Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
WARTORN are a whirlwind of thrash punk goodness hailing from Wisconsin. Since 2004, they’ve been hitting the touring and record release circuit with no looking back. Here’s a quick interview I did to let people know about their two latest releases, Domestic Terrorist 7″ (Profane Existence) & Iconic Nightmare 12″ (Southern Lord). – Andy Leffer
(This interview also appears in CVLT NATION)
PE: You know the drill, just give us the basics on who’s who and what’s changed in the past, in regards to any line up changes, etc. Also, give us some insight on where WARTORN is going. We want to know tours, records, riots, protests, arrests….the whole back story on WARTORN’s origins.
Bitty: (Vocals) The band started in 2004, with Ryan, Hart (on drums) and myself as a three-piece. Within half a year I got a call with an offer for our first tour, which was with Municipal Waste. We did a mini tour with them and ever since then we have been able to go on tours with amazing bands each year such as Los Dolares, ATU, CYP, Krang, In Defence, Pyroklast, Hellshock, and up next Raw Power . We have been to 13 countries and have done lots of releases on many different labels.
Ryan: guitar / low vocals / whiskey enthusiast. Well we started as a 3-piece and over a span of over 8 years, have ended up with 6 members. With 3 of us being guitar players we are able to diversify our songs in ways that we could only do in a studio setting. This obviously makes a difference live as well.
Ela: I’ve been the bass player for over the last 6 years. Recently, we came out with an LP/CD on Southern Lord Records called “Iconic Nightmare” and a 7-inch, “Domestic Terrorist”, released on Profane Existence (which is part of their limited edition singles series).
Toban: (Guitar) I think I might have the most arrests out of anyone in the band. Not like its anything to brag about. I did narrowly avoid another arrest a few weeks ago.
Derek: Guitar as well. I’ve been in the band for a few months and have been on two tours so far.
PE: The music is dynamic, to say the least. You’re not getting any half-assed riffs or mindlessly thrown together lyrics or production with your music. Elaborate on the process and what is the driving force for doing such a band. Punk is a political movement, it’s always been a political movement. Are you a part of this fray as a whole, or is this more of a personal, therapeutic outlet?
Ryan: I definitely believe in the power of the riff. Heavy and raging. Punk is a political movement, but I also see it as a community (full of musicians, artists, writers, photographers, open thinkers etc). A lot of us live/ have lived in punk houses and have been booking DIY shows for years. It’s something we do to contribute to it as a whole.
Toban: Ryan is the riff-master general of the band. He does a great job of coming up with some of the most incredible riffs of anyone I’ve been in a band with. Adding Bitty’s smartly composed lyrics and Hart’s hard hitting/tight drum style makes a great concoction.
Bitty: As far as what I write lyrically, I mainly write about personal experiences or historical events. I don’t tell people what they need to think, that is for them to figure out on their own. Also, I could not label myself as more than a realist and a situationalist.
Ela: Well in my opinion, I would say that we are a part of this as a whole, but it also is a personal outlet for me. We have all contributed to the movement in one way or another, but I think of punk as more than just a political movement. For me it is also about a unified community… where people come together, whether it is for political reasons, to share a passion for music, a hobby, art, etc. … and we definitely have that in Appleton, which is awesome.
Hart: I honestly wouldn’t say punk’s always been a political movement at all. The fact that DK, Meatmen, and the Germs, for example, all existed during one heyday suggests more of a harsh musical and broad social changeover than anything to me. For me personally, punk rock, metal and hardcore have always been a therapeutic and vindicating way of life that has consistently solved a lot of my life’s most harrowing, fucked-up times. It had a total bottleneck effect on how I raised myself mentally and emotionally. It was a really great thing to find out about when I was trying to figure out how to express myself when everything just infuriated or bored the shit out of me. Later, after I was free as an adult, I quickly found out it came replete with its own sense of community, and a totally viscous following I was never aware existed at all. This band is fucking great, cause we never throw a blind rhetorical blanket over our lyrical ideals, or even necessarily our instrumentation for that matter. We have a rough format that we’ve stuck to, but we all come from slightly different scenes and upbringings, and I’ve always thought it showed at least a little in our styles. I honestly don’t think the excitement of being in this band has worn off for any of us. Sure, growing pains have slowed our progress a couple of times, but whenever the next lightbulb goes on over our heads, it’s all go no slow!
Derek: For me, this is definitely a personal outlet. That’s what music has always been for me. Being the young’n metalhead in the group, I’ve kind of just been exposed to the world of punk houses and DIY shows recently. From what I’ve gathered so far I can at least say that the sense of community is beautiful.
PE: Your latest singles release on Profane Existence “Domestic Terrorist”. There’s no beating around the bush on this subject matter. Once again, can you elaborate on this specific release and the intention behind the subject?
Bitty: There have been a few times where I had local law enforcement “protect and serve” the shit out of me. As a kid in the 80’s from a small hometown, I’ve had guns in my face from the cops, hammers pulled back and screaming in my face. I have also had an off-duty cop put a gun in my face and ask me if I thought it was funny while he was wasted. You know of all the times I was ever robbed or assaulted, at least I knew if I fought back I stood a chance; I even survived an attempted homicide! But, it’s not so easy when you have to fight back against law enforcement. They just beat your ass and lock you up, even if they are totally in the wrong. I’ve witnessed so much personal corruption; to me it seems to be an extension of an abuse of absolute power. Now that, to me, strikes terror in any citizen.
PE: Bitty, you’re straight edge…maybe not self-proclaimed, but you don’t consume drugs or alcohol. Considering the genre of punk and it’s history of abuse with these elements, has this hindered your views on the movement?
Hart: Total interjection here! Dude, Bitty’s optimism actually astounds me. He’s seen more friends either die or completely lose their vitality as humans due to drug and alcohol use than I’d like to ponder. He’s remained pretty fucking pragmatic in his attitude toward his friends’ choices in that sense. I myself get pretty fed-up at times about my own friend’s use of drugs, especially certain ones. I’ve had plenty problems controlling my drinking in the past. I do believe I have a fairly good idea these days of when to dry out, but it can pull me into a real bad place. I start questioning what even matters anymore, and I start fighting everything that means the most to me. However, that’s where that community comes in again! I’m learning to seek out the right punks or no one at all when the time feels right, and I’ve been keeping up on it for a while now.
Bitty: Not at all. You don’t need to be like me in order for me to like you. The real moment that reinforced my decision was when I came home to a friend that lived with me and I found him in a pool of his own blood. He had tried to cut his hand off with a butcher knife while he was completely wasted and ended up with more stiches then an average shark attack. It really put a bad taste in my mouth about how substances can amplify bad decision-making skills. Although I am aware that most just use it to have a good time, truth be told, I just didn’t like it. It wasn’t my thing. But as long as you’re not hurting me or others in any way shape or form it’s your deal not mine. This is just a suggestion, have fun and do what you need to do to deal with things or get by, but try not to destroy yourself in the process. You might end up missing out on some good things in life.
PE: WARTORN is a great band, so with that….does WARTORN have anything they’d like to say to the world, it’s listeners or the masses in general?
Toban: In the words of country music legend Kris Kristofferson “Don’t let the bastards get you down”. Ryan: Thanks for the interview.
Ela: Thanks for all the support. We can’t wait to hit the road and tear it up again in a couple months!
Derek: May the force be with you. But seriously, I can’t wait to hit the road and I hope to see everyone reading this there.
Hart: As always, start 4 bands tomorrow and eat your fiber!
Bitty: Thanks for the interview Andy and everyone that helped us out and we’ll see you on the road. If you’d like to help us out with booking or have any questions, feel free to write us at firstname.lastname@example.org.
CRIATURA – Trampas LP
More and more bands are popping all everyday, all over the world. Home
recording technology, programs that come standard in some computers and
the internet make so easy that it eliminates most excuses for not putting
out a CD or at least a quality demo. The problem is that its hard to hear
every band and good ones can go unnoticed for years at a time. That’s the
case for me with CRIATURA. They have quite a few releases, full lengths
and splits under their belts and this is the first I’ve heard of them.
Pinning down a description of CRIATURA is a bit difficult since their
sound is pretty unique, but after listening to them I’d have to believe
that bands in like CIRCA SURVIVE may have taken some influence from their
style. It’s a rare moment when the guitars are playing the same chords at
the same time, and there’s only one song that uses a “typically” punk song
format using power chords. Supported by very skillful, precise and
creative drumming, the guitars and bass delicately tease each other into
soft yet powerful melodic progressions using only a few effects like delay
and reverb with just enough distortion to make things fuzzy but without
losing clarity. Dual female/male vocals deliver poetically written words
that translate like a postcard from a close friend that you haven’t seen
in years that has spent time discovering the beauty and horror of the
world through self discovery and literature. Even in all their beauty, the
songs tackle issues like domestic violence, self-empowerment and
struggling against the establishment. Each line is more exciting than the
last and before you know it you’ve flipped the record four times. I highly
recommend this band. (Jake)
Mala Raza / apdo 6037, 50080 Zargoza Spain www.malaraza.info / email@example.com
MISERY is a band that needs no introduction. Hailing from the epicenter of the late-80s American anarchopunk movement, they have continuously kept at it for almost 25 years now. After releasing a number of split albums over the years, they have released their first proper full-length in more than fifteen years, From Where the Sun Never Shines. In my humble opinion, this is the best material the band has ever recorded. I decided that since they haven’t been interviewed for PE in more than 20 years, this was a perfect excuse to catch up with the lads.
Email conducted via e-mail by Damien Inbred. All questions were answered by the band as a collective.
PE: Right, so I’m sure most of us are familiar with the band’s history. But since it’s been about 20 years (or more) since you were interviewed in PE, can you give a brief run-down of how MISERY started?
A brief run-down really couldn’t do a very long story any justice, so we’ll give you MISERY-“the long fucked up story”.
Jon and Gary grew up together, bought their instruments in the early 80s and started learning how to make different noises while screaming silly shit about the government and how everything was pretty fucked up. Growing up with the constant threat of nuclear war could lead to actions of the sort. In 1985, Gary moved to Minneapolis to spend some quality time living in the trunk of his car and frying some chicken for a living. He soon hooked up with a bunch of fucking clowns that lived in a large apartment building down town called 10th and Harmon Place. This was a whole building full of 100% pure, filthy, drunken fucking chaos, which was the Minneapolis punk scene all in one beautiful package. This was where Al and Gags came from. Jon made a few visits to this fine establishment with his guitar and amp and started doing some more music with Gary. Al took notice, and they started planning for a band in the future.
In 1986, Gary and Jon moved to Portland, Oregon where they started playing some more while living off giving plasma, food stamps, and the Green House soup kitchen. After finding some poor bastard that rented them a house, they hooked up with Sid and started playing together in the garage. After spending about a year in Portland learning how to be total pissheads with the help of those beasts from POISON IDEA, they headed back to Minneapolis to get things going with Al.
Luk Haas has been quite an influence on third world international punk hardcore with his label Tian An Men 89′ after all of these years. No other punk label has gone this far to bring us some of the most surprising records ever and most of this has been done before the internet age. Here is a chat with the man that has yet to see a border ( he’s walked over 120 countries ) that doesn’t have a counter culture to offer. A incredible breath of fresh air and inspiring!
Portland, OR – On Wednesday, February 29th, Animal Defense League entered and occupied the offices of Lindsay, Hart, Neil & Weigler and Paul S. Cosgrove, the state corporate co-chair for the American Legislative Exchange Council (ALEC). ADL has taken this action as part of the international day of action to shut down corporations and ALEC affiliates on February 29th.
As the Oregon state corporate co-chair of ALEC, Paul S. Cosgrove of lobbying firm Lindsay, Hart, Neil & Weigler LLP is responsible for the myriad of legislation that institutionalizes animal exploitation and ecological devastation. ALEC represents the interests of some of the most notorious corporations synonymous with animal abuse and environmental degradation- AstraZeneca, Bayer, BP, Cargill, DuPont, Exxon Mobil, GlaxoSmithKline (GSK), Johnson & Johnson, Koch Industries, Monsanto, Novartis, Peabody Energy, Pfizer, Procter & Gamble, and Sanofi-Aventis.
This interview was conducted with Dave, the lead singer for KRUM BUMS when they passed through Omaha, Nebraska in May 2011.
My husband Donny helped book the show at an all ages venue called THE HOLE (which was written about in the last issue and sadly is no more…) We met in a bar across the street after the show where I got to pick his brain a little bit. This is the result….
When I was in high school I played in a band called DFA (Death From Above), we were a total thrash-punk crossover band that listened to healthy doses of DRI, VENOM, METALLICA, COC, the EXPLOITED, etc. We just jammed for our friends and had a good time representing RFHC (Roaring Fork Hard Core). We never recorded anything other than practice tapes and we probably sucked.
This DEATH FROM ABOVE hails from Brazil and plays straight-up D-Beat, this is their first foray into the world of vinyl and they do not suck. DFA does not stray far, if at all, from the patented D-Beat formula and on this 4 song 7” they even cover DISCHARGE’s ‘War’s No Fairytale’ doing it perfectly.
This three-piece packs quite a punch and the production is immaculate. It’s heavy and warm… and punk as fuck! The packaging is the classic black and white imagery so common to this style of music, but folds out into a mini-poster of sorts. There are no lyrics with the genre and songs like ‘Bloody Streets’ and ‘Game of the Arseholes’ you pretty much know what they are about.
This is total DISCHARGE worship with little of its own identity but it is so well done that the record is actually quite fun and is worthy of its existence! (JoshMosh)
THE FURLOUGHS s/t 7”
These guys won me over before I even heard the music just because the
record is pressed on recycled on marble vinyl and sold in 100% recycled
kraft envelopes with hand stenciled artwork. Granted, the design is simple
and is without skulls, cops on fire or dirty patched up punks, it has
heart and shows their passion for their project. Maybe I’m wrong and they
are just cheap, but that’s not my call. Also included in the package is a
b/w sheet with photos of the band (some of whom are from distant countries
while the band is based in California) and lyrics which are very engaging
and maintain positivity even when addressing negative aspects of social
behaviors and awful political situations. It’s very refreshing. It’s so
easy to pull out an arsenal four-letter words and resort to harsh name
calling or paint a very gruesome picture in order to get a point across.
Instead, the words are chosen in a thoughtful manner and even delivered in
melodic way where the vocals are used as another instrument instead of
just growling or barking the vocalist’s opinions. I’m thankful for that
since it would have vastly altered the dynamic of the music which is more
of the rock side of punk in that late 80s early 90s D.C. almost post
hardcore style. The drums are careful to work in precise step with the
bass to provide great rhythm and structure for the songs while allowing
the guitars to playfully, yet powerfully work in tuneful harmony to lift
up the entire experience. I would never have guessed that these guys were
so young. (Jake)
Vehement Records / 1303 Yosemite Dr. / Corcoran, CA 93212
Talk about obscure, I can find anything about these guys anywhere online. From what I know they were a punk rock band out of Seattle that was active in the early 90’s. A search for the individual band members online yielded some interesting results. One of the dudes is Jeremy Enigk…Is this the same Jeremy Enigk that went to form Sunny Day Real Estate?
RFH play early 90’s hardcore that may borrow as much from the DC post-punk scene and bands like SOULSIDE as they are reminiscent of more hard-hitting outfits like ECONCHRIST. The music is dark and heavy and the vocals have heavy reverb on them. The music pushes ahead at mostly mid-tempo with a few bursts of raging hardcore speed and the vocals go from a talk/shout to a sheer rage as the music intensifies. I see in the notes on the back of the record they thank RESIST for a place to stay…Maybe they played with them?
On the back of the sleeve it says it was recorded on a single micro-phone in the basement of a place called the Blues House. I don’t know how they did it, but damn!, it came out really good.
The lyrics are not included as the packaging is minimal but from some of the song titles and what I picked up in a few of the songs they seem to sticking to topics of socio-political topics. They even go as far as to spell it out on the back of the sleeve: “No Tolerance for Racism, Sexism, Xenophobia, or Totalitarianism”. Word. (JoshMosh)
Mark Swanson / 1020 NE 125th st / Ste 16 / Seattle WA 98125
BLACK HOLE OF CALCUTTA – AGE OF EXTINCTION LP
The first time I threw this on it was spun at 33rpm leading me to believe
that this was going to be an epic journey through some sludgy funeral
doom. Oops, totally the wrong speed. After adjusting the speed and
checking to make sure nobody else noticed (fine, I was alone) I starting
over and was just as stoked on these folks. The opening riffs are slow and
hypnotic, almost enchanting. Just as you allow yourself to give in to it
everything changes: thunderous drums lead in with a warlike rhythm
launching the band into a ferocious wall of chaos. At times I’m reminded
of the HIATUS s/t 12” due to the drawn out melodies with a very
Scandinavian hardcore base. The melodies are carefully paired with manic
tempo changes in the vein of IRON LUNG or DESPISE YOU. The drummer seems to be the backbone here. Not to take away from anyone else, the string section churns out beautiful chaotic violence almost effortlessly, but
Jesse is just killing it, lending to the intensity of the vocals. I’ve had
the line “why do you lie so much?” stuck in my head for a few days now.
The lyrics are pretty intense and personal with youth being the recurring
theme. I can’t say enough good things about this record and I literally
haven’t taken this of the turntable in a week. It’s no surprise that it’s
so good considering the long list of bands these guys have been active
with: THE MAKAI, ¡MAMMOTH TORTA!, KIDS WITH HEADLICE, NO THANKS, SCUM
DOGS, DEAD REGIMENT, THE QUAKERS, FACE DOWN, NO GOODNIX, OEDIPUS AND THE
MOTHER FUCKERS. Yep. (Jake)
Sacred Plague Records / sacredplague.com / www.myspace.com/sacredplague