WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Grindcore is one of those musical genres that seem to have limitless
possibilities, which can make for some very interesting releases since
there are far less limitations than other genres have. These guys have
added their interpretation of the sound by using only drums and keyboards
creating an instrumental sound that is fun, yet still on the harsh side.
Most of the grind bands that I’ve heard that go this minimal are
disgusting digi or pornogrind bands, but fortunately that’s not the case
here. The front cover has a very soft lit shot of a lingerie clad woman
posing with a keyboard, while the back has a cat “giving up the goat”
while playing a keytar and live shots are included on the inside. This was
obviously a fun side project that was encouraged by one Rob Hanna. We’ve
got Luke Lapants on keyboard and Ben Wah on drums ripping out 5 melodic
and chaotic instrumentals. There are only 200 of these gems pressed and
the only way you’ll get mine is if you have a camo neck through ESP Viper
to trade and even then you’d better be a sweet talker! This is no PHOBIA
or NAPALM DEATH, but it’s a nice disc to have around to switch things up.
$5 ppd and email Ben for a download. (Jake)
Ben Wah hippiesinflames (AT) hotmail.com
The featured artist for June 2012 is Chris Parry. Chris has been churning out amazing drawings for some time now and we, and a friend of Chris’s felt it’s high time we do a feature on him. We’re proud to showcase some of his work and tell his story. So without further adieu…
PE: How long have you been creating?
Chris Parry: I’ve been drawing since I was a kid. I started doing art for bands when I was 15. That’s about the time I was starting to attend punk and metal shows, and asking the bands if I could draw their flyers.
PE: Some of your work is tense and emotes a sense of anguish and dispair, but there are also pieces that show a lot of beauty. It’s not the typical doomy crust stuff. What influences your artwork? Which artists have influenced you the most?
CP: I like to incorporate elements of nature, mysticism, magic, depression and religion. I tend to use feminine figures in my work as well. I feel that the use of the female in art adds a sense of beauty, giver of life and the sense of a creator. My influences early on were V.C. Johnson, Pushead, Raymond Pettibon and Jim Phillips. Inspiration from skateboard graphics was huge. Nowadays, I get inspiration from a variety of friends and peers. Artists like John Baizley, Jeremy Hush, Santos, Glyn Smith and Paul Ramano just to name a few. I enjoy keeping up with their recent works. They definitely keep me on my toes.
Newly released FBI presentations show the flawed and misleading information the government is using to train agents to identify and investigate “domestic terrorist” groups such as “black separatists,” anarchists, animal rights activists, and environmentalists.
Among the more troubling portions of the training materials are warnings of activists using the Freedom of Information Act, engaging in non-violent civil disobedience, and gathering in coffee shops.
The domestic terrorism training materials were obtained through the Freedom of Information Act by the ACLU. They offer additional insight into a disturbing pattern of FBI activity misrepresenting political activists as “terrorists” and manufacturing “domestic terrorism threats” where none exist, akin to the notorious COINTELPRO program of J. Edgar Hoover.
It was a week ago tomorrow that I sat right here, on the dirty ass sofa I have, next to my Dad. The weather was about the same as it is today… grey, chilly and drizzling. My Dad lives a couple of hundred miles away and doesn’t like to make the drive over the mountains from the Western Slope of Colorado to the Front Range and the city. In fact he dreads it and complains about it the entire time he is here. He is pretty anti-social and has a low tolerance for people and therefore doesn’t get out much.
The dude trashes my house every time he is here too! He scatters his shit from one end to the other and constantly loses things like his phone and keys. He always brings his scruffy, mangy and stinking dog who growls at my son every chance she gets. Actually that is kind of helpful as I use it as motivator when my son doesn’t want to fall in line and be a good little boy. “Johnnie, put your shoes on”, his reply is often a solid “no” and I follow it with “Johnnie pleeeaaasssse put your shoes on”. “No”. But when that stinky mutt is here I can add “Or I’ll sick the growling dog on you”. He quickly complies. Now before you go ape-shit and think you should call Child Services please understand it is done in fun and with smiles…but it still works.
From sacred grounds do these dudes come. Yes, from the birth place of BLACK SABBATH and JUDAS PRIEST comes SCARRED SOCIETY. Calling Birmingham England home is about the only thing these guys have in common with the aforementioned bands. SCARRED SOCIETY plays straight up hardcore punk that borrows slightly from the world of metal but really can’t be considered a metal/punk band and certainly cannot be tagged with the “crossover” tag. They are too far entrenched in the punk rock camp for that tag to stick even though they do remind me of the EXPLOITED (with far more intelligent and thought out lyrics) at times. They abrasive punk rock assault might bring to mind a slightly less spastic TOXIC NARCOTIC or maybe even the PIST. Bill from TN is the fucking ‘A’ master of rhyming lyrics but this dude Paul from SCARED SOCIETY is no slacker! He gets in there and gets shit done. The anger and frustration with this whole fucking mess that we are all wrapped up in comes through as he spits out every single word. And I mean “spits”. He’s spitting mad! I bet he gets the mic all slimey and shit so that the bands after them at a gig are grossed out by it! LOL! I can just see the spit flying! The whole ordeal with the dude from NEUROSIS doing the Scion thing caused quite a stir. Most of us are very protective our culture and our scene and when we feel like someone only used our DIY culture as a stepping stone we take offense. The song ‘Corp-Core’ tackles the subject of using DIY as a spring board. Sure maybe you’ll sell a few more records and get your message out there (Isn’t that what those bands always say? They want to reach a wider audience…) but you’ll do so while selling your soul and turning your back on the very people that got you to where you are. We saw a lot of that in the 90’s didn’t we? Debt is the modern slavery designed for ensnaring the poor and debt collectors are a sick bi-product existing only to harass the common and man and degrade them. An interesting song topic that SCARRED SOCIETY dives into with the song ‘Chain of Debt’. The album cover is kind of EXPLOITEDish even with some punk zombies eating some poor fucker…Pretty cool…I like it, these guys pass the acid test. Check’ em out! (JoshMosh)
Finding this 7” in the mailbox was quite a nice surprise, since this is
the first I’ve heard of them after reviewing their CD What Remains a few
issues back. It would seem that they’ve hit their stride with their own
style of epic crusty thrash laced up with haunting melodies. While this is
still intensely fierce, there is a cohesion that is most likely the result
of time and experience that sets this release ahead. The writing seems to
have matured a bit and Sunrise in Ashes is perfect example. The song kicks
off with short bursts of guitar paired with desperate howls of “This must
be stopped. All this must crumble.”, then a quick tap on the snare and the
entire band bursts in with blasting fury and dissonant chords, then
repeat, but with the next lyric. They manage to build up a tremendous
amount of anticipation in just a few short seconds that could have easily
been wasted had the structure not been set up perfectly. Each of the four
songs has been written much more thoughtfully this time around creating
the perfect atmosphere to deliver their demands to everyone to get our
shit together as a species so that we might slow the damage we’re doing to
the planet and subsequently each other. I almost want to call it
apocalyptic post-crust. Is that even a thing? (Jake)
Dead Rodent Records / PO Box 518 / Plainfield, IN 46168-0518 www.facebook.com/deadrodentrecords
Neurosis interview by Flox ( Fight For Your Mind ) Answers by Steve Von Till. Originally printed in Sedition Magazine France, reposted with permission.
PE: After 27 years Neurosis is releasing a new album in 2012. Can you let us know what to expect from this new comer ? Will it be the soundtrack to the end of the world ? 😉
Steve: Like every new work we embark on, it is the next step in our evolution, the next bend in our path. You can expect it to be honest, emotional, heavy, and beautiful. We are extremely proud and happy with the way the music has guided us. It explores some new sonic territory for us. Some of the ways we are approaching our heavy riffing is new and challenging, the keyboard sounds are really amazing and powerful and Jason is always blowing us away with his rhythms.
PE: Throughout the years Neurosis has evolved from an anarcho punk background going to a much more metallic post hardcore and experimental outlet. Have you found yourselves evolving alot through musical and life experiences that have made you trespass certain boundries to creat your own monster ?
Steve: To us, the freedom we discovered in our early days of what was called “punk” or independent DIY music back then meant there were no rules. We do what we want and what moves and inspires us. If you don’t like it, tough shit, you don’t have to listen to it then. This is completely self centered expression. We don’t cater to anyone’s expectations. We carry that initial inspiration with us always. We have never fit in a box or category and those names people try to give music are completely meaningless to us. We have outlasted most names, scenes, and categories and I am sure we will outlast all of the current terminology as well. We evolve as human beings expressing ourselves through music.
PE: Of course all of your records have a very deeply anchored philosophy and art! These two aspects of the band as well with live performances have made Neurosis a very unique combo and an influential band worldwide. How does all of this come together ? Where do you draw your inspiration from to make all of these aspects come together to make masterpieces ? Are you all pretty much perfectionnists ?
Steve: We are definitely not perfectionists. This music is very organic and comes from the soul. We don’t labor over it intellectually. There is no such thing as “perfect”. I think when people obsess on trying to reach perfection they often sterilize any real emotion and humanity right out of their art. Any ideas that may come from our brains are inherently less powerful than the natural flow that shines when we surrender to that driven force that exists both outside and within us. We record in a pure manner, live as a band straight to tape, no tricks, no bullshit. The philosophy is the philosophy of being emotional beings contemplating our existence. The artwork tries to give a visual backdrop for the emotional landscapes created by the music. It is hard to describe with words. That is why we use sound.
The City of Victoria, located on unceeded Lekwungen Territory, is this year celebrating 150 years of colonialism through events that promote historical erasure. The Victoria Anarchist Bookfair will respond with illuminatingstories of historical and ongoing colonialism while celebrating 150 years ofresistance. As a catalyst for putting learning into action, we are also mobilizing to build opposition against the Northern Gateway Pipeline and other such proposals, which are a glaring example of ongoing colonialism on the West Coast.1. Bookfair Dates & Contacts 2. How to Request a Table3. Call for Workshops & Presentations Proposals4. Festival of Anarchy5. Volunteers needed!6. Listserve Subscription Options******************************… Continue Reading
This is the fucking shit yo! Man…I love being surprised and excited by the stuff in my review pile and this is definitely one of those times where I become a fan of a band discovered in the review stack. Starting with the black and white art work (complete with a chaos symbol, a skull, fists and barbed wire) you know in general what sub-genre this band might roll up under. What we have here my black clad friends is a full blown exercise in badassery. NEH play supercharged D-Beat leaning into the underworld of metallic crust. At times the guitar even burns through the riffs with a bit of a thrash metal vibe before exploding into a searing lead. As the disc progresses I can’t help but to hear some EXTINCTION of MANKIND in the mix or even HELLKRUSHER rounded out with the explosiveness of WB2D. I think you get the idea. Lyrically they protest the rich and injustices of the work but also offer hope and encouragement with songs like ‘Save the World’ and ‘Strive to Survive’. I find both songs to be a breath of fresh air against the stark background of what is typically all doom and gloom. They scream out in a call to action and ask the listener to take get off their ass and take a stand! Damn right! The Swedes have always known how to D-Beat/Hardcore punk right and this is obviously not an exception. Mixed and recorded last fall the production of this album is perfect, they achieved a thick and powerful sound without sacrificing any of the rawness that is so essential. I don’t know if it was released on vinyl or not, but I am sure if was the vinyl sounds su-fucking-perb! I really can’t say enough good things about this disc, it is certainly worth seeking out. (JoshMosh)
Maybe they still use myspace in Sweden… http://www.myspace.com/558821481 (OutVillage Records) http://www.myspace.com/notenoughhate
I saw these dudes a couple of years ago and I have to say I wasn’t particularly impressed. Their live performance left a bit to be desired. Maybe they were hung-over, maybe they were tired…Who knows…But the more important question is who cares?! Because this record kicks fucking arse! First off it’s Gabba from CHAOS UK and that is about as good a starting place as any. In fact that is the best place to start and also a great reference point because…dude, they sound a helluva lot like CHAOS UK and the ‘Chipping Sodbury Bonfires Tapes’ to be exact. They have the same buzz saw sound and are punk as fuck. I mean this is everything you think punk is supposed to be when you are young and just learning about all things punky. It’s fast, it’s loud, it’s obnoxious and it’s offensive. It’s like if the SEX PISTOLS were a real band made up of real punks. There is no metal to be heard in the grooves of this platter, there is no crust, they is no BS…Just straight forward UK punk rock! This is a 13 song, 12” 45 on clear vinyl. Shit! Even that is punk as fuck! They all have cool names like Gabba, Glueboy, Cliff Vicious and Hedgepig. Punk! The distro logo on the sleeve has a parrot with a mow-hawk sitting on a safety-pin. Punk! The name of the band is FUK! Super punk! It’s punk done as only the Brits can do it and in case I haven’t said “punk” enough throughout this review here is one more: PUNK! (JoshMosh) http://www.cultberger.cz