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Making Punk A Threat Again!

  •  We are happy to announce our next new release

    WILT – “Self Titled” 

    WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.

     

    Here is a track from the upcoming LP

    https://profanexistence.files.wordpress.com/2017/03/02-sermon-for-the-bootlickers.wav

     

    “Sermon for the Bootlickers”

    Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you. 

    WILT will be on in Europe this July / August will ELECTROZOMBIES From Chile

    Wed, July 12 Hanover / Germany / Confirmed
    Thu, July 13 Bremen  
    Fri, July 14 Mulhem / Germany / Confirmed  
    Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed
    Sun, July 16 Paris / France or Amsterdam / Nederland  
    July 18 North-East France or West Germany 
    July 19 Freiburg / Germany TBC 
    July 20 Winterthur / Switzerland 
    Fri, July 21 Zurich / Switzerland
    Sat, July 22 Biel / Switzerland 
    July 23 Lausanne or Geneva / Switzerland 
    July 24 Geneva / Switzerland or Grenoble france
    July 25 Treviso (or Milano or Bologna or Verona) / Italy
    July 26 Ljubljana Slovenia Confirmed
    July 27 No Sanctuary chilling day
    Fri, July 28 NoSanctuary Confirmed
    Sat, July 29 NoSanctuary Confirmed
    July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
    July 31 Wiena / Austrai or Budapest or / Slovakia
    August 1 Brno / Czech Republic.
    August 2 Prague / Czech Republic
    August 3 Finsterwalde / Germany TBC
    Fri, August 4 Leipzig / Germany TBC
    Sat, August 5 Berlin / Germany / confirmed
    August 6 Dresden
    August 7 Wroclaw / Poland
    August 8 Warsaw / Poland
    August 9 Poznan / Poland
    August 10 Szczecin/Poland TBC
    Fri, August 11 Rostock / confirmed
    Sat, August 12 Hamburg TBC
     

    For this in the Seattle or surrounding area you can catch WILT this Saturday April first at Highline Bar with NOOTHGRUSH from Oakland.

    Anarchist anarchist metal blackened crust Crust D-Beat death Grind Metal Punk Rock thrash wilt
  • STORM OF SEDITION – “Decivilize” LP

    Are you prepared to brave the storm?…

    Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!

    Comes with a 12 page booklet containing lyrics, notes, and song explanations. 

    -CLICK HERE FOR PURCHASE INFORMATION-

     

    STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!! 

    Keep you eye’s peeled for a list of tour dates soon!

     

    Listen to the song “Disconnect” here… 

    https://profanexistence.files.wordpress.com/2017/03/storm-of-sedition-decivilize-05-disconnect.mp3

    Living a domesticated existence
    Starves people of meaning in their lives
    Everyone feels the void beneath the surface
    Of everyday activities and routines

    Miserable, exploited, mass populations
    Feeding the industrial systems endless hunger
    Treated like machines, living beings
    Enslaved and kept passive in a technological noose

    We live in these cages
    Made of concrete, glass, and steel 
    A functioning human made hell 
    Complete with natural scenery 

    Yet there is no community
    Deprived of connection with real people 
    Technology perpetuates alienation 
    But promises to connect us

    And fill the void in our lives
    In constant need of escape and distraction 
    From this fucking ugly world
    Technology creeping into our lives 

    Pop culture, pacifying shit
    Endless distractions to curb dissent 
    A society of lonely domesticated beings 
    Attempting social interaction behind a digital screen

    Clinging to the feeling of connectedness 
    Personalized profiles, mass communication tools
    Monitored and funded by pigs 
    Spying on people, on movements
    While corporations profit off government control
    Microsoft, apple, fedbook
    Endless lists of corporations
    Infiltrating our everyday lives
    The NSA, the CSE 
    Databases created from what you share
    Information for incrimination 
    Millions of people on terrorist watch lists
    Technology’s a weapon used against us 

    Its function is to propel their ability
    To efficiently exploit us and the natural world 
    While doing so capitalizing off selling us
    Gadgets to distract us from the lives we live and hate 

    Turn off that shit, enter the real world
    You are not connected
    You are alone staring into a fucking a screen

    Get outside, meet with real people!
    Even if we use these tools 
    We must never forget 

    Technology is a system created by and for those in power
    And it will only exist with 
    Division of labor, exploitation, and death

    Becoming connected through technology
    Is a sick fucking joke

    PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES

    WWW.PROFANEEXISTENCE.COM

     

    Activism Anarchist anarcho-primitivism Anarchy anticiv blackened crust Crust D-Beat DIY Grind profane existance Punk Punk Rock Storm of Sedition stormofsedition
  • aus-rot-logo

    AUS-ROTTEN

    “The System Works For Them” LP

    -FINALLY RE-ISSUED AFTER 20 YEARS!-

    Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.

    aus-rotten-the-system-cover

    All original artwork (label logos updated) with three different vinyl color options.
    All original artwork (label logos updated) with three different vinyl color options.

    In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading.  (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.

    "The Battlefield Is Still Red" Bloodsplatter Edition.
    “The Battlefield Is Still Red” Bloodsplatter Edition.

     

    PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one.  All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!

     

    "What Good Is Money, When There Is No One Left To Buy" T-shirt.
    “What Good Is Money, When There Is No One Left To Buy” T-shirt.

     

    To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.

     

     

     

    See through "Smoke" vinyl. Available at SKULLFEST record release show.
    See through “Smoke” vinyl. Available at SKULLFEST/ PROFANE EXISTENCE 27th anniverseray party / record release show.

     

     

     

     

    Vinyl options are…

    1. Standard black vinyl

    2. “The Battlefield is Still Red” Bloodsplatter vinyl.

    3. See through “Smoke”. – Available at SKULLFEST only

    ORDER HERE- http://profaneexistence.storenvy.com

    ALL PREORDERS WILL BE SHIPPED OUT BY AUGUST 19TH

     

    Flyer for PROFANE EXISTENCE 27th year anniversary party at SKULLFEST 8!
    Flyer for PROFANE EXISTENCE 27th year anniversary party at SKULLFEST 8!

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    PROFANE EXISTENCE – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES

    Activism Anarchist Anarcho Punk Aus-Rotten Behind Enemy Lines Caustic Christ D-Beat DIY Hardcore pittsburgh profane existence Punk skullfest
  • SILENCE 

    The Deafening Sound of Absolutely Nothing LP

    OUT NOW!

    Click here to purchase

    Silence-LP-Jacketpromo-withborder

    Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP.  At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.

    image1

    “The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.

     

    Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd  with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.

     

    Select shows with DJ Erica Scary!

    April 29: Pittsburgh, PA, at Down Launder, tour kickoff and Antifa benefit, w/ Empathy Box (https://www.facebook.com/events/1181565898523083/)
    April 30 (early show): Kent, OH at the Workshoppe, IWW presentation matinee punk show w/Cuttlefish Agenda & SAP (https://www.facebook.com/events/1697295593893224/)
    April 30 (late show): Akron, OH at Anabelle’s w/Empathy Box, Rabid Reason, Weird Penis (https://www.facebook.com/events/214123672288175/)
    May 1, Cinncinatti, OH, at Mockbee w/ Abraxas & Sour Ground (https://www.facebook.com/events/173087806408132/)
    May 2nd, Chicago, IL, w/Autonomy, venue TBA
    May 3, Minneapolis, MN at Cafe Reverie w/ Scrutiny & Verminoze (https://www.facebook.com/events/935701729883330/)
    May 6, Seattle, WA at the Kraken w/Frustration & Arcane (https://www.facebook.com/events/1595913700726950/)
    May 7, Bremerton, WA at the Charleston
    May 8, Olympia, WA, venue TBA w/ Flesh Collage, Duzz, Hen’s Teeth
    May 9, Portland, OR at Blackwater, with Vivid Sekt & Decomp
    May 10, Eugene, OR at Black Forest
    May 11, Oakland, CA at the Annex w/Ortiz
    May 13, North Bay Area, CA, venue TBA
    May 14, Reno, NV, venue TBA
    May 17, Asheville, NC at the Odditorium
    May 18, Baltimore, MD at the Sidebar
    May 19, Richmond, VA venue TBA
    May 20, Philadelphia, PA at the Beaumont Warehouse w/ Hellshock, Deathwish, Dronez, Interloper (https://www.facebook.com/events/200642220290173/)
    May 21, Oil City, PA, The Annex Art Exhibition Room w/ Swampwalk & Omission (https://www.facebook.com/events/1703401133252324/)
    May 22nd, Altoona, PA at the Anvil w/T-Tops, Warmingtons, Loyd Bird (https://www.facebook.com/events/1590404134615322/)

     LISTEN TO THE TRACK “WAR DRUMS” HERE.

    https://profanexistence.files.wordpress.com/2015/10/03-track-03-war-drums.wav

    Lyrics…

    When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?

    They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.

    Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.

    Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.

    11216846_941427835906092_2640867628394013088_n

    01.1-logo-
    PROFANE EXISTENCE RECORDS PO BOX 647 HUNTINGTON WV 25711 UNITED STATES
    Activism Anarchism Anarchist Animal Rights Crust goth Hardcore lp new release PE Peace Punk pittsburgh post punk profane existence Punk SILENCE Tour Veganism
  • new-banner2

    Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast! 

    warwound-cover-Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!

    LP – LINK

    LP+ SHIRT – LINK

    Wholesale 5 LP’s

    Wholesale 10 LP’s

    Audio “3 Minute Warning” Demo 3

    https://profanexistence.files.wordpress.com/2015/12/01-warwound-three-minute-warning-d3.wav

    Audio “Yopper Boy” Demo 2

    https://profanexistence.files.wordpress.com/2015/12/25-warwound-demo-2-yopper-boy.wav

     

    01.1-logo-

    PROFANE EXISTENCE RECORDS / PO BOX 647 / HUNTINGTON WV / 25711

    a huge black cloud Anarcho Punk Chaos UK Crust d-deat Hellkrusher Metal profane existence Punk sacrilege the varukers UK UK82 warwound
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PROFANE EXISTENCE has a web store filled with records, shirts, zines, tapes, patches, pins, CD's and more. Check it often as we are constantly adding new items to the list and selling out of old ones.

Visit the PE web store at:
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Tag: Crust

0 Doomed Society Radio #91 Is Here

  • June 10, 2014
  • by damieninbred
  • · Doomed Society · PE Web Zine · Podcasts · Radness

doomedsociety91

I’m back in Calgary after an excellent trip to California. And since I’m back, I decided it was time to bring forth a brain-spankin’ new episode of my crappy podcast, Doomed Society (which you can catch streamin’ every Sunday at 4pm EST over at Brutal Existence Radio!)!

And lemme say… this might be my favorite episode yet. I’ve got a wide variety of filth for you. A “Celtic Crust” set, a post-punk set, an East Coast 90s set, plus the usual crust and anarchopunk you’ve come to expect.

So please! Have a look, and download the latest episode! Oh, and tell all of your friends… especially those who hate punk. I find that sort of thing funny. Tee hee.

Love,
Damien

GO FORTH AND GET IT HERE

0 OC CRUSTSTOCK and EXTINCTION OF MANKIND

  • April 29, 2014
  • by thrashpunx
  • · Columns

OC Cruststock

 

So my tale begins about 15 years ago.  Believe it or not there was life before internet.  To find out about shows one had to come across an actual physical concert flyer, they didn’t get invited or alerted or notified…You were given a piece of paper with all the information of whatever shows might be coming to town.  Some people, some DIY “promoters” were better at getting fliers distributed across their town or city.  If they didn’t do a good job of getting fliers out to all the hotspots or bring them to any shows in the weeks or even months preceding the sacred date it just might mean that you missed out.  Hopefully your homies knew if you didn’t and they bothered to call you and let you know.  Again, sometimes you just missed out.  Sometimes the bands missed out too because there wasn’t anyone there, no one bothered to flyer the show…

MISERY and EXTINCTION OF MANKIND were coming to Denver and I had no idea.  I had made plans to go to Phoenix with a longtime friend to visit another longtime friend in his new digs.  He had been through re-hab and was now settled down and starting to get domesticated.  We wanted to go visit him, especially me.  When I had last saw him we were not on good terms.  He was doing a bunch of coke and we weren’t on the same page any longer.  Since I had stopped hanging out with him and his boys I was a target, they wanted to kick my ass.  Or maybe just more so him, that was the word on the “street” any way.

Eventually he moved and the immediate threat ended without coming to a head.  I moved on with life, moved to Denver and kind of forgot about him as I got caught up in the action of city life and my own new adventure.  Out of the blue one day the phone rang , I answered and was shocked that it was this dude.  We talked for hours, like it was high school again or something and forgot all the bullshit that had happened in more recent years between the two of us.  It felt good talking to him and I knew that I had to go see him as soon as possible.  And there our plans to visit our comrade in Phoenix transpired.

If memory serves me I think it was the eve before we were to start our drive to Arizona that I got a call from someone telling me that MISERY and EXTINCTION OF MANKIND were playing the next day!  What?!!  Why am I just learning of this now?!  Now I have to cancel my trip to Phoenix!  I can’t cancel.  This was an important mission, this was about old friendships and life moving forward.  But it’s MISERY and EXTINCTION OF MANKIND!…The right thing to do was to go to Phoenix, and we did.  We had a blast and relationships were mended and remain strong to this day…But I missed MISERY and EXTINCTION OF MANKIND!  FUCK!

Well years and years go by…It seemed like EOM might never come to the US again.  Every year I would wait and to see them announced on the Chaos in Tejas lineup to no avail.  And then it seemed as if the stars were aligned, they were announced for Maryland Death Fest and upon further investigation I came to understand that it was not an exclusive US date.  That had to mean they were playing Chaos in Tejas the next weekend.  Didn’t it?  No.  I waited and waited and then the rumors of no CIT started to surface, for weeks I was biting my nails and trying to get confirmation from friends in Austin.  Finally it was announced that there would be no CIT.  That was crushing, not only would I miss out on what had become a summer ritual but that meant there was no EXTINCTION OF MANKIND in my immediate future.

We started to look into MDF tickets but it was so much more expensive than CIT, especially the airfare.  On top of that were the horror stories of set times being cut short and douche bag bouncers that just didn’t “get it” being…well…douche bags.  Things looked grim.

But then like a glimpse of light cutting through the dense darkness of the deepest caverns an announcement was made that there would be an EOM tour!  Fuck yes!  I knew there wouldn’t be a Denver date but this guy was ready to travel.  With excitement I announced to the crew that we needed to pick a city to see EOM in.  We weighed the options based on price of travel and accommodations, friends that we could visit, and the possibility of catching more than one show based on their proximity to each other.

When we had narrowed it down to Portland or the Bay Area an alternative to CIT was announced…OC Cruststock!  A crust fest in Orange County!  This meant we could drive rather than fly, catch a bunch of killer bands and hang with our homies in SMD.  Word!

But the good news kept coming…before I knew it my own band (I have no qualms, I am plugging my band right here – ROÄC! [ We have an LP coming out on PE in June!]) had been added to the bill.  Through the network of solid friends and dudes in the know we had procured a spot on OC Cruststock.  Fuck yes!  I missed EOM 15 years ago but I get to share a stage with them in May.  That rules!

This is their second year throwing OC Cruststock and they have a hell of a line-up.  If Maryland Death Fest is too pricey and Punk Rock Bowling isn’t your thing, set your sites on the land of the beautiful people and get your ass to OC Cruststock!

Here is a link to the FB event – https://www.facebook.com/events/534454713337353/

And here is a link the blog page.  This page has ticket ordering info and more detailed info overall – http://cruststock.blog.com/2014/03/19/qu/

With ANTISECT having to cancel their tour it has been said that a headliner for Saturday is still going to be announced.  Regardless you still get EOM, ISKRA, AGAINST EMPIRE, ALL SYSTEMS FAIL, APPALACHIAN TERROR UNIT, DEATHWISH and more!!!

See you in OC!

 

The full list of EXTINCTION OF MANKIND’s tour dates:

MAY 2014
16- Seattle, Wa @ Highline Bar
17- Portland, Or @ Slabtown Portland
18- Portland, Or @ Blackwater
19- Eureka, Ca @ The Ink Annex
20- Oakland, Ca @ Eli’S MILE HIGH CLUB
21- Ventrua, Ca @ The Garage
22- Tijuana, Mx @ TJ Art & Rock Cafe
23- Santa Ana, Ca @OC Cruststock
24- Baltimore, Md @ Maryland Deathfest XII
25- Baltimore, Md @ Maryland Deathfest
26- Richmond, Va @ Strange Matter
27- Philadelphia, Pa @ Kung Fu Necktie
28- Boston, Ma @ TBA
29- NYC @ The Acheron
30- Pittsburgh, Pa @ The Shop
31- Chicicago, Il @ Cobra Lounge

 

See ya’ – JoshMosh

0 War//Plague “The Temperaments Of War” Is On The Horizon

  • April 28, 2014
  • by damieninbred
  • · News · PE Records · PE Web Zine · Radness · Reviews

WP_ToW_promo

Okay, shut it down – the year is officially over. We have the record of the year here, and it’s only April. War//Plague, the best modern crust band in the midwest (if not all of America), have brought forth what is easily their finest work to date. “Temperaments Of War” is their latest release, and is an absolute masterpiece. Without giving too much away, this is a concept record (without the prog-rock pretentions of the term, thankfully!), comparing the Four Humors to mankind’s obsession with war. This is a unique thematic approach, which hasn’t been explored through extreme music before. A much more interesting take on war and war culture than the countless dis-clone “war is bad/bodies burning” lyrics which have become a sad cliche these days.

For those not in the know, War//Plague build upon an impressive legacy of American crust, and bring to mind the glory days of the ’90s anarcho/crust scene, but without becoming another rehashed nostalgia band. The passion is there in every note, which you can feel from the minute the needle hits the record. War//Plague are the new standard-bearers of the crust movement.

(Damien Inbred)

0 Review: ISKRA, Ahna, SoS, NotⒶCost, benefit for the Sinix Nation

  • April 26, 2014
  • by Comrade Black
  • · PE Web Zine · Reviews

I have never written a show review before. This show was incredible, one of the best I have been to in a while. I know the review is a bit late, but I still wanted to post this cause the show was so good it deserved a review. Victoria has an amazing scene going on these days which has grown in some very positive ways over the years. I am glad to be here and be part of it.

I was feeling pretty anxious before the show, and if I hadn’t told a few friends I was going I might have skipped out. It has been a while since I enjoyed a show this much. These days I often get a lot of anxiety and so I end up skipping a show or just feeling really unsettled the entire time and unable to enjoy the music.

The show took place at the Rat Shack a local DIY venue, and it was packed. I missed the very beginning; I heard they started by talking about the Sinixt people and their struggle, and why it is important to support. I came in about half way through NotⒶCost’s set. They are one of Victoria’s newest bands, and this was their second show. They were well practiced, and definitely don’t sound like any other bands around here. A very unique sound – although not really my thing personally. Still their performance was impressive just in how together they are considering their all pretty young as a band, and for some this is their first real band. I know a few of these folks personally as well and know they are good people who are political, active, and in this for all the right reasons, so I look forward to seeing where they go as a band and as individuals as they develop more.

AHNA played next. I really love this band, if you haven’t seen them yet I highly recommend them as they are a real treat. Their set sounded like a wall of fucking noise hitting you, as it filled the room. Noisy, crusty, heavy as hell, AHNA is also quite unique though and seem to take influence from the noise genre as well as crust, sludge, and grind. Between songs there was still so much noise that it gave them a consistency that felt different from all the rest of the bands, and from most I have seen. AHNA is one of those bands that when I first saw them I could barely stand them, but the next time I saw them was about 2 years later in Calgary and I was completely blown away. I am extremely glad I gave them a second chance as they have become one of the few bands I look forward to seeing.

 

Storm Of Sedition came up next and picked up the tempo a bit with something a little closer to traditional crusty punk. They are a newer local band, formed of long time seasoned musicians who have played in numerous of my favorite bands over the years; and it really shows. With members who have played in Mechanical Separation, Leper, Mutiny, as well as a couple current members of ISKRA. Storm of Sedition is tight, and well practiced, they have great crusty riffs With back and forth vocals, female and male, and with that driving sound I love that usually only d-beat bands can satiate; but they were a little bit more complex than the average generic d-beat band. Aside from the music one thing I really liked about Storm of Sedition is that between songs when they stopped to introduce the next song, they made sure there wasn’t a bunch of feedback or anyone playing while they were talking – so you could actually hear what the songs were about. This is especially important with bands that have dirty sounding screaming vocals over heavy music. SoS had an anarchist-primitivist influence; even having a song about the connections between the culture of mass shootings and it’s connection to our alienation from nature. I fucking loved it. I loved their set, and look forward to their recordings. Every town needs a good straight up punk as fuck band.

ISKRA closed the show with a performance that would be near impossible cody drumsto follow. They seem to be known for doing that. I have seen ISKRA play in vic since the first week I moved here in 2005 and I never get sick of hearing them. Few bands can bring what they do. Fast intense guitars and complex fast drumming with blackened riffs, incredible vocals, heavy as fuck and again great politics –over the years ISKRA has only become heavier, tighter, and more intense. They started off their set by reading a long piece written by a friend who lives and organizes on Sinixt territories, explaining about the history, the resistance, and about the connections between the traditional ways the Sinixt have always lived and many aspects of anarchist philosophy; everyone listened respectfully as Wolf read it out. After which they began their set. Like always ISKRA didn’t disappoint. They played some of their best stuff, a mix of newer and older. People were stoked when they introduced Acceptance Not Tolerance and dedicated it to all the queers and trans people; using it as a jumping off point to talk about how protections under law will never really liberate us because a few yrs later as we have seen in the US now and elsewhere – those laws can be changed again and repressive laws brought back in. They ended their set with UAV, a song of theirs about drones. When the guitars started it felt like the room was so full of sound the walls wouldn’t hold up. It was an incredible way to end, as UVA is an incredible song and they

https://scontent-a-sea.xx.fbcdn.net/hphotos-prn2/t1.0-9/1511088_236966396490526_1556474474_n.jpg

played it to perfection. I think people were done after that, it was a lot to take in, as few people tried for an encore but the shouts and chants were a little less than usual. None the less ISKRA accommodated by playing one final song, a cover of Amebix to close the night. The punks in the room found it within themselves to get pumped for one last explosion of energy, and then the night came to an end.

 

 

I don’t know how much was raised in the end for the Sinixt, but I know they did decent. This is a great example of what real meaningful solidarity can look like. I was glad I could be there for it.

Review by Comrade Black
Photos by Imogen Bailey

0 Doomed Society #87 Has Arrived

  • April 20, 2014
  • by damieninbred
  • · Doomed Society · PE Web Zine · Podcasts · Radness

doomedsociety87

 

This fine Easter brings us vegan chocolate, cheap beer, and mysterious wounds on our wrists. Something about stigmata, or whatver.

In addition to those pleasures, I have a pretty badass episode of Doomed Society here for ya. From metallic crust to street-punk. A SUBHUMANS tribute set, some UK82, fastcore, and a 90s anarcho set. Plus so much more.

Go HAVE A LOOK

0 Doomed Society Radio #85: Gasping For Air

  • April 6, 2014
  • by damieninbred
  • · Doomed Society · PE Web Zine · Podcasts · Radness

episode85Apologies for the lack of an episode last week. I was sick and not really feeling the whole “talking to my computer while suppressing the urge to vomit” thing.

Well, exciting thing are happening around the Doomed Society camp: new shirts, a new episode, and this soup I just ate was pretty delicious.

This week on the show I have a wide variety of crap for you. Some hard D-beat, a tribute to Mortarhate Records, a tribute to the All The Madmen 2013 singles series, some super driving MotorCrust, and a tribute to the late Dave Gregg of DOA. All that and a whole lot more.

Go download it!

0 Doomed Society Radio #84

  • March 24, 2014
  • by damieninbred
  • · Doomed Society · Podcasts · Radness

doomedsociety84

 

Well golly gee, I’m a bit late this time around! You see,I was having too much fun celebrating the death of the world’s most hated homophobe, and time just got away from me!

Thankfully I even remembered to put a new episode together! And let me just say, this one’s… this one’s pretty good. To celebrate Phelps’ death, I start off with some LIMP WRIST, a bit of RAPE REVENGE, and BEYOND PINK – to name but a few! But that’s not all! I have brand new tracks by AHNA and CETASCEAN to help celebrate their brand new split (co-released by PE, by the way!), and classics from G-ANX, STATE OF FEAR, and SCORNED. Oh, and a UK82 set, a modern punx set, and some post-punk goodies. All this and more in the least-worst two hour punk podcast of the week.

Go have a closer look and download it!

0 An Interview With AHNA

  • March 16, 2014
  • by damieninbred
  • · Interviews · PE Web Zine · Radness · Uncategorized

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AHNA are a force to be reckoned with, combining elements of sludge metal, grind, death metal, crust, with a heavy dose of anti-authoritarian politics.They have never fallen into any trend or relive-the-past nonsense. AHNA are truly doing their own thing, making a hell of a lot of noise, and keeping it super real. Profane is proud to be a part of their new split 12″ with Winnipeg crusties CETASCEAN. To celebrate this new record, Damien Inbred sat down and had an email exchange with AHNA drummer/vocalist Anju.

First off, can you give me a bit of the history of AHNA?
We started as a two piece doing doom-drone and later had Graham on bass, Anju on drums, and a vocalist for a bit doing primitive doom stuff. We decided to go back to being a two piece and take on vocal duties ourselves and wrote our demo “The Confederation of the Cult of One” which led to our first record (s/t) that we also just recorded among ourselves. We have been a band for about 6 years and our focuses as musicians and writers has grown and changed throughout those years, with right now it just being an obsession with a variety of crust, old school death metal, primitive black metal, and other stuff in that realm. We basically just try to execute the ideas in our heads as best as possible and obsessively work on it. This might be why we started playing music together, we are both really committed and constantly work on music pretty much every single day. And I think this is also why it might seem that our music is often evolving or changing, since we are always challenging ourselves to do what we are inspired by. There is rarely a time when we are not writing.
Right now Graham and I write all of the music and lyrics and that’s fine for writing and even recording, but we feel that being just a two piece is really limiting in terms of what we can do live. Traditionally, we have always played all instruments on our records ourselves and Graham and I would do all guitar etc.. overdubs, but live it would be challenging to do what we managed to achieve in studio. Now Graham has moved onto playing lead guitar and we have a bass player (Derek) and a second guitar player (Taylor) to try to get a sound that is as close to what comes out on our records as possible for when we play live. The people we have playing with us are our friends and the lineup might change from tour to tour based on who is available for what tour or recording and this lets us continue with the level of commitment we both have while getting some help live and in the studio from friends who are stoked and wanna do that stuff with us. On this split with CETASCEAN, our friend Taylor played bass on the recording which meant that Graham could focus on guitar and then guitar overdubs and it was definitely way less pressure and allowed for more interesting guitar parts to come out. Having a third person record with us was a totally new approach and it worked well. It was great to have him there and he will be playing 2nd guitar on our LP and Derek will be on bass.

Aside from the split 12″, what releases do you have coming out in the near future?
We have a split 7″ with raw d-beat punks CONTORTURE from Sweden that is later than expected, but should be arriving any day now. We also have a split 10″ with Canadian gore-grinders G.O.D (GROTESQUE ORGAN DEFILEMENT), and then we will be recording out next full length LP that we hope will be out in time for our tour in late July. A Danish label is also going to be doing a Discography cassette of our stuff in Denmark ideally for when we get there for our tour.

You did a tour of Europe last year with ISKRA – how did that come about? What was the tour like? What were some of the positives and negatives?
ISKRA are good friends of ours and we wanted to tour with a band that was like minded so we all talked about it and it happened. As a band they are incredible to watch, night after night they played crushing sets. They are one of our favorite bands going right now and I believe they act with integrity and their music shows their sincerity and dedication. Everyone in that band is great as people and Wolf (guitarist) is someone who I respect and have learned a lot from. The tour was long and we had a total of 2 days off in 45 days or something and it went really well. The best part of that tour was watching our friends play to receptive crowds every night and having the chance to see them over and over. It seemed that people all over Europe really appreciated ISKRA and of course it’s the best feeling when you see your friend’s bands do really well. It’s hard to pinpoint any negatives, I guess not having any time off sucked but the idea that tour is a vacation is a misleading concept that even after many tours we have to remind ourselves is not the case. That said we wouldn’t be able to handle not playing music for longer than a few days very well anyway, so the lack of time off isn’t a huge deal for us. It’s hard to find negatives on a tour when we already spend our regular life playing music everyday, taking work out of the mix is the only real change and that’s always awesome.

What are some of the differences that you’ve noticed between touring in Europe, and touring in North America?
We haven’t toured the US yet due to a criminal record but Canada versus Europe is quite different. First the music we make seems to have stronger communities all over Europe. Smaller cities in Europe have a longer history of DIY squats and venues where that seems to be rare and newer in Canada. Quebec is probably the best province for that stuff here. And of course when planning a Europe tour we can tell our bandmates that they will probably be fed, get some drinks and a decent place to sleep whereas in Canada that mostly only happens when you plan ahead or know people. This all said, touring Canada is important to us since we now have a lot of friends and a strong community across the country. And especially since a lot of our friends and punks have moved to spaces off the grid, we visit and remind ourselves that there are options to live without being a wage slave.

 Vancouver has long had a vibrant and active punk scene of all stripes. Where does AHNA fit into the Vancouver scene?
We have a strong connection to a lot of different bands and communities in our city. Genre is not the defining point of how we participate since we appreciate punk and metal from a variety of genres and perspectives. We have a strong community of friends in bands in and around the city including ISKRA, HAGGATHA, HOOPSNAKE, MASS GRAVE, COOKED AND EATEN, FAMINE, SIXBREWBANTHA, OSK, WAR HERO, OBACHA, SHOOTING SPREE, CHAPEL, RADIOACTIVE VOMIT, KOSZMAR, HYPEREMESIS, POOR FORM, and so many more. Just based on that abbreviated list it’s clear that what’s happening here is really diverse, and so it’s hard to say where we fit in when we participate in a lot of it. It’s kind of a small scene so it’s crucial to support everything from raw punk to grindcore to black metal to crust if you’re into it, otherwise that shit dies out and then there’s nothing interesting left in the city. People in bands in our community tend to end up at shows you might not expect to see them, because people are supportive across genres. And obviously we have a lot of respect for our friends bands that we play with who have been keeping punk/underground metal going in this town for 10+ years like MASS GRAVE, ISKRA and HAGGATHA and I think that helps keep punk “vibrant and active” as you described it here, or “alive and thriving” as someone has described it in town before, ha.

Since we both also do harsh noise we also have a strong connection to local projects like THE RITA and RUSALKA as well. As a drummer, Anju’s main influence was Matt Wood (HAGGATHA/BISON) from when she first saw GOAT’S BLOOD years ago and that really totally started a path to where we are now. Now she takes a lot of influence for drumming from Nick (BAPTISTS), Brett (MASS GRAVE), Goat (EXPRESSION OF PAIN) and Bina (CAMBODIA). There is a lot of dialogue between musicians in Vancouver because we all love what we do. MITOCHONDRION is another local band that is slightly outside of the community we usually connect with but their originality and unique approach has inspired us though we end up with a different sound in the end. Of course close neighbours being Kamloops, we have a strong connection to bands like BRIDGEBURNER, SKUFF, CHANGE and also a new anarcha-feminist space in Kamloops called The Femme For All Collective which is run by Athena, Freja and Sian, all of whom now play in bands. It might be easier to ask how we fit in the BC punk community rather than just Vancouver since it’s pretty much impossible for our band to separate ourselves from the influence and relationship we share with Squamish, Kamloops, and Victoria.

Is there much of an anarchist punk scene in Vancouver these days?
We strongly support anarchism and play fundraisers with our band and our other bands and harsh noise projects often. All of the bands in our community may not identify explicitly as anarchists or political bands but the people involved all have an interest in maintaining a non oppressive community. People like Brett from MASS GRAVE, and Dave Mccrea from OSK have always shown me a lot of support and respect as a female drummer in a predominantly male dominated genre. Tommy Wilson who runs fastcore fest has traditionally supported politically focused bands like RAPE REVENGE and opens up that dialogue within the fastcore community by attempting to bridge those gaps. I bet these people may not even be aware of the importance of their subtle contributions. That said, we don’t have a unified specifically political punk scene here but I don’t believe that labelling something makes it more legitimate. If you listen to bands like SIXBREWBANTHA’s lyrics you will definitely find strong political ideas, though they do not identify specifically as a political band. So, I guess I would say that while we don’t have a labelled anti-oppression community in Vancouver, it’s happening and co-operation between people with slightly different viewpoints and perspectives is important to us.

Aside from AHNA, are you involved with any activist or political organizing?
We have been/are part of a couple projects that are focused on expressing anti-oppression ideas in punk and underground music by running physical spaces or events. The newest project is a radical space that is opening in the city in early March.  We support political organizing in the city by working in collaboration with groups who are interested to have our band or projects play or contribute in a specific way.

Where did the idea for the split with CETESCEAN come from? Will there be a tour to coincide with the split?
We are about 27 hours away from Winnipeg and yet both of our bands have made efforts to tour back and forth between one-another’s cities and play together. This created a strong friendship and we have influenced each other’s bands in the process as well. I don’t remember exactly how it happened when the decision was made to do the split, but it made absolute sense and it seemed to be at a good time while we are taking a break to record a few records before our next tour. They are an incredible band and we have a great personal relationship with all of the members.
We are not touring together to support the record, but we will be going to Kamloops and Edmonton on March 21st/22nd to play with CETASCEAN and HEAD HITS CONCRETE, and then doing a record release show in Vancouver on March 28th. We are touring ourselves on the way to the ROAR festival in Montreal in August and then we will head to Europe in late August to tour starting with a festival in Denmark. Our tour dates are approximately late July to early October and go from Vancouver to East Canada and then to Europe and back.

The split with CETESCEAN is called “Imperial Decline”. Who came up with the title, and what does it mean in the context of this record?
It’s hard to remember who exactly came up with it, but i’m pretty sure it was collaborative between the bands. The themes that both of the bands are interested in relate to the title directly, which is that people and systems in power are fucked. Both of our bands have had lyrical themes about oppression, genocide, and treatment of humans by other humans on other records as well. The title seemed fitting to sew the two sides of the record together.
ahna_cetascean_cover

On this split with CETESCEAN, what subject matter do the songs tackle?
The first track War Games is about a person at the top of the colonial food chain. Master of War was another title we were considering for this track, and it might explain some the ideas behind the lyrics. The song is comparing the war mongering person’s role to someone playing a chess game and not thinking about the lives they destroy, only ever thinking about it as a game because they never have to deal with any consequences.

The second song, Massacre describes the use of “total war” as a common tool in colonizing efforts throughout history in many countries. Graham was especially inspired by a particular event in a biography he was reading about Goyahkla (Geronimo) when writing these lyrics in which it was described how the army would wait until the men were out hunting and go in and slaughter all those who were unlikely to be able to fight back. There is also General Custard and the massacre at Wounded Knee. American history made this man a hero for going in and slaughtering woman children the sick and the old. The last lyrics are about the soldiers marching on to glory but actually marching on to their own massacre like the one at Little Big Horn. “March on brave soldier your penance awaits…..”.  When we wrote about hell and penance we were talking about the reality of the payback that is due for such cowardly acts: the violence that begets violence and the nightmare of retribution.

The third song (Death Sentence) specifically uses anecdotes from victims and observers of the effects of the use of White Phosphorous by the American army on Iraqi civilians in Fallujah. The chemical would burn its victims and cause incredible pain, suffering, and damage. In the lyrics the “rain of fire” refers to a common description made by residents of Fallujah of the day that the US army dropped WP on the city. The vision of the chemical dropping was described as being surreal and horrifying, and the aftermath showed that the only function the chemical had would be to torture, harm, and destroy. Most of the victims were civilians, many of whom were unable to evacuate the city in time before the chemical assault. Many of the victims were children. The lyrics don’t focus only on this particular event since they are a more general description of the use of fucked up weapons like this, but images and descriptions from Fallujah have stuck with us and were used in the lyrics.

Check out AHNA at http://ahnadroneviolence.blogspot.ca/

0 Nation On Fire: Doomed Society 83 Has Arrived

  • March 16, 2014
  • by damieninbred
  • · Doomed Society · PE Web Zine · Podcasts · Radness

doomedsociety83And here we are. Another bloody Sunday, another step towards civilization’s inevitable demise. I don’t have any easy solutions, but I do have a cracking soundtrack to help ease the pain, and get us through the mounting mental trauma of the end of life as we know it.

Always a cheerful show, this.

Go find it HERE

FEED THEM FUCKING GLASS: pipeline
AXIOM: impaled by chaos
ANOTHER OPPRESSIVE SYSTEM: wings of destruction
LEGION: exhausted
NAPALM RAID: dead cities
DOOM: suffering in silence
APPLE: double standards
HARUM SCARUM: break out
WITCH HUNT: a war on reality
BALLAST: direction askew
CALLOUSED: human structure
HUMAN INVESTMENT: 500 years
THE SYSTEM: thought control
ANTISECT: yet they still ignore
SUBHUMANS; subvert city
ALTERNATIVE: warfear
THE CRAVATS: i am the dreg
TEARS OF DESTRUCTION: death of a nation
ACROSTIX: awake!
DEVIATED INSTINCT: through the looking glass
EXTINCTION OF MANKIND: pray for the dawn
MISERY: soon be gone
NAUSEA: self destruct (live)
SACRILEGE: blind acceptance
BEHIND ENEMY LINES: politics of hunger
DETESTATION: a big white pat on the back
WORLD BURNS TO DEATH: the same old lies
APPALACHIAN TERROR UNIT: they’re all the fucking same
DRESDEN: blood red sky
GARMONBOZIA: breaking the silence
CODE 13: cities will burn
LOS CRUDOS: tierra de libertad
CONDENADA: promise of destruction
SIN ORDEN: otro dia
VARIX: madness
IN DEFENCE: don’t call me a moshist
DEFIANCE: fight the real enemy
BLITZ: nation on fire
KNUCKLEHEAD: shelters
IMPERIAL LEATHER: something out of nothing
ZOUNDS: dancing

0 Walking Death: Doomed Society Radio Episode 82

  • March 9, 2014
  • by damieninbred
  • · Uncategorized

doomedsociety82

Hey pals, Damien here with another new episode of Doomed Society Radio.

Spring has sprung, the grass has riz, and I wonder who those fucking oogles on my goddamned porch is?!

Anyway, nevermind that now. I’m celebrating the first extended bout of decent weather in Calgary of the year with a pretty badass show featuring classics by THE DICKS, DEAD SILENCE, FLOWERS IN THE DUSTBIN, MANKIND?, CONFLICT, and SPITBOY, plus future classics by CETASCEAN, FEMACOFFIN, CONTORTURE, PUSSY RIOT, VAIN COLLAPSE, and the RESTARTS. Plus a hell of a lot more.

Go have a closer look, and download it HERE.

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