Originally pressed in 1996 PROFANE EXISTENCE is bringing this quintessential anarcho punk masterpiece back in circulation.
In 1996 AUS-ROTTEN released their first LP “The System Works For Them” on an unsuspecting punk scene. It spread like wildfire in a pre internet era within a genre that mostly depended on tape trading. (at least is was pre internet for us penniless punks) “The System Works For Them” was the perfect mix of anger and intelligence that the scene needed at the time (and still does today). It was like a wake up call that opened the eyes and ears to many punks the world over. The messages where crystal clear and most us were hooked as soon as the beginning shouts of “Boycott” bellowed over the speakers. I don’t believe any of us ever expected their message to resonate so well within the scene, but even more surprising is how the songs are just as relevant today as on they the day they were written. Which is why PROFANE EXISTENCE has decided to repress this record. We feel that that messages that AUS-ROTTEN brought to the table are to powerful to ignore. We feel that this LP is important and therefore should be highly available and priced affordably.
PROFANE EXISTENCE has worked out every last detail of this release with the members of AUS-ROTTEN whom have been involved from step one. All tracks have been re-masted by Jay Matherson at the Jamroom studios. To be 100% honest we didn’t want to do a complete re-master of what we already considered a good recording. However when we opened the tracks on protools we noticed a few balance issues that required fixing. These fixes resulted in a tremendous upgrade to the overall quality of the tracks. We painstakingly scanned, puzzled, and photoshopped the original artwork to make sure that it was as close to authentic as it could possible be. We then went for broke by pressing in three different vinyl color combinations! Overall to say that we are pumped to release this would be an understatement, we are absolutely ecstatic to bring you this LP on PROFANE EXISTENCE!
To top this all off we worked with AUS-ROTTEN vocalist Dave Trenga on redrawing the classic “What Good Is Money, When There Is No One Left To Buy” design for a T-Shirt to concede with the albums release. This is a fresh take on an old image to create a new and original design.
Vinyl options are…
1. Standard black vinyl
2. “The Battlefield is Still Red” Bloodsplatter vinyl.
3. See through “Smoke”. – Available at SKULLFEST only
Silence are a highly active post-punk/peace-punk band from Pittsburgh, PA. “The Deafening Sound of Absolutely Nothing” strives (and succeeds) to achieve the perfect balance between peace and post punk. By taking influences from The Mob, Bauhaus, Zounds, Killing Joke, Amebix, Crass, Conflict, Internal Autonomy and Joy Division SILENCE have created what can only be described a brilliant debut LP. At one moment this record is dark, heavy, and atmospheric and then the next moment it makes you want to dance and sing along. Lyrically SILENCE are much closer to the anarcho side of the previously listed influences. Lyrics focus on a variety of topics but often have a strong focus on the way punk and activist communities deal with political struggle in our current political climate.
“The Deafening Sound of Absolutely Nothing” comes with a 16 page magazine size zine containing lyrics, personal writings and song explanations. Designed, printed and assembled by the band themselves in true D.I.Y. fashion.
Silence will be having a record release show in their hometown of Pittsburgh PA at the Rock Room Friday April 22nd with SHADOW AGE and SKELETON HANDS. Then later this month SILENCE will embark on a full United States tour to support “The Deafening Sound of Absolutely Nothing”. Here is a list of dates. Be show to check in with the bands “bandcamp” or “Facebook” page for show updates.
When all that remains is a world in flames. Is that when they’ll say the wars are finally won? That wars are finally done?
They’re beating on the drums again, they’re fueling up the planes. The congressmen fall into line and sing the old refrain. In the name of peace they’ll burn the land and drop a thousand bombs.
Meanwhile we’ll just stay at home and go back to our sitcoms. It’s the same old song, we’ve heard it before. They’re beating the drums and they’re calling for war. What it’s supposed to accomplish, no one is sure But the victims are always the hungry and the poor.
Once the drums of war begin it’s hard to make them stop. The noise silences the dissidents once the bombs begin to drop. All those who call for peace will be mocked and pushed aside. In 10 years they’ll admit we were right after many thousands more have died.
Finally after many delays from the pressing plant the WARWOUND Demo’s LP “A Huge Black Cloud” is out and copies are moving fast!
Recorded in 1983, this record contains 15 songs from 3 sessions. With a few different takes you get a total of 25 blistering tracks. For those unfamiliar with WARWOUND, they are a UK band formed in 82. WARWOUND recorded 3 demos in 83 before disbanding and members went on to join THE VARUKERS and form SACRILEGE. These demos never received an official release… until now! Highly influenced by DISCHARGE, WARWOUND is one of the first bands ever to take D-Beat Punk to a raw and intense level. Recently reformed in 2015, original guitarist Damian is now joined by Ian Glasper on bass and Rat Varuker on vocals. After a few gigs in the UK word is spreading fast of the relentless onslaught of a live show these veterans put on. WARWOUND have also recently hit the studio to record for the first time in over 30 years. Needless to say WARWOUND is back with a vengeance!
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
WARTORN are a whirlwind of thrash punk goodness hailing from Wisconsin. Since 2004, they’ve been hitting the touring and record release circuit with no looking back. Here’s a quick interview I did to let people know about their two latest releases, Domestic Terrorist 7″ (Profane Existence) & Iconic Nightmare 12″ (Southern Lord). – Andy Leffer
(This interview also appears in CVLT NATION)
PE: You know the drill, just give us the basics on who’s who and what’s changed in the past, in regards to any line up changes, etc. Also, give us some insight on where WARTORN is going. We want to know tours, records, riots, protests, arrests….the whole back story on WARTORN’s origins.
Bitty: (Vocals) The band started in 2004, with Ryan, Hart (on drums) and myself as a three-piece. Within half a year I got a call with an offer for our first tour, which was with Municipal Waste. We did a mini tour with them and ever since then we have been able to go on tours with amazing bands each year such as Los Dolares, ATU, CYP, Krang, In Defence, Pyroklast, Hellshock, and up next Raw Power . We have been to 13 countries and have done lots of releases on many different labels.
Ryan: guitar / low vocals / whiskey enthusiast. Well we started as a 3-piece and over a span of over 8 years, have ended up with 6 members. With 3 of us being guitar players we are able to diversify our songs in ways that we could only do in a studio setting. This obviously makes a difference live as well.
Ela: I’ve been the bass player for over the last 6 years. Recently, we came out with an LP/CD on Southern Lord Records called “Iconic Nightmare” and a 7-inch, “Domestic Terrorist”, released on Profane Existence (which is part of their limited edition singles series).
Toban: (Guitar) I think I might have the most arrests out of anyone in the band. Not like its anything to brag about. I did narrowly avoid another arrest a few weeks ago.
Derek: Guitar as well. I’ve been in the band for a few months and have been on two tours so far.
PE: The music is dynamic, to say the least. You’re not getting any half-assed riffs or mindlessly thrown together lyrics or production with your music. Elaborate on the process and what is the driving force for doing such a band. Punk is a political movement, it’s always been a political movement. Are you a part of this fray as a whole, or is this more of a personal, therapeutic outlet?
Ryan: I definitely believe in the power of the riff. Heavy and raging. Punk is a political movement, but I also see it as a community (full of musicians, artists, writers, photographers, open thinkers etc). A lot of us live/ have lived in punk houses and have been booking DIY shows for years. It’s something we do to contribute to it as a whole.
Toban: Ryan is the riff-master general of the band. He does a great job of coming up with some of the most incredible riffs of anyone I’ve been in a band with. Adding Bitty’s smartly composed lyrics and Hart’s hard hitting/tight drum style makes a great concoction.
Bitty: As far as what I write lyrically, I mainly write about personal experiences or historical events. I don’t tell people what they need to think, that is for them to figure out on their own. Also, I could not label myself as more than a realist and a situationalist.
Ela: Well in my opinion, I would say that we are a part of this as a whole, but it also is a personal outlet for me. We have all contributed to the movement in one way or another, but I think of punk as more than just a political movement. For me it is also about a unified community… where people come together, whether it is for political reasons, to share a passion for music, a hobby, art, etc. … and we definitely have that in Appleton, which is awesome.
Hart: I honestly wouldn’t say punk’s always been a political movement at all. The fact that DK, Meatmen, and the Germs, for example, all existed during one heyday suggests more of a harsh musical and broad social changeover than anything to me. For me personally, punk rock, metal and hardcore have always been a therapeutic and vindicating way of life that has consistently solved a lot of my life’s most harrowing, fucked-up times. It had a total bottleneck effect on how I raised myself mentally and emotionally. It was a really great thing to find out about when I was trying to figure out how to express myself when everything just infuriated or bored the shit out of me. Later, after I was free as an adult, I quickly found out it came replete with its own sense of community, and a totally viscous following I was never aware existed at all. This band is fucking great, cause we never throw a blind rhetorical blanket over our lyrical ideals, or even necessarily our instrumentation for that matter. We have a rough format that we’ve stuck to, but we all come from slightly different scenes and upbringings, and I’ve always thought it showed at least a little in our styles. I honestly don’t think the excitement of being in this band has worn off for any of us. Sure, growing pains have slowed our progress a couple of times, but whenever the next lightbulb goes on over our heads, it’s all go no slow!
Derek: For me, this is definitely a personal outlet. That’s what music has always been for me. Being the young’n metalhead in the group, I’ve kind of just been exposed to the world of punk houses and DIY shows recently. From what I’ve gathered so far I can at least say that the sense of community is beautiful.
PE: Your latest singles release on Profane Existence “Domestic Terrorist”. There’s no beating around the bush on this subject matter. Once again, can you elaborate on this specific release and the intention behind the subject?
Bitty: There have been a few times where I had local law enforcement “protect and serve” the shit out of me. As a kid in the 80’s from a small hometown, I’ve had guns in my face from the cops, hammers pulled back and screaming in my face. I have also had an off-duty cop put a gun in my face and ask me if I thought it was funny while he was wasted. You know of all the times I was ever robbed or assaulted, at least I knew if I fought back I stood a chance; I even survived an attempted homicide! But, it’s not so easy when you have to fight back against law enforcement. They just beat your ass and lock you up, even if they are totally in the wrong. I’ve witnessed so much personal corruption; to me it seems to be an extension of an abuse of absolute power. Now that, to me, strikes terror in any citizen.
PE: Bitty, you’re straight edge…maybe not self-proclaimed, but you don’t consume drugs or alcohol. Considering the genre of punk and it’s history of abuse with these elements, has this hindered your views on the movement?
Hart: Total interjection here! Dude, Bitty’s optimism actually astounds me. He’s seen more friends either die or completely lose their vitality as humans due to drug and alcohol use than I’d like to ponder. He’s remained pretty fucking pragmatic in his attitude toward his friends’ choices in that sense. I myself get pretty fed-up at times about my own friend’s use of drugs, especially certain ones. I’ve had plenty problems controlling my drinking in the past. I do believe I have a fairly good idea these days of when to dry out, but it can pull me into a real bad place. I start questioning what even matters anymore, and I start fighting everything that means the most to me. However, that’s where that community comes in again! I’m learning to seek out the right punks or no one at all when the time feels right, and I’ve been keeping up on it for a while now.
Bitty: Not at all. You don’t need to be like me in order for me to like you. The real moment that reinforced my decision was when I came home to a friend that lived with me and I found him in a pool of his own blood. He had tried to cut his hand off with a butcher knife while he was completely wasted and ended up with more stiches then an average shark attack. It really put a bad taste in my mouth about how substances can amplify bad decision-making skills. Although I am aware that most just use it to have a good time, truth be told, I just didn’t like it. It wasn’t my thing. But as long as you’re not hurting me or others in any way shape or form it’s your deal not mine. This is just a suggestion, have fun and do what you need to do to deal with things or get by, but try not to destroy yourself in the process. You might end up missing out on some good things in life.
PE: WARTORN is a great band, so with that….does WARTORN have anything they’d like to say to the world, it’s listeners or the masses in general?
Toban: In the words of country music legend Kris Kristofferson “Don’t let the bastards get you down”. Ryan: Thanks for the interview.
Ela: Thanks for all the support. We can’t wait to hit the road and tear it up again in a couple months!
Derek: May the force be with you. But seriously, I can’t wait to hit the road and I hope to see everyone reading this there.
Hart: As always, start 4 bands tomorrow and eat your fiber!
Bitty: Thanks for the interview Andy and everyone that helped us out and we’ll see you on the road. If you’d like to help us out with booking or have any questions, feel free to write us at firstname.lastname@example.org.
When I was a kid Halloween was by far my favorite day of the year. I have a distinct memory of the year I got chicken pox, I was 4 years old living in Ardrossen Alberta, and oh boy was I upset that I couldn’t go trick or treating with my older sister. She shared the candy with me, but it just wasn’t the same. Every year my mother would take me to the thrift store to find a cheap ski-suit, then come Halloween I would get on 2 pairs of long johns, don the ski-suit, and my mother would get out rolls of masking tape to cover me head to toe – I went as a mummy, with the help of mommy. And since I couldn’t bend my knees or elbows, I walked like one too!
As I got older, the costumes became more complex. My mother hand sewed me a Beetlejuice costume when I was about 12, and I spiked my hair for the first time (using green Halloween hairspray). I remember one year working for weeks with liquid latex to hand make a Halloween mask for my Lich costume (a Lich is like a zombie mage from D&D, what happens when evil wizards take a potion to extend their life at the cost of dying while staying alive so they can continue to gain more power). One year I went as the Devil, and even spent hours dying my skin red with watered down food coloring which stained for weeks, but looked awesome! Or there was the year I dressed up as a mafia guy, including a Tommy gun I spent week making, with a copper pipe barrel, coffee can magazine, and oak, hand cut and stained rifle butt. The cops pulled me over to confirm it wasn’t real – and of course to run my name for warrants – cause you know, they are assholes. That incident lead to its own humorous story, but I will tell that one another day.
Eventually I began setting up Halloween parties as a community event. This was really the first DIY organizing I ever did, years before I ever organized DIY all ages punk shows or anarchist bookfairs. I would rent a hall, get my (former) friend Pat to DJ, and my friend Yvonne to run the bar (this was years before I went Straightedge). People donated to get in, and the bar would usually break even, even after the costs of a liquor license and me setting the prices far below normal. The majority of attendees were people I played Vampire or D&D with.
The reason I loved Halloween so much as a kid, and even until I was a young adult, was that it was the one holiday where you could be dark, dress up scary, as something evil. Where you could embrace all the things normally frowned upon in this fake Christian and legalistic culture. It was the day the freaks, geeks, artists and picked on kids could shine. It was DIY, and encouraged youth to be creative, and use their imaginations. And it was the only holiday where you went out into the community, often with friends to meet your neighbors, and knocked on the doors of other people (who you would threaten with pranks if they didn’t give you candy). Every other holiday meant staying home with family to celebrate some weird depiction of a dead deity and gorged on dead animal carcasses. On Halloween, instead of consuming a carcass, you would try to create a costume that made you look like one! Halloween for me was the collective accumulation of everything missing from every other day of the year all wrapped up into one dark night. I was always drawn to darkness, just as I was always drawn to be creative.
But Halloween has been recuperated by the consumer capitalist mainstream and drunken party culture. Now it exists as nothing more than another excuse to buy more junk (made by children in a sweatshop in China), consume, and get drunk. Whereas the costumes of my childhood were mostly homemade, even if people occasionally bought a mask or the fake blood, or whatnot, there was always a DIY element to it; now the norm is to purchase your costume at the mall, 100% plastic shit, shipped from overseas, and throw it out the next day. Mom’s and dad’s no longer take their kids door to door in many cities, as the fear of poisoned candy and sexual predators has become so pervasive (even though no one has ever actually poisoned candy to hand out, and the vast majority of child molesters are family, close friends, or people given authority over the kids; not a stranger in the bush) that the new tradition for many parents is to drive their kids (in their gas guzzling SUV) to the mall where they go store to store instead of door to door, and managers or employees of corporations hand out candy along with promotional materials. Because as we all know, Corporations are far more trustworthy than the people who live down the street from you.
For young adults and teenagers, the new trend is a mix of sexist shit costumes such as “Slutty Nurse,” or “Breast Inspector” and the always popular cultural appropriation and other racist ‘costumes’ such as white people wearing blackface. And have you noticed the disturbingly sexualizing Halloween costumes being marketed for young girls these days? Costumes become more and more sexualized by the year, for both adults and children. From “Slut Shaming” to sexualizing children, the corporations who make and sell this shit have no problem profiting off of rape culture. Just as the bars have no issue with profiting of addiction, and binge drinking.
Then of course there is the Halloween candy, made of shit and chemicals that are toxic, glued together with processed sugar, and often containing the milk of abused cows or other products stolen from the bodies of animals which our species domesticated who live tortured lives in industrial farms and feedlots before being shipped to the slaughter house. This poison cocktail then gets wrapped in a couple sheets of plastic “to make sure it safe from contamination” before being shipped halfway across the world so you can give it to kids to ensure they become addicted to sugar. TRICK OR TREAT!
Even the horror movies have gotten worse, turning into movies that fetishize and sexualize torture for 2 hours straight.
Over the last few years I have pondered various strategies to try and re-appropriate what is left of the once very DIY and community oriented former Pagan holiday. As much as I am disheartened by what it has become, I still do see some hope in the darkness. The continuing popularity of the Halloween screenings of the cult classic The Rocky Horror Picture Show give me some hope, and honestly dressing up in drag and throwing toast in the air can be quite a blast! The overt queerness of Rocky Horror may be what has saved it from being appropriated and recuperated entirely by this consumerist and homophobic culture.
I use to see some possibility as well in November 5 – Guy Fawkes Day, before the iconic V mask became mass produced and adopted by the right wing Libertarians and conspiracy theorists who never bothered to read Allan Moore’s anarcho-antihero epic, nor taken the time to learn the real history of the Gunpowder Plot to blow up Parliament. But alas, I have given up on Guy Fawks day after burning only 1 effigy of Steven Harper.
And of course there is the Pagan revival, people going back the roots of Samhain. There is definitely something encouraging about people, especially settlers on stolen land, wanting to go back to their roots. The potential for decolonization is there. Yet I am not entirely sold on this either, as those pagan roots are often from cultures that have already engaged in the domestication of animals and plants, and worship warlike patriarchal gods, or gods who offer the control of nature for faithful servitude. Spirituality has also been largely recuperated by civilization and turned into an escapist retreat from taking action and creating change. Then there is the questions of cultural appropriation whether it is neo-pagan Wicca and reinvention of Samhain, or the appropriation of Día de Muertos.
Another thing I have attempted with limited success is to organize sober spaces that are alternatives to the drunken Halloween party culture. There is many people that can’t be in spaces where alcohol is, whether it is cause they are struggling with addiction, a youth who legally is not allowed into a space that sells booze, or someone who just doesn’t like being around drunks or doesn’t feel safe around them do to past experiences.
A new idea I had this year was to make posters which read in large text something along the lines of:
“GET TO KNOW YOUR NEIGHBORS
Halloween is suppose to be about building community
DON’T TAKE YOUR KIDS TO THE MALL
trick or treat & meet the people you live next to.”
Another idea I have played with is to make vegan treats, which may not be healthier but are a lot better than the toxic corporate crap candy most folks are handing out to trick or treaters. I have a simple recipe for Vegan rice crispy squares for example, and I thought if I was to make them with a note attached explaining who made them, why, and all the ingredients including a phone number and address to accompany my name; perhaps, just maybe, parents would let their kids actually eat them??? A connected idea to make this one work better, was to make a batch of Vegan Chocolate Chip Cookies, using Sarah Kramer’s awesome recipe, in about august/September, and make a note with the ingredients that reads “hand made for you by your neighbor,” then take these door to door and hand them out for a few blocks, as a good opportunity to get to know the people who you share geographical locality with. This way not only do you meet them which can help build community, but also make them more open to homemade candy come Halloween.
The other type of strategies would be to find ways to use the current consumer culture and appropriate it’s energy for anarchist purposes. Thousands of people in the streets wearing generic disguises can offer a perfect smoke and mirrors type of potential for low level warfare against capital. Although with the enormous police presence and normalization of snitch culture amongst yuppies, there are some real risks to this. Alternatively one could try to use the trendy hipsters as a funding base for anarchist projects. Put on an event or sell something targeted towards pop culture (Zombie paraphernalia?) and use the money from it to pay the rent on your infoshop, to restock your punk distro, buy media or AV equipment, send to prisoners, or to cover travel to conferences, summits, or elsewhere for people who should be there but can’t afford it. There are many projects that are in constant need of funds in the anarchist movement. However, this strategy also runs into some risks of recuperation or wasting our energy on projects that don’t help further our own.
Halloween has been reduced from the night to creatively celebrate horror and the dead to a dead holiday where zombies dressed as in costume celebrate the death of creativity and consume the horrors of capitalist civilized reality. Is it time to bury this tradition? Or can transform into wild beasts and enact a séance to resurrect it from the death that is this modern reality called of civilization and destroy the monster called Leviathan?
SOMALI PIRATES are a humorous tongue in cheek band from sunny San Diego California. On this record, they compile the four best songs and put them all on one 45rpm 7″. This booze swillin, all night patyin bunch of rock n roll rebels know what to do, and they do it well. The music on this is catchy punk rock n roll with good melodies and a steady vocal presence. These punx just play good ol fashioned rock n roll with no pretense and no judgement – except to the posers! With songs such as Pay Me Or You Die, or Stay Strapped, SOMALI PIRATES brings the party thrash to mix with issues that make you think, like booses you most likely hate, and corrupt politicians. This EP comes with song explanations to keep it simple, stickers, and a digital download card. Released on Camel Clutch Records
AIE is from Slovakia and play pure unadulterated grindcore. there are no melodies here, just music written to be played fast and loud. Short and to the point. ALEA IACTA EST bring 5 original songs, plus a cover of “human trafficking” by INSECT WARFARE. Lyrics are political in nature featuring short sentences with big ideas. Translated into Slovak, English, and I think Czech (?), they definitely want the audience to know exactly what they are saying. First song has a noisy intro, and then nothing but brutal assault follows. recorded April 2013.
CONTROLLED EXISTENCE is from Prague, Czech Republic, and manage to fit 8 crusty power violence songs on their side. Lyrics are a mix of Czech (?) and either Italian or Spanish, not sure which. No English translations on this side, which is a shame for under – educated Amerikans such as myself. Songs all stick to the same style, mid range vocals, lots of chaotic speed amongst groove laden riffs. Songs recorded February 2013.
This split is 14 tracks of total fury in about the same number of minutes. Definitely recommended for fans of power violence / grindcore and guaranteed to please.
I recently did an interview with Minneapolis punk thrashers, RIFLE DIET. Read up on how they’ve been hitting the circuit and screaming about the ills of our world and personal turmoil. (interview by Leffer)
1. Rifle Diet has been around for some time now. Give us some insight on what brought the band to fruition and what the driving force is behind the band and its music.
Mariko(vox/lyrics): For me, having been in Garmonbozia for so long, Thrash compactor was a chance to do something completely new. I was into hardcore at the time, so I asked members of hardcore bands that I liked like In Defence and Pandamonium to start a band. Over time our songs got more midtempo and heavy, the lyrics got more political, and we lost some of the people in the band so it just made sense to go a different direction as Rifle diet. Rifle diet is just about having fun and raging and doing what we want with it. We play what we want to hear, say what we want to say. Will (guitar/vox): I write a lot of the music so for me it’s all about making the noise I’d want to hear if I went to a show, I’m always trying to push things so I don’t get bored. I also love touring/traveling so I mainly focus on writing and booking tour shows.
2. Your recent e.p. off Profane Existence is brutal….musically and lyrically. Elaborate on the context of the lyrics and what experiences from life do you bring with these words.
Mariko: Well on that record specifically I write about the experience of growing up in a household of abuse and how the cycle of abuse has affected me. It’s about not making the mistake of thinking that if your partner abuses you that it doesn’t affect your children and trying to give women strength to get their children out of that environment. “The Affected” is about living as a queer woman of color and taking offense to the idea that the punk scene is apolitical in this age so things like racism, sexism and homophobia no longer matter. How you can only brush these real issues off as politics if they don’t affect you. To people of color, LGBTQ and women these issues are real parts of everyday life regardless of the fact that we are not in “the nineties” and that we matter and are worth fighting for.
3. You just got back from a recent tour. Tell us what the experience was like and how far did you venture out? Mitch from DESPISE filled on drums, what was the circumstance for that and how’d it pan out?
Will: First off this tour was awesome, we have a lot of truly rad friends who helped us out with shows and put us up. Anyone who helped us out or came to the shows thank you so much!
I originally started booking it as an East Coast tour but due to a bunch of different fests going on we had to re-route so it turned into a Midwest tour instead. Our drummer John couldn’t get time off from his job and we had done a mini-tour with DESPISE in 2012 so we asked our good friend Mitch if he wanted to learn some songs and come out with us, it worked out great and we had a lot of fun.
4. Our DIY underground is a haven for people like us that “move out” of society and want to live away from the normalcy of daily consumption (e.g. , media, partisan politics, corporate garbage, etc.) Does Rifle Diet have a specific agenda in our DIY community? Some bands don’t have a strong stance on any one particular “thing”. Do you?
Will: Not really one thing no, there’s a bunch of stuff really. Lately we’ve been trying to draw attention to the apathy towards and tolerance for sexism/misogyny, racism, violence towards women that exists in the DIY punk scene. People want to shove out of view because they like a given band or that a perpetrator is a friend or that it’s become “cool” to be transgressive or taboo but that shit is fucked up and has no place in DIY punk.
Mariko: I think our message is be yourself, play the music you always wanted to that makes you feel alive and fight for what you believe in and rage hard while you do it.
5. What’s next? Tell us what’s around the corner for Rifle Diet. Give us some last words about the band and each other.
Will: We’re working on some new songs and getting ready to record again, we don’t really have any distro or anything lined up so any bands who want to do splits or cool labels that put out records should hit us up. I’m trying to get another tour together for late winter and that’s all up in the air right now but we’re trying to hook up with some of our friends in the Southeast, we’ll see what happens.
The grass IS always greener
When you’re standing in a desert
That use to be a forest
Like the Fertile Crescent
Or the great Scottish rain forests
You know, where now what we call the Moor is
Or parking lots and paved roads where the meadow use to live
But you see the trick isn’t to get over to the other side of the fence
But instead to tear it down altogether
A world free of false man made borders
Walls and fences
Cages are for captives
And we are meant to be free
As all life is meant to be
I hate walls and all the people who love them.[i]
I hate bars and prisons
And bars built to keep people drunk in
Captives to their own inebriation
Wasn’t that drink suppose to give you escape?
But there is no escape when the whole world is our prison
Just another bottle do drown in
Not until the people have risen
To tear the oppression down
Bring the bastards down
Royal or otherwise
[i] This line is a play off a line from anarcho-pop band Chumbawamba “I hate wars, and all the people who love them” from the song Here’s The Rest Of Your Life from their second album Never Mind the Ballots
First and foremost, my apologies for basically disappearing from the PE world in recent months. I hit a huge wall as far as writers’ block, and I was sort of stuck in my usual bout of self-doubt, self-loathing, and that sort of thing. The never-ending cycle of mental shit that I’m too [whatever] to look into.
But that’s not why I’m here today!
I’m here to ask a simple question of the DIY punk scene. What the hell happened? Why is it that in arguably the most horrific period of this generation, there is virtually no response from the youngest and least jaded punks? Have we as a subculture accepted defeat already? Has the political punk scene become so stale and reliant on old cliches that we cannot adapt to new challenges? Or has the stupid mindset of punk being “just music, maaaaan” taken over for good?
The world is absolutely fucked right now, and things are only getting worse. From rampant climate change, to reckless predatory capitalism. From Nobel Prize-winning presidents’ beloved assassin drone acceleration to Russia’s state-sponsored criminalization of an entire group of people. From the ongoing war of terrorism to the war on First Nations’ people in Canada. From rape culture to the scourge of fascism in Greece. And that’s just the first few examples from the top of my head. This is all right in front of our faces right now, and we’re fiddling while the planet burns.
In the last couple of years I’ve seen political discourse in punk drop sharply, as I’ve seen sub-sub-subgenre revival trends come and go. Instead of thinking about current or relevant issues to sing or write about, it seems that these revivalists would rather ape their beloved punk heroes word for word (or in the case of seventh-rate American raw-d-beat attak bands, even write their lyrics in broken English as a gimmick). After all, the fashion and sound is much more important than having anything relevant to say these days!
I’ve even noticed this apathy in the punk scene in the reviews section of Profane Existence! It’s become so rare that I see a review that mentions a band’s lyrics, let alone challenges a band on anything. Reviews are always the most boring part of a magazine (and yes, I still do reviews here), especially when they are nothing more than a short puff piece for a record. Maybe I’m alone here, but I think a review should cover more than just what a band sounds like. What are they singing about? What are the lyrics like? Is there something dodgy in the art or the lyrics? Let us know! Something strike you as amazing, or as horrible? Speak up! There is a major difference between Profane Existence and other major punk zines. Profane was founded as a blatantly political magazine and label. An alternative to punk scene apathy. A place for the anarchists and radicals to exchange ideas and listen to some killer tunes at the same time. If the anarchopunk community can’t rise above lazy apathy, what’s the point in continuing? We’re anarcho-punks for a reason. Anarchy still isn’t about hanging out on the internet and paying 600 dollars for an old record.
Am I calling for a “PC police” or whatever ignorant bullshit term is going to be thrown my way when this gets published? Give me a break. I’m far from perfect, and frankly I’ve never met anyone who isn’t. I love the DIY punk community, I love anarchopunk, and I hate the state of the world. We’re all in this for a reason, and we should all take a moment to think deeply about why we’re here. Do you give a shit? Or is this just another fashion for you? Have you ever stopped to consider any of this before?
Activism takes many forms, and you can still rock the fuck out while educating or making a difference. Punk can be a huge part of the revolution, as long as we let ourselves!
-Doomed Society Radio still exists. It’s also growing, and becoming a label. I’m putting on a couple of benefit shows to help pay for the first release, which will be a much-beloved Canadian anarchist band. It will be co-released with their label and a couple of others. http://doomedsocietyradio.wordpress.com
-I’m not trying to alienate people with this column. I’m just sick of punks not challenging the status quo.
CoT is a fem fronted 5 piece blackened crust band from El Paso Texas. There isn’t much punk at all with this outfit, apart from the red / anarchist message. ISKRA call themselves anarchist metal, and this outfit isn’t far from that description. The demo package for this CD is awesome and totally DIY. Even the CD itself has the album cover printed onto the top with a glossy finish. To Serve Man is 7 tracks (two of which open and close the album with no lyrics) played out in a little bit more than 30 minutes. Recorded and released in 2012, by Culture War Distro. The lyrics, just like the art, are anti – Christian in general, and talk about body politics and street riots in particular. Two of the songs are entirely sung in Spanish, true to nature as some of the members are of Hispanic origin. Their latest effort is a split release with a power violence band from Phoenix called Biocidio.
The opening track, Twilight of Capitalism 2, is a 3 minute instrumental prelude of the anarchist crust to come. The guitar plays a repetitive minor key riff amidst sounds of urban unrest and general chaos, most likely caused by civil warfare. Lots of sound samples keep it interesting for the 3:20, and ends with a crowd chanting for either peace or freedom.
Bottomless Execration comes next and instantly brings the black metal inspired crust that will play out through the rest of this album. Minor key riffage on dual guitars, truly off the wall drumming that fully drowns itself in the art of blst beats, and reverb on the screeched out vocals. COMMUNION OF THIEVES truly is a force to be reckoned with. Beauty Beyond An Image slows the pace a bit, but just to make it more clearly emotional and melodic without losing the aggression. Innocencia Interrumptida quickly returns to blast beat black metal form. The acoustic intro for Black Earth is great, and the basic guitar pattern is used a lot through the rest of the song, albeit faster and distorted. Pasos Libres is definitely one of the best musical compositions, there’s a lot of rage seething to escape, and after it is released, it gets washed into the drainage ditch with a thunderstorm, which ends up cleansing the listener in a rain storm with acoustic guitars before this beast is put to rest.
This demo is amazing and has top – notch production but retains a dusty feeling from the desert. Although I thought this album would be very difficult to improve upon, you should really check out the new material on their bandcamp page, since they were able to do just that.
This crusty California split 7” brings 4 songs from each band on a raging blue marble slab o’ wax. Blood Shot and Dilated play some crusty D – Beat influenced punk that maintains some hardcore and death metal elements. With dual (and sometimes triple) vocals with an overly competent drummer, there is just no stopping this East Bay band. The guitar and bass throw in a touch of emotion and lots of thrash attack mixed with a hint of black riffage. The drums easily hit the speed of death / black metal, and recoil back in time to maintain the base speed. Their last song, Bite The Hand, reminds me a bit of melodic Scandi – crust.
Blood Stained Reality comes from the sunny streets of San Diego, but you wouldn’t know it by the sound. The vocals are bigger and more liquor stained, unlike B&D who tend to scream a bit much. Also, the metal influence is gone, replaced with only pure SoCal punk. While there is no emotive or really even melodic approach, there is significant groove and a few breakdowns thrown in for good measure. Neither band sing about anything new or earth – shaking, but they team up for a great split on this release and compliment each other well.
7” limited to 500 copies, this one at least, is on blue marble. A co – release from a couple small time labels, and recorded in 2012 in East Palo Alto California.
Stolen Kidneys is a relatively new garage / psychedelic punk band from Finland, and this record ep was released August of 2013. Here we have 3 new songs in just over 10 minutes on a heavy slab o wax that says play at 33rpm, but should be 45rpm. The lyrics cover topics such as corporate greed, and being trapped by material possessions in your apartment. Musically, hopping drums keep an odd time signature, while the guitar and bass play cold riffs. The riffs aren’t melodic, more like knife chops through meat. The heavily distorted sound can drown out parts of the drums at times, and some parts get really chaotic. The singer basically just shouts out urgent messages while trying to keep time with the music, not very original in my opinion. The opening of side B (omnipresence) reminds me of a Dead Kennedys song, but I forgot which one. The music is very choppy and goes right with the beat, before eventually going into a psychedelic breakdown, followed by loads of feedback before eventually spacing out. Both sides of this record end in the same manner, being overwhelmed by feedback and noise, and then just passing out into unconsciousness.
Originally formed in 2007 to be a Totalitar cover band, Morkt Kapittel from Trondheim Norway realized they had too many ideas to just be a cover band. Gro Igjen is their second effort released May 2013. Their first release, a S/T 7” was released April 2010. With a matured sound, and 4 songs in 14 minutes, this record stands by itself. This all white one sided LP has the cover art (a parachute dog) laser etched onto the B-side. Very impressive, must have cost a bit to release, definitely a treat for the fans. The gate fold sleeve opens up to reveal more art and lyrics written exclusively in Norwegian, with no translations available.
Morkt Kapittel plays melodic crust punk, currently a favorite among masses worldwide, and especially in Scandinavia. The sound can be described as somewhere between the crust of Wolfbrigade and the melody of To What End?, with lots of twists in between. The sound on this recording is more melodic than on the 7”, but still keeps the edge. With excellent guitar melodies, top – notch drumming, competent bass and a strong vocal presence, this band shows a lot of talent, which may help make them big within the European scene.