Dark, heavy, galloping crust from the streets of London. AGNOSY is back to present us with a ferocious beast of an album that can only be forged by the anger and frustration of living in today’s world. “When Daylight Reveals The Torture” aggressively attacks evils such the current rise of fascism and animal abuse. It intelligently and passionately touches on the Afrin invasion and the revolution in Rojava and shows nothing but utter disgust toward the arrogance of humankind’s lust for greed and power that will inevitably lead us down paths of war and environmental devastation.
While lyrically AGNOSY are much more politicly straight forward this time around than on previous releases, musically they have expanded on their sound to create a dark and moody atmosphere while at the same time staying crust as fuck. To say they know what they are doing would be an understatement from this band of vets whose members have played in HIATUS, HEALTH HAZARD, and BEGINNING OF THE END.
Long galloping intros are followed up by traditional d-beat, fierce solo’s are then meet with vicious vocals and pulverizing bass in a brilliant recording captured by Lewis Johns at The Ranch Production House and was mastered by Brad Boatright at Portland’s legendary Audiosiege. We then pressed on deluxe heavyweight 150-gram vinyl, printed on reverse board jackets, and included an 11in x 22in gatefold insert to bring you a high quality and truly epic record.
The legendary crust classic is now available once again!
Authorized and released in cooperation with MISERY, S.D.S., & MCR Japan & Remastered by Jack Butcher at Enormous Door Studio we are beyond proud to make one one the most rare and sought after crust records available once again.
Fuck the scavengers charging punks exuberant amounts of cash on ebay and discogs. We worked meticulously with both bands and with Jack at Enormous door to bring you an updated version that kicks major audio ass while maintaining the original authenticity.
Released on deluxe 150 gram vinyl. With an 11×11 inner sleeve. Black Paper Jacket. Reverse Board Jacket.
Earlier this year we re-issued this legendary LP and sold over 950 copies in just 4 short months. For this second pressing we pressed 490 copies on Krystal Clear & 485 on Grey Vinyl with Black Mist.
Stench crust the way it was meant to be played!
The UK crust scene of the 1980’s inspired band after band but no other band has ever reincarnated the sound of that time as well as SWORDWIELDER. Quite simply if you like crust, then this the album you have waited decades for.
Review by Craig Hayes from “Your Last Rites”… Swordwielder – System Overlord Heavyweight punk fanatics take note: System Overlord is a fucking triumph. The long-awaited sophomore album from Gothenburg stenchcore band Swordwielder is a brooding behemoth, constructed from the filthiest and heftiest strains of punk and metal. System Overlord shimmers with apocalyptic visions, and it’s overflowing with all the grim atmospherics and intimidating intensity that defines consummate crushing crust.
Too much hype? No way… And no apologies, either. Swordwielder deal in definitive stenchcore on System Overlord, and much like their full-length debut, 2013’s Grim Visions of Battle, the band’s latest release is a knockout. Swordwielder’s harsh, gruff and dark sound owes a significant debt to old school icons like Amebix, Axegrinder, Deviated Instinct, and Antisect, and they mix and mangle their influences and leave ’em to rot on the battlefield.
Plenty of hammering rage drives System Overlord tracks like “Violent Revolution,” “Savage Execution” and “Cyborgs,” and thundering epics like “Corrupt Future” and “Northern Lights” exhibit subtler strengths, mixing guttural growls and clean vocals with crashing percussion and dirge-laden riffs. Connoisseurs of corpse-dragging crust will love the brute-force belligerence of “Absolute Fear,” “Nuclear Winter,” and “Second Attack,” which rain down like merciless mortar barrages. As a rule, all of System Overlord‘s mammoth tracks chug and churn with grinding muscle, while reeking of squalor and decay.
Swordwielder exudes tightly coiled aggression from start to finish here—songs rise from the ashes of desolation, and resounding calls for action and resistance ring loud. If you’re a fan of heavy-hitters like Fatum, War//Plague, Carnage, Zygome, Cancer Spreading or (insert your favorite hefty crust crew here), System Overlord‘s trampling tempo and strapping sound are bound to appeal.
WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
SALVICTION is a new crusty metal band from Poland that incorporate cold atmospheres via keyboard and depressive melodies and harmonics into their doom metal influenced crust. Comprised of members from previous bands such as FILTH OF MANKIND and well, other bands from Poland. This album starts up with rhythmic industrial noises, and changes quickly into guitar and drums driven crust metal with massive amounts of depressive melodies, clean bass lines, cold atmospheric keyboards and hoarse dry throat vocals. Incredible drum talent from Paweł Szymański is just off the wall with tom fills, time changes, and interesting tribal rhythms at times.
Songs can be minimal and melodic, then switch over to pure aggression with heavy riffage, and back to an atmospheric ambiance before even a single song has finished, making this an interesting listen that is anything but stagnant / stale. The length of these songs ranges from 5 to 10 minutes, and allows enough time for such an organic progression within each of the compositions seem natural. My favorite song is Killing Yourself To Live, because the drums are so complex on this one, and the lyrics are an ode to the working class in factories around the world. Lyrical topics are just as depressive as the music, and cover issues of a dying world taken from a truly misanthropic perception. With 6 great songs in the span of 42 minutes, and past band experience, SALVICTION is a band of accomplished musicians and deserve international attention. for fans of bands such as COUNTERBLAST, NEUROSIS, and AGRIMONIA.
First known house raid in connection with last summer’s Animal Liberation Front fur farm campaign.
The following is a report of a house that was raided this week in San Diego, apparently in connection with the recent wave of mink releases.
Since July, anonymous activists have raided 10 fur farms in Idaho, Pennsylvania, Ohio, Iowa, Wisconsin, Minnesota, Illinois, and Montana. In every instance, the raids followed the classic Animal Liberation Front model of releasing (wild) animals from their cages directly into their native habitat. (Read a recent New York Times article on this campaign here.)
From what can be gleaned from this report, the woman targeted seemed to do the correct thing and did not speak to the FBI.
Also of note: The FBI used a classic “divide and conquer” tactic by attempting to entice cooperation through spreading disinformation (in this instance, telling a target that a person they have an involvement with is “seeing other women.”) While this tactic is almost cliche in the FBI’s attempt to create divides in movements, they wouldn’t use it if it didn’t (occasionally) work.
I am posting the report in full.
Note: I took the liberty of adding paragraph breaks to the original post where it seemed appropriate.
“My name is Nicole and my house was raided By the FBI, JTTF, and local sheriffs.
The agents shouted FBI opened up we have a search warrant, as we (my mom and I) got pulled outside they stormed the house, we also have three companion animals, luckily the dogs were with us, but the cat was upstairs. As soon as we got back inside I said I want to see the warrant, one agent told me that I would have it momentarily.
The two main agents that I could tell, were agent Debbie Fry and agent Kyle Bremersiemeu. Those were the first two agents that talked to me and said they wanted to talk to me. Before we went upstairs I again asked to see the warrant and they again said I would have it momentarily. They introduced themselves and then said that they were both from the FBI offices in San Francisco. I told them as soon as they started talking that I would not answer any questions without my lawyer present.
They started with Nicole we’ve been following you for a little while now, showing me pictures of myself getting gas. She told me that she knew I moved to Portland with another friend that they have been keeping an eye on.
She showed me pictures of different incidents and told me that it was me. She showed me a picture from a surveillance camera of a car that looked like mine and said that it was mine. She said that yes these are just surveillance camera pictures but the FBI has better pictures of the incidents and can tell that its my car. Then she showed me another picture of two people in black and she told me that one of them was me.
I was not being responsive and kept looking at the ground. Than agent Debbie said you and this other persyn have been going on a lot of trips and when you were back in Oakland, we searched your car. She showed me pictures of what she told me were bolt cutters, and muriatic acid found in my car. She also said she had attained mink hair found in my car and brought up two animal activist that were recently arrested in Illinois. I kept looking outside and agent Kyle and Debbie kept bringing up the other persyn.
They told me that when said persyn was still with me that they were seeing other womyn behind my back. Agent Kyle noticed I kept looking outside and said why are you looking outside, you cant runaway now.
Finally they stopped and we were taken back downstairs. While downstairs I asked to see the warrant again and again they told me I would see it momentarily. So we sat in the living room while they conducted the search.
Then they told me I also had a warrant for my finger prints and my DNA. I told them I didn’t want to do that and then one agent womyn told me that she would force me to do so because it was ordered by a judge.
So they finally left my house around 12:45 pm and upon leaving I asked for the agents cards and they ignored me and kept talking to my mom. I said again I wanted their names and they told me they would write it on the back of a card.
IN Solidarity with everyone of us that they are trying to silence. Nicole
The warrant was for anything relating to businesses of animal industries, mink, clothes, books/ zines pertaining to mink, bobcat, and animal rights, maps, and for my car.”
Poet and author Max Wolf Valerio recently reviewed one of my poems; I had asked for feedback from a few people I knew who were themselves poets who I respected. Max’s review was so thorough and interesting I asked him if I could share it. So with his consent, here is the review of my newest poem Killing God. The poem being reviewed will follow at the end of this post.
This is a skilled rendering of your beliefs and perception of the world, and of the divine, and our present situation. I mean, you lay it out coherently and with precision – with craft. The line breaks are skillful, leading the eye from one place to another carefully. I like how you use parking lots, and museums to illustrate your ideas, and even bring in the number of years that civilization has been in existence and — Christianity (2,000 years). The idea that civilization is “killing God” is an intriguing one, and it is also interesting that you use the term “culture of death”. Seeing the term used here in this way is intriguing to me as the other place that one sees “culture of death” is in the writing of social conservatives, often Catholic social conservatives, who see the far left as a “culture of death” (abortion, euthanasia, movement toward less reproduction or no reproduction, the breakup of the family into smaller units — single mothers and the subsequent marriage of women to the state and not a man). BTW, I am not, of course, a social conservative, though I share some of their concerns and grapple with all these issues, as do you– obviously from this poem and what I know of you. I mean, you grapple with reproduction, death, technological interventions… etc. Your use of this term “culture of death” is not ironic, but is your take on a world that is increasingly artificial and alien. Now, I think you’ve done a good job here of rendering your beliefs, and carefully making them manifest in the use of actual objects and places: museums, parking lots, shopping malls, desecration of burial grounds. I think there is another step however, and I challenge you to go farther. I can see this poem as a statement to either preface a book of essays, even “poetic” essays or better — a kind of manifesto to a book of poems that take each one of these ideas, separates them, and really brings the experience alive to the reader in an actualized, concrete way. Or you don’t need to separate each idea, but show how they work together. Well, you can get creative as you write… Poems that make these ideas really come alive — that’s what I mean. Poems that leave less room for disagreement since they feel less like opinions. Possibly, they feel more like dreams or visions? You can experiment.
Now, one problem with political or ideological poetry is that it is the poet’s opinion. Often, political poems are turgid and each thing they say is entirely expected so the poems are not as “alive”. However, they can be instructive… But there is that issue… I mean, I can read a poem like this, and agree or not. There is space created for my agreement or disagreement that is easy to enter. There are poets who excel in this type of poem, and while he is not a leftist radical, to say the least — Rudyard Kipling comes to mind. He has that poem “The Gods of the Copybook Headings” which is ideological or a poem of ideas. It uses metaphors liberally, and is attempting to convey ideas the poet believes are important. This is a poem that conservatives love, and for good reason since it makes their cardinal points quite vividly. I mean, it makes them plain and is persuasive. While you are in a whole other place ideologically, look to this poem for clues as to how to proceed. I’ll link to it. Also your ideas, while very different, are also talking about a returning, a refusal of present values. In your case, it is not principles that are eternally true, but a return to some kind of elemental and pristine wildness that you believe is more essential and good and holy (you identify it with “God” in the poem) than the present morass. If you want, you can use the poem you presented to me as the first, and build a whole book from these ideas. Take each one, take the poem apart, and find ways to animate these ideas. My own approach to ideological poetry is that I try and make it less about my “opinion” and more about SHOWING the reader why my perspective is persuasive. You know, that old adage, show don’t tell. That can be applied to poetry as well. Even in Kipling’s poem, he shows the consequences of each set of wrong ideas and links them to his refrain of the “copybook headings” and finally to the copybook headings themselves like “the wages of sin is death”. The examples he posits, bring those crusty adages to life. This can be done with your ideas as well. ..Possibly really take us into each idea, show me the ceremonial burial sites, and what desecration is — don’t tell me, but show in image, metaphor, or — detail. I like detail, and a concrete detail can be imaginary, but must be entirely feasible. Because it is feasible, when the detail can be heard, felt, seen — it is persuasive.
Also the idea that “God is dead’ is not a progressive anthem, but a rallying cry for actual death, is interesting as it takes a conservative theme I’ve seen, that we have killed God, and either takes it further or – to another place entirely. I mean, in some ways, you are very, very conservative since you want humanity, I think, to return to something very ancient and before language. In that way of thinking all human revolutions or “evolution” that appears to have created “progress” are not progressive at all. In this worldview we need to go back, very far back — and things have to be brought back to extreme basics. Of course, that makes you more of a revolutionary, but in an interesting way. Anyway, show more, tell less. Try different voices or ways of showing, and maybe when you do tell, try something playful also. Anyway… thanks for showing me this poem! Very interesting. Here’s that Kipling poem, ironic I would think of him — but there you go. Poetry is a place of strange coincidences and odd conflations. Any way, take care — have a great day – Max V.
NEMESIS cross the line between hardcore and heavy. With heavy drums and evil vocals with a very clean guitar sound. NEMESIS are from Ohio with other heavy bands coming out of Ohio like INTEGRITY and RINGWORM. I could see NEMESIS at that level someday. This debut 7 inch on HEAD2WALL RECORDS is a good start. This release has 6 bone crushing tracks. My personal favorite is “Looking Glass”, follow the bandcamp link and listen for yourself. I was lucky enough to get clear vinyl so thank you for that.
Craig Lewis is a Boston punk. I met him when he came to Richmond in the Spring of 2013 to do a presentation on punk rock and mental health and recovery. I was intrigued and got in touch with him before he came to town. Craig was incredibly friendly over email and we met before the presentation at a local coffee shop to talk. Craig’s compassion struck me only a few minutes into our conversation. Talking to him was like talking to a therapist- which makes sense, because Craig is a Certified Peer Specialist and works in the mental health and recovery field in Boston. What is really neat though, is that Craig is really passionate about supporting punks specifically. He comes from that culture, and cares a lot about punk.
At the presentation, Craig shared his story, the good and the bad, in order to connect with the audience. The conversations that were held there were ones that happen too infrequently in punk and radical communities. Craig has a positive attitude and encouraged folks to make movement towards their own recovery.
Craig has just recently published a book- a mental health recovery workbook to be exact. The book is a tool for folks or groups of folks who want to address their mental health or addiction and take steps towards better days. The book is 8 1/2 x 11 and 82 pages long, and published by Better Days Recovery Press. The basic format is one of brief essays, and then pointed questions. It is easy to see how this workbook could be used by individuals or in group settings to spark discussion. And with 36 different topics and corresponding work sheets there is enough material in the workbook to last a decent while.
The underlying theme of the workbook is basically empowerment of the individual. Craig promotes a hands on, do-it-yourself, type of approach to mental health and recovery. But importantly, he doesn’t shun needing help from others, institutions, medication, etc. I would almost compare the book to something that might come out of the Icarus Project, a radical mental health organization. The book is a tool, and it won’t do you any good gathering dust on a shelf. It is clearly the sort of book meant to be deliberately used by people on the path of recovery and towards mental health.
For me, some mental health stuff can have a cheesy ring to it. I think it helps to know that even if my macho defense mechanisms rile up, that the person behind the book isn’t a religious person trying to convert me, and they aren’t a yuppie trying to indoctrinate me. I can lower my defenses because this is coming from Crusty Craig and he is not trying to make anyone stop being punk. He just wants everyone to be the happiest, mentally healthiest and best punk and person they can be.
Hopefully this won’t be the last we hear from Craig (I’m pretty sure he has more tours and books on the way), and hopefully this won’t be the last positive mental health book and presentation coming out of the punk community. Punks have a lot to offer each other, and we could use a good bit more of this type of positive and empowering thought being shared.
If you want to purchase the book for yourself, a friend, or a group, you can buy copies from www.betterdaysrecovery.com and you can also get in touch with Craig yourself through that website.
I hate cement
A concrete statement of the hatred of life
that your world is built on
Paved over earth
Yet you cannot kill the wild
even under the pavement habitual wildness
A plant reaches for the sun again
The South isn’t known for our good labor practices – and that might be an understatement.
In the Southern context labor has always looked different. Exploitation of workers has often taken a grim tone, slavery and coal mines being just two examples. I’m not giving yall Yankees or Capitalism in general an out here, both perpetuate a classist society, exploit workers out of greed, and generally benefit from the extra exploitation workers in the South put up with. But anyone from the South will tell you, exploitation down here has a different feel.
In the South, we don’t have a living context for unions- instead we have the “right to work”. The “right to work” laws are actually just anti-union and anti-labor laws with a deceptive name. While historically all states had extremely exploitative labor practices and anti-union laws, currently, the spread of “right to work” policies holds almost the entire South back in terms of labor organizing. This is just one way in which Southern workers have it worse than workers else where.
Unions have been so repressed that the work to build one is really complex. There is a lot of anti-union rhetoric out there, even to the point of being included in employee training videos by giant corporations. The economy has changed since the hey day of unions, and it is difficult to imagine what a union in the South would look like now.
Well, the Fast Food Worker’s are about to show everyone one way a union can look on Thursday, December 5th.