Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
I only began eating quinoa about a year ago, but since I started I have quickly learned to love it and been constantly surprised that many others don’t! “I tried liking it” or “it’s rather bland” are common replies I hear from people when I ask if they like quinoa, some are even more crass making statements like “you actually like that stuff???” Yet whenever I make quinoa for one of these folks the response I get is quite different “wow, that’s good, how you make it taste like that?”
Truth is, cooking quinoa and making it taste awesome is really fucking easy. Quinoa (pronounced keen-wah for those who are new to it) is super quick to cook, and super healthy, a super food loaded with great nutrients and a complete protein. So making it part of your diet can help make being healthier a hell of a lot less work. And don’t worry, for the poor folks out there quinoa doesn’t have to costa lot if you follow the advice Emma Goldman once offered to a group of poor workers “Ask for work. If they don’t give you work, ask for bread. If they do not give you work or bread, then take bread.” In other words what I am suggesting is that if you can’t afford good food, don’t eat shit, just take what you need. Big corporations steal from the workers on all levels, then fuck over the consumer (also generally a worker) by overpricing, so don’t feel bad about taking what you need. The simplest way is to buy from the bulk section and mark it down as something similar looking like bulgur wheat or couscous or whatever. Look for the teller in training, or if they have those electronic self serve tellers use those. Even if the teller notices, most will not say anything as they are not paid enough to care.
So here is how I cook it to make it taste awesome.
The most basic method is to cook it kinda like past or rice. I start by pouring some quinoa into a mesh tea strainer, then rinse it under the tap until the water runs through easy. I then throw it in the pot on medium heat and let it fry for a few seconds before adding water. I just add water like I would to pasta, and I am not the type to measure.
At this point I ad bouillon, I use about half a cube. Many of the basic soup bouillons happen to be vegan, even the ones that are chicken or beef flavored, just check the ingredients.
Next I add some black pepper, and if I have any ground garlic, I toss it in too. That is really all there is to it… Sometimes I also like to throw in some dried stinging nettles, which you can either get from a tea shop or you can just go outside and pick some and dry them. Fresh nettles work fine as well as long as you cook them for at least 8 minutes. The nettles are optional, I tend to like how the grassy flavor of the nettles compliments the grainy taste of quinoa and pepper. Cook it until the water is out, and I tend to turn down the heat to ¼ when it begins to get close. When the water is gone, fluff it with a fork.
This is the most basic way I cook it, it only takes about 15 minutes, and this type of quinoa is perfect for putting on a wrap with other veggies, or to eat alone.
I also like to sometimes add canned beans in tomato sauce to the quinoa right when it is just about cooked. Another similar addition is to mix in frozen mixed veggies (like the mixed peas, carrots and corn bag they always seem to give you at the food bank) when the quinoa is nearly cooked.
One of my personal favorite dishes to make witch is very easy and tastes great using quinoa uses quinoa with wild rice and lentils.
I begin by pouring wild rice into a pot, add lots of water (more than you would for other rice). Heat should be on medium. I add the soup bouillon cube at this point, then take off and do something else for a while, wild rice takes a while to cook so it is good to go do laundry or check email or plan an arson (JUST KIDDING 😉 ) while it cooks. After about 20 minutes, I add quinoa, I like using red quinoa with this variation if I have it, but any kind is great. I also add lentils at this point. It will take about another 15 minutes after this, so I add some pepper, or garlic, then go off to play video games or write a letter to a prisoner, or whatever. Again I cook it until the water is gone, then it is done. Simple.
I generally like it as is, but if you want you can always add a bit of soya sauce or other stuff to your taste.
A cage is a cage Is a cage Is a cage Is a cage Whether barbed wire Steal bars Or build of addiction and fear It’s the same Freedom knows no boundaries Walls Borders Or Shame
A cage is a cage Is a cage Is a cage It’s the same Human are animals We all deserve to be free Not one set of limits for you And another for me No prisons, or mink farms Jails or zoos No Pet stores or backyard chicken coops no psych wards where inmates are held without consent No ant farms Or cattle barns Or pens to breed animals in Liquor stores or beauty norms or other forms of boxes to keep people IN.
There is no justification you can give to me that is good enough to continue with this No matter how many walls, cameras, or cages We will always resist
Keeping any living being captive without its consent whether it is to punish them to eat them to pet them or to use their labor or bodies for our needs
A cage is a cage Is a cage Is a cage It’s the same
There’s no walls in a forest, desert, or stream No bars in the oceans, the sky or in my dreams
It is with great enthusiasm that we are announcing the 2013 speaking tour for anthropologist, unschooler, and anarchist Layla AbdelRahim. Layla will be touring with her new book Wild Children – Domesticated Dreams through various communities in the Cascadian Bioregion.
We are still booking dates. If you wish to organize a speaking engagement with Layla in your community please get in contact: firstname.lastname@example.org
Tour dates so far:
Tuesday October 8, 5:30-7:00
Kwantlen Polytechnic University Surrey BC, Unceded Coast Salish Territories Crime and Reward from an Anarcho-primitivist Perspective.
Saturday October 12, Venue TBA
Vancouver BC, Unceded Coast Salish Territories The Insidious and Resilient Narratives of Domestication: Pitfalls to Watch for in Autonomous Learning Zones.
Tuesday, October 15, 7pm,
Camas Books – 2620 Quadra St,
Victoria BC, unceded Lekwungen Territories What’s in a Class? On Reproduction of Gender, Species, and Ethnicity as Categories for Labour and Consumption.
Friday, October 18, 7pm
University of Victoria Victoria BC, Unceded Lekwungen Territories The Ship of Fools as a Place of Spectacle, Healing, and Education where the Wild are Sent to Die.
Still seeking dates in Portland, Olympia, Eugene, and Seattle.
Full presentation descriptions:
Crime and Reward from an Anarcho-primitivist Perspective.
George Zimmerman’s acquittal in the shooting death of Black teenager, Trayvon Martin, this summer came as a surprise to many mostly because the civilised believe words and focus on language rather than on praxis and consequences. Namely, civilised people see the judicial system with its verbose process of trial as a system of justice and in the eyes of those involved in Zimmerman’s trial, there was “no evidence beyond reasonable doubt” that Zimmerman acted within the confines of the American law. The question thus was not whether killing someone was wrong, the problem that was to be resolved in this system of justice was whether the killer had the right to kill.
In this lecture, Layla AbdelRahim discusses the civilized premises that construct the human animal as predatory and thus centers murder in anthropology itself and reinforces the predatory narrative. Furthermore, this predation is structured by the classificatory system of civilized epistemology that categorizes groups of living and nonliving beings, whether human or not, as “resources” and “consumers” thereby excluding whole groups and immense suffering from the public discourse on justice. And as discussed in her book, Wild Children – Domesticated Dreams: Civilization and the Birth of Education, this predatory narrative is reinforced by both the medical sector and the system of education.
The Insidious and Resilient Narratives of Domestication: Pitfalls to Watch for in Autonomous Learning Zones.
Not only has the hierarchical project of domestication and civilization existed for the past ten thousand years, it has been expanding globally, engulfing more and more territories and bringing the world to a state nearing the brink of collapse of biodiversity and self-sustainability. This colonizing project has not been accepted passively. It has met strong ideological, epistemological, socio-economic, and physical resistance on both individual and social levels. Nonetheless, civilization has reached an epidemic level largely owing to its misconstruction of “knowledge” about human nature and the world. In her research, Layla AbdelRahim applies concepts from biology, anthropology, ethology, and sociology to examine the mechanisms by which socio-cultural narratives and material cultures reproduce themselves through domesticated bodies, minds, and desires. In this workshop, Layla will identify these mechanisms of perpetuating domesticated “unknowledge” and will engage a discussion on resistance to its narrative.
How do we know the world? How do we relate to the world and to our knowledge of it? Today, most people around the world believe that we cannot learn how to live in the world without having gone to school and received an “education”. However, what is this “education”? What is its content, its method, or its purpose?
Education is a systemic production, reproduction, and transmission of specific socio-economic constructs about humans, society, and the world. These constructs are then passed on as “knowledge”, which ensures the coexistence of epistemological classes as socio-economic classes in a hierarchical paradigm. Civilised science prioritises Cartesian thinking that divorces “reason” from “emotions” precisely because empathy with the exploited, the suffering, or the consumed will interfere with the project Civilisation.
In this conversation, Layla will discuss the underlying premises in scientific thinking about the world as a system of domestication of human and nonhuman resources for production, reproduction, consumption, and ultimately devastation.
The Ship of Fools as a Place of Spectacle, Healing, and Education where the Wild are Sent to Die.
The Medieval European allegory of the Ship of Fools was more than a metaphor or a literary ruse to critique the Church and the state. In Madness and Civilization, Michel Foucault argues that this trope was also a real socio-political tactic used to cleanse the civilised space by isolating the “mad” or the “unreasonable” from “society”. For civilisation, “reason” has two constituents: raison d’être and sanity. The sane are here defined as those existing for the purpose of domestication in a “natural” food chain hierarchy. In this sense, “society” consists of those working for the “reason” of domestication and socio-economic hierarchy, exploitation, and consumption and those who cannot or refuse to abide by the domesticator’s definition of their reason for existence are either sent to sanatoriums, hospitals, or other correctional facilities to be cured or killed.
Drawing from the research conducted for her book, Wild Children – Domesticated Dreams: Civilization and the Birth of Education (2013), Layla AbdelRahim discusses schools and children’s culture as spaces of such isolation and “correction”: where the wild raison d’être to dream and to exist for one’s own, known or unbeknownst to self purpose is extinguished and where the child is taught to exist to serve as a human resource in the chain of exploitation of nonhuman resources.
A spark has ignited in 2013 as nearly every day lately I have been reading about another new action taken against businesses that profit from the exploitation and murder of animals. Yes, rising from the ashes of Operation Backfire and the Greenscare, the Animal Liberation Front appears to be back in full swing again!
David Barbarash spent time in jail in the mid 90s for his involvement in the ALF, freeing cats from an Alberta lab, along with other smaller actions. He later founded the North American Press Office of the ALF, and was the official spokes-person until he retired in 2002. I asked David what his thoughts are on this recent increase in actions. “Brings a smile to my face!” he told me. “Even after all the new laws and repression animal and environmental activists are now subjected to, the spirit to resist and fight back continues. It seems there will always be a new generation willing to make sacrifices for animals and our planet, which in itself continues to give me hope for our collective future.”
If you haven’t been keeping up on the ALF news, in the last few weeks there has been nearly an action per day; ranging from low level insurgency like gluing locks and graffiti, to full on liberations such as the release of 2400 mink from a Idaho fur farm on July 28, 2013, or the release of farm pheasants on July 22. “This period reminds me of the early 1980’s when animal and earth activism was at the beginning of an upward trend, which peaked in the late 1990’s and early 2000’s.” David said.
Perhaps our new adage should be an action per day keeps the Vivisection doctor away! (on stress leave that is).
I first learned about the ALF through punk songs by bands like Conflict, and DROPDEAD – back around the time David was having his house raided by the cops – I have been a open supporter ever since. The ALF has been active for over 40 years now, freeing hundreds of thousands of animals world wide, with the activity waxing and waning at numerous points over the decades. It seems to me that we have not seen this level of ALF activity in the colonized nation states of North America since the 90s, and definitely not since the FBI attack on the activist movements in the mid 2000’s. Or as David put it “After 9/11 and the FBI crackdown, activism saw a downward trend. It will never disappear, it simply ebbs and flows as all life does. Perhaps now what we’re seeing is a new cycle beginning.”
This type of resurgence of course doesn’t happen in a vacuum; a lot of other rad shit is going down! In recent years there has been an increase in interest in eco-defence campaigns and campaigns of Indigenous resistance to colonization and destruction of their lands for resource depletion. Also in the last year has been the release of
For those who don’t know, the ALF is a clandestine, leaderless movement of human allies who risk imprisonment to save the lives of animals. The ALF originated in the UK in the mid 1970s, formed by former Hunt Saboteurs. You can not join the ALF, rather you take actions and in doing so you become the ALF. The ALF guidelines are:
1. TO liberate animals from places of abuse, i.e. laboratories, factory farms, fur farms, etc, and place them in good
homes where they may live out their natural lives, free from suffering. 2. TO inflict economic damage to those who profit from the misery and exploitation of animals. 3. TO reveal the horror and atrocities committed against animals behind locked doors, by performing non-violent direct actions and liberations. 4. TO take all necessary precautions against harming any animal, human and non-human.
Any group of people who are vegetarians or vegans and who carry out actions according to ALF guidelines have the right to regard themselves as part of the ALF.
David was part of an earlier generation of ALF activists, a generation where they took some very serious risks, “I hope this new generation has learned the hard lessons my generation had to face and are still dealing with, and are taking security and secrecy in the most serious way” he told me. “With each new generation of the cycle, hopefully lessons of the past are learned, and strategies evolve. It’s more dangerous now to an individual’s personal freedom to participate in a resistance movement, so i hope security culture has also evolved.”
Earth First! Has Released a Punk Compilation Benefit Album
Celebrating 34 years in print and direct action, the Earth First! Journal is the voice of the radical direct action environmental movement. Punk is an artistic movement founded in the same era on the principles of resistance and, as a culture, continues to boldly challenge a destructive system. … Continue Reading