WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Recent record scores have been abundant for sure, especially during my trip to Chaos In Tejas which always has plenty of vinyl; both new and old, being thrown about. Now it has to be said that I love looking thru distros and vinyl dealer stalls even more than the average joe, because I have been a junkie for records for as long as I can recall.
However, in years past the frenzy in Austin has kinda actually bummed me out, with people clamoring over one another just to peruse through some box at a distro table. And there is plenty to get crazy about. There really are some great distros in attendance every year. This year the afore mentioned clamoring only happened to me twice, which was an amazing improvement.
We are seeking submissions for a zine on being both working class and vegan, to decenter veganism away from the politics of privilege and consumerism.
For many of us, buying whatever we want, flying around to animal rights conferences, or going this or that vegan band’s reunion in another country or state is simply not an option. For many of us who struggle with poverty as a lived experience the middle class liberal politics of voting with your dollars and buying overpriced fancy over-packaged goods is alienating and unrealistic. For many of us the food bank is our grocery store and dumpster diving after a house show isn’t something you do to be cool, it is something you do simply cause you can’t afford to buy good food. Our hope is it will help to be a resource of lived experiences for those who can’t relate to the mainstream vegan middle class clique, and that it would be full of useful strategies for coping with poverty while maintaining a vegan way of living.
The term ‘working class’ is ambiguous and many people use it to mean different things. For the context of this zine the term working class will refer to people who work dead end jobs at near minimum wage, or live on welfare or disability, or who struggle to pay rent each month, or are living on the streets or in homeless shelters. We are not referring to people who work high paid union jobs or work as roughnecks in the oil patch or logging industries. The point is to share the experiences of those who have struggled economically just to meet their basic needs yet feel maintaining a plant based diet is important to them.
Submissions should be between 1/2 a page to 5 pages in length (single spaced). We are open to many formats, from personal stories, to personal essays, to critiques, poetry, recipes, cartoons, jokes, or rants and tips. You can write about your struggles with food, or with mainstream liberal vegans, working with animals, why a plant based diet is important to you, nutrition, activism, wild harvesting, dumpster diving, or about how you have navigated the various barriers to eating healthy on a low budget and useful skills or information you have learned along the way.
10:00am: “We are occupying the Oregon State Capitol in Salem to end widespread clear cutting in state forests! We are currently locked down in the offices of Secretary of State Kate Brown and Treasurer Ted Wheeler, climbers are back on the flag poles and the establishment is generally shaking in its boots.”
I really like this CD. It threw me for a loop the first time I listened. It’s like 90’s crust on the bass, with SoCal singing and skaterock guitar. I think it’s awesome!!! The bass is really heavy and they even cover Slave To Convention by DOOM. This 3 piece from Holland even samples David Icke and Alex Jones. Lyrically it’s about religion, government, animal cruelty and the like. They have been around since 96’ with different line-ups. I bet they are a blast to see live. You should definitely get this. (Matt) www.fokkum.nl
This is the first solo project from Tom 77 who formerly sang for the Czech band NO SYMPATHY. I tossed it on while I was building shelves in the basement and after about the fifth track I realized that I had gotten totally lost in it and played it over and over again. Even though it’s not sung in English, each song seemed completely familiar like I’d been listening to them for years. Most of them are mid to fast paced with a few slower tracks thrown in to mix things up. While the writing has some similarities, each song has a different style ranging from country-influenced punk to bluesy rock, but all in a poppy folk punk acoustic style. It’s not too often that I really like folk punk (sorry, I realize that seems a little closed minded, but some of it is just boring), but the writing is fresh and interesting with lots of heart and talent. Though all the lyrics are printed in the sleeve, they aren’t in English so I can’t tell you the subject matter. Not sure if it’s related, but the cover art is rough sketch painting of a man standing in front of a ratty post industrial landscape. (Jake)
PHR Records / www.phr.cz
Here we have hometown heroes BLACK BREATH with their 3rd Lp. The darlings of Seattle. Amazing d-beat/metal crossover. Really nice guys. Where to begin??!! This has been a tough one to review. Listened to this a few times, went and saw them with NASUM, listened a few more times, then played for the roommates. Conclusion…..they have progressed into WAY more of a metal band. The black metal guitars and drum triggers have prevailed. This is by no means a bad album but, a departure from the first two in the sense that the black metal is in high dosage. The songs have so much going on in them that it’s confusing to figure out what they are going for. Like they are cramming so much stuff in each song because they can and not because it should be there. It is a tight album. Everything is perfectly timed and has a great production sound. I guess this was bound to happen. Most of you will probably love this. I do like it but, I wish they had kept with some more of their d-beat/metal aspects of the previous two albums than the scandi-black metal sound they are trying for on this effort. My criticisms aside it really is a tight album. It just wont get as much play as the other two. (Matt)
Southern Lord Records // http://www.southernlord.com/band_BB.php
This has a little bit of everything going on!!!! You have the female singer (great by the way), triple vocals, thrash, punk, Mexican grind, crust, and just straight metal. At times it’s too much. For the most part it works though. They have a little EKKAI going on and the singer sometimes reminds me of CRIATURA. Then you get the BRUJERIA style vocals come in and the grind/metal aspect and it seems to take away from the other stuff. I have listened to it a few times. It grows on you after a bit. Not bad for a demo. I’m sure they will come into their own, if they haven’t already. This was done in 07’. I think the members are from Colombia and Spain. (Matt)
This appears to be a sort of unofficial release in order to have something on hand during a tour. Not sure if the songs are new or if this is like a “best of” sort of deal to try to best showcase the bands sound, but there seems to be an older version of this from 2011 released as an EP. Either way, this disc is really good! As each song played, I was brought back to the mid ‘90s when political crust was totally raging. Bands like DISTRAUGHT, ANTI-PRODUCT, MANKIND? and even some earlier bands like FILTH and SPITBOY came to mind. While they could have gotten away with singing about getting wasted and mindlessly fucking shit up, the lyrics go the route of serious politics, going after horrible social issues like people who stay in abusive relationships and defend their abusers and punk rock scenester bullshit. Also gotta love a band that writes about things that make you learn. Their song September Dawn is about the Mountain Meadows Massacre that was carried out by Mormons who attacked a wagon train of immigrants from Arkansas who were on their way to California in 1857. Maybe this story was common knowledge, but I found it to be pretty interesting. While I dig the fold out poster style lyric sheet smattered with band photos and flyers, having all of this in a sleeve of some sort would have made storage a bit easier. All in all, this band kills it. (Jake)
GENEREATION DECLINE c/o Andy More / 209 Lebo Blvd / Bremerton, WA 98310 Generationdecline.bandcamp.com
Here we have GUIDE from Tennessee with a 6 song 7” called Bastard. They have a thrashy, grindy, HIS HERO IS GONE sorta sound going on. The songs on side A seem to all meld into one and are along the trashier, grindy style. Side B is has the more chugga, low end HIS HERO IS GONE style. This was pretty good. I was expecting total distortion blown out stuff here. The packaging is pretty cool with a fold open sleeve and a pocket insert. Haven’t seen that before. Comes with an insert with band/label info. No lyrics. This is worth a listen. (Matt)