WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
Brace yourself for one of the most uncompromising hard hitting and politically outspoken records of this era. STORM OF SEDITION are an anti-civilization anarchist crust punk band based out of Victoria BC. Sharing members with the mighty ISKRA you can definitely expect some serious blackened crust, and yes a huge metal influence is prevalent however STORM OF SEDITION are a bit more reminiscent of bands like CONTRAVENE & NAUSEA. “Decivilize” brings a heavy anarcho punk dynamic to the table combined with over the top blackened crust grind thats littered with blistering solo’s, insanely powerful drumbeats, and thought productive lyrics that challenge our current state of human civilization. All in all this is an absolute monster of a release!
Comes with a 12 page booklet containing lyrics, notes, and song explanations.
STORM OF SEDITION WILL TOURING THE WEST COAST THIS SUMMER!!!
Keep you eye’s peeled for a list of tour dates soon!
Listen to the song “Disconnect” here…
Living a domesticated existence Starves people of meaning in their lives Everyone feels the void beneath the surface Of everyday activities and routines
Miserable, exploited, mass populations Feeding the industrial systems endless hunger Treated like machines, living beings Enslaved and kept passive in a technological noose
We live in these cages Made of concrete, glass, and steel A functioning human made hell Complete with natural scenery
Yet there is no community Deprived of connection with real people Technology perpetuates alienation But promises to connect us
And fill the void in our lives In constant need of escape and distraction From this fucking ugly world Technology creeping into our lives
Pop culture, pacifying shit Endless distractions to curb dissent A society of lonely domesticated beings Attempting social interaction behind a digital screen
Clinging to the feeling of connectedness Personalized profiles, mass communication tools Monitored and funded by pigs Spying on people, on movements While corporations profit off government control Microsoft, apple, fedbook Endless lists of corporations Infiltrating our everyday lives The NSA, the CSE Databases created from what you share Information for incrimination Millions of people on terrorist watch lists Technology’s a weapon used against us
Its function is to propel their ability To efficiently exploit us and the natural world While doing so capitalizing off selling us Gadgets to distract us from the lives we live and hate
Turn off that shit, enter the real world You are not connected You are alone staring into a fucking a screen
Get outside, meet with real people! Even if we use these tools We must never forget
Technology is a system created by and for those in power And it will only exist with Division of labor, exploitation, and death
Becoming connected through technology Is a sick fucking joke
PROFANE EXISTENCE RECORDS – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
OI POLLOI is one of those bands we all love and that has quite a legacy and catalog of work. They are certainly one of the hardest working bands ever, especially from the anarcho-punk scene. It’s nothing shy of amazing that they have continued to release quality material for a couple of decades now. If there is a such thing as punk rock “hits” they have enough to fill a couple ‘best of” collections. They certainly have enough punk rock party sing-a-longs! In fact it is almost impossible not sing along with a smile on your face anytime the needle hits an OI POLLOI record. They are one of those bands that makes fighting the system so much fun! It is only fitting then that we finally get a video documentation of this highly influential and important band.
The main movie features numerous and informative interviews with the revolving cast of band members and only constant member, Deek. The long lingering question of how the band was named and what the name means is answered and documented once and for all. It was really cool to hear Deek, in his voice and in his person describe the formation of the band and it was very interesting to learn that they came together as a counter reaction to many of the more “hardcore” bands of the day that were starting to grind out a new direction for punk (ENT, Napalm Death…).
The second half of the movie follows our favorite “post-oi/street-crust” band on ‘Ar Ceol, Ar Canan, Ar-a-march’ European tour in 2006. It’s hear that we get a look into the recording of the only Gaelic speaking punk album ever as well as the stress of a DIY tour. They explain how touring Europe is different and more realistic for them than a US trek mainly due to the distances traveled but also due to the violence not just at US gigs but more so in US society. This is explained as they elaborate on stay at a house on a past US tour riddled with bullet holes from local gang gunfire. That’s not to say that touring Europe is comfy nights in beds of roses. There are ample stories of squats smeared in animal and human feces and urine and the difficulty of trying to get a nights sleep when the locals want nothing but to party all night at punk rock discos! We also get to experience the stress of swapping out bass players mid tour and having to learn the songs in the van between gigs. Ahhh…the life of “rock stars”.
There are certain bands that seem to evoke a sense of spirituality, a connection or a sense of being. For me those bands are limited but mainly include NEUROSIS, AMEBIX, MISERY, JUDAS PRIEST and most of all BLACK SABBATH. Watching this movie and getting this intimate glimpse into the world, lives and inner workings of this phenomenal band I really started to identify with a connection to the energy of OI POLLOI. It was easy to see this spiritual energy that surrounded the members of the band and I felt very lucky to be able to tap into a small piece of that. My feelings are apparently shared by some of the members of the band as one of the former members described a similar sense and even compared being part of the “family” to religious experience.
The DVD is littered extras that include the 1994 tour documentary (I got to see that on VHS years ago thanks to my buddy Val) as well as live clips and videos. At this point it’s almost not even necessary to impress upon you that this is a quality release and an important addition to your collection. If you are an OI POLLOI fan there is no excuse not to get this into your hands. (Josh Mosh)
A year has passed since the free Nyki poetry contest. The contest brought hundreds of poets together from across the globe in support of wrongfully convicted artist, poet, and community activist Nyki Kish.
Nyki is still in prison awaiting her appeal and as we wait each day to get her back, she strives for social change from behind prison walls. Art and community are tremendously important to Nyki, lets show her once again that they are important to us too. Submit up to three poems of any length and style before November 1st to email@example.com to participate.
Approximately 15 poems will be featured in bound for Glory Magazine, a Hamilton Ontario based arts and literary publication, as well they will be published in a contest anthology, which will include last years featured poems as well.
All authors whose poems are featured will receive a copy of bound for glory.
This years top three prizes include a one of a kind hand bound version of the anthology as well as a copy of Nyki’s own anthology.Again,
Submissions are to be sent to firstname.lastname@example.org
Deadline is November 1st, 2012
Previously published poetry accepted
While we reserve the one time privilege of publishing submitted work in both the magazine and poetry anthology, the author retains all ownership/copy-right over all that they contribute
All poems are considered by Nyki, names of the authors are removed prior to consideration, and while this contest’s coordinators cannot afford to award every contributor a prize, every poem is valuable and a winner in Nyki’s eyes (she even asked that we try to refrain from terms like ‘winners’).
Please do know that every poem serves to brighten Nyki’s day while she struggles through the dark day of prison to get her freedom back. http://www.freenyki.org/
Gord Hill is probably one of the most sought after speakers, writers and artists in regards to anarchism, militancy and Indigenous sovereignty in our area. His style is unique, drawing on his own cultural traditions and combining them with radical militant analysis of capitalism, colonialism, civilization and the state, presented in a format we would understand as a comic book. I have for years admired and been influenced by the work of Gord Hill, and on a few occasions have been lucky enough to organize events that he has taken part in.
Gord is a member of the Kwakwaka’wakw nation on the Northwest Coast.
I am very greatful that he accepted my request for an interview about his work and his latest comic book.
PE: I remember you saying once that your first comic was meant in part to help Indigenous people teach their children about their history. Who did you intend to reach with this new book?
It’s pretty broad, any one who is anti-capitalist, or who thinks the system is oppressive and unjust, who question the values and ways of life of capitalist society. It’s meant for militants who may have participated in militant actions as well as those who question the validity of such tactics.
For over a decade subMedia has been covering resistance movements from around the world. Our efforts have taken us to Mexico, Japan, Europe, Australia, New Zealand and all over North America. Our mission is to connect with the fighters on the ground and bring you the stories of those who choose to join the resistance.
In our next report, we take you inside the Quebec student strike, where massive street demonstrations escalated into continuous militant actions which lead to a repressive anti protest law and a generalized social strike.
By Erik Loomis
On August 23, 1927, the state of Massachusetts executed two Italian immigrant anarchists by the names of Nicola Sacco and Bartolomeo Vanzetti for the murder of two men in a 1920 armed robbery in South Braintree. Although the two men may or may not have been involved in the crime, as Italian anarchists, they were on trial for their beliefs as much as the murder. Despite the lack of concrete evidence and international outrage over the miscarriage of justice, the state of Massachusetts railroaded them into the electric chair.
We are seeking submissions for a zine on being both working class and vegan, to decenter veganism away from the politics of privilege and consumerism.
For many of us, buying whatever we want, flying around to animal rights conferences, or going this or that vegan band’s reunion in another country or state is simply not an option. For many of us who struggle with poverty as a lived experience the middle class liberal politics of voting with your dollars and buying overpriced fancy over-packaged goods is alienating and unrealistic. For many of us the food bank is our grocery store and dumpster diving after a house show isn’t something you do to be cool, it is something you do simply cause you can’t afford to buy good food. Our hope is it will help to be a resource of lived experiences for those who can’t relate to the mainstream vegan middle class clique, and that it would be full of useful strategies for coping with poverty while maintaining a vegan way of living.
The term ‘working class’ is ambiguous and many people use it to mean different things. For the context of this zine the term working class will refer to people who work dead end jobs at near minimum wage, or live on welfare or disability, or who struggle to pay rent each month, or are living on the streets or in homeless shelters. We are not referring to people who work high paid union jobs or work as roughnecks in the oil patch or logging industries. The point is to share the experiences of those who have struggled economically just to meet their basic needs yet feel maintaining a plant based diet is important to them.
Submissions should be between 1/2 a page to 5 pages in length (single spaced). We are open to many formats, from personal stories, to personal essays, to critiques, poetry, recipes, cartoons, jokes, or rants and tips. You can write about your struggles with food, or with mainstream liberal vegans, working with animals, why a plant based diet is important to you, nutrition, activism, wild harvesting, dumpster diving, or about how you have navigated the various barriers to eating healthy on a low budget and useful skills or information you have learned along the way.
Newly released FBI presentations show the flawed and misleading information the government is using to train agents to identify and investigate “domestic terrorist” groups such as “black separatists,” anarchists, animal rights activists, and environmentalists.
Among the more troubling portions of the training materials are warnings of activists using the Freedom of Information Act, engaging in non-violent civil disobedience, and gathering in coffee shops.
The domestic terrorism training materials were obtained through the Freedom of Information Act by the ACLU. They offer additional insight into a disturbing pattern of FBI activity misrepresenting political activists as “terrorists” and manufacturing “domestic terrorism threats” where none exist, akin to the notorious COINTELPRO program of J. Edgar Hoover.