Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
Yes! Finally, after what turned out to be a gigantic task of moving the PROFANE EXISTENCE distro from Minneapolis to Denver, transferring tons of data, and rebuilding the web store, we are finally set to open back up. To access the new store follow one of the many links from profaneexistence.com or access it directly at http://profaneexistence.storenvy.com
The first official PROFANE EXISTENCE title of 2015 is out and ready for order! We are proud to bring you the RIFLE DIET – “NO SOLACE”LP
Rifle Diet’s No Solace is a 12in 45 that combines the Classic Minneapolis crust sound with Swedish hardcore, D-beat and Epic crust (think somewhere between Servitude and Wolfbirgade, with hints of Tragedy and Fall of Efrafa). The beautiful cover art by Hannah Benoche sets a bleak mood for the dark music within, plus a cover of His Hero is a Gone – Chain of Command (ex-members of InDefence and Garmonbozia) This LP is a joint release between PROFANE EXISTENCE and BLOOD OF THE YOUNG RECORDS
To honor both the opening of the new store and our first release of 2015, we are giving a free copy of the RIFLE DIET – No Solace lp to everyone that spends more then $50 from Monday January 12th to Monday January 19th!!! This deal is for one week only. DO NOT MISS OUT!
*Note*Rifle Diet are playing a record release show 1/17/15 at the Dogplex in Minneapolis with Kontrasekt, Aziza, and Fucking. To coincide with that show all orders that contain the RIFLE DIET – No Solace lp will be shipped out on Monday January 12th.
The next release in the works is the new full length lp from APPALACHIAN TERROR UNIT – “We Don’t Need Them”.
We Don’t Need Them is the second full-length record from West Virginia punx Appalachian Terror Unit. ATU have become known throughout the years as being one of the most politically charged bands in the current punk scene. This new record is an all out attack on today’s society that takes ATU to a new level of intensity both lyrically and musically. The combination of the beautiful and thought provoking gatefold cover art designed by Stivart along with the brilliant recording and mastering job by Jay Matheson at the Jam Room take this record even further. Song subjects include the horrors of war, police brutality, destruction of the environment, rape culture, consumerism and much more. Expect a very heavy and much angrier approach from a band that has been around the block and matured their sound. Seven raging new tunes including the epic fourteen and a half minute track “We Don’t Need Them”, a song that will one day be ranked among similar greats as the SUBHUMANS “From the Cradle to the Grave” and AUS ROTTEN “And Now Back to Our Programming”.
APPALACHIAN TERROR UNIT – We Don’t Need Them will be pressed in the United States on PROFANE EXISTENCE & in Europe on SKULD /RUIN NATION
WARWOUND – “A Huge Black Cloud-The Demos 1983“
Another record we are very excited about is the upcoming WARWOUND – A Huge Black Cloud-The Demos 1983. Recorded in 1983, this record contains 15 songs from three sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND they are a UK band formed in 82, and released 2 demos in 83. Members went on to join THE VARUKERS and form the almighty SACRILEGE. Warwound are one of the first bands to take the politics and d-beat influence from DISCHARGE and combine it with the blown out sound of CHAOS UK to achieve total destructive raw d-beat ear bleeding chaos!
WARWOUND – A Huge Black Cloud-The Demos 1983 will be a split release between PROFANE EXISTENCE and ORGANIZE AND ARISE.
It will be available in the spring of 2015.
Other records and projects we have in the works for 2015 …
VASTATION (pdx formally night nurse) vs WAR//PLAGUE Split EP
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
With the rise in popularity of the ideas of urban gardening, deep ecology, and permaculture amongst activists, anarchists, and subcultures such as punk often questions of ethics seem to have become simplified to the equation of SUSTAINABLE = GOOD. Yet often all kinds of cruelty can be hidden behind the veneer of that buzzword sustainable.
The unfortunate reality is that simple fixes rarely offer much beyond false hope and easy ways out. Perhaps they help people to ease their personal guilt by assuming they are not part of the problem (everyone else is), but is this any more than a self serving delusion?
I grew up on a small family run farm in Alberta, 10 miles north of a town you have likely never heard of, with a population under 700. My mother grew up on that same farm with her two brothers. Her dad and his family lived there for many years, they had immigrated up from Nebraska where the family had farmed for a few generations since their original migration from Scotland, where again they had been farmers. It would be fair to say that farming is in my blood, so to speak (or perhaps I have just been reading too many Vampire The Masquerade books as of late?) Either way, I feel at least semi-competent to write about some of the ‘sustainable’ realities of small scale farming, drawing on my personal experiences.
I have many memories from growing up on the farm, from playing in the garden and eating carrots straight out of the ground with the dirt still on them, to collecting eggs from the chicken house, or chasing the turkeys for fun, being chased by the turkeys (which wasn’t so fun), or moving cattle from one pasture to another by horse back. There were some great memories too; picking saskatoon berries, wild raspberries that grew in the coolie, or building forts and campfires in the bush by the ravine. However, there were also just as many memories that were not so wonderful to look back on. Branding cattle with a hot iron as they screamed, or castrating steers — many city folks don’t realize you do not eat cows, and you do not eat bulls, you eat a male who had it’s nuts cut off so the flesh will taste better. All of which could be argued as sustainable.
Now I recognize that not all this is relevant to the popular trends I see amongst self styled alternative people over here on the west coast, as most of the folk punks are more into having pet goats and living on boats rather than farming beef or dairy cattle for auction. So I will try to keep more focused on the aspects of small scale farming that would be more of interest to the DIY crowd with their fantasies of farming and sustainable farming.
One of the more popular trends amongst the urban radicals is having back yard chickens, to collect and eat their eggs. Where I live, in the Cascadian bioregion, it has become almost as cliché to have 6-10 birds pecking around your back yard of your community house as it has to wear Carhardts, have a large dog, and all black clothing, or to play banjo. Unfortunately, I also live in an area where one thing that is not popular is sticking around. The radical community here tends to be quite transient in nature, with lots of college kids, traveler punks, and others folks who often didn’t come from here and even more often don’t have much intention of putting down roots. This is a common frustration to those who are part of long term projects propelled by volunteers, but none the less, it has its pros and cons. However for the chickens pecking the dirt and laying those golden eggs, it is a much bigger problem. An average chicken may live up to 8 years, which is far longer than the school term, or even a bachelors degree. A quick peruse of Craigslist at the right times of year will give you a good indication of just how expendable these animals are to many of the people who are excited in September (at the beginning of the school term) to build a chicken coop for their back yard. But even for those who don’t intend to go traveling or tree planting soon as the summer hits, few want to care for a chicken until it dies naturally of old age. You see, chickens only lay a lot of eggs when they are still fairly young, as they get older they will produce less and less. For many of the urban agriculture enthusiasts, a chicken that doesn’t lay eggs is just work with no pay off.
But the plight of the urban chicken doesn’t end there — or more accurately; it doesn’t begin there. You see, chickens don’t just appear, and they are not brought by the stork to deserving families, they come from somewhere – or in other words, someone breeds them. Few of the breeds of chickens people farm have any resemblance to wild breeds, and wild chickens are pretty rare these days due to our destruction of wildlife habitat for cities and farm land; never mind that there was chickens, like Europeans, are an invasive species to this part of the world. So most of the domesticated birds come from a hatchery; either directly – or indirectly.
I remember how exciting it was for me as a kid to order chicks. We would get a catalog in the mail, with pictures of the full grown birds, and you would select them by recording the order number of which breeds you wanted to buy. A few weeks later, you would get a large cardboard box in the mail which would be chirping. Upon opening it, you would see it packed full of fluffy yellow chicks, divided and layered with cardboard dividers so they could fit more into each box. Every so often a couple would die while in the mail, so you would get a few dead ones in every box.Kinda like two scoops of raisins, right?
An important thing to note is, that they also were separated not just by breed, but also gender. See chicks are born about half females and half males, but most people don’t want to order males. Roosters don’t lay eggs for one, and for two, if you have more than one (or maybe two) roosters, they will kill each other. So the chicks are bred, the females are sold through mail order and the males are killed. Yup, right into the wood chipper. When people get back yard chickens, they often order from a breeder or hatchery. I know some get “second hand” or even call them “rescues”, but where do you think those birds came from before you got them? Buying chickens is putting money into the industry that breeds them for profit. This is the industry of commercial chicken breeders, and they are often the same places that supply big farms, as well as small farms and your average urban gardener with their new found interest in permaculture. And I didn’t even talk about the forced insemination.
The study of words can reveal a lot. If you look at the etymology of the word Garden, we discover it is related to the German word for guard, and to words for walled, or closed lot. It doesn’t take a lot of thought to begin to see the relationship between these terms. As anthropologist Layla AbdelRahim explained in Wild Children – Domesticated Dreams, domestication requires the domesticator to control access to food and land. When you begin to garden a space, you must control what other species have access to that land or you will likely not have much of a crop to harvest. Whether we are talking about other non-human animals that might desire and easy lunch, or even competing plant species, insects, or other humans – gardening requires us to control what species are able to access the space. On an even more basic level, gardening usually begins with removing undesired plant species to prepare the land so we can plant seeds of the species we desire.
It has always amazed me how uncritically many Green Anarchists, Vegans, and Primitivists seem to embrace and support permaculture. Yet permaculture is in its essence another system of domestication rooted in anthropocentric desires. In other words, permaculture might be presented by its proponents as being sustainable (and therefore ethical) and based in local ecology, but in fact it is once again about human wants and needs. As well revered permaculturist Erik Ohlson explained in his interview in the book Tangled Roots: Dialogues Exploring Ecological Justice, Healing, and Decolonization, “Permaculture, which could be permanent—agriculture or permanentcultureis about designing human culture that is beneficial to both the land and to human at the same time.” That might sound great on the surface, but look at it a bit more closely and it follows all the same old patterns; humans are in control, Erik posits us as the managers and designers, and in the end it is about human needs first and foremost. Animals are not even acknowledged in this relationship, even though you would be hard pressed to find a permaculturist who doesn’t argue that domesticated animals are needed in order to maintain a healthy closed circuit. The implicit goal of permaculture is to make this human domination of wildlife spaces, plants and animals – sustainable and thus permanent.
I am fully aware that not every radical out there agrees with the anarcho-primitivist critiques of domestication, which sees domestication as not only the control of the wild, but also as the root of many other systems of domination such as patriarchy. It took me a long time myself to come to a place where I was open to those conclusions and the difficult questions they lead to. However there are many lenses to view the question of ‘sustainable farming’ through. From an animal liberation lens, another set of problems presents itself in that permaculture like other forms of gardening for human consumption involves turning wildlife habitat into farm lands that are exclusionary to certain wildlife, and even further permaculture also uses domesticated animals.
This is where it really becomes a problem for me, as it perpetuates the use and domestication of non-human animals for human benefit. But due to the SUSTAINABLE=GOOD formula, we choose to not see its implications for animals: both wildlife and domesticated. Often when I have presented these arguments to proponents of permaculture design, the response I get is akin to the lesser of two evils. The same argument often used to justify voting for shitty, racist, business friendly politicians.
I am by no means arguing that permaculture is worse for the land than monocropping, factory farming, or industrial agriculture, rather I am arguing that it is not the be all end all simple fix that many seem to desire it to be. Permaculture still means wildlife habitat is destroyed and used for human benefit that does not allow wild species full access and use of the spaces. Permaculture still involves captive breeding and continued domestication of animals for human consumption, whether it be chickens to scratch and turn the soil, or goats, pigs, or other species. Many of those animals will be from commercial breeders, and the care of those animals will continue to support industries that profit off of animal agriculture. Many of those animals will also still be killed in the end either so humans can consume their flesh and bodies, or because they have quit producing at the rates desired by the domesticators. Most of those animals will also be of breeds that simply did not exist in the wild, did not exist until humans interfered with their reproductive strategies to cause them to develop traits deemed more desirable. Did you know that wild pigs were never pink skinned, that sheep didn’t produce a harvestable amount of wool for hundreds of years after domestication, or that cattle bred for meat are different breeds than the cattle bred for dairy production? Wild cattle don’t produce as much milk, the animals we farm today are the product of thousands of years of selective breeding.
It is indisputable that modern industrial agriculture is anything but sustainable as it depletes the infrastructure of the landbase for higher temporary crop yields. Such a system by definition is incapable to sustaining itself indefinitely and would eventually lead to a collapse as once fertile croplands become less and less able to produce, due to nutrients in the soil being depleted. Technological fixes such as fertilizers may increase yields in the short run, but only work to deplete the health of the land in the long term. Permaculture on the other hand aims to be sustainable, which may be its most insidious trait. It seeks to make permanent the ability of humans to dominate the wild, and thus maintain industrial civilization. Advocates often argue that permaculture can allow us to use less land in order to grow crops to feed our populace (which is a population of not just humans, but also of the animals we domesticate for our use). However, promises of abundance aside, we live in a society of exponential growth. Capitalism is an economic system that requires such growth, both in profits and in populace which will consume the products of the capitalists. Permaculture does nothing to challenge or disrupt this growth, and in fact may allow it to continue far beyond the limits of industrial agriculture in its current form.
Capitalism kills animals. Industrialism kills animals. Civilization as we know it is based on the domestication of animals and destruction of the wild. I have no doubt that permaculture may live up to its promise of sustainability, I would even go further and suggest that many older practices of agriculture (such as crop rotation and choosing crops based on soil conditions) can also allow long term sustainability, yet like permaculture these techniques do nothing to challenge the relationship of human dominance, capitalism, growth, or cruelty to animals. The system always seeks to recuperate easy reforms in order to maintain itself. If we do not actively work to disrupt these power relations and include questions of ethics, sustainability will just become another way of hiding our violence and rationalizing our domination of other species.
At the very root of agriculture is the domination of other living beings by humans. At the very core of ethics is the question of domination and hierarchy. For me, any system that perpetuates these historical patterns is a system based on violence. I am always reminding myself that agriculture is a relatively new invention in the timeline of human existence. The world I would like to work towards in one that encourages and fosters the growth of wild species and habitats, not the subjugation of them.
I don’t know what the solution to all of this is, but I do know that if we hope for total liberation it can not perpetuate the oppression of others.
For those of interested in finding alternatives to these oppressive systems we need to consider more than simple solutions. Directness of our relationship to our food, and sustainability of our practices is only one part of the question we need to be asking. Another key question is, what is the outcome for non-human animals and for other species? Do the ‘alternatives’ we are promoting make any difference to the chicken in the cage? How about to the Wolf? the Trout? The Orca? Or Mycelium? Are they better off because of our actions? Or does our liberation continue to come at their expense? How can we begin to foster relationships that benefit wildlife? And how can we imagine our relationships to other species in ways that have the potential to be liberating and symbiotic?
Dumpster diving can be a blast, and a great way to get healthy food for many of us who were not born into class privilege. I don’t dumpster dive as much as I use to, but I have been doing it off and on since I first lived in a squat on the streets of edmonton, in 1996 at the age of 16.
I also have many friends and roommates who do the dive, and as awesome as it can be I have notice a few common trends and I feel like some folks might benefit from a little basic advice.
In Grime We Crust?
1) While there is many treasures to be found in the garbage, not everything in the bins is treasure. Often things belong in the garbage, sometimes way before they were ever thrown out. Products like Sunny D, or “Orange Beverage” which is sold for $1.00 when new, and tastes like watered down flat orange pop, belong in the garbage. Just because it is in the bin, doesn’t mean you need to take it out.
2) Leave some for other folks, you don’t need to take every scrap of edible materials from the bin. I know some approach dumpstering like it is their social mission to stop every scrap they can from hitting the landfill, but you gotta remember others might also be benefiting from that same store tossing their lunch. If you take everything, you might be taking food away from people who need it just as badly, or worse than you. If you insist on taking everything, consider going later, like 3am, after everyone else has come and gone, so that you are taking the leftovers rather than preempting others bin din.
3) Consider your social position here; if you have access to a kitchen, stove, oven, fridge and freezer – take stuff like produce which requires cooking and storing – and consider leaving products (like donuts, bagels, or pre-made meals in a package) that can be easily consumed without cooking for those who live on the streets and don’t have access to amenities.
4) Just because meat is in a dumpster doesn’t mean you have to put it in your body. Often I have seen formerly vegan or vegetarian kids start eating meat when they start binning, and rationalize it by claiming it would be disrespectful to the animal not to eat it… wait, did they actually just say it would be disrespectful not to eat an animal…? Yup that logical lunacy is a staple in the rhetoric of the ex-vegan ex. If you really respect animals, perhaps consider not viewing them as products to be consumed. Or better yet, join or start an group dedicated to animal liberation – above ground or clandestine – and take actual action to help living animals, or perhaps volunteer at the local rescues, sanctuaries, or adopt one from the shelters. There is so much work needed to be done and frying bacon out of a dumpster isn’t saving any animals, or your health, so quit making excuses. If you need to rationalize something, you probably shouldn’t be doing it.
It’s also just gross, all ethics aside. If you are consuming the flesh of animals from the dumpster, you are consuming torture. If you put torture in your body, don’t expect to get good health out. Never mind all the hormones, chemicals, and other crap. The flesh of domesticated animals from factory farms is simply toxic on so many levels. It always shocks me how people will get riled up about monsanto fucking with our food crops, or will refuse to eat soy because it is GMO, yet will fork flesh and puss (cheese) into their mouth 3 times per day.
4) Be picky. Dumpster diving is not a starvation economy, it is a fucking horn of pleanty. You can pick and choose and still bring home boxes of food most middle class yuppies couldn’t afford. So don’t eat shit, and don’t say thank you for the privilege. Take the good stuff and be healthy. Leave the garbage in the garbage.
Don’t put garbage in your body
The Dumpster Mafia – Organized Grime!
Simply eating garbage is by no means a revolutionary act, otherwise every seagull is a full fledged anarchist warrior leading the revolutionary vanguard! That doesn’t mean that dumpstering can’t be a ‘part’ of our anarchist practice. A few years back I had a roommate who really did try to make dumpster diving a revolutionary concept by applying ideashe learned from anarchist community organizing. He moved dumpstering from being just a lifestyle choice to actually using it to build community, organize, and increase food sovereignty.
He founded a group he named The Dumpster Mafia, it was organized similar to a CSA (Community Supported Agriculture) farm, and was by far the most organized and concerted dumpster diving I have witnessed or been part of. It involved a small team of volunteers, and anyone who either donated their time or a small amount of cash to cover costs, got a box of goodies hand delivered to their house every week.
The basic structure worked like this: he got a car given to him, a junker, which they would use to hit up the dumpsters, this way they could bring way more home in one trip, and could hit harder to get to bins out of bicycle range. In our backyard he set up a couple tents which he managed to get donated somehow, as well as a large chest deep freeze he got free off Craigslist. Beside the deep freeze, under the tents he had a series of good quality plastic bins, which he would use as refrigerators by filling plastic bottles with water to freeze them, creating diy ice packs, which were placed with food in the plastic bins under the tent (thus out of the sunlight). Food that needed to be frozen went in the deep freeze, produce and almond milk went in the bis, packaged goods like cereal just went in the house.
One group of volunteers would go dumpster each night of the week, using the car, and usually in pairs. They would go late so as to not take food away from anyone. They would process the entire bin, by taking out every garbage bag and piling them beside the bin, then systemically going through them one at a time taking out whatever food they could get which was worth bringing home, and finally placing the lightened bag back in the bin. Usually they managed to fill a car about 1/2 way by using this technique. They also would make sure to always leave the area cleaner than when they got there so as to not burn out their dumster supply by pissing off the stores.
The next team of volunteers would arrive in the morning, take the boxes of dumpster goods and process them: go through fruits and veggies that came in packages looking for bad ones to toss, or sometimes cutting off bad spots from fruit that could be eaten if frozen. Then they would place the food in the bins or freezer for the next group. The third group came by once per week, and would sort the scores into boxes to be distributed. Making sure to split food as evenly as possible. Finally volunteers would fill the car and make the deliveries to everyone who had contributed. Any money donated went to cover gas and insurance, although with 100% volunteer labor, very little money was ever needed, and the average volunteer only did about 2 hrs per week. It was a smooth operation for sure. And leftovers were delivered to a few local single moms down the block whenever possible, as well as to the local chapter of Food Not Bombs.
That entire year I barely bought food at all, and yet I ate fruit smoothies, stir fries, veggie bakes, and tofu scramble every day. It turned out to be a great way to build community, to get people working together, organizing, and it saved us all a ton of money. Plus we all were so healthy!
and remember, it’s even better when you do it with friends!