The long awaited debut LP from NYC’s FLOWER “Hardly A Dream” is finally set to arrive.
FLOWER’s tedious approach to writing/creating/drawing their debut LP was carefully thought out and the result is a monumental anarcho punk /crust record.
“Hardly A Dream” Takes us on a bleak journey through the dark side of society. As soon as you drop the needle a dark atmosphere is immediately created with a slow intro featuring arpeggio guitar work that builds into pummeling d-beat crust. The albums vocals then leave you with a feeling of being crushed by the ever-present weight of living through our modern world of late stage capitalism that was built on the falsehoods of the so called American dream, religious hypocrisy’s, nationalism, and the greed of humankind.
FLOWER take many cues from predecessors and are most often (and rightfully so) compared to NAUSEA but they also take a heavy influence from ANTISECT, SACRILEGE & other greats. The artwork has a very RUDIMENTARY PENI feel and the record comes with an amazing 24.5 X 34.75 CRASS style poster jacket. All art work was meticulously hand drawn and overseen by the guitarist Willow in true DIY style and spirit. Willow was also cool enough to draw up a special shirt for the record release featuring an alternative PROFANE EXISTENCE backprint!
Dark, heavy, galloping crust from the streets of London. AGNOSY is back to present us with a ferocious beast of an album that can only be forged by the anger and frustration of living in today’s world. “When Daylight Reveals The Torture” aggressively attacks evils such the current rise of fascism and animal abuse. It intelligently and passionately touches on the Afrin invasion and the revolution in Rojava and shows nothing but utter disgust toward the arrogance of humankind’s lust for greed and power that will inevitably lead us down paths of war and environmental devastation.
AGNOSY – Live at SCUMFEST in London. 2011
While lyrically AGNOSY are much more politicly straight forward this time around than on previous releases, musically they have expanded on their sound to create a dark and moody atmosphere while at the same time staying crust as fuck. To say they know what they are doing would be an understatement from this band of vets whose members have played in HIATUS, HEALTH HAZARD, and BEGINNING OF THE END.
Long galloping intros are followed up by traditional d-beat, fierce solo’s are then meet with vicious vocals and pulverizing bass in a brilliant recording captured by Lewis Johns at The Ranch Production House and was mastered by Brad Boatright at Portland’s legendary Audiosiege. We then pressed on deluxe heavyweight 150-gram vinyl, printed on reverse board jackets, and included an 11in x 22in gatefold insert to bring you a high quality and truly epic record.
PROFANE EXISTENCE – PO BOX 647 – HUNTINGTON WV – 25711 – UNITED STATES
The legendary crust classic is now available once again!
Authorized and released in cooperation with MISERY, S.D.S., & MCR Japan & Remastered by Jack Butcher at Enormous Door Studio we are beyond proud to make one one the most rare and sought after crust records available once again.
Fuck the scavengers charging punks exuberant amounts of cash on ebay and discogs. We worked meticulously with both bands and with Jack at Enormous door to bring you an updated version that kicks major audio ass while maintaining the original authenticity.
Released on deluxe 150 gram vinyl. With an 11×11 inner sleeve. Black Paper Jacket. Reverse Board Jacket.
Earlier this year we re-issued this legendary LP and sold over 950 copies in just 4 short months. For this second pressing we pressed 490 copies on Krystal Clear & 485 on Grey Vinyl with Black Mist.
Crystal Clear (Bullet belt no included) Grey With Black Mist (Bullet belt no included) PROFANE EXISTENCE – PO BOX 647 – HUNTINGTON WV – 25711 UNITED STATES
Stench crust the way it was meant to be played!
The UK crust scene of the 1980’s inspired band after band but no other band has ever reincarnated the sound of that time as well as SWORDWIELDER. Quite simply if you like crust, then this the album you have waited decades for.
Review by Craig Hayes from “Your Last Rites”… Swordwielder – System Overlord Heavyweight punk fanatics take note: System Overlord is a fucking triumph. The long-awaited sophomore album from Gothenburg stenchcore band Swordwielder is a brooding behemoth, constructed from the filthiest and heftiest strains of punk and metal. System Overlord shimmers with apocalyptic visions, and it’s overflowing with all the grim atmospherics and intimidating intensity that defines consummate crushing crust.
Too much hype? No way… And no apologies, either. Swordwielder deal in definitive stenchcore on System Overlord, and much like their full-length debut, 2013’s Grim Visions of Battle, the band’s latest release is a knockout. Swordwielder’s harsh, gruff and dark sound owes a significant debt to old school icons like Amebix, Axegrinder, Deviated Instinct, and Antisect, and they mix and mangle their influences and leave ’em to rot on the battlefield.
Plenty of hammering rage drives System Overlord tracks like “Violent Revolution,” “Savage Execution” and “Cyborgs,” and thundering epics like “Corrupt Future” and “Northern Lights” exhibit subtler strengths, mixing guttural growls and clean vocals with crashing percussion and dirge-laden riffs. Connoisseurs of corpse-dragging crust will love the brute-force belligerence of “Absolute Fear,” “Nuclear Winter,” and “Second Attack,” which rain down like merciless mortar barrages. As a rule, all of System Overlord‘s mammoth tracks chug and churn with grinding muscle, while reeking of squalor and decay.
Swordwielder exudes tightly coiled aggression from start to finish here—songs rise from the ashes of desolation, and resounding calls for action and resistance ring loud. If you’re a fan of heavy-hitters like Fatum, War//Plague, Carnage, Zygome, Cancer Spreading or (insert your favorite hefty crust crew here), System Overlord‘s trampling tempo and strapping sound are bound to appeal.
WILT combine old school metal and crust in a perfect hybrid that very few others have ever achieved. Prepare for a LP thats equal parts galloping d-beat crust reminiscent of bands like HELLSHOCK, and INSTINCT OF SURVIVAL, meets old school death metal in the vein of BOLT THROWER, MEMORIAM (old) SEPULTURA.
Here is a track from the upcoming LP
“Sermon for the Bootlickers”
Despite the inculcation of helplessness within each there remains great power. Ill at ease with such makes us ill. Learn to see the hand that feeds for what it is. You’ve been fooled if you think you’ve got no power. Refuse to be reduced to a consumer you’re a human being. Define yourself by more than wealth. Define yourself as a human. You don’t need what you’re being sold. Bend your knee to no authority but your own mind. You have the power to avoid the gilded trap. Avarice is what you’re conditioned for. Break the mold discover what’s really valuable to you.
WILT will be on in Europe this July / August will ELECTROZOMBIES From Chile
Wed, July 12 Hanover / Germany / Confirmed Thu, July 13 Bremen Fri, July 14 Mulhem / Germany / Confirmed Sat, July 15 Gent, Belgium / CrustPicnic / Confirmed Sun, July 16 Paris / France or Amsterdam / Nederland July 18 North-East France or West Germany July 19 Freiburg / Germany TBC July 20 Winterthur / Switzerland Fri, July 21 Zurich / Switzerland Sat, July 22 Biel / Switzerland July 23 Lausanne or Geneva / Switzerland
July 24 Geneva / Switzerland or Grenoble france
July 25 Treviso (or Milano or Bologna or Verona) / Italy
July 26 Ljubljana Slovenia Confirmed
July 27 No Sanctuary chilling day
Fri, July 28 NoSanctuary Confirmed
Sat, July 29 NoSanctuary Confirmed
July 30 Ilirska Bistrica/Slovenia or Vienna/Austria or Budapest/Hungary.
July 31 Wiena / Austrai or Budapest or / Slovakia
August 1 Brno / Czech Republic.
August 2 Prague / Czech Republic
August 3 Finsterwalde / Germany TBC
Fri, August 4 Leipzig / Germany TBC
Sat, August 5 Berlin / Germany / confirmed
August 6 Dresden
August 7 Wroclaw / Poland
August 8 Warsaw / Poland
August 9 Poznan / Poland
August 10 Szczecin/Poland TBC
Fri, August 11 Rostock / confirmed
Sat, August 12 Hamburg TBC
For this in the Seattle or surrounding area you can catch WILT this Saturday April first at Highline Bar with NOOTHGRUSH from Oakland.
Dumpster diving can be a blast, and a great way to get healthy food for many of us who were not born into class privilege. I don’t dumpster dive as much as I use to, but I have been doing it off and on since I first lived in a squat on the streets of edmonton, in 1996 at the age of 16.
I also have many friends and roommates who do the dive, and as awesome as it can be I have notice a few common trends and I feel like some folks might benefit from a little basic advice.
In Grime We Crust?
1) While there is many treasures to be found in the garbage, not everything in the bins is treasure. Often things belong in the garbage, sometimes way before they were ever thrown out. Products like Sunny D, or “Orange Beverage” which is sold for $1.00 when new, and tastes like watered down flat orange pop, belong in the garbage. Just because it is in the bin, doesn’t mean you need to take it out.
2) Leave some for other folks, you don’t need to take every scrap of edible materials from the bin. I know some approach dumpstering like it is their social mission to stop every scrap they can from hitting the landfill, but you gotta remember others might also be benefiting from that same store tossing their lunch. If you take everything, you might be taking food away from people who need it just as badly, or worse than you. If you insist on taking everything, consider going later, like 3am, after everyone else has come and gone, so that you are taking the leftovers rather than preempting others bin din.
3) Consider your social position here; if you have access to a kitchen, stove, oven, fridge and freezer – take stuff like produce which requires cooking and storing – and consider leaving products (like donuts, bagels, or pre-made meals in a package) that can be easily consumed without cooking for those who live on the streets and don’t have access to amenities.
4) Just because meat is in a dumpster doesn’t mean you have to put it in your body. Often I have seen formerly vegan or vegetarian kids start eating meat when they start binning, and rationalize it by claiming it would be disrespectful to the animal not to eat it… wait, did they actually just say it would be disrespectful not to eat an animal…? Yup that logical lunacy is a staple in the rhetoric of the ex-vegan ex. If you really respect animals, perhaps consider not viewing them as products to be consumed. Or better yet, join or start an group dedicated to animal liberation – above ground or clandestine – and take actual action to help living animals, or perhaps volunteer at the local rescues, sanctuaries, or adopt one from the shelters. There is so much work needed to be done and frying bacon out of a dumpster isn’t saving any animals, or your health, so quit making excuses. If you need to rationalize something, you probably shouldn’t be doing it.
It’s also just gross, all ethics aside. If you are consuming the flesh of animals from the dumpster, you are consuming torture. If you put torture in your body, don’t expect to get good health out. Never mind all the hormones, chemicals, and other crap. The flesh of domesticated animals from factory farms is simply toxic on so many levels. It always shocks me how people will get riled up about monsanto fucking with our food crops, or will refuse to eat soy because it is GMO, yet will fork flesh and puss (cheese) into their mouth 3 times per day.
4) Be picky. Dumpster diving is not a starvation economy, it is a fucking horn of pleanty. You can pick and choose and still bring home boxes of food most middle class yuppies couldn’t afford. So don’t eat shit, and don’t say thank you for the privilege. Take the good stuff and be healthy. Leave the garbage in the garbage.
Don’t put garbage in your body
The Dumpster Mafia – Organized Grime!
Simply eating garbage is by no means a revolutionary act, otherwise every seagull is a full fledged anarchist warrior leading the revolutionary vanguard! That doesn’t mean that dumpstering can’t be a ‘part’ of our anarchist practice. A few years back I had a roommate who really did try to make dumpster diving a revolutionary concept by applying ideashe learned from anarchist community organizing. He moved dumpstering from being just a lifestyle choice to actually using it to build community, organize, and increase food sovereignty.
He founded a group he named The Dumpster Mafia, it was organized similar to a CSA (Community Supported Agriculture) farm, and was by far the most organized and concerted dumpster diving I have witnessed or been part of. It involved a small team of volunteers, and anyone who either donated their time or a small amount of cash to cover costs, got a box of goodies hand delivered to their house every week.
The basic structure worked like this: he got a car given to him, a junker, which they would use to hit up the dumpsters, this way they could bring way more home in one trip, and could hit harder to get to bins out of bicycle range. In our backyard he set up a couple tents which he managed to get donated somehow, as well as a large chest deep freeze he got free off Craigslist. Beside the deep freeze, under the tents he had a series of good quality plastic bins, which he would use as refrigerators by filling plastic bottles with water to freeze them, creating diy ice packs, which were placed with food in the plastic bins under the tent (thus out of the sunlight). Food that needed to be frozen went in the deep freeze, produce and almond milk went in the bis, packaged goods like cereal just went in the house.
One group of volunteers would go dumpster each night of the week, using the car, and usually in pairs. They would go late so as to not take food away from anyone. They would process the entire bin, by taking out every garbage bag and piling them beside the bin, then systemically going through them one at a time taking out whatever food they could get which was worth bringing home, and finally placing the lightened bag back in the bin. Usually they managed to fill a car about 1/2 way by using this technique. They also would make sure to always leave the area cleaner than when they got there so as to not burn out their dumster supply by pissing off the stores.
The next team of volunteers would arrive in the morning, take the boxes of dumpster goods and process them: go through fruits and veggies that came in packages looking for bad ones to toss, or sometimes cutting off bad spots from fruit that could be eaten if frozen. Then they would place the food in the bins or freezer for the next group. The third group came by once per week, and would sort the scores into boxes to be distributed. Making sure to split food as evenly as possible. Finally volunteers would fill the car and make the deliveries to everyone who had contributed. Any money donated went to cover gas and insurance, although with 100% volunteer labor, very little money was ever needed, and the average volunteer only did about 2 hrs per week. It was a smooth operation for sure. And leftovers were delivered to a few local single moms down the block whenever possible, as well as to the local chapter of Food Not Bombs.
That entire year I barely bought food at all, and yet I ate fruit smoothies, stir fries, veggie bakes, and tofu scramble every day. It turned out to be a great way to build community, to get people working together, organizing, and it saved us all a ton of money. Plus we all were so healthy!
Get Dirty!
and remember, it’s even better when you do it with friends!
Almost anytime I open a magazine like this on newsprint I wind up comparing it to Maximumrocknroll. I don’t know why, I just do. This is a good zine though. This issue of Razorcake has some great political and thought provoking articles, and as always great band interviews and articles. One of our own Minnesota bands, Birthday Suits, graces the cover of this issue and Todd Taylor does a fantastic interview with them. Supplemented with comics/comedy and a whole host of reviews at the end, I think it compares well with MRR.(rachael resist)
Lisa Root has done an excellent job with this new endeavor. I was a huge fan of Hails and Horns Magazine, which she was the editor of until the magazine went under in February. Then she comes out, fists blaring, with this New Noise Magazine, which, in my opinion, is far better than Hails and Horns. New Noise encompasses a much broader range of music, but still has a lot of your favorite metal bands included. This issue has bands ranging from Municipal Waste to Kylesa, and has a few bands that are even new to me that I hadn’t heard of before(very appropriate for a magazine entitled “New Noise.”) The articles are well written and some of the photographs are absolutely captivating. I am looking forward to the next issue already. (rachael resist)
We’ll be picking up PE #64 from the printers on Friday, June 7, 2013. This massive 36-page newspaper-type issues compiles reprints from PE’s blog from 2012 and 2013.
Includes interviews / features on:
ANTISECT
Walter Bond
Jake Conroy (Of the SHAC Campaign)
DEADLY REIGN
Adam DeGross
DESPISE
Luk Haas
Gord Hill
KRUM BUMS
MISERY
Nesha
NEUROSIS
Chris Parry
PUTREFACTION
Rural punks
THE SHAME
SUFFERING LUNA
Vaudie Va-Boom
VARIX
WARTORN
Mike XvX
The expected ship date is on or shortly after June 7, 2013
WARNING: There is virtually nothing new in this issue that has not been previously published on our web blog. There is no cover price and money being charged here is to nominally cover printing, shipping and bank fees. You may be able to get a copy for free or small donation from touring bands or at Extreme Noise Records, Long Haul Info Shop and other cool DIY places
KRANG are a new band birthed from Chicago’s DIY punk underbelly. They play a brutally powerful brand of thrashy riff-laden crustcore and have an intense live presence. They have recently recorded for a few vinyl projects, including PE’s own 7″ singles series. Check ’em out!
Interviewed by Brian Poulin (NEGLIGENCE). All photos by Adam DeGross.
PE Who’s in the band and what does each of you do?
AUSTIN: guitars / backing vocals / song writing (synth & keyboard on 12″)
ADAM: bass / backing vocals / song writing
BRENDAN: lead vocals / lyrical content
DEVAN: drums & percussion / backing vocals
PE: What’s a brief history of the band and how did you guys form?
Austin: We started circa 2009. We had an additional guitarist: Louis C. He went on to start a blackened crust band called Welkin Dusk, based in Chicago that he plays drums & lead vocals for. We used to have an additional lead singer as well: Hannah B. Hannah was a part of our first two releases: the out of print “Onward Desolation” demo tape, and also the out of print “Bog of Eternal Stenchcore” 7″. Hannah is now the front-woman in a band called Despise, based out of Minneapolis. Our original drummer, Brett, is on the two recordings I mentioned before, as well as our “Sounds of Death” 12″. Brett now drums for a Chicago / northwest Indiana band called Asphixiate. Devan is now our permanent drummer and he will have his first appearance on the “Broken Waves” 7″, released by Profane Existence, which is coming out in June. Devan will also be on our next 12″: “Bad Moon”, which we are writing right now. I, as well as Krang, are totally stoked on Devan and really happy to have them. Devan is active outside of percussion as well with assisting in writing, assistance in lyrical content & structure, and the internet stuff. This line up has been solidified for over a year and is totally fucking Krang! It just works perfectly.
Bog of Eternal Stenchcore 7″
PE: You guys are based out of Chicago. What are your favorite parts of the scene there? What are your least favorite things about Chicago’s scene?
Devan: Chicago’s an interesting place. I feel like the pros and cons are often directly related to one-another. For example, the mere size of the city. There are so many people – new to here, young, old, whatever – that there is basically always something going on and a handful of solid DIY spaces at all times, regardless of whether people leave or places get busted or whatever. The downside is that the physical structure of the city makes it difficult and/or terribly time-consuming to navigate. Especially if you don’t have a car. And even if you do, parking sucks. Anyway, as a result of the city being as segregated as it is, people are often inclined to just stick to what’s going on in their neighborhood and it results in a lack of exposure or attention paid to some really cool things. It’s unfortunate. But then there are some events like the annual Black and Brown Punk Show (shout-out to Monika!) or other fest-type shows where the attendance is crazy and bullshit is minimal. It’s rad.
Sounds of Death LP
Austin: I used to live in CHI. I reside in northwest Indiana (NWI). It’s really close. You can compare it to how close Jersey is to NYC. The rest of the band does live in CHI. My favorite things about Chicago is the “don’t take shit” attitude that at least me and the scene we’re involved with has. We’ll kick you out if your a piece of shit human or kick your ass if we have to. I also like The Void Haus in NWI for gigs. My personal least favorite things are cliques, hype, division, etc… the things that you see in every rather large city, I suppose.
Adam: I love Chicago’s unspoken rule of everyone being down to get down when shit hits the fan and nobody lets bogus comments or derogatory gestures fly. My complaint for the longest time was how there is the same hierarchy that we all hate in daily life at a lot of the gigs. It seems like those “in crowd” wanks have come and gone though, or maybe I just don’t surround myself with such fools anymore. My main complaint, and I know I am sounding super negative, but for such a large city there is a lack of bands playing what I am into personally. There are a lot of great bands doing great things…but that doesn’t necessarily mean I am into them musically. Haha! I have a particular taste and its not being fulfilled. I usually go to shows to hang out and have a good time and just show support but its rare that I actually shit over a band that I see locally. I do really, really get down to Population though. White boy can’t dance but when I see this band I start doing shit I didn’t know I was capable of.
Brendan: Chicago is simultaneously the best & worst place to live; which I’d imagine is a critique most other big-city dwellers share. There is no shortage of great folks, bands, eats, cool nerd-haunts (comic & record collectors rejoice!), and beautiful neighborhoods/communities in which to live. The same is true for all of the awful yuppies, gold cost bourgeois, & assholes who get your friends hooked on hard drugs. A lot of the time I wish that I lived in a vast expanse of lush nature with no human presence save myself. When I’m not wishing for seclusion, I’m loving how hard of a time I have sorting out which of the 5 awesome punk shows I get to go see any given night. Chicago has everything I love & hate at once; most of the time its worth it.
PE: Musically what are you guys going for?
Devan: I’d say sincerity, first and foremost. In sound, words, and delivery. And the connections we can and have made with people based on that. My musician’s answer would be just to write the best songs we can and perform them at the highest level at all times.
Austin: I just want to stick out and be a little different sounding. I still want to have that essential formula for great punk. I personally believe we found the introduction to our sound with the “Sounds of Death” 12″. We have two formulas: triumphant, galloping crust metal and simplified, pissed off, to-the-point stuff.
Brendan: Initially we formed with the idea of writing over the top odes to crust circa late 80’s/early 90’s; stuff you could flail your overgrown dreadlocks around to. We all fell into a groove with each other over time, where we don’t really need to define what we’re gonna write before we do. We approach releases with general outlines (theme,length, format etc.), but when writing songs I’d say we aim for mean, earnest & impactful.
Adam: I think naturally all being into different types of musical backgrounds, our finished product ends up being a thing of its own, but we all have similar enough interests to where we end up with the result that we initially were trying to go for. I personally am really into trying to sound like the bands I am into. It doesn’t end up exactly that way which is good but I love when bands obsess over old school sounds/bands/records and try to make their contemporary music sound as authentic as possible whether it be tone or style or whatever. At the end of the day we are trying to sound pissed, like we worship the 80s and have our music sound anarchy as fuck!
Krang slaying Minneapolis : Photo by Adam DeGross
PE: What bands inspire you the most?
Austin: I listen to EVERYTHING. I don’t know where to begin but musically, keeping personal interest aside, I think we’re inspired by 80’s UK crust and a lot of Japanese stuff as far as writing collectively. This is something me and you will have to nerd out on when we’re in Boston next. Haha!
Adam: For Krang, bands that influence the writing process for me are Masskontroll, Deathraid, Sacrilege, Hellshock, Deviated Instinct, Sodom, Axegrinder and Amebix as well as Instinct of Survival. Personally I am all over the water but my all time 2 favorite punk bands have always and will always be Discharge and the Dead Boys.
Devan: I could go on a long rant about every band I’ve ever loved and how they’ve all stuck with and influence me to this day and blah blah blah, but I’ll spare you the cost of ink and just say Sacrilege, Crude, Amebix and Discharge. That said, we are quite the eclectic bunch.
Brendan: Musically, anything running the gamut from Paintbox to Elliot Smith. I enjoy a lot of soaring Japanese hardcore with that Burning Spirits feel, 90’s screamo, early black metal & hip hop. Any band that has a way with words gets me going, but mostly I enjoy music that you can’t help but feel.
Broken Waves EP
PE: What are most of your songs about? What inspires the lyrics?
Brendan: Lemme preface by saying that Discharge is rad & “The More I See…” could be the soundtrack to my daily tedium… but i think punk rock has much more potential than to rehash our dogmatic & oftentimes simplistic politics. Having been a few places where the punk scene eats itself inside out with depression, addiction, & apathy towards the struggles of those around us, I think its real important to allow ourselves to be more open in the way we express all of the things exploding in our minds. I am not blowing my own horn, or any horn for that matter, but I really enjoy taking the personal route when it comes to writing & am constantly attempting to better address the common threads that run through all of our lives. Our first wave of songs covered some of our political leanings in regards to vivisection, arms manufacturing, rape culture & the willful destruction of our Earth. The “Bog of Eternal Stenchcore” 7″ reflects on the weight of stagnation on the “politically motivated”. “Sounds of Death” is the result of an obsession with death and a years worth of hurt; friends making irreversible decisions in regards to their lives & some of us falling into those spirals ourselves. There is absolution in acceptance though & I think a glint of hope in such dark subject matter. Our upcoming 7″ deals with cycles of change in our lives, moments of mania & madness; a counterpoint to our last 7″. The songs we are writing & playing now are an extension of that, focusing on moments of change in our lives, wanderlust & really just form one big, loud, pissed love letter to the DIY community, punk rock & time spent on the road. Inspiration comes from any human I’ve met that has dared to be open, honest & shameless about it.
Devan: Passion in all its forms and extremities is what inspires us. Totally.
PE: You guys have done a few extensive tours. What’s your favorite city you guys haveplayed in? What’s your least favorite?
Austin: I love Boston. Detroit, New Orleans, and the Twin Cities (Minneapolis) are up there too. I don’t really have a least favorite. We have had some bad experiences, though. I will give them the benefit of the doubt and not mention them. Hopefully things will be better when we return.
Devan: New Orleans is my favorite city ever, and our most recent gig in Boston totally ruled. I’d have to say, though, that many of my favorite shows have been in non-major cities. Birmingham AL was awesome, Asheville NC, Cincinatti OH, Grand Rapids MI…basically anywhere with a really tight-knit but wide-ranging DIY scene in terms of age, music, spaces, projects, etc. It’s always super encouraging to see.
Brendan: I’ll echo the others in saying that NOLA, Asheville, Cincy, Birmingham, Boston & Baltimore all kick ass. I’m usually super appreciative of all the towns we’ve been lucky enough to play in, though of course we’ve played in towns that seemed to embrace the anti-PC attitude/sense of humor that I am so fucking sick of. Some cities are really 50/50 because you’ll either play an amazing show with bad-ass folks & have the time of your life, or you might end up wanting to eviscerate some fuckhead who only listens to GG Allin & doesn’t get why a confederate flag hanging at a show space might ruffle some feathers.
Austin: We as a band aren’t about making sure we are politically correct all the time, but we definitely are hellbent on showing one another respect and are willing to give respect back to those who are legit. No single city is bad. Like I said before, sometimes there are some bad experiences. Fuckheads are everywhere.
Adam: Yes, Cincinnati, Birmingham, Boston, but most of all NOLA and Minneapolis. New Orleans and Minneapolis…no other city can live up to the debauchery that is expected to happen when we arrive in these two places. We need a week of recovery after being in either place for just a day. Also I love playing Madison a lot. Fuck, I love touring. So many amazing friends are being missed right now as we speak.
PE: What are some of your favorite bands you guys have played with?
Lord Krang: Scum from Detroit, Appalachian Terror Unit, Antisect, In Defense, Nu-kle-ar Blast Suntan, Kontrasekt, Cognitive Dissonance, The Skuds, Coelacanth, WrathCobra, Wartorn, Negligence, In Ruins, and definitely D-Clone; but honestly, it’s great to play with anyone and everyone who aren’t assholes and give a shit about “punk rock”.
PE: What are some of your favorite local bands from Chicago?
Lord Krang: Asphyxiate, Decay After Death (Decay A.D.), Cemetery (RIP), Culo, Die Time, Slag, Escalofrio, Sex Bunker (RIP), Birth Deformities, Gas Rag, Welkin Dusk, Daylight Robbery, Dirty Surgeon Insurgency, The Breathing Light, La Armada, Black September, Kontaminat, Ooze, Tensions, The Busy Sugnals, Population, More that we’re forgetting to mention….
PE: What does the future hold for Krang?
Devan: As Austin mentioned earlier, we have our “Broken Waves” 7″ being released in June, at which point we’ll be doing a small tour with Coelacanth. Also, as previously stated, we are well along in the writing process for our next full-length LP. Look for us around the Mid-west this summer and keep up-to-date and get in touch via the following:
crustardpunx[AT]gmail.com – krangcrustards.bandcamp.com – krangcrustards.blogspot.com
Austin: More touring, more albums, more blood spit nights, more everything! We’ll do a more extensive tour when the new LP comes out.
Brendan: “Bad Moon” 12″ – Skull Fest – Split(s?) – Self-Destruction With A Gusto
Lord Krang: Record labels that are interested in helping us with our next 12″ (which is more than half way written) get in touch with us!!! It will be even more galloping, pist, and triumphant than our still available “Sounds of Death” 12″!
The story takes place in West Berlin, a West German enclave, in 1981, which was divided into four sectors after the Second World War. West Berlin is an American, British and French pocket that is surrounded by the Berlin Wall, separating it from the Russian section, East Berlin, all in East Germany. The main group of characters are a politically active group of squatters, all with vastly different life stories, who work together to carve out lives in old wartorn buildings. There are punks, hippies, college students, artists, alcoholics and even a surprise(though in real life it’s not too surprising, but I don’t want to spoil the story). The book plays out very lifelike with some cultural and language barriers between characters while they eat, sleep, play, make love and fight the system together. A lot of political history is injected through side notes adding depth while each scene is described in great detail: the color of the chipped paint on the walls, state of the furniture(if any) in a room, murals, police uniforms, beer/cigarette types, etc. I really liked how naturally the language flowed between characters even if they had to use body language and gestures to get their points across. It was easy to feel involved in the story, even the graphically described confrontations with the police where there were plenty of exchanges of harsh words, cobblestones, beer bottles and tear gas canisters. Because it flows so well, it was easy to keep the book in my bag to read little bits on lunch breaks or a few pages before starting the day without forgetting what exactly is going on. Totally worth picking up to slip in between Chompsky and Bookchin. (Jake)
The aborted first attempt at PE#64. All this and more will be in the new and improved PE#64!
More than a year ago we shelved the printed version of Profane Existence Magazine, mainly because it we couldn’t afford the continual financial drain. We’re please to announce that we’re going to bring the printed version of PE magazine back in a limited form. The idea is to put together an annual roundup of the best material from the web zine (interviews, reviews, articles, etc.), plus highlight upcoming summertime festivals and events.
The first of these annual issues will be published during the first week of June with distribution happening via touring bands. It will be available for a small donation or free with merch purchase (show them some gas money love)! 3000 printed copies will be distributed in the USA. A free PDF version will also be available world-wide from this web site. Get your copy at any of the upcoming IN DEFENCE tour dates and others.
HAVE SOMETHING TO ADD?
We’re looking for the following contributions at this time:
1. Information about upcoming festivals and events. This was always a big feature in our summer issues and we’re going to continue it again.
2. Ads. To help pay for printing we’re going to sell a limited amount of ad space. Rates are as follows:
1/3 page = $100
10″ wide by 5″ tall (3000 x 1500 px)
5″ wide by 10″ tall (1500 x 3000 px)
2.5″ wide by 15″ tall (750 px x 4500 px)
1/4 page = $75
5″ wide by 7.5″ tall (1500 x 2250 px)
7.5″ tall by 5″ tall (2250 x 1500 px)
1/6 page = $50
2.5″ wide by 10″ tall (750 by 3000 px)
10″ wide by 2.5″ tall (3000 by 750 px)
5″ wide by 5″ tall (1500 x 1500 px)
1/8 page = $37.50
3.75″ wide by 5″ tall (1250 x 1500 px)
5″ wide by 3.75″ tall (1500 x 1250 px)
1/12 page = $25
2.5″ wide by 5″ tall (750 x 1500 px)
5″ wide by 2.5″ tall (1500 x 750 px)
We’re also open to bartering ad space and will run ads for benefit project free of charge. Get in touch for details.
3. We NOT looking for columns, reviews, or other articles at this time because we already have tons of great material. We’re always interested in help on the web site and your contributions to that may end up in next year’s edition of the print zine.
If you would like to get in touch with use about your festival or event, advertise, or bring copies of PE on tour, get in touch through the contact form below.
For those of you who don’t know DEADLY REIGN, Its time to get with the program! DEADLY REIGN is a 3 piece D-BEAT killing machine with a legendary line up comprised of members from GLYICNE MAX, DOGMA MUNDISTA, SCARRED FOR LIFE, WORLD BURNS TO DEATH, KEGCHARGE, CENTURY OF WAR AND TILL DEATH. These guys have been at it for a long time and don’t fuck around when it comes to bringing you punk rock authentic and true to its sound and with their new single released on PE entitled SLAVE! These guys don’t seem to be slowing down anytime soon. So let’s get to the brass tacks and see what these guys have been up to. (INTERVIEW BY DUTCH WELCH FROM KRIGBLAST)
PE: So what are your names, what do you play, and how did you guys come together?
(RAYGUNN) I MOVED TO AUSTIN AND RAN INTO GUERINOT AT HIS DAUGHTER’S BIRTHDAY PARTY. UNKNOWN TO ME, MY WIFE WAS AND STILL IS GOOD FRIENDS WITH HIS WIFE AT THE TIME AND HE AND I KNEW EACH OTHER FROM THE PAST WHEN OUR PREVIOUS BANDS HAD PLAYED TOGETHER. WE GOT TO TALKING AND DECIDED THAT WE SHOULD START A BAND. I SAID, WE JUST NEED A BASS PLAYER/SINGER, AND HE SAID HE HAD ONE. HE CALLED HIS FRIEND GUSHAMMER AND HE WAS INTO IT. THEY HAD BEEN WANTING TO START SOMETHING TOGETHER FOR A WHILE. AND EVENTUALLY WE GOT THE BALL ROLLING (OR SHOULD I SAY, THE BEERS FLOWING?).
PE: You guys have all been in some pretty kick ass bands in the past. who played in what?
DEADLY REIGN:
RAYGUNN – GLYCINE MAX, DOGMA MUNDISTA, KONTRAKLASE, AND SCARRED FOR LIFE.
GUERINOT – WORLD BURNS TO DEATH, AND KEGCHARGE.
GUSHAMMER – CENTURY OF WAR, AND TILL DEATH.
PE: Who came up with the name Deadly Reign?
DEADLY REIGN:
(RAYGUNN) I USED TO HANG OUT WITH A KICK ASS BAND IN THE EARLY 80’s CALLED BODY COUNT. THEY WERE AN EARLY D-BEAT STYLE OF BAND (BEFORE THE TERM D-BEAT WAS AROUND) AND THEY HAD A SONG CALLED DEADLY REIGN. SO I TOOK IT FROM THAT. (AND YES, I AM AWARE THAT THERE WAS A BAND CALLED DEADLY REIGN FROM NORTHERN CALIFORNIA BACK IN THE EARLY 80’s, BUT THAT IS NOT WHERE I GOT THE NAME FROM).
PE: The music of DR is furious, in your face politically and socially. Whats the motivation behind your song writing?
DEADLY REIGN:
(RAYGUNN) MUSICALLY, WE JUST TRY TO WRITE MUSIC THAT WE LIKE. THE KIND OF STUFF WE WOULD LISTEN TO AT HOME. NOT SO MUCH TRYING TO BE ORIGINAL OR GROUND BREAKING. MORE OF JUST PLAYING THE HARD AGGRESIVE TYPE OF MUSIC THAT WE LIKE. WE GET IT ALL TOGETHER AND THEN GUSHAMMER WRITES SOME LYRICS.
(GUERINOT) I’VE ALWAYS SAID I CAN’T AND WON’T BE IN A BAND THAT I COULDN’T ALSO LISTEN TO. WHAT WOULD BE THE POINT OF PLAYING SHIT THAT YOU DON’T LIKE? WE AREN’T DOING THIS TO PLEASE OTHERS, JUST OURSELVES.
(GUS) SOME LYRICS HIT RIGHT TO THE POINT, RELIGION. IT’S FUCKING 2013 AND HERE WE ARE STILL DEALING WITH RELIGIOUS NONSENSE! PEOPLE THE WORLD OVER ARE BEING PERSECUTED, MISLEAD, AND OUT RIGHT SLAUGHTERED OVER RELIGION. RATHER IT’S CHRISTIANS, MUSLIMS, JEWS, OR WHATEVER FICTITIOUS BULLSHIT SECT THEY ARE IN. RELIGION IN ANY FORM IS UNCALLED FOR AND DANGEROUS! AND THIS COUNTRY USES IT TO PULL OFF SOME SERIOUSLY HEINOUS ACTS OF PURE AND UTTER VIOLENCE AND WAR. WE TOUCH ON THIS OF COURSE ON THIS RECORD, BUT MORE SPECIFICALLY IT’S DIRECTED TOWARD THE WORKING CLASS FOLKS AND THEIR DAILY STRUGGLE JUST TO PUT FOOD ON THE TABLE FOR THEIR FAMILIES. THE OLDER WE GET, THE SAME STRUGGLE REMAINS, EXCEPT NOW WE MUST NOT ONLY FIGHT TO FEED OURSELVES BUT FIRST FEED OUR CHILDREN AND LOVED ONES AND THEN WITH WHAT IS LEFT OVER, TAKE CARE OF OURSLEVES. SO WE CAN SLAVE ANOTHER DAY FOR A LESS THAN ACCEPTABLE WAGE. OVER THE YEARS I HAVE WATCHED OUR (PUNK) COMMUNITY OF FRIENDS WORK IN HORRIBLE CONDITIONS FOR SHIT WAGES WITH NO BENEFITS AND NO HOPE OF MOVING UPWARD IN THESE POSITIONS. AT THE END OF THE DAY THEY HAVE A SMALL CHECK THAT IS OVER TAXED AND A SORE ACHING BODY, THAT CONTINUES TO GET WORSE. “TELL ME IS THIS THE LIFE I’M FORCED TO LIVE TO PROVIDE FOR MY FAMILY?”…THE ANSWER IS NO! BUT NOT WITHOUT A FIGHT. WE HAVE TO CONTINUE TO POINT OUT THESE CONCERNS OVER AND OVER UNTIL THE POWERS THAT BE HAVE NO CHOICE BUT TO LISTEN.
PE: You guys did a split with HELLKRUSHER not to long ago entitled Continuous Warfare. How did this collaboration come about?
DEADLY REIGN:
(RAYGUNN) I HAVE KNOWN SCOTTY (HELLKRUSHER) SINCE THE MID 80’s WHEN HE WAS IN HELLBASTARD, AND I WAS IN GLYCINE MAX. WE USED TO BE PEN PALS, AND WOULD SEND EACH OTHER TAPES OF OUR BANDS, AND OUR FRIENDS BANDS. WE EVENTUALLY LOST TOUCH WITH EACH OTHER AND THEN YEARS LATER FOUND EACHOTHER VIA THE INTERNET. I SENT HIM SOME DEADLY REIGN AND HE LIKED IT. AND WE DECIDED TO DO SOMETHING TOGETHER.
PE: You guys all have family’s now and continue to tour, play shows, practice, record and work. How has DIY punk changed in your lives and how do you make it work?
DEADLY REIGN:
(GUERINOT) WELL, I HAVE TWO DAUGHTERS BUT HAVING AN UNDERSTANDING AND SUPPORTIVE PARTNER IS KEY. HAVING KIDS IS ONE OF THE BEST THINGS I CAN POSSIBLY IMAGINE SO IN MY OPINION, THEY COME FIRST. WORKING AROUND THEM AND WORK IS USALLY PRETTY EASY. LATELY IT HAS BEEN A BIT MORE DIFFICULT BUT TRYING TO WORK OUT THE KINKS IN A SITUATION AND PUT PIECES BACK TOGETHER IS PART OF THE PROCESS.
PE: The new single from Profane Existence entitled SLAVE, what can we expect and do you have any future releases coming out?
DEADLY REIGN:
(RAYGUNN) IT’S A LITTLE DIFFERENT THAN OUR LAST TWO RECORDS, BUT STILL THE DEADLY REIGN STYLE. NEXT WE WILL BE WRITING FOR A SPLIT 12″ WITH OUR FRIENDS KONTRASEKT.
PE: Closing comments, any last words?
DEADLY REIGN:
THANKS TO ALL OF OUR FRIENDS THE WORLD OVER. YOU KNOW WHO YOU ARE. ALSO, THANKS FOR THE INTERVIEW. AND BE SURE TO PICK UP THE NEW DEADLY REIGN ‘SLAVE’ EP ON PROFANE EXISTENCE! AS WELL AS OUR LP AND THE SPLIT WITH HELLKRUSHER. ALSO, WE WOULD LOVE TO GO TO EUROPE SOMEDAY, IF ANYONE OVER THERE WOULD LIKE TO HELP OUR BROKE ASSES OUT. HAHA! CHEERS – DEADLY REIGN
The last few days have been unusually hot, and with constantly rising temperatures do to global warming, it is useful to know how to make a good vegan ice-cream cake to help deal with the heat. Last night I made this exceptional vegan ice-cream cake, I had been wanting to make one for a while ever since an ex of mine brought one to a potluck a few yrs back. Here is how I did it.
1) The first layer was made with vegan store bought iceream, I used butterscotch ripple, I started by melting it, then adding dark chocolate chips. II found the cheap way to get good dark chocolate chips is to find a store that has them in bulk, and surprisingly often the dark or “pure” ones in the bulk section are accidentally vegan.The trick to making them cheap is to ‘accidentally‘ mark them down as the bin number for the shitty cheap milk chocolate chips that are usually about half the price. This way even someone on a fixed income can afford decent chocolate.
2) the second layer was made by putting Oreo cookies through the food processor to create crumbs. I normally would never buy such shit, but they are excellent in decedent baking. oreos are also one of those things that are ‘accidentally vegan,’ probably cause they don’t use any real ingredients at all… 😦 Still I used them cause they are tasty and add good texture. But don’t worry, if you don’t want to give money to shitty capitalists, just steal them. That’s why God invented shoplifting.
after this, you need to put it in the freezer until the first layers become solid.
3) This is where it gets interesting, I made the next layer by using frozen bananas, mixed with frozen raspberries, and a scoop of organic cane sugar, put through a food processor to make a variation of easy banana icecream. I get my raspberries in bulk to save money, and the bananas are easy to dumpsterdive or you can often find them cheap at small grocery stores that have discount racks. I added a scoop of vanilla flavored Vegan protein powder, I love this stuff as it is an easy way to get good nutrition, add it to baking, or cereal, or smoothies and it adds a ton of protein. It is quite expensive, but worth while. I got lucky as a friend dumpsterdived it and gave it to me.
I followed that with another layer of oreo crumbs. And then again stick it back in the freezer
4) The next layer was the best, I again used smooshed bananas, but this time mixed it with canned pinapple! YUMMY put the two in the food proccessor and added a bit of almond milk. Again you need to refreeze it after this layer before continuing.
5) The final layer was again using vegan store bought icecream, this time I used chocolate mixed with butterscotch.
6) I decided to get decedent, so I topped it off by throwing some nuts in the food processor, I used pecans and cashews, but most anything would do. However if you are gonna share it with friends or bring it to a potluck remember that tons of people are allergic to peanuts. I covered the topping with crushed nuts then sliced up some strawberries to decorate it, and froze it one last time.
This recipe took a bit of work, but none of it was difficult, and it made a lot. it was sooo worth it. Like instead of buying an overpriced cow puss ice-cream cake from Dairy Queen, I made my own, DIY Dairy Queer Vegan version!
Hey folks, I’m back again with another episode of Doomed Society Radio.
It’s another non-exciting week around the Doomed Society offices: more new music, prepping for the monthly DJ night, and… oh yeah, it’s my birthday tomorrow. I also did something relatively rare for me – I turned in a new episode on time. And that’s what I have to “delight” you with today. You can check it out HERE.
KRANG – sounds of death PUTREFACTION – mouth of the furnace MURDERESS – born to die NAUSEA – cybergod EXTINCTION OF MANKIND – the nightmare seconds WAR//PLAGUE – screams of the dead POLICE BASTARD – mandatory suicide (SLAYER) MISERY – progress (FLUX OF PINK INDIANS) ISKRA – the levelling dust (MARDUK) DETESTATION – nocturnal fear (CELTIC FROST) AFTER THE BOMBS – war (BATHORY) BAIT – zyklon b movie (SUBHUMANS) WARTORN – iconic nightmare WARTORN – unfinished business FILTHKICK – between the lines DOOM – fahrenheit 451 CONTORTURE – takeover RESOLVE – your way HARUM SCARUM – witch hunt (THE MOB) BUS STATION LOONIES – can’t cheat karma (ZOUNDS) FLEAS & LICE – punk is dead (CRASS) CHINEAPPLE PUNX – 1824 overture (CONFLICT) COMBAT SHOCK – is this a future (OMEGA TRIBE) BUG CENTRAL – capitalism is cannibalism (ANTHRAX) CRASS – punk is dead (live) CRASS – nagasaki nightmare (live) CRASS – hello hero (live) CRASS – anti-mother (live) CRASS – mother love (live) CRASS – reality whitewash (live) HARD SKIN – the boys in blue MARABOOTS – la soupe aux choubs STREET TROOPERS – oi against racism RAZOR BOIS – kick homophobia out of our scene THE OPPRESSED – skinhead times THE FAT SKINS – fencewalker PMMA – overdose SPASTIC PANTHERS – no escape IN DEFENCE – don’t call me a moshist SUICIDAL SUPERMARKET TROLLEYS – shut up and drink IAN MEREDITH – decontrol (DISCHARGE)
Profane Existence 