Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
500 animals per day die in the labs of Huntingdon Life Sciences (HLS), one of the largest contract testing companies in the world. Beagles, primates, rabbits, mice, rats, cats and other species are burned, cut open, or injected with poisons all while alive to ensure products like Viagra and diet pills will make it to the shelves of stores around the world; as well as GMO crops, pesticides, fertilizers and house hold cleaners. A small handful of dedicated activists started a campaign that nearly brought the giant to its knees as over 500 companies quit doing business with HLS, including their insurance company. Activists also managed to get HLS dropped from the New York Stock Exchange, eventually stopping their stocks from being publicly traded altogether.
Jake Conroy was one of the activists involved in Stop Huntingdon Animal Cruelty campaign (SHAC) in the USA, helping to run the website, and lead demos. For this, Jake was sentenced to 4 years in jail.
PE: How did you get involved with animal activism, and more specially the SHAC campaign?
JAKE: I’ve always had strong feelings for the underdog throughout my life. It didn’t really occur to me until I was 19 that some of the biggest underdogs in the world were non-human animals. I had spent a long time thinking about the issues and reading books and pamphlets I picked up at hardcore/punk shows, and watching videos wherever I could find them (which actually was pretty hard to do in a pre-YouTube era). But I was somewhat on the fence about making that leap to get involved.
I was living in Seattle at the time, walking downtown to school, when I passed some folks protesting against the circus as they paraded the elephants for miles through the city. I passed them and didn’t say a word but it sat heavily in my mind that I should. So I turned around and walked back and asked what they were doing and who they were and how I could get in touch with them. They simply replied, “We’re in the Yellow Pages”. Sure enough, under Animal Rights, there was one listing – The Northwest Animal Rights Network. I called the number and listened to the info about the upcoming circus protests, and I went down that weekend by myself to join in.
The next 5 years I would participate in civil disobediences, run successful campaigns to close fur salons, help transform Seattle into one of the most animal-friendly cities in the country, and be arrested (with my current co-defendant Josh Harper) for engaging in the first whale hunt sabotage in US coastal waters by piloting a boat between whales and hunters.
In 2001 I had been working locally on the anti-HLS campaign in the Seattle area, when I got a call from a friend asking if I wanted to move out east for a few months to help start the office for this group, Stop Huntingdon Animal Cruelty USA. I had nothing else to do, so I packed up my belongings, put them in storage, and headed out to Philadelphia. I became so excited and inspired by our first 3 months that I never went back. I would spend the next 5 years helping run one of the most exciting campaigns of my life.
PE: What can people learn from SHAC, and from the repression you faced?
JAKE:I think the most important thing people can learn is that their activism needs to be strategic, smart, and creative, while being thoughtful, careful, and calculated. We shouldn’t rush in head first because that’s the way it’s always been done; rather prepare for all outcomes, be ready to accept them, and not fear them. We need to realize that we are under a microscope, so our actions need to be significant and have a focus on duration and long term strategy.
PE: What do you think made SHAC so successful?
JAKE: Bobby Seale, the co-founder of the Black Panther Party, once said that in order to be successful you have to capture the imagination of the people, and the anti-Huntingdon Life Sciences campaign and SHAC USA did just that. It began in North America at a time when national welfare organizations started to dangle paychecks in front of grassroots organizers, when they began shifting the debate away from liberation to welfarism, and when they made you feel like you were doing your part by voting every couple of years and sending in your donations to cover their expanding paychecks. They were disenfranchising the animal rights movement and getting folks to fall into line. But deep inside, we all wanted more.
SHAC USA sprang into action quickly and furiously. It said loudly and proudly that we weren’t going to sit back and accept bigger cages, and we were going to hold everyone and anyone accountable for their actions and support of animal cruelty, no matter when or where. We were happy to push the envelope and support radical ideas and tactics when others wouldn’t. We believed in people power, horizontal and autonomous organizing, and supporting and using every tool in the toolbox to enact change. Within months, we managed to gain victories as an all-volunteer organization of 4 where huge national organizations couldn’t. We captured the hearts and minds of activist communities and the general public, and we were off and running, bulldozing anyone that got in our way.
PE: SHAC centers on vivisection, specifically contract testing for consumer products like viagra and diet pills. Why focus on vivisection rather than fur, circuses, or the horrors of the pet industries, food/meat, or other areas of animal exploitation?
JAKE: There are so many atrocities perpetrated against the earth, and the animals, both human and non-human, that live on it. It’s very easy to fall into a pattern of trying to save the entire planet all at once. But we need to be strategic about our campaigns and smart about how we go about them. There had been a campaign against HLS since the late 80’s, with some amazing actions, but it just wasn’t getting the job done. But the late 90s saw a perfect storm of sorts in England. Activists had closed Consort Beagle Breeder, Hillgrove Cat Farm, Regal Rabbits and they were closing in on Shamrock Primate Farm and Newchurch Guinea Pig Farm. Energy was extremely high and victories were coming in swiftly. Meanwhile, Huntingdon had two undercover investigations released against them in the UK and the US, and it had almost bankrupt them. They were a huge target, teetering on the brink of foreclosure, and they needed a firm kick to push them over the edge. It would be a gamble, but it was part of a larger overall campaign strategy that was proving to be successful. HLS is the third largest contract research organization in the world and they were on the brink of being brought to their knees by grassroots activists. The time was just right.
PE: Do you still think that the SHAC Campaign can succeed at this point? What is the relevance of the campaign today?
JAKE: Martin Luther King Jr said that the arc of the universe is long and bends towards justice. And to add a footnote by Becky Tarbotton, “sometimes we don’t see it bend, sometimes it feels like it flattening out. And other times we can see that arc perceptively bending towards justice.” We didn’t close down Huntingdon Life Sciences according to our timeline, but I still believe the campaign can and will be successful. It’s suffered some major blows to it’s infrastructure, but like all good things, it keeps moving forward, it continues to bend towards justice. People are still active all over the world in the quest to shut it down for good and HLS is still financially hemorrhaging.
I think the relevance of the campaign is that it represents the tenacity, passion, and drive we as a global movement has to see justice served, no matter how long that might take. The tactics the SHAC campaign used were innovative and powerful, and they continue to be replicated by a broad spectrum of movements around the world to fight back. That alone is a testament to the relevance of the campaign and how successful it was and continues to be, regardless of the outcome of our explicit goals.
PE: How can activists today become more effective?
JAKE: Effectiveness and success is going to come by studying our collective histories, working hard and being creative today, while keeping long term future strategies in mind.
As activists today we have a unique opportunity to still talk to and learn from some of the greatest revolutionaries of decades past. These folks are still involved decades later and they want to sit with you, to have you learn from their mistakes, and understand their successes. We need to take advantage of these opportunities any chance we get before it’s too late.
We need to recognize that we are living in one of the most oppressive times to be an activist. Our targets wield more power than ever before and are getting away with using every tool in the toolbox to silence and imprison us. We need to take their lead and fight back in kind. We as activists need to realize that perhaps our old ways and tactics aren’t going to work anymore and we need to start thinking outside the box; to be more creative and look for other ways around the blockades before us in order to reach our desired goal.
Finally, we need to be smart. We can no longer rush in head down, into brick walls. We need to pick our heads up and look forward and see how we can strategically plan not just for this year but the next generation. We need to look deeper and with more thoughtfulness into how we are making change and how we can make it lasting.
PE: Are you still involved with animal activism now that you are out of prison?
JAKE: I’m involved with animal activism as much as I can be. I am currently finishing my third year of probation (out of 3), which puts restrictive conditions on you and your actions. Your whereabouts, employment status and financial records are all monitored by the federal government. I have a list of 30 or so rules, some very specific, some very broad, that I am required to live by. If I violate any of these rules, the probation office has the right to yank me off of probation and put me back in prison. So while they can be lax about certain things, getting in trouble doing animal activism is a sure way to end back in prison.
However, I still do as much animal activism, prisoner support, and outreach that I can. I am also employed by a non-profit environmental organization that uses non-violent direct action and pressure campaigns against global corporate targets to affect change. In a sense it’s much like SHAC, minus the radical aggressiveness that landed us in prison.
PE: If we truly want to be effective in our activism, it seems like in today’s atmosphere we should get prepared for the very real possibility of prison. Do you have any advice on how to prepare or was there anything that helped you get trough it?
JAKE: While I think activists today need to be very aware of the repression going on around the globe and learn how they can fight back, I wouldn’t say that prison is a very real possibility for a large majority of us. In the grand scheme of things, very few of us have actually been imprisoned for the amount of actions and campaigns that have been going on. Unfortunately, while the number of folks in prison right now is rising, it doesn’t mean that we all are going to end up there some day.
The SHAC7 case was a perfect example of that. Thousands of people in North America alone participated in the campaign in their own way and it came down to a half dozen of us in court. The odds are in your favor.
If you are in the small minority of people facing prison time, I would highly suggest turning to those who have been or are currently incarcerated, for advice and counsel. Prison is a place like no other; nothing can possibly compare to it. It’s a place filled with bizarre rules and expectations and nothing can really prepare you for it outside of the experience of others. I spent a lot of time leading up to my incarceration writing friends that were serving time as political prisoners, asking them every thing I could possibly think of. We would write tomes back and forth. But ultimately nothing can fully prepare you for the experience.
Ultimately, prison is a dark and lonely and depressing place. And one of the few things that can put a smile on an inmate’s face is a letter. It is what makes the experience survivable. So I would encourage everyone to look through the lists of political prisoners and find a couple that resonate with you, and write them. It doesn’t have to be a lengthy diatribe on your political beliefs (its better that it’s not), rather, write them about your day, the last back packing trip you took, the last meal you made. Send a photo or a postcard. Anything will brighten their day. Take the time to foster a relationship with them and help them get through their experience. What may seem like an insignificant 20 minutes to you writing a letter, it can be a total life saver when on the receiving end while in prison.
PE: How much dose having a terrorist enhancement effect your life? And how do you feel about being considered a terrorist in the eyes of the government?
JAKE: Just to be clear, none of the SHAC 7 received a terrorist enhancement during sentencing. We were, however, classified by the Bureau of Prisons as domestic terrorists. This meant that during our stay in prison and our time on probation (and I’m sure afterwards), that label followed us around wherever we went. In prison, for me, that meant all of my phone calls were monitored and recorded, all of my incoming and outgoing mail was opened, read, and photocopied if they desired, and my ability to have my friends come visit me was drastically reduced. It also meant that I was put onto a ‘high visibility inmate’ watch list inside of the prison. I was one of 10 to 15 inmates that the administration said posed the biggest security threat to the institution, in a population of around 1300 inmates incarcerated for murder, rape, bank robbery, high-level gang activity, etc..
PE: Could you please recap what the charges against you were, and what you were accused of doing?
JAKE: Kevin Kjonaas, Lauren Gazolla and I were found guilty of 6 charges based on our direct involvement and so-called “leadership” roles with SHAC USA. They were one count of conspiracy to violate the 1934 Telecommunications Harrassment Act, one count of conspiracy to violate the Animal Enterprise Protection Act (now called the Animal Enterprise Terrorism Act), one count of conspiring to commit interstate stalking, and 3 counts of interstate stalking.
Essentially we were found guilty of running a webpage that advertised and editorialized events, actions, and strategy; that published write-ups of those events and actions after the fact (much like an online newspaper); that shared ideas, and supported the thinking of controversial ideologies. By doing all of this online, we crossed state lines to enter into a conspiracy with essentially anyone who had ever used the internet. By simply publishing and editorializing ideas and actions, we were encouraging anyone who accessed our webpage to go out and do the same things.
It was a far-fetched (yet successful) attempt at criminalizing controversial, yet legal, forms of demonstrations, supporting radical and controversial ideologies like non-violent direct action, and the sharing of ideas.
PE: Can you talk about the role music & subcultures can play in Animal Liberation and other activism?
JAKE: Subcultures and music has played a very influential role in grassroots and radical movements. The first time I was introduced to the idea of black power and the Black Panther Movement was after buying the album Fight The Power by Public Enemy when I was in junior high. As a white, suburban kid growing up in New England, those radical ideas didn’t make it into our classrooms. Soon after I would be introduced to hardcore and punk rock, which would open the doors to a do-it-yourself subculture, the straightedge philosophy, and veganism. Bands, ‘zines, and literature acquired at record stores and shows filled my imagination and passion with big ideas about grassroots organizing and direct action; the idea that we didn’t need large organizations and governments to enact the change we wanted to see in the world. That change was something we could bring about on our own and on our own terms. This idea wasn’t just mine – this self-empowerment and introduction to direct action through music communities was shared by 5 of the 6 individuals in the SHAC7 case, and direct action legends like Rod Coronado and Keith Mann. It introduced a whole generation of young people in the mid 90’s to veganism, activism, and direct action, that would eventually shape the entire animal rights movement.
Newly released FBI presentations show the flawed and misleading information the government is using to train agents to identify and investigate “domestic terrorist” groups such as “black separatists,” anarchists, animal rights activists, and environmentalists.
Among the more troubling portions of the training materials are warnings of activists using the Freedom of Information Act, engaging in non-violent civil disobedience, and gathering in coffee shops.
The domestic terrorism training materials were obtained through the Freedom of Information Act by the ACLU. They offer additional insight into a disturbing pattern of FBI activity misrepresenting political activists as “terrorists” and manufacturing “domestic terrorism threats” where none exist, akin to the notorious COINTELPRO program of J. Edgar Hoover.