The long awaited debut LP from NYC’s FLOWER “Hardly A Dream” is finally set to arrive.
FLOWER’s tedious approach to writing/creating/drawing their debut LP was carefully thought out and the result is a monumental anarcho punk /crust record.
“Hardly A Dream” Takes us on a bleak journey through the dark side of society. As soon as you drop the needle a dark atmosphere is immediately created with a slow intro featuring arpeggio guitar work that builds into pummeling d-beat crust. The albums vocals then leave you with a feeling of being crushed by the ever-present weight of living through our modern world of late stage capitalism that was built on the falsehoods of the so called American dream, religious hypocrisy’s, nationalism, and the greed of humankind.
FLOWER take many cues from predecessors and are most often (and rightfully so) compared to NAUSEA but they also take a heavy influence from ANTISECT, SACRILEGE & other greats. The artwork has a very RUDIMENTARY PENI feel and the record comes with an amazing 24.5 X 34.75 CRASS style poster jacket. All art work was meticulously hand drawn and overseen by the guitarist Willow in true DIY style and spirit. Willow was also cool enough to draw up a special shirt for the record release featuring an alternative PROFANE EXISTENCE backprint!
Dark, heavy, galloping crust from the streets of London. AGNOSY is back to present us with a ferocious beast of an album that can only be forged by the anger and frustration of living in today’s world. “When Daylight Reveals The Torture” aggressively attacks evils such the current rise of fascism and animal abuse. It intelligently and passionately touches on the Afrin invasion and the revolution in Rojava and shows nothing but utter disgust toward the arrogance of humankind’s lust for greed and power that will inevitably lead us down paths of war and environmental devastation.
While lyrically AGNOSY are much more politicly straight forward this time around than on previous releases, musically they have expanded on their sound to create a dark and moody atmosphere while at the same time staying crust as fuck. To say they know what they are doing would be an understatement from this band of vets whose members have played in HIATUS, HEALTH HAZARD, and BEGINNING OF THE END.
Long galloping intros are followed up by traditional d-beat, fierce solo’s are then meet with vicious vocals and pulverizing bass in a brilliant recording captured by Lewis Johns at The Ranch Production House and was mastered by Brad Boatright at Portland’s legendary Audiosiege. We then pressed on deluxe heavyweight 150-gram vinyl, printed on reverse board jackets, and included an 11in x 22in gatefold insert to bring you a high quality and truly epic record.
The legendary crust classic is now available once again!
Authorized and released in cooperation with MISERY, S.D.S., & MCR Japan & Remastered by Jack Butcher at Enormous Door Studio we are beyond proud to make one one the most rare and sought after crust records available once again.
Fuck the scavengers charging punks exuberant amounts of cash on ebay and discogs. We worked meticulously with both bands and with Jack at Enormous door to bring you an updated version that kicks major audio ass while maintaining the original authenticity.
Released on deluxe 150 gram vinyl. With an 11×11 inner sleeve. Black Paper Jacket. Reverse Board Jacket.
Earlier this year we re-issued this legendary LP and sold over 950 copies in just 4 short months. For this second pressing we pressed 490 copies on Krystal Clear & 485 on Grey Vinyl with Black Mist.
Stench crust the way it was meant to be played!
The UK crust scene of the 1980’s inspired band after band but no other band has ever reincarnated the sound of that time as well as SWORDWIELDER. Quite simply if you like crust, then this the album you have waited decades for.
Review by Craig Hayes from “Your Last Rites”… Swordwielder – System Overlord Heavyweight punk fanatics take note: System Overlord is a fucking triumph. The long-awaited sophomore album from Gothenburg stenchcore band Swordwielder is a brooding behemoth, constructed from the filthiest and heftiest strains of punk and metal. System Overlord shimmers with apocalyptic visions, and it’s overflowing with all the grim atmospherics and intimidating intensity that defines consummate crushing crust.
Too much hype? No way… And no apologies, either. Swordwielder deal in definitive stenchcore on System Overlord, and much like their full-length debut, 2013’s Grim Visions of Battle, the band’s latest release is a knockout. Swordwielder’s harsh, gruff and dark sound owes a significant debt to old school icons like Amebix, Axegrinder, Deviated Instinct, and Antisect, and they mix and mangle their influences and leave ’em to rot on the battlefield.
Plenty of hammering rage drives System Overlord tracks like “Violent Revolution,” “Savage Execution” and “Cyborgs,” and thundering epics like “Corrupt Future” and “Northern Lights” exhibit subtler strengths, mixing guttural growls and clean vocals with crashing percussion and dirge-laden riffs. Connoisseurs of corpse-dragging crust will love the brute-force belligerence of “Absolute Fear,” “Nuclear Winter,” and “Second Attack,” which rain down like merciless mortar barrages. As a rule, all of System Overlord‘s mammoth tracks chug and churn with grinding muscle, while reeking of squalor and decay.
Swordwielder exudes tightly coiled aggression from start to finish here—songs rise from the ashes of desolation, and resounding calls for action and resistance ring loud. If you’re a fan of heavy-hitters like Fatum, War//Plague, Carnage, Zygome, Cancer Spreading or (insert your favorite hefty crust crew here), System Overlord‘s trampling tempo and strapping sound are bound to appeal.
WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Unofficially nominated for “Best Album of 2012 Award”!
It took a while for this record to come to the review dept of Profane Existence, and a while longer after that for this post to get reviewed, but perhaps better late than never is the fitting phrase here. Besides, fuckers, I dont have a fucking home computer!! Anyways, fuck all the bullshit, here’s the review:
From the opening radio samples mentioning the problems dealing with the Mexican drug cartels and the corrupt politicians that unofficially support them, it becomes very apparent that this album is going to be a rewarding and highly intelligent statement from a perspective that I honestly dont have much experience with (kind of like looking through a window at someone else’s political situation). The songs, although heavily influenced by punk rock / crust, are firmly in the sonic arena of DIY rock n roll. Crust elements abound, such as deep gruff vokills, galloping beats, and lyrical subjects that approach an aura of political hopelessness. The back of the record jacket sums it up best as “MOTORCHARGED CRUST N ROLL”.
OUTLAW BASTARDS come from Tijuana, of of Mexico’s cities of sin. The lyrics are printed half in English, half en Español, and there’s an accompanying page typed in English explaining the meaning / thoughts behind each one. Major themes are the violence / corruption caused by the drug cartels and the so-called “war on drugs”, struggles of immigrant workers (especially in USA (E.U.A.)), and thug life caused by a lack of real opportunities for impoverished youth everywhere. The band is a 5 piece, and all play their instruments exceedingly well. There’s plenty of intricate guitar leads / riffs, and some really shredding solos thrown in for good measure. The bass and drums break it down a couple times to get a damn groovy mood out, and I hear at least 3 distinct voices in the songs. The last track starts off as a doomsy crust dirge, and is one of the best, a lot of ideas are thrown into the mix. The lyrical content is about going back to prison, and the repeating line “death, sweet mother, take me home” just couldn’t get more real, heartfelt, and grief – stricken. There’s an acoustic song hidden after about 5 or so minutes of silence to close out the album.
Good luck finding this in a record store, you definitely wont find it in the used bin anywhere. I recommend buying it direct from the band, and believe me it’s worth every damn penny. Comes with a download card…
Mike XvX has just released a new album. A World For All Species is Mike’s 6th studio album, 8 tracks – but not an 8 track – this is a digital album available for download off Mike’s website or bandcamp. This format mean you can listen to the album online for free or choose to download the album or individual songs as you like.
One of my favorite aspects of Mike’s music is that it doesn’t sound or feel like any other ‘folk punk’ I have heard, either musically or lyrically. I am extremely picky when it comes to folk punk, as after years of setting up shows as a DIY promoter, I have developed a strong distaste for generic and formulaic music, which I find a lot of folk punk has become in the last few years.
Musically Mike XvX hovers a bit more on the folk/acoustic side of the genre avoiding many of the cliches that have become all to common with folk punk now that every train hopper has a banjo or accordion. You won’t find a lot of blue grass influence or scratchy, twangy, or whiny vocals, nor will you find generic ballads about drinking under bridges, shoplifting, and hopping trains. Instead Mike writes in a way that retains the punk concepts lyrically with songs like his campfire cover of Cop Killer; while tieing in to the older American folk traditions of collecting and telling stories in the vein of Woody Guthrie, Buffy Sainte Marie, or Utah Philips. Mike XvX uses his guitar as a device to tell the stories of those he has collected over the years; however unlike his labor organizing folk-fathers, most of Mike’s stories are largely about the animals he has known over the years who have impacted his life, animals who are survivors of torture and exploitation at the hands of human animals.This way of writing about animal liberation and animal exploitation feels far more heartfelt and personal than the more usual punk songs on the subject which tend to be filled with statistics, graphic depictions and people yelling at you to Go Vegan.
Not all the songs on this album are only about animal liberation; there are songs like the Flood, and without a doubt my favorite track off this album is The Forest Near Your Old House which is about logging and environmental destruction and sounds largely like a much needed call to action
“I hear the chainsaws ripping through the ancient trees – I see good people doing nothing… …Simply asking them to stop is fucking useless – will they sit there and do nothing?”
The crust punk veterans from the wintry polar vortex of Minnesota have returned to release yet another great record. This time it’s a 6 song 30 minute album that’s very loosely considered an EP. MISERY have had the same lineup for the past 25 years now, and is unique in the fact that all members take turn at lead vocals. Very early in the beginning, the lead vocalist left the band to pursue other options with a band from NYC. Although this other band may arguably have a bigger reputation than MISERY, the group crumbled due to a “difference of egos”. This new offering, aptly titled The Beginning, features the original 5-piece lineup on 1/3 of the material here. This is the band’s second release on Seattle based Inimical Records, and is the follow up to the highly acclaimed 2xLP “From Where The Sun Never Shines”, which was put out in 2012.
The record starts with 2 brand new tunes, title track The Beginning and Armageddon. The Beginning utilizes heavy usage of clean guitar melodies, and starts with a baby’s wails before any vocals. Musically the song seems to describe the cleanliness of birth before the corruption we all endure from the forces leading society. The sense of doom is palpable. Guest singer Cassandra Schorn aka DUFF joins Jon on the vocal work, the duo trading off back and forth throughout the song. It works really well, providing even more atmosphere to an already great tune. Lyrical focus is the malevolent hierarchy of society, and with lines like “they’ve tainted your brain from the very first day”, it’s a clear reference to the social conditioning that is impossible not to witness. Armageddon is the second brand new one, and is much more typical of the crust we’ve come to expect from MISERY. Some of the guitar riffs are very reminiscent of the song Just Never Ends. The song builds from lyrical ideas laid out by the one before it, but becomes more specific in relation to the social control of religion. The drums (especially the tom fills) are amazing on this tune.
The middle of this record features 2 songs from the first recording session in 1988, back when they were a 5-piece. Midnight features Al Long, for the first time on a MISERY song since he left to work with NAUSEA. Just like the original, the music is slow and doomsy as all hell. It’s clear that the band worked some new ideas into the mix, which gives the song an updated feel to it. In all reality, things are just as bleak as they were back then, but instead of worrying about atomic warfare, we now must face the looming doom of enslavement of the human species. Side B opens with New Year’s, another song originally recorded during the same session as Midnight, but which never made it to record until 1996. Originally sung by Al, Gags takes over the vox and MISERY make it their own. They do a damn good job, and just like Midnight, the song is different and yet the same, with better studio techniques this time around.
The last 2 songs are covers originally recorded by bands that were influential to MISERY. First up is a cover of Lifeline by SACRILEGE. Album closer is 3rd From the Sun, originally done by CHROME, and is the other song to feature the band as a 5-piece. Gary makes a great performance on the drum kit in this one.
Artwork & layout by Andy Lefton of WAR // PLAGUE, PROVOKED, etc.
Recorded at House Of Misery Studio 2012.
this EP-LP is highly recommended, and you should kick your own ass if you dont buy it!
Political punk rock hailing from the vast deserts of Arizona. Here on their brand new Album “Ecocide”. They’ve played with PE’s own DRESDEN and opening up for other political punks OPPOSITION RISING. 7 songs of punk rock with catchy drums and rifting guitar and growly vocals. Most of these songs come off with a hint of SKA guitar and drums. Covering topics such as Genocide, Religion, and DIY on this record this album is super catchy. For anyone into politically charged punk rock tat wants to make a social change in the right direction, this album is for you. (XbezerkerX)
Here is another juicy morsel from ALTERNATIVE TENTACLES, we all know and heard of this record label and it’s consistency of putting out decent records. Here are 13 tracks of lo-fi garage rock, in the vein of NOBUNNY and HUNX also with a little KIMYA DAWSON mixed in. “Love At First Site” as a nice saxophone intro with a delightful piano with male and female duel vocals. This is something any musician could do honestly, record a nice family friendly album that you can play for your kids. (XbezerkerX)
Das KING LUI VON BEETHOVEN are from Germany and play a very good and catchy pop-punk. That sounds like something that FAT WRECK CHORDS would have put out. Recently playing with Minnesota’s own MANIX and playing countless other shows, this is a brand of punk you could compare to THE SLOW DEATH or NOTHINGTONS with a little punk rock attitude of THE BRIGGS. With 11 tracks in total this is a really solid release hopefully I’ll hear more from these guys. The only thing I didn’t like was the artwork for this album. Doesn’t fit the bands sound the cover art makes it look like a cheesy punk band. But don’t judge a book by its cover (XbezerkerX)
Finally an new album from Doom it’s been quite a while, so it’s a nice start to the year. There is no need for any introduction with with a band like Doom. If your looking at Profane Existence your damn familiar with with them at this stage. Here we have 14 songs of great variation with each one packing a great punch. Once again they play that heavy crusty punk we love them for. In our ever changing world Doom remain constant, their message has not changed throughout the years but remains as relevant as it ever has been.
‘Corrupt Fucking System’ opens with heavy distortion, then goes straight for the jugular. Lyrically shitting on the vile conspiracy that is the Catholic church which goes straight to your cerebrum senses. This is crust punk the way it should be, belted out, loud, bass heavy and takes no prisoners. That filthy monolithic buzzing guitar has not changed since the beginnings of the band. The only difference is that it is now just way better produced. This isn’t a song-by-song analysis as you can check out their bandcamp page and see how good it is for yourself. This album won’t change the world, it just says it how it is. Let’s leave the review with a quote from ‘Corrupt Fucking System’
“We are all victims of their system. A system created to protect the powerful ruling elite. A corrupt fucking system, that thrives on people’s acceptance & silence. We are all sick with society, a capitalist nightmare disease which infects us all. We are all forced to play the game, which perpetuates their control. We are all guilty but who will voice their opposition? Who will hold these corrupt bastards to account? & who will just be silent? Who will just be a silent drone too afraid to stand up? And who will ridicule anyone who speaks out & assume we must live in fucking caves before we can speak out against this corrupt fucking system. They are the perpetuators not us. We are all stuck in this corrupt fucking system and we all must utilise the technology and advancements this system has created against itself & ‘byte’ back. Fuck those people and their acceptance for a quiet life.”
If you are looking for a DEVO type band from Japan then ULTRA BIDE is for you. Here you have a dual bass and drums on every track with some synth on it. This is there first U.S. release in 10 years and the almighty Alternative Tentacles puts it out. Here are 11 new tracks to jam out to, nice bright cover stands out for me since it’s very bright but these tracks are really something to listen to. Apparently these guys are heading out on a U.S./Canadian tour for 2014 and with the sounds of this CD. I’m going to try and see these guys. (XbezerkerX)
URBAN HEAD RAW hail from JAPAN. They play fast metal with amazing guitar riffs that are ear splitting. On this CD effort you have 8 brand new tracks from these heavy hitters. This band features members of other Japanese punk,hardcore and metal bands that have come together to form one super group. Very fast and thrashy riffs . Get your thrash hats out and your high top nike’ and start a circle pit with your best buds while drinking a beer. If you are in the Minneapolis scene think LOCKGNAR or PLAQUED INSANITY (but less goofy) (XbezerkerX)
There is a rich history behind this release , this is a collective of different individuals in the North Suburbs of Chicago that got together and started making the sounds that they grew up with. So here is a CD with 12 tracks of punk rock, and rockabilly. This isn’t a bad release at all it’s just not something I typically listen to but if you’re into old school punkabilly then this is for you. Look this album up and read about it’s history, also cd booklet is a nice little comic book that deserves a quick flip through. (XbezerkerX)