such a curse the person who invokes it, must be deeply injured and deprived of justice. The curse is always quite definite and declared loud. Of course within this darkness there is hope and optimism too. This sound is purely their own, looking forward to seeing them live again.