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Tag: Interview

1 Up The Ante to Shut Down the Stampede – No More Dead Horses: Interview with Marley and Sam from VADL

July 11, 2014
by Comrade Black
· Interviews · News · PE Web Zine · Radness

On July 4, 2 activists from Vancouver Animal Defense League locked themselves down to the inner railing of the chuckwaggon race track at the Calgary Stampede. Marley Daviduk and Samantha Baskerville used bike U-locks around their neck, in this inspiring act of civil disobedience. PE took the opportunity to ask them more about what they did, why they did it, and what they hope to achieve.

This interview with Marley and Sam was conducted by Comrade Black

PE: Why are you targeting the Calgary Stampede? It seems far away from home for a Vancouver based group?

Sam: I lived in Calgary for about 7 years and have always thought poorly of the Calgary Stampede. When this opportunity was presented to me, I couldn’t say no.

IMarley: I’ve been a horse person my whole life and my love of horses is what brought me to veganism and activism. Ever since I was young, the Calgary Stampede, specifically the Chuckwagon races, has been on my list of issues that needed to be dealt with. It came to a point where I felt that the Chuckwagon races were vulnerable and lacking public support. I hoped that an action like this would give us the opportunity to bring national media attention to the event and, for the first time, to their sponsor GMC. The Calgary Stampede may take place in Calgary but it’s an event that puts Canada in the public eye.

Sam: Being the largest rodeo in Canada, we knew that this action would raise international awareness and really enlighten people on the deaths and risk of injury during the Chuckwagon races.

PE: Was this action pre-planned, or improvised based on opportunity?

Marley: We started planning this event more than two years ago. This event was actually supposed to take place last year until Calgary was hit with a devastating flood, and much of the downtown core was under water including most of the Stampede grounds. The Stampede adopted the slogan ‘Come hell or high water’ and the show went on. We decided it would have been an inappropriate time to address this issue, the media was rightfully wrapped up in covering the devastation of the flood. There was a MASSIVE amount of planning and preparation involved with coordinating a crew of more than 18 people in 3 locations. In the last two years we have had dozens of strategy meetings, training sessions and fu VADL3 ndraising events. Sam and I had locked down to just about every basketball hoop, cat scratching post and fence post in East Van to train for this. We had to be able to get on the track, lock down and dispose of the key in less than 30 seconds, in full view of a crowd of 20,000 people. It would have been reckless to attempt this without serious preparation efforts.

PE: How did you get onto the chuck wagon track without being noticed or stopped?

Marley: All it took was a plaid shirt. Just joking. We paid for tickets to get into the venue and both Sam and I had our bags searched. Our bike locks were in our bags and we had prepared for the search by filling our bags full of tampons and pads knowing most people wouldn’t dig through them. The security guard took one look inside our bags, and basically recoiled in horror and pushed us through. Once we were in the grandstands, all we had to do was hop over one small barrier and we were on the track.

Sam: It was pretty easy. We just ran from the beer garden down the inner track and locked down. It took several minutes before security reached us.

PE: You have a lot of firsthand experience with horses, yet I have read some people are trying to dismiss you by claiming you don’t know what you are talking about…

Marley: It seems like the most common response from Stampede officials in response to opposition is that ‘these dang city folk simply do not understand the ways of the horse’. I understand horses as much as any of them, but it doesn’t take an expert to acknowledge the risk of injury and death associated with the Chuckwagon races. This years death makes it the 10th year in a row horses have died during the event. Denny was a 12 year old thoroughbred, he died of an aortic aneurism near his kidneys, resulting in massive internal bleeding.

Sam: My experience is minimal in comparison to Marley’s but I did have a horse while growing up and took lessons as a child. Regardless, when one or more horses are dying every year from an event that only lasts ten days, you know that something is wrong and change is needed.

PE: Did you have any expectations of the outcome? Were you hoping this would shut down the race?

Marley: We were hoping that our actions would get national media attention and we knew that would happen even if we got tackled before we had a chance to lockdown. It would have been great to have prevented the races from happening that night, but due to unforeseen complications we had to lock down earlier than expected which gave them more time to locate a grinder to get us out.

PE: In the video, the officials with the stampede covered you with a black tarp. What’s the significance of the black tarp?

Marley: They covered us with the black tarp, which is the same black tarp they use when a horse goes down on the track. They use it so the crowd cannot see what’s happening.

Sam: I felt like we were that tragic mess that they were trying to hide from the public. Just like they do with the horses.

PE: Are you facing charges now? What are the repercussions?

Marley: We are facing mischief charges, our court date is on Aug 20th. We are banned for 99 years from the Stampede and we cannot approach within 3 blocks of the grounds.

PE: How can people help?

Sam: We need to keep this momentum going by sharing information, helping the Calgary activists, and by voicing their opinion to GMC to ask them to end their sponsorship of the Chuckwagon races.

Marley: People can help by contacting GMC the sponsor of this event, asking them to pull their sponsorship. @GMCcanada 1-800-263-3777 They can support our legal defense and the cost of this action by donating here. The cost of moving a crew of 10 people more than a 1000km’s to Calgary was pretty expensive and we were not able to find a lawyer in Calgary who was willing to do pro-bono work for us.

PE: What other campaigns are VADL engaged in? Have you had much success?

Marley: For the last 1.5 years we have been targeting Canada Goose retailers with protest campaigns (Canada Goose jackets with wild trapped coyote fur). Our efforts have resulted in 2 (out of 14 Vancouver retailers) dropping the brand and adopting a fur free policy. For a more detailed list of our campaign history please visit www.vancouveranimaldefenseleague.com

PE: Some people feel the tactics employed by VADL are controversial and too confrontational; why do you choose these tactics? Are they proving effective?

Sam: Protesting outside the venue was no longer bringing the attention that we need (although I still appreciate their efforts and encourage them to continue) so we had to amp it up a bit. And look, people are talking and the support has been overwhelming.

Marley: Sometimes I think we get more criticism for our tactics from vegans in the movement than from the opposition we target, especially when it comes to those who are involved with large multi-national organizations. We choose these tactics (pressure campaigns) because they work, and they provide achievable goals; which keeps people involved and motivated. Civil disobedience, like a lockdown, is not something we see very often within the Canadian animal rights movement, and yet actions like this have been such a massive part of AR history. We hoped to inspire activists across Canada and show them that there really is a diversity of tactics available that go well beyond vegan outreach and we hope to see more actions like this happening within our movement.

PE: Where can people get updates on your actions? Is there a way people can get involved with this campaign or VADL in general?

Marley: People can get in touch with us via facebook or vancouveranimaldefenseleague@live.ca or www.vancouveranimaldefenseleague.com

PE: Is there anything else you want people to know about the stampede?

Marley: We want other activists to know that we chose the Chuckwagon races because we felt there was a tactical advantage to isolating this race, not because we are at all okay with any other rodeo events.

Sam: While Marley and I cannot participate in direct protests against the stampede, I strongly encourage Calgary activists to continue the fight. The rodeo consists of events that cause extreme stress to the animals involved and continuous action is needed to bring the abuse to light so that more people will raise their voice against the Calgary Stampede.

PE: Any last advice for other activists?

Marley: My advice to other activists would be to pick a tactic/tactics that you are comfortable with and work at them without condemning the actions of others. I see so much public criticism of campaigns and tactics, specifically coming from people with little or no knowledge of historical campaigns and what has worked in the past. All I can ask of people is to embrace a diversity of tactics, please challenge yourselves, and finally lets learn about the history of our own movement.

Sam: don’t be afraid to push the limits a little bit, as long as it’s done safely and you are prepared to face the consequences responsibly.

1 Blown Away: Guns & “Random” Mass Shootings – An Interview With John Zerzan

June 13, 2014
by Comrade Black
· Uncategorized

In recent weeks there have been a number of mass shootings throughout North America which is becoming increasingly normalized in modern society. John Zerzan has written and spoken extensively about the phenomenon of shootings, never shying away from the difficult subjects and questions that many others actively avoid.

Interview by Comrade Black

John Zerzan (right) with PE writer Comrade Black (post-Left)

PE: I remember you once saying on your radio show that when the media talks about mass shootings they use a set of buzz words and often present it as though these acts are incomprehensible. Can you explain what you meant and why this is problematic?

Zerzan: First, let me say that my focus has been on the unprecedented rise in what are commonly called “random” multiple shooting; those that, as you say, are presented as incomprehensible. Of course they are not incomprehensible and speak to the nature of modern mass society. They are deeply symptomatic of the growing isolation, a product of the disappearance of community. Society becomes rapidly more technological and – contrary to the propaganda claims of the tech agenda – people are ever more adrift and lonely. With less and less to hang on to unspeakable things happen.

PE: Often mass shootings get blamed on mental health, yet many of these killers had no history of known mental illness?

Zerzan: Yes, most of the shooters have no history of mental illness. More often one reads what has become a kind of cliche description: ‘he was the quietest guy, very nice, never missed work or made trouble, etc’

PE: A while back there was an article about kids being bored by mass shootings. Do you think they have become part of the spectacle? Or are they the cracks?

Zerzan: It’s possible that as these multiple homicide acts become almost daily occurrences events they are tuned out or even become boring. Think what else is routinely tuned among the common horrors of civilization…

PE: I saw a feminist blogger recently write that all these shootings have one thing in common, that the perpetrators are all men. What’s your take?

Zerzan: Not all the shooters are male. A horrible part of of the phenomenon in recent years has been family slaughters, including mothers murdering their children.

PE: I have heard you say that mass shootings are a phenomenon that appears to be unique to both the modern times and certain parts of the world? What is the connection between privilege and this type of violent act?

Zerzan: Roughly speaking, these rampage killings happen in the more technological societies and are spreading from the US to other technologically advanced countries. Thus one wonders how ‘advanced’ or ‘privileged’ these places really are. In terms of individuals it is less often poorer people committing theses acts, more likely white suburbanites, with some exceptions.

PE: Ever since Chris Dorner opened fire killing a couple cops, more people are beginning to target the police. As an anarchist, what do you make of this?

Zerzan: Police brutality and the militarization of the cops seems to be increasing. So, not a big surprise that more folks would strike back.

PE: Another interesting aspect of the more recent shootings, starting with Dorner – is that the killers used facebook or other social media to post statements before committing their killings. I am certain this will justify increased profiling and surveilence. What’s your thoughts on this?

Zerzan: Social media usage is of course extremely widespread so we see more use of it by shooters e.g. the Isla Vista killer recently.

PE: Layla AbdelRahim writes about how politeness and manners are a form of civilized violence that helps to hide the violence of our society. We live in a horribly violent culture that pretends the violence doesn’t exist; what do you make of these outbursts of very public violence in the spectacle of polite society?

Zerzan: Layla refers to how domestication represses the violence, if less effectively these days, eh? The violence is less hidden than ever but denial reigns and the ‘solutions’ put forth are very superficial. For example, gun control laws which miss the basic reality. That is, guns have always been very prevalent in this country, since colonial times in fact. But the shooting rampages as a common phenomenon is quite recent historically. A year before Adam Lanza killed twenty-some children at a school in Connecticut he called Anarchy Radio to tell of a chimpanzee who attacked its owner. The chimp had been dressed in human clothes, fed human food, provided with TV – and snapped because of the degrading domestication it was subject to. The bitter irony was that Lanza himself snapped and killed two dozen people about a year later.

PE: When Ted Kazcinski was arrested as the Unabomber, you wrote him letters and visited him in jail; how do his acts of violence differ from these others? Is it simple a difference in ideology?What can we learn from “Uncle Ted’s” actions?

Zerzan: Kaczynski’s acts were in no way random. They were part of an exclusively anti-technology campaign.

PE: Is there a connection between how we as a society treat animals and the land with this type of violence?

Zerzan: I think it’s quite reasonable to see the mass cruelty of industrialized agriculture – to use a big example of how animals are treated – as cheapening life in general and thus contributing to these explosions of violence among humans.

PE: I remember when the Columbine shooting happened which seemed to be one of the first; followed by another highschool shooting in Taber Alberta not far from where I grew up only a week or two later. As a kid in a highscool that was tormented and bullied nearly to the point of committing suicide myself; having a couple kids pick up guns and shoot back was something I paid close attention to. But things didn’t seem to get better in the aftermath, rather kids like me were treated like we were all potential psychopaths and nothing else really changed.

Zerzan: Bullying is one triggering factor in some of the mass killings. But bullying is nothing new whereas there is something unprecedented going on as mass society shows such pathologies. I went to a rough high school where, in addition to beatings by some of the priests, there was a fair degree of bullying. No-one brought a gun to school and started blowing folks away.

PE: Fredy Perlman described civilization as a monster that keeps growing and consuming, while telling the story of people who either resisted by running away until the monster caught up to them or by fighting back – often becoming more like the monster they resisted in order to stop it until it collapsed and they took it’s place as the new monster. How do we resist without becoming recuperated into the machine we seek to destroy?

Zerzan: Civilization must be attacked at a deep enough level to hit its target. Activism that lacks critique, lacks a qualitatively different vision or paradigm is doomed to be quite limited in my opinion. This means, among other things, that we must not shrink from embracing property destruction, which is hard to co-opt.

PE: You have argued that technology alienates us further. Are these shootings a symptom individualism? Capitalism? Lack of nature? Or something else?

Zerzan: It’s all these things even if technology is major – and generally overlooked. Domination is a totality and needs to be seen as such to avoid single-issue reformism.

As Adorno put it, in terms of causes: “It is idle to search for what might have been a cause within a monolithic society. Only that society itself remains the cause.”

PE: You have written about hope, where as the trend seems to be moving towards nihilism. Where do you find hope in times like these?

Zerzan: I am hopeful because I see the energy of resistance alive in many places. It has not gone away. And because I think that the system of domination is actually quite hollow and weak. It is plainly losing the allegiance of many on many levels, has no answers to the myriad problems it has created.

Cover of _Origins: A John Zerzan Reader_, 2010 Cover of _Future Primitive Revisited_ Cover of _Twilight of the Machines_, 2008 Cover of _Running on Emptiness_, 2002 Cover of _Future Primitive and Other Essays_, 1994 Cover of _Against Civilization_, 1999 Cover of _Elements of Refusal_, 1988

If you are interested in more of John Zerzan’s work check out his radio show Anarchy Radio, live every tuesday at 7pm PST. You can also read many of his writings at: http://www.johnzerzan.net/articles/

0 An Interview With CETASCEAN

March 6, 2014
by damieninbred
· Interviews · PE Web Zine · Radness

CETASCEAN play anarchist crust and organize d-beat damage parties in the north. When they were first getting asked questions, all they would say is that they dismantle corporations and send pure hatred to homophobes, racists, misogynists, and christ-heads. Further probing revealed them to be located in Winnipeg (Canada). Profane Existence is co-releasing their third record Imperial Decline, which is a split LP with Vancouver’s AHNA. They have released two other records, a s/t 7″ (2012) and the Crows 10″ (2013). Here is what they had to say about a variety of things.

(interview by Anju)

PE: How did CETASCEAN start as a band? Who are the current and past members?
Surgeon: CETASCEAN’s been around for about three years. Esmerelda and I were in a band called DEAD DOGS together and wanted an excuse to keep d-beating in dank basements and discussing anarchism. Drogo, our first bass player, helped write our first two records but then ended up getting really into photocopiers and kind of disappearing… Liz joined us about a year and half ago. He listens to a lot of grind, so we’ve definitely incorporated that style more into our new songs. Now you know everything.
PE: What are some of the main ideas behind your lyrics and music?

Liz: mainly our lyrics touch on social ills and other fucked up things happening around us. There is lots of racism, sexism and gentrification around us where we live and we try to critically and emotionally respond to that which see I guess.
Surg: Yeah…I would say we are fairly angered and sickened about the things that we see and due to our privilege, often directly benefit from. That translates into what we write. Without that approach, this band would cease to exist. I feel that the values are what drives CETASCEAN as a project.
Ezmerelda: maybe we’re a pretty typical punk band in many ways, trying to push certain registers that many people have pushed already for decades in punk. We’re not trying to do anything new, but we’re also trying to do it thoughtfully I guess.

PE: How does the song writing and lyric writing process work for your band? Is there one writer or do you write collaboratively?

Ez: For the music a lot of the time Surgeon comes to us with ideas and we work them out over many months, changing stuff infinity times before somewhat settling on a certain arrangement. Although not all ideas originate with him, it’s only fair to say that he spends more time writing riffs and thinking of arrangements for our songs. Lyrically, again it’s mostly Surgeon, though we’ve all written lyrics to at least one song. In this area we mostly stick to one person having control although input is always welcome and sometimes alters the final product.
Liz: Yeah, a few riffs usually become a song pretty quickly.
Surg: I do a lot of the initial writing, but do so with both Ez and Liz in mind. I feel like those two are what shape the style of this band, because what would come out would be drastically different if I was doing this without their input at the forefront. Pretty sure if I just wrote the songs we’d sound exactly like a worse AVSKUM. Ezmerelda brings what I would call a post-modern approach to this shit…he asks the question ‘why?’ when I’ve written things that are typical or cookie-cutter in terms of d-beat style or timing. He pushes us to progress and write different styles of riffs, to do something harder to define. Liz brings a delivery vocally and instrumentally that is both earnest and devastating. The riffs he has written are among those I am the most excited to play and record.

PE: Have you ever disagreed about your lyrical content?

Surg: Yeah that’s actually how I lost this finger (holds up hand with partially missing finger). Just kidding (laughs), but not about disagreeing though, because that happens and is important. Just because we are friends doesn’t mean we share exactly the same perspective, and we don’t sometimes. Dialogue about the lyrics is an important process to this band. When a song’s lyrics come together, we elicit and provide feedback. Each of us wants to write about things we have feel strongly about. Since our perspective is unique to us as individuals, dialogue is necessary to figure out what the position of our band is on the subject matter. Through these discussions our perspective becomes better informed. I really value both Ezmerelda and Liz’s perspective which have both challenged and supported my own at different times. Liz: the three of us talk about the general idea or theme of a song before attacking the lyrics, so we’re generally on the same page. Fine tuning is a normal part of the process, when we really want to be clear with what we’re saying though.
Ez: I think most people can benefit from some editorial feedback, no matter what it is they’re writing.

PE: Your album art steers away from some traditional punk themes; can you explain where the ideas for your album art come from?

Surg: Adam Kindred from CONTAGIUM/ABJECT PAX has provided us with our cover art up to this point. He has a beautiful and crusty mind (as well as nice glasses). We converse with him and provide him with ideas, he then runs with it in a way that is completely his own. The idea behind the crow ouroboros that donned our aptly named Crows EP grew out of the lyrical concept on the album. I find crows very fascinating as a species. Many have probably read how incredibly intelligent they are, in terms of societal development, facial recognition, and tool usage. I wanted to draw a parallel between two sentient species and make the connection to humanities inability/unwillingness to alter our clearly all-consuming destructive path. Crows still flourish in the face of our decline. This planet, no matter the destruction we cause, will continue in some form after we have disappeared. There will be no salvation for humanity. We procreate and destroy. The duality of our nature fascinates me.

PE: How do the tracks on this split differ from the Crows release?

Ez: We’ve moved away from the d-beat centered stuff from earlier records a little bit, incorporating traditionally more mince and metal rhythms. That’s the main diff to me.
Liz: Yeah, we like to sound punk sometimes too. Surgeon and I are playing simpler, heavier riffs in the stuff we’ve written recently.
Surgeon: I think anyone that listens to “Crows” and then to our new split will notice a bit of style departure. Although I feel that crust/d-beat will stay the backbone of this band, we’ve also been interested in bringing in elements of hardcore punk, sludge, stench, and blackened raw punk. Like if DEVIATED INSTINCT were swimming with DESTINO FINALE at NOOTHGRUSH’s 50th birthday party. Everyone’s just partying, having a good old time up in the pool with those floating pool noodles and then BONE AWL gets busted inside the house stealing someone’s VHS collection. Classic BONE AWL, amirite? The next 13.5 minutes is what our side of the new split is like I guess. Well not really. It probably sounds closer to Bristol squat-era AMEBIX tongue kissing “Hear Nothing…”-era DISCHARGE on top of an erupting punk volcano… a couple of goats watching, probably smoking weed and drinking root beers being like, “Woah – check that out. You don’t see that very often when you are in jail”. I guess in this scenario the goats just got released from prison. Also we are trying to be mindful to write simple progressions because I hate when a punk band begins over-producing and over-thinking their songs. This becomes a danger when you become more adept to what you are doing (not so much of an issue for me! Ha!), and want to keep progressing. Just because you can play more complex songs, should you? (Everyone take a second to think about this). We want to stay away from melodic or ‘epic’ sounding crust because none of us listen to that shit or find it interesting. We want what we are doing to be earnest at all times. We want it to be punk in both intent and implementation.

PE: What’s your next release?

Surgeon: we are currently working on our next release with Neanderthal-Stench, a label based out of Belgium. We are also releasing a tape to coincide with our tours this year which collects a lot of our unreleased material and hit singles.

PE: Why did you decide to do a split record rather than a full release of your own material? Why did you choose to do a split release with AHNA?

Liz: Splits are great. That’s no secret to anyone, I don’t think. It’s the opportunity to collaborate with another party, to create something that’s shared, but also complementary to each band’s offering. In some cases you meet new friends and cover new ground with splits; in this case we get to share this record with good friends of ours who we’re all massive fans of musically.
Ez: I think we first met AHNA when Anju booked us a couple shows in Vancouver almost 3 years ago and we really hit it off. I had been hearing some good things about AHNA already and was stoked to see them play. Since then we must have shared bills almost 10 times or something. I think we share a lot of common ground in terms of our approaches to doing music and doing being punk.
Surg: I was actually thinking, once all this LP/punk volcano bullshit gets sorted out, we should all get an apartment together. I’ve heard Squamish is lovely.

PE: You’re from Winnipeg. It rules for music, why do you think this is the case?

Ez: Egh. That’s your opinion.
Liz: Winnipeg has a handful of really great bands but it’s no punk utopia or nothin’.
Surg: I think it has been in a lull for about 3-5 years, roughly since we started, actually! I have definitely seen more exciting times, but I feel like every late 20s/early 30s punk has said that and it’s a fairly boring/unproductive sentiment. There are definitely way less women involved with our scene, which is disheartening and points to bigger issues to what is going on. It is not that women don’t like playing brutal music. It is the dynamic of our community which is continually pushing women out. As an all-male identified band we realize we are playing a part in that. I do miss the days when people gave a shit about their lyrics and everything wasn’t a fucking joke all the time. So doing this tour with HEAD HITS CONCRETE and this split with AHNA is exciting because I feel like we are doing shit with bands that care about what they are saying.

PE: Why is Ezmerelda such a sick drummer?

Surg: Well, funny story about ol’ Esmerelda here. Esmerelda stole part of his first drum kit from a POLICE cover band when they were playing a police BBQ outside of a police station. It was kind of like the Oscar nominated film The Perfect Storm. He just slow danced in and then slow danced out with two cymbals and a snare stand. Since that moment, Ez has been like I CAN DO IT with every new riff and problem with his punk house. I don’t use the word hero very often but…

PE: What are some of the political/activist activities you take part in?

Liz: Does reading stuff on the internet count?
Ez: I’ve only recently become involved in stuff other than taking vacations to Montreal to run amok. One group I’ve taken part in that I’m stoked about is the Prisoners’ Strike Support Network, which formed to support and raise awareness about the federal prisoners’ strike to protest wage cuts. This happened in the fall of 2013. We raised money for them and organized other shit aimed at raising the profile of the story and connecting with the strikers. Me and Surgeon were also involved in a DIY feminist venue/art gallery over the last few years called Negative Space.
Surg: We just finished doing a fundraiser for a long-standing anarchist bookstore that was going out of business. Other than that, I’ve been mostly trying to stay informed and support friends and family that are having hard times.

PE: When is Cetacean going to tour next?

Ez: End of March 2014 with HEAD HITS CONCRETE and our new record!
Surg: we’ll also be doing three weeks throughout eastern Canada and the US in July. Take us to your rich parents place and feed us their organic vegetables. We won’t tell anyone you have rich parents, don’t worry.

To listen to CETASCEAN’s new LP Imperial Decline (EXIST 149), check out:

www.cetascean.bandcamp.com

2 This Is The ALF! – The new resurgence of militant activism

August 10, 2013
by Comrade Black
· Columns · Events · News · PE Web Zine · Radness · Uncategorized

by Comrade Black

A spark has ignited in 2013 as nearly every day lately I have been reading about another new action taken against businesses that profit from the exploitation and murder of animals. Yes, rising from the ashes of Operation Backfire and the Greenscare, the Animal Liberation Front appears to be back in full swing again!

David Barbarash spent time in jail in the mid 90s for his involvement in the ALF, freeing cats from an Alberta lab, along with other smaller actions. He later founded the North American Press Office of the ALF, and was the official spokes-person until he retired in 2002. I asked David what his thoughts are on this recent increase in actions. “Brings a smile to my face!” he told me. “Even after all the new laws and repression animal and environmental activists are now subjected to, the spirit to resist and fight back continues. It seems there will always be a new generation willing to make sacrifices for animals and our planet, which in itself continues to give me hope for our collective future.”

If you haven’t been keeping up on the ALF news, in the last few weeks there has been nearly an action per day; ranging from low level insurgency like gluing locks and graffiti, to full on liberations such as the release of 2400 mink from a Idaho fur farm on July 28, 2013, or the release of farm pheasants on July 22. “This period reminds me of the early 1980’s when animal and earth activism was at the beginning of an upward trend, which peaked in the late 1990’s and early 2000’s.” David said.
Perhaps our new adage should be an action per day keeps the Vivisection doctor away! (on stress leave that is).

I first learned about the ALF through punk songs by bands like Conflict, and DROPDEAD – back around the time David was having his house raided by the cops – I have been a open supporter ever since. The ALF has been active for over 40 years now, freeing hundreds of thousands of animals world wide, with the activity waxing and waning at numerous points over the decades. It seems to me that we have not seen this level of ALF activity in the colonized nation states of North America since the 90s, and definitely not since the FBI attack on the activist movements in the mid 2000’s. Or as David put it “After 9/11 and the FBI crackdown, activism saw a downward trend. It will never disappear, it simply ebbs and flows as all life does. Perhaps now what we’re seeing is a new cycle beginning.”

This type of resurgence of course doesn’t happen in a vacuum; a lot of other rad shit is going down! In recent years there has been an increase in interest in eco-defence campaigns and campaigns of Indigenous resistance to colonization and destruction of their lands for resource depletion. Also in the last year has been the release of

the first feature length documentary on Vivisection Maximum Tolerated Dose, which is currently on tour with the Open The Cages Tour, as well as the debut of the ALF action comic book Liberator, all of which helps to raise awareness on the issues and keep topics like animal testing or environmental destruction in popular discussion. Perhaps one of the most ironic sources for keeping the discussion open on animal abuse in the last year was the animal industries and their political front-groups, who’s recent attempt at getting new legislation passed legally banning the videotaping of animal abuse industries turned into an industry PR nightmare, thanks to the work of good dedicated journalists like Will Potter (author of Green Is The New Red), who worked to expose these bills to the public.

For those who don’t know, the ALF is a clandestine, leaderless movement of human allies who risk imprisonment to save the lives of animals. The ALF originated in the UK in the mid 1970s, formed by former Hunt Saboteurs. You can not join the ALF, rather you take actions and in doing so you become the ALF. The ALF guidelines are:

1. TO liberate animals from places of abuse, i.e. laboratories, factory farms, fur farms, etc, and place them in good

Flaming Arrows, A Compilation Of Works By Rod Coronado. Probably the best book on animals liberation ever written. Fuck yeah!

homes where they may live out their natural lives, free from suffering.
2. TO inflict economic damage to those who profit from the misery and exploitation of animals.
3. TO reveal the horror and atrocities committed against animals behind locked doors, by performing non-violent direct actions and liberations.
4. TO take all necessary precautions against harming any animal, human and non-human.

Any group of people who are vegetarians or vegans and who carry out actions according to ALF guidelines have the right to regard themselves as part of the ALF.

David was part of an earlier generation of ALF activists, a generation where they took some very serious risks, “I hope this new generation has learned the hard lessons my generation had to face and are still dealing with, and are taking security and secrecy in the most serious way” he told me. “With each new generation of the cycle, hopefully lessons of the past are learned, and strategies evolve. It’s more dangerous now to an individual’s personal freedom to participate in a resistance movement, so i hope security culture has also evolved.”

In the words of imprisoned ALF warrior Walter Bond
“Animal Liberation – Whatever It May Take!”

6 Drawing (A) Militant Resistance: Interview with Indigenous artist and author Gord Hill

September 15, 2012
by Comrade Black
· Interviews

Interview by Comrade Black

Gord Hill is probably one of the most sought after speakers, writers and artists in regards to anarchism, militancy and Indigenous sovereignty in our area. His style is unique, drawing on his own cultural traditions and combining them with radical militant analysis of capitalism, colonialism, civilization and the state, presented in a format we would understand as a comic book. I have for years admired and been influenced by the work of Gord Hill, and on a few occasions have been lucky enough to organize events that he has taken part in.

Gord is a member of the Kwakwaka’wakw nation on the Northwest Coast.
I am very greatful that he accepted my request for an interview about his work and his latest comic book.

PE: I remember you saying once that your first comic was meant in part to help Indigenous people teach their children about their history. Who did you intend to reach with this new book?

It’s pretty broad, any one who is anti-capitalist, or who thinks the system is oppressive and unjust, who question the values and ways of life of capitalist society. It’s meant for militants who may have participated in militant actions as well as those who question the validity of such tactics.

The legendary crust classic is now available once again!

We are happy to announce our next new release

WILT – “Self Titled”

Here is a track from the upcoming LP

“Sermon for the Bootlickers”