The long awaited debut LP from NYC’s FLOWER “Hardly A Dream” is finally set to arrive.
FLOWER’s tedious approach to writing/creating/drawing their debut LP was carefully thought out and the result is a monumental anarcho punk /crust record.
“Hardly A Dream” Takes us on a bleak journey through the dark side of society. As soon as you drop the needle a dark atmosphere is immediately created with a slow intro featuring arpeggio guitar work that builds into pummeling d-beat crust. The albums vocals then leave you with a feeling of being crushed by the ever-present weight of living through our modern world of late stage capitalism that was built on the falsehoods of the so called American dream, religious hypocrisy’s, nationalism, and the greed of humankind.
FLOWER take many cues from predecessors and are most often (and rightfully so) compared to NAUSEA but they also take a heavy influence from ANTISECT, SACRILEGE & other greats. The artwork has a very RUDIMENTARY PENI feel and the record comes with an amazing 24.5 X 34.75 CRASS style poster jacket. All art work was meticulously hand drawn and overseen by the guitarist Willow in true DIY style and spirit. Willow was also cool enough to draw up a special shirt for the record release featuring an alternative PROFANE EXISTENCE backprint!
Dark, heavy, galloping crust from the streets of London. AGNOSY is back to present us with a ferocious beast of an album that can only be forged by the anger and frustration of living in today’s world. “When Daylight Reveals The Torture” aggressively attacks evils such the current rise of fascism and animal abuse. It intelligently and passionately touches on the Afrin invasion and the revolution in Rojava and shows nothing but utter disgust toward the arrogance of humankind’s lust for greed and power that will inevitably lead us down paths of war and environmental devastation.
While lyrically AGNOSY are much more politicly straight forward this time around than on previous releases, musically they have expanded on their sound to create a dark and moody atmosphere while at the same time staying crust as fuck. To say they know what they are doing would be an understatement from this band of vets whose members have played in HIATUS, HEALTH HAZARD, and BEGINNING OF THE END.
Long galloping intros are followed up by traditional d-beat, fierce solo’s are then meet with vicious vocals and pulverizing bass in a brilliant recording captured by Lewis Johns at The Ranch Production House and was mastered by Brad Boatright at Portland’s legendary Audiosiege. We then pressed on deluxe heavyweight 150-gram vinyl, printed on reverse board jackets, and included an 11in x 22in gatefold insert to bring you a high quality and truly epic record.
The legendary crust classic is now available once again!
Authorized and released in cooperation with MISERY, S.D.S., & MCR Japan & Remastered by Jack Butcher at Enormous Door Studio we are beyond proud to make one one the most rare and sought after crust records available once again.
Fuck the scavengers charging punks exuberant amounts of cash on ebay and discogs. We worked meticulously with both bands and with Jack at Enormous door to bring you an updated version that kicks major audio ass while maintaining the original authenticity.
Released on deluxe 150 gram vinyl. With an 11×11 inner sleeve. Black Paper Jacket. Reverse Board Jacket.
Earlier this year we re-issued this legendary LP and sold over 950 copies in just 4 short months. For this second pressing we pressed 490 copies on Krystal Clear & 485 on Grey Vinyl with Black Mist.
Stench crust the way it was meant to be played!
The UK crust scene of the 1980’s inspired band after band but no other band has ever reincarnated the sound of that time as well as SWORDWIELDER. Quite simply if you like crust, then this the album you have waited decades for.
Review by Craig Hayes from “Your Last Rites”… Swordwielder – System Overlord Heavyweight punk fanatics take note: System Overlord is a fucking triumph. The long-awaited sophomore album from Gothenburg stenchcore band Swordwielder is a brooding behemoth, constructed from the filthiest and heftiest strains of punk and metal. System Overlord shimmers with apocalyptic visions, and it’s overflowing with all the grim atmospherics and intimidating intensity that defines consummate crushing crust.
Too much hype? No way… And no apologies, either. Swordwielder deal in definitive stenchcore on System Overlord, and much like their full-length debut, 2013’s Grim Visions of Battle, the band’s latest release is a knockout. Swordwielder’s harsh, gruff and dark sound owes a significant debt to old school icons like Amebix, Axegrinder, Deviated Instinct, and Antisect, and they mix and mangle their influences and leave ’em to rot on the battlefield.
Plenty of hammering rage drives System Overlord tracks like “Violent Revolution,” “Savage Execution” and “Cyborgs,” and thundering epics like “Corrupt Future” and “Northern Lights” exhibit subtler strengths, mixing guttural growls and clean vocals with crashing percussion and dirge-laden riffs. Connoisseurs of corpse-dragging crust will love the brute-force belligerence of “Absolute Fear,” “Nuclear Winter,” and “Second Attack,” which rain down like merciless mortar barrages. As a rule, all of System Overlord‘s mammoth tracks chug and churn with grinding muscle, while reeking of squalor and decay.
Swordwielder exudes tightly coiled aggression from start to finish here—songs rise from the ashes of desolation, and resounding calls for action and resistance ring loud. If you’re a fan of heavy-hitters like Fatum, War//Plague, Carnage, Zygome, Cancer Spreading or (insert your favorite hefty crust crew here), System Overlord‘s trampling tempo and strapping sound are bound to appeal.
WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
And here we are. Another bloody Sunday, another step towards civilization’s inevitable demise. I don’t have any easy solutions, but I do have a cracking soundtrack to help ease the pain, and get us through the mounting mental trauma of the end of life as we know it.
FEED THEM FUCKING GLASS: pipeline AXIOM: impaled by chaos ANOTHER OPPRESSIVE SYSTEM: wings of destruction LEGION: exhausted NAPALM RAID: dead cities DOOM: suffering in silence APPLE: double standards HARUM SCARUM: break out WITCH HUNT: a war on reality BALLAST: direction askew CALLOUSED: human structure HUMAN INVESTMENT: 500 years THE SYSTEM: thought control ANTISECT: yet they still ignore SUBHUMANS; subvert city ALTERNATIVE: warfear THE CRAVATS: i am the dreg TEARS OF DESTRUCTION: death of a nation ACROSTIX: awake! DEVIATED INSTINCT: through the looking glass EXTINCTION OF MANKIND: pray for the dawn MISERY: soon be gone NAUSEA: self destruct (live) SACRILEGE: blind acceptance BEHIND ENEMY LINES: politics of hunger DETESTATION: a big white pat on the back WORLD BURNS TO DEATH: the same old lies APPALACHIAN TERROR UNIT: they’re all the fucking same DRESDEN: blood red sky GARMONBOZIA: breaking the silence CODE 13: cities will burn LOS CRUDOS: tierra de libertad CONDENADA: promise of destruction SIN ORDEN: otro dia VARIX: madness IN DEFENCE: don’t call me a moshist DEFIANCE: fight the real enemy BLITZ: nation on fire KNUCKLEHEAD: shelters IMPERIAL LEATHER: something out of nothing ZOUNDS: dancing
Anti Society records boasts an incredible catalog with titles from the likes of DOOM, ANTISECT, ANTISYSTEM, etc…basically a who’s who of the early UK punk, peace punk and crust scenes. The label was started in 2010 by the dude who had done Rejected Records in Ireland since 1994. This CD comp captures a sub-section of early UK punk and focuses on the Welsh punk scene from 1980 to 1984. 12 bands and 57 tracks later we’ve got ourselves quite the retrospective. Looking, or in this case listening, back some of the early punk is far from threatening by today’s standards but the passion and the message cannot be denied. There is something about that early punk innocence that just brings a smile to my face. Styles of music may change and the definition of what is punk music is constantly challenged but the struggle continues and while some of the music, may, at times, sound dated the song remains the same, the message is strong and the by the song titles it’s obvious how little things have changed and by most arguments have only gotten worse. Songs like ‘Victim’, ‘Violent City’, ‘No More Wars’, ‘Where Does Our Money Go’ are really timeless in title and subject matter and describe a world too similar to the struggles that we face in our modern lives. Where does my tax money go? Does it go straight to my daughters school or is it funneled into government weapons projects and ammo stock piling? Stand acts include CORRUPTION who play some of the most aggressive music on this comp with vocals that push for more of a scream than just the angry shout that most of the bands employ. The guitars have a good fuzzy distortion to them and the tempos are some of the fastest amongst their peers. CLASSIFIED PROTEST aren’t afraid of the distortion either and are really kind of reminiscent of SHATTERED FAITH or some of the SoCal punk of the same era. ARMISTICE is another stand out band with their somewhat uniqueand punky sound on tracks like the simply titled ‘Anarchy’. Its not all doom and gloom, bands like NO LABEL offer some hope in lyrics and call for the punx to make a stand and declare that ‘Anarchy’s Right for You and Me’. REALITY ATTACK attack with a dose of reality and a fired up “set” that is probably my favorite of the second disc only to be followed closely by the less chaotic but equally menacing SECLUDED. Other bands on this two CD comp are: ABNORMAL, CONDEMNED, DEATH PATROL, IMPACT, NO LABEL, PSEUDO SADISTS, and SKULL ATTACK. The packaging is pretty cool as the set comes with a booklet with a lot of color photos of all the punx looking punk and copies of many of the bands’ hand drawn logos. This is essential for the punk rock historian or completist that we all know. For me this was a killer treat and I am stoked I got my hands on a copy of this. So many good bands and songs are pulled together here that might have otherwise been lost to faded memories, bad cassette copies or extremely limited and obscure 7”s. “Old Punk Never Die…They Just Stand In The Back!!!” (Josh Mosh)