Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
Greetings from Mt. Doom! Dawn and I made the transition from city life in PDX and Brooklyn, NY before that to Western New York State. It took a lot of getting used to. The air is much cleaner and I don’t remember the last time I heard a car alarm. Although, I do hear gunshots on par with when I lived in Oakland, but without the sirens and helicopters. In fact, the law has only been up in these parts about six times in the 4 years we’ve been up here.
Things run differently here than in a lot of places. Folks seem to come up here to be left alone, so people don’t really interfere in each others’ business too often and things work themselves out. For the most part everyone is really friendly. Everyone waves when a car drives by and is usually willing to lend a hand, bulldozer or manure when needed. The only problem we seem to have is that we are the only punks for miles around and it strikes some folks a little odd when they see a fella with face tattoos mowing the lawn in a Utilikilt and a Profane Existence shirt. Who would of guessed? That said, things have been nice and peaceful.
Pop punk, emo, hardcore whatever you want to call it, DIE LAST is the epitome of that genre. It is poppy, catchy with emotionally sung lyrics. To be honest this band is a Polish BOY SETS FIRE. Listen to BOY SETS FIRE and imagine they are singing in Polish and you have a pretty god idea what DIE LAST sounds like. I’m sure they are big fans and are heavily influenced but it really shows. The songs are very poppy and full of treble with some sweet bass lines in the background. The vocals are are a little more gruff than BOY SETS FIRE but very similar nonetheless. I do hate to continue to compare the two bands but the similarities are astounding and find it difficult to think of anything else while listening. Although it is so similar I do find myself enjoying this record without feeling like they stole another band’s sound. The songs are well written and catchy and nice on the ears. As said prior, the lyrics are in Polish but the lyric sheet has translations for all but three of the songs for their English speaking fans. The subject matter seems pretty typical of the emo genre with poetic lines about life. They are well thought out and not very cliché making it that much more enjoyable knowing its not just meaningless dribble. All in all this is a very solid record for its genre despite it being so similar to that other band. Definitely for fans of emo or pop punk/ hardcore. (Travis Assault)
As I was looking at the cover artwork I was torn on what this album would sound like. The front cover gives the feeling of new punk rock with the black and red scheme with screaming child in the background which also feels like a metal album. Inside there is a statue of an angel again making it feel like a metal album. Seeing that they are from Brazil I assumed it would be something similar to SEPULTURA. Once I put it in and stopped guessing what it could sound like, I realized I was closer with my original thought of it being a modern punk record. To be more accurate, it sounds like a Latin American punk band. Living in Tucson, we have a few bands that play this style and am quite used to it. In case you are not living in the southwest or not familiar with this style it is hard to actually pinpoint what that sound is. I can’t explain it but I know it when I hear it and I hear it here. The music is mid paced punk with some really great sounding distortion and very well done production quality. The vocals are deep sung with a bit of edge to them. Not crust or death metal vocals but something like a hardcore singer. The songs are between 1-2 ½ minutes which works great with this style. The lyrics are sung in Portuguese so I am unsure what the lyrical content is. They are written in the booklet without translation. The whole thing looks amazing and seems to be self released. The overall quality is far higher than a few others I have seen released by major labels. This band plays great music and most definitely put time and money to release an amazing record. I would recommend this album to anybody that enjoys punk or hardcore. (Travis Assault)
The Intro track on this album reminds me of a classic rock styled song. It was pretty cool albeit a bit sloppy so I had a feeling that it wasn’t the style of the whole album. The first song kicks in with a faster and more distorted, faster version of the intro. This song sets the record off to a very energetic start. The song is definitely the most catchy on the album and one of the most upbeat making it my personal favorite track. The music has a very 80’s hardcore sound with a modern feel to it. They tend to stick in the mid paced range never going too fast or too slow. The distortion used is very light giving that vintage punk rock feel to it. Anything heavier would take away the personality of the music and would just sound like any other punk band. I like that they are not afraid to do things that would normally not be done on a punk record like the classic rock intro and the use of a harmonica at the beginning of another. The vocals are yelled adding to that 80’s sound. They are gruff enough to not be singing but light enough to feel some emotion behind them. The vocalist is well suited to his duties and brings the whole band together making it into a wonderful orgy of punk rock music to your ears. This is a band that can stand on its own merits while paying homage to early hardcore bands without stealing the sound of these bands and without coming off as another generic band looking to fuck the system. It is a breath of fresh air when you get a band that is doing something different than the current trends and doing it well. This band has reminded what I loved about those bands. (Travis Assault)
I spent the summer pretty bummed out about the death of my dog Woodrow. But after several months of healing, I was starting to think about accepting a new companion.
My girlfriend Nature and I read a few books on adopting puppies, what to expect, and how to plan. We even made a trip to the local shelter. The pound was overflowing with dogs, puppies, and cats. It was a bit overwhelming, the numbers of animals without homes, and the smell. Although the facilities seemed pretty nice, the place was definitely understaffed. We just wanted to observe and weren’t planning to adopt, although we did play with some puppies and do some paperwork. I wondered how many of these animals would actually find a home.
This project of the CCCP is to take a region, cook what they cook and make it vegan, using ingredients available to the CCCP in their locales and when possible from scratch.
The CCCP is presently made up of four gentle souls (and our partners) we are spread throughout the U.S. and Canada.We eat local and we eat NO KILL.
For our first project, the CCCP took on French inspired recipes to celebrate spring time. The first submission from the crew comes from Jake and Dawn. Try these recipes and see what you think. Please comment with any changes you make to the recipes and any ideas YOU have to play with and make these recipes fun.
Small steps in life lead to big changes…I became a vegetarian at age 22, and was very happy to see punx adopting this as well…for many reasons, health, animal cruelty, waste of resources to raise meat, etc. I worked as a dental technician for many years before being laid off in 05, I searched intensely for new work but couldn’t find any, and after taking numerous low paying jobs around Madison, I said fukk it…fed up with suburban life, neighbors, noise, obsessive lawn mowing….decided to take the small pension coming to me, and move. I sold the little house I owned in Kenosha, Wisconsin (no small feat considering the economy) this allowed my partner Erin and myself to move near Minneapolis, and start life anew.
This is the first seven inch from ANCIENT FILTH, a brand new unit from Boston, Mass. There’s some brilliant new hardcore pressed into the grooves of this piece of wax. Start to finish, every song has raging energy and angst, there’s nothing dusty about any track on this seven inch. It’s kinda cool how a band can keep a lower profile and it just makes their music that much more impressive. I guess it must be because every fucking thing is spoon-fed to us in the information age. That being said, there are six intense tracks of hardcore punk with good mosh parts, breakdowns, riffing and several samples woven into the insanity that make this record more of an experience and just six songs. I’m not going to make any comparisons . Additionally, ANCIENT FILTH is right-on in the lyric department which makes them a double threat. Lately it’s been hard to find crazy awesome punk that also has well written lyrics. So anyway, ANCIENT FILTH’s lyrics are intelligent, pissed-off, and fucking straight-up smooth and their vocalist delivers them like a mad man. The seven inch comes with a screen printed poster/insert with the lyrics, explanations, an band info printed on the reverse.(Just a side note: My copy doesn’t have the arrow design on the front of the sleeve.)
This record is the shit! If you get a chance, get one of these. I have no doubt that we’ll be seeing more from ANCIENT FILTH, so get in on the ground floor. Badass.(JasonS)
Shock To The System/ PO Box 400206/ Cambridge, MA/ 02140
BERSICKER demo CD
Maybe I’m just old, but I do really enjoy an album (or demo in this case)
that opens with an instrumental intro to set the mood. The cd opens with
feedback soon joined by very steady 2/4 drumming followed by some slow
riffing that fades into feedback. Track 2 is d-beat from start with plenty
of distortion, just short of noisy, and vocals fixed up with some reverb
and delay that give it that old school feel. The track is much of the
same: very same: solid d-beat crust worship, but very practiced and
polished. I’m really into the structure and tonality of the whole thing.
The artwork is exactly what you’d expect from a release such as this. The
cover is black and white with the band name dropped across an old photo of
bombs, while the back has an old shot of a well dressed man tying off
about to shoot up. The first song is about television numbing the masses
so that nobody seems to notice the world falling apart around us. Song 2
focuses on the horrors of war and the way war mongers portray themselves
to the accepting masses. If you go to their FB page, they’ve written a
lengthy manifesto detailing their take on just about everything. I’ll be
looking out for a full album by these folks. (Jake) www.facebook.com/pages/BERSICKER/195813037132823
CRIATURA – Trampas LP
More and more bands are popping all everyday, all over the world. Home
recording technology, programs that come standard in some computers and
the internet make so easy that it eliminates most excuses for not putting
out a CD or at least a quality demo. The problem is that its hard to hear
every band and good ones can go unnoticed for years at a time. That’s the
case for me with CRIATURA. They have quite a few releases, full lengths
and splits under their belts and this is the first I’ve heard of them.
Pinning down a description of CRIATURA is a bit difficult since their
sound is pretty unique, but after listening to them I’d have to believe
that bands in like CIRCA SURVIVE may have taken some influence from their
style. It’s a rare moment when the guitars are playing the same chords at
the same time, and there’s only one song that uses a “typically” punk song
format using power chords. Supported by very skillful, precise and
creative drumming, the guitars and bass delicately tease each other into
soft yet powerful melodic progressions using only a few effects like delay
and reverb with just enough distortion to make things fuzzy but without
losing clarity. Dual female/male vocals deliver poetically written words
that translate like a postcard from a close friend that you haven’t seen
in years that has spent time discovering the beauty and horror of the
world through self discovery and literature. Even in all their beauty, the
songs tackle issues like domestic violence, self-empowerment and
struggling against the establishment. Each line is more exciting than the
last and before you know it you’ve flipped the record four times. I highly
recommend this band. (Jake)
Mala Raza / apdo 6037, 50080 Zargoza Spain www.malaraza.info / firstname.lastname@example.org