WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
As the Occupy movement carries out massive May Day protests around the country, the FBI Joint Terrorism Task force is trumpeting the arrest of “self-proclaimed anarchists” and “terrorists” who allegedly conspired to destroy a bridge in Ohio. Integral to the development and advancement of this plot, however, were FBI agents themselves and an informant with a drug and robbery record.
Douglas L. Wright, 26; Brandon L. Baxter, 20; and Anthony Hayne, 35, Connor C. Stevens, 20, and Joshua S. Stafford, 23, were arrested by the FBI on April 30, just in time to make the announcement as the nation turns its attention to May Day protests.
The affidavit reveals a plot by the FBI that continues a pattern of behavior in “terrorism” investigations against political activists. Most importantly, undercover FBI agents helped shape the “plot,” offered advice on how and where to use explosives, and allegedly sold explosives to the activists.
It really pisses me off when I hear some punk kid or anarchist claim they are boycotting Nike (or whichever other giant corporation). Not because I think they should be supporting Nike, but simply because it shows a lack of any understanding of what a boycott is. And if we desire to be effective, we need to have a clear understanding of what different tactics and strategies actually are.
Boycotting is a non-violent consumer tactic which is based on withdrawing support (usually financial) as a way to force ones enemy/oppressor into a compromised position in which they must negotiate with you or meet your terms in order to regain your support. So simply not participating is not the same as actively boycotting. Thus going Vegan is not a boycott of the meat and dairy industry for example.
There are many problems with the idea of some patched up crusty claiming to be engaging in boycott tactics against major corporations. The first of which is that in order to take part in a boycott, you must first have support to withdraw, meaning you need to be a client or customer of the target company who financially contributes to them. Even further, you need to be open to reinvesting that financial support one the target has complied with your demands. This differs greatly from the DIY punk ethos of making our own shit rather than giving them our money, which is actually more about creating an alternative economy, or perhaps an alternative to economy.
Just as crack heads were engineered by the criminal power elite before the collapse, after, it was the zombified plague carriers who were easiest to exploit.
Most people die within a week of infection, but the zombies are the ones who when infected die slowly. Not knowing how long they’ll live, but knowing it won’t be long, they have no reason to help rebuild society. Their pathogenically induced sociopathy make them the perfect death squad mercenaries. They call the zombie recruits “zoldiers”. They work for cheap, they just want a few highs, lays, and gourmets before their inevitable gurgling end.
Because the zoldiers are so short lived though, the warlords’ business model needed innovation. Fearing the virus would eventually burn itself out they began culturing it in the same labs that were used to find the cure. The last scientists were captured and enslaved and now out one door goes the virus and out the other goes the serum.
This is the new split by two titans of Swedish d-beat hardcore punk. Neither band really needs an introduction; UNCURBED have been doing their thing for almost 20 years and while WARVICTIMS are new in comparison, they still have a shit ton of releases under their belt. Each of the bands – though being d-beat – are set apart from each other. UNCURBED are bit more raw and dissonant while WARVICTIMS take the straightforward d-beat approach.
UNCURBED’S side of the split is fast-paced unrelenting d-beat punk with elements of modern crustcore, they have a huge sound and a more raw recording that I really like. It seems like a lot of bands records have been too polished lately. UNCURBED don’t fail in the lyric department either, the tracks are mostly about homelessness, desperation, insanity, hopelessness – fairly dark topics. I really liked their stuff as well as the ASOCIAL cover for their side of the split.
WARVICTIM’S side is a bit more “traditional” d-beat( a la DISCHARGE) with lyrics more about war, bombs, etc. with a few tracks sang in Swedish. I think they do the job pretty well. Track after track is a pummeling d-beat assault on your ears, with gang vocals and flying Burning Spirit’s-esque guitar riffs. Fairly kick-ass stuff.
I would snap up one of these babies pretty quick just in case this is UNCURBED’S last release(there are rumors that they may have called it a day). I’ve got the American version of the split on Sacred Plague that’s limited to 106 on clear blue vinyl and 447 on black. This record was released in Sweden on D-takt & Råpunk records on vinyl and by Black Seeds in Ireland on CD. By the way, I liked the cover art’s play on the GERMS (GI) LP cover. Solid release, check it.(JasonS)
Sacred Plague Records/ www.sacredplague.com
THIS. IS. PUNK. ROCK! From all aspects, this is the real deal with killer music and some unique
vocal styles. When I say this, I mean it a more generalized way, but to some degree, it reminds of a
more aggressive SUBHUMANS. In regards to the unique and stand out sound. Excellent production
here with intense lyrics that are straight to the point. The first track, At What Cost? brings one of the
most important issues that’s driven the punk counter culture and it’s resistance….nuclear threat. This
song opens up this album and moves onto other important issues, such as being a drone soldier, to the
stagnant life of a “corporate whore”. Each song is unique in musical writing and the fluidity of the
vocals really makes this stand out. I’ve seen this band around, but this is my first listen (actually 3 rd
time of this CD). There’s a certain integrity about this band, and I respect their straight forward stance
and genuine ethos. It feels real, and not just something that was put out for some superficial reason.
This definitely is not back ground music and it’s not over the top distorted chaos with no substance.
This has good clarity and some really good hooks as well! Put on the anarchy seat belt…you’re goin’ for
a ride! (Leffer)
Active Distribution/BM ACTIVE/London/WC1N 3XX /Great Britain//
This unrelenting 5-piece hailing from Göteburg plays a dark, progressive style of metallic hardcore. Drawing from their related projects (END OF ALL, MASSMORD, FUTURE RUINS, and FREIDAG DEN 13:E among others), this is less on the d-beat crust side of the aforementioned groups and more focused on driving mid-tempo rhythms and epic buildups on these two tracks. The production quality is huge, there is this dissonant guitar frequency that lurks in the choruses of the B-side “No Remorse” that really caught me off guard — one of those moments where you keep playing the track over and over to figure out what the hell is going on in that studio. These songs sound enormous, and a 7” seems too short to showcase their work, although the packaging is quite nice with a French door style jacket with some nice photography on the front. Another great release from Nakkeskudd Plater Records in Norway, who are well renowned for finding immensely heavy and interesting bands. I’m very interested to see what a completed thought will look like; according to cryptic hints on their website it appears as if a full-length will follow soon. (Rob Hanna)
Suffering from a pretty rough production, this single by Eau Claire, WI’s DESOLATEVOID is a bit of a tough egg to crack. The dual vocals are so weighed down with effects and filters it sounds like the singer is screaming into an aluminum hallway while gargling whiskey and shards of broken glass. Overall musically DESOLATEVOID plays thrashy crossover with a 90’s crust take, occasionally even showing some early Earache influences.Why the band chose to pose in front of a commemorative GG Allin plaque in their band photo, I’m not exactly sure, as the nicely illustrated cover art suggests the contents to be a little more morose. While the track “The Problemsolver” showcases a more fun, almost DISFEAR-esque side to the band, the three tracks are so disconnected it’s difficult to discern where they are heading.
The first thing you inescapably notice about this record is the beautiful artwork (by an unidentified Viennese painter). Gorgeous gatefold packaging with really nice vinyl and black inner sleeves, this is the debut full-length release by Vienna-based LA LIGNE MAGINOT. This is an immensely complex album, lyrically and musically. Peeling this back like an onion reveals a mixture of down-tuned hardcore punk with seriously dark metallic overtones and atmospheric textures piercing through waves of thick reverb. It’s reminiscent of some of the early 90’s metallic screamo stuff coming out of Germany, but has a very unique signature to it and stands certainly on its own. It invokes GODSPEED YOU! BLACK EMPEROR-style crescendos and buildups then unleashes raspy experimental hardcore within seconds. Lyrical overtones paint a bleak existential foray into the decay of society, poetic without sounding contrived, and are well translated from the native Austrian-inflected German. I was blown away by this, and can’t wait to hear more from this mysterious band! (Rob Hanna)
While this promo copy had no packaging or track listing, it boasts some actually good sludge metal with a bit of an early Amphetamine Reptile tinge. There are many layers to this recording, ranging from psychedelia, doom, atmospheric post-rock droning, and a wee bit of hardcore. Thankfully it’s not so heavy on the doom side, and the group’s ever changing riffs keep the energy flowing without leaving you completely bored at each turn. Apparently this Cincinnati-based trio’s release was also available in cassette form as well, however this round is purely digital, hence the absence of artwork or lyrics in this promo copy. I’d love to see this paired with some really intense artwork, and each song grows on me the more I listen to it. It’s kind of like TARANTUALA HAWK meets later NEUROSIS sans keyboards. Curious to see where this ship lands. (Rob Hanna)
A Brief History of May Day
On May 4th, 1886, after a workers’ demonstration for the 8-hour work-day was brutally repressed four days earlier, a large crowd assembled at Haymarket Square in Chicago. When the police arrived to suppress the crowd, a bomb was thrown in their direction, a viscious riot ensued, and ultimately 8 police were killed by gunshot.
Eight anarchists involved in the struggle for the 8-hour day were soon the victims of a government witch hunt. Though the prosecutor and judge admitted none of the men had thrown the bomb, and that most were not even present at the demonstration, the court put the men’s ideas on trial, and found them guilty. Four of the men were hung; one killed himself in jail to deny the State the pleasure of murdering him at the gallows.